| # | Title | Artist | Rating | Length |
|---|
| 1 | Oh Pretty Woman- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.2 | 3:03 |
| 2 | Blueberry Hill- producer:
- Dave Bartholomew
- phonographic copyright (℗) by:
- Everest Records , Liberty (in 1957) and EMI Records USA (in 1991)
- recorded at:
- Master Recorders in Hollywood, Los Angeles, California, United States
- edit of:
- Blueberry Hill by Fats Domino
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
- cover recording of:
- Blueberry Hill (on 1956-06-27)
- lyricist:
- Al Lewis and Larry Stock
- composer:
- Vincent Rose
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. , Sovereign Music Company and Victoria Music Publishing Co. Ltd.
- part of:
- 12 Monkeys Soundtrack
| Fats Domino | 4.65 | 2:22 |
| 3 | Norman | Sue Thompson | | 2:17 |
| 4 | What a Wonderful World- recorded in:
- New York, United States (on 1967-08-16)
- engineer:
- Eddie Brackett and Bob Simpson
- producer:
- Bob Thiele
- alto saxophone:
- Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- baritone saxophone:
- Raymond Stanfield (on 1967-08-16)
- clarinet:
- Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
- double bass:
- Russ Savakus (on 1967-08-16)
- drums (drum set):
- Grady Tate (on 1967-08-16)
- flute:
- Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- guitar:
- Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
- percussion:
- Warren Hard (on 1967-08-16)
- piano:
- Hank Jones (on 1967-08-16)
- tenor saxophone:
- Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- trombone:
- Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
- trumpet:
- Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
- lead vocals:
- Louis Armstrong (on 1967-08-16)
- orchestra:
- Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
- conductor and chorus master:
- Tommy Goodman (on 1967-08-16)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1968)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
- recording of:
- What a Wonderful World (on 1967-08-16)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 4 | 2:18 |
| 5 | Proud Mary | Ike & Tina Turner | | 2:37 |
| 6 | Reet Petite | Jackie Wilson | 4 | 2:44 |
| 7 | Smoke Gets in Your Eyes- recording of:
- Smoke Gets in Your Eyes
- lyricist:
- Otto Harbach
- composer:
- Jerome Kern
- publisher:
- Chappell & Co Ltd., Chappell & Co., Chappell Music , Chappell Music Ltd., PolyGram International Publishing, Inc. , PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
- part of:
- Roberta
| The Platters | | 2:39 |
| 8 | Rock Around the Clock | Bill Haley & the Comets | 4.35 | 2:11 |
| 9 | Wake Up Little Susie | The Everly Brothers | 4.65 | 2:01 |
| 10 | Tombe La Neige | Adamo | | 3:09 |
| 11 | Bei mir bist du schön | The Andrews Sisters | | 2:56 |
| 12 | Calender Girl | Neil Sedaka | | 2:40 |
| 13 | Goodbye My Love | The Searchers | | 2:56 |
| 14 | At the Hop | Danny & the Juniors | | 2:33 |
| 15 | Great Balls of Fire | Jerry Lee Lewis | | 1:51 |
| 16 | The Loco‐Motion | Little Eva | 2 | 2:16 |
| 17 | Blue Suede Shoes- double bass:
- Clayton Perkins (in 1955-12)
- drums (drum set):
- W.S. Holland (in 1955-12)
- guitar:
- Carl Perkins (in 1955-12) and Jay Perkins (in 1955-12)
- vocals:
- Carl Perkins (in 1955-12)
- phonographic copyright (℗) by:
- Sun (in 1955, from 1956 to present)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (number: 95)
- recording of:
- Blue Suede Shoes (in 1955-12)
- lyricist and composer:
- Carl Perkins (in 1955)
- publisher:
- Aberbach (London) , Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing , Hi Lo Music, Hill and Range Songs, Inc. , Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
- part of:
- Million Dollar Quartet
| Carl Perkins | 4 | 2:16 |
| 18 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3.25 | 3:04 |
| 19 | I’ll Take It Back | Sandy Posey | | 2:40 |
| 20 | Love Letters in the Sand | Pat Boone | | 2:16 |
| 21 | Hit the Road Jack | Ray Charles | | 1:59 |
| 22 | Louie Louie | The Kingsmen | | 2:41 |
| 23 | What Diff’rence a Day Makes | Dinah Washington | | 2:31 |
| 24 | My Girl | The Temptations | | 2:56 |
| 25 | Volare | Domenico Modugno | | 2:32 |
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