Staatskapelle Dresden: Legendary Masterworks Recordings

~ Release by Staatskapelle Dresden, Chor der Staatsoper Dresden, Hans Vonk, Kurt Sanderling, Jeffrey Tate, Herbert Blomstedt, Otmar Suitner, Rudolf Neuhaus, Siegfried Kurz & 若杉弘 (see all versions of this release, 1 available)

Annotation

© «2009 Copyright Control»
℗ «1964 1988 VEB Deutsche Schallplatten Berlin / 1994-1995 edel records GmbH»

Annotation last modified on 2024-05-07 13:14 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Die Hochzeit des Figaro, K. 492: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:51
2Die Hochzeit des Figaro, K. 492: Act I. Recitativo:„Bravo, mein gnäd’ger Gebieter!“
bass vocals [Graf Almaviva]:
Walter Berry (bass‐baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt I. Rezitativ „Bravo mein gnäd’ger Gebieter” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro: Akt I (German lyrics)
Wolfgang Amadeus Mozart0:54
3Die Hochzeit des Figaro, K. 492: Akt I. “Will der Herr Graf ein Tänzchen nun wagen?”
bass vocals [Graf Almaviva]:
Walter Berry (bass‐baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt I. Nr. 3 Kavatine „Will der Herr Graf ein Tänzchen nun wagen” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro: Akt I (German lyrics)
Wolfgang Amadeus Mozart2:29
4Die Hochzeit des Figaro, K. 492: Act I, Scene 4. „Nur vorwärts, ich bitte“
mezzo-soprano vocals [Marcellina]:
Annelies Burmeister (contralto)
mezzo-soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt I. Nr. 5 Duett „Nur vorwärts, ich bitte” (Susanna, Marcellina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro: Akt I (German lyrics)
Wolfgang Amadeus Mozart2:20
5Die Hochzeit des Figaro, K. 492: Act I, Scene 5. Aria „Ich weiss nicht, wo ich bin, was ich tue“
soprano vocals [Cherubin]:
Edith Mathis (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt I. Nr. 6 Arie „Ach, ich weiß je nicht mehr” (Cherubin)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino)
part of:
Die Hochzeit des Figaro: Akt I (German lyrics)
Wolfgang Amadeus Mozart2:39
6Die Hochzeit des Figaro, K. 492: Act I, Scenes 7–8. Trio: „Wie? Was sagt alle Welt?“
baritone vocals [Graf Almaviva]:
Hermann Prey (baritone)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
tenor vocals [Basilio]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt I. Nr. 7 Terzett „Wie, was hör ich?” (Graf, Basilio, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro: Akt I (German lyrics)
Wolfgang Amadeus Mozart4:22
7Die Hochzeit des Figaro, K. 492: Act I. “Nun vergiß leises Fleh’n”
bass vocals [Graf Almaviva]:
Walter Berry (bass‐baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt I. Nr. 9 Arie „Nun vergiß leises Flehn” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro: Akt I (German lyrics)
Wolfgang Amadeus Mozart3:45
8Die Hochzeit des Figaro, K. 492: Act II, Scene 1. „Hör mein Fleh’n, o Gott der Liebe“
soprano vocals [Gräfin Almaviva]:
Hilde Güden (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt II. Nr. 10 Kavatine „Hör mein Fleh’n“ (Gräfin)
composer:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
part of:
Die Hochzeit des Figaro: Akt II (German lyrics)
Wolfgang Amadeus Mozart3:50
9Die Hochzeit des Figaro, K. 492: Act II, Scene 2. Arietta „Sagt, holde Frauen“
soprano vocals [Cherubin]:
Edith Mathis (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt II. Nr. 11 Kanzone „Euch, schöne Frauen” (Cherubin)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
part of:
Die Hochzeit des Figaro: Akt II (German lyrics)
part of:
Die Hochzeit des Figaro: Akt II (German lyrics)
Wolfgang Amadeus Mozart2:53
10Die Hochzeit des Figaro, K. 492: Act II, Scene 2. Aria „Nur näher, knien Sie hin vor mir“
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt II. Nr. 12 Arie „Nur näher, knien Sie vor mir” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro: Akt II (German lyrics)
Wolfgang Amadeus Mozart3:17
11Die Hochzeit des Figaro, K. 492: Act II, Scene 4. Duett „Geschwind die Tür geöffnet“
soprano vocals [Cherubin]:
Edith Mathis (soprano)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt II. Nr. 14 Duettino „Geschwind die Tür geöffnet“ (Susanna, Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro: Akt II (German lyrics)
Wolfgang Amadeus Mozart1:03
12Die Hochzeit des Figaro, K. 492: Act III, Scene 2. Duett „Warum gabst du bis heute meinem Flehn kein Gehör“
baritone vocals [Graf Almaviva]:
Hermann Prey (baritone)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Akt III. Duett „Warum gabst du bis heute“ (Graf, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna)
part of:
Die Hochzeit des Figaro: Akt III (German translation)
Wolfgang Amadeus Mozart2:35
13Die Hochzeit des Figaro, K. 492: Act III, Scene 4. Recitative and Aria „Der Prozeß schon gewonnen?“
baritone vocals [Graf Almaviva]:
Hermann Prey (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Rezitativ und Arie „Der Prozeß schon gewonnen“ – „Ich soll ein Glück entbehren“ (Graf)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
part of:
Die Hochzeit des Figaro: Akt III (German translation)
Wolfgang Amadeus Mozart1:20
14Die Hochzeit des Figaro, K. 492: Act III, Scene 8. Aria „Ich soll ein Glück entbehren“
baritone vocals [Graf Almaviva]:
Hermann Prey (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Rezitativ und Arie „Der Prozeß schon gewonnen“ – „Ich soll ein Glück entbehren“ (Graf)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
part of:
Die Hochzeit des Figaro: Akt III (German translation)
Wolfgang Amadeus Mozart3:21
15Die Hochzeit des Figaro, K. 492: Act III, Scene 5. Sextet „Lass mein liebes Kind dich nennen“
baritone vocals [Graf Almaviva]:
Hermann Prey (baritone)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass)
bass vocals [Graf Almaviva]:
Walter Berry (bass‐baritone)
mezzo-soprano vocals [Marcellina]:
Annelies Burmeister (contralto)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
tenor vocals [Don Curzio]:
Jürgen Förster (German tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt III (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro (German translation)
Wolfgang Amadeus Mozart4:48
16Die Hochzeit des Figaro, K. 492: Act III, Scene 8. „Und Susanna kommt nicht?“
soprano vocals [Gräfin Almaviva]:
Hilde Güden (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt III. Rezitativ und Arie „Und Susanna kommt nicht“ – „Wohin flohen die Wonnestunden“ (Gräfin)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
part of:
Die Hochzeit des Figaro: Akt III (German translation)
Wolfgang Amadeus Mozart1:38
17Die Hochzeit des Figaro, K. 492: Act III. Aria „Wohin flohen die Wonnestunden?“
soprano vocals [Gräfin Almaviva]:
Hilde Güden (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt III. Rezitativ und Arie „Und Susanna kommt nicht“ – „Wohin flohen die Wonnestunden“ (Gräfin)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
part of:
Die Hochzeit des Figaro: Akt III (German translation)
Wolfgang Amadeus Mozart4:30
18Die Hochzeit des Figaro, K. 492: Act III. Duettino „Wenn die sanften Abendlüfte“
soprano vocals [Gräfin Almaviva]:
Hilde Güden (soprano)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Hochzeit des Figaro: Duett „Wenn die sanften Abendwinde“ (Gräfin, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
part of:
Die Hochzeit des Figaro: Akt III (German translation)
Wolfgang Amadeus Mozart2:51
19Die Hochzeit des Figaro, K. 492: Act IV, Scenes 1–4. „Unglücksel’ge kleine Nadel“
soprano vocals [Barbarina]:
Rosemarie Rönisch
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro (German translation)
Wolfgang Amadeus Mozart1:46
20Die Hochzeit des Figaro, K. 492: Act IV, Scene 8. Recitative and Aria „Alles ist richtig“
bass vocals [Figaro]:
Walter Berry (bass‐baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Rezitativ und Arie „Alles ist richtig“ – „Ach, öffnet eure Augen“ (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro)
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro)
part of:
Die Hochzeit des Figaro: Akt IV (German translation)
Wolfgang Amadeus Mozart1:29
21Die Hochzeit des Figaro, K. 492: Act IV. Aria „Ach, öffnet eure Augen“
bass vocals [Figaro]:
Walter Berry (bass‐baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Rezitativ und Arie „Alles ist richtig“ – „Ach, öffnet eure Augen“ (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro)
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro)
part of:
Die Hochzeit des Figaro: Akt IV (German translation)
Wolfgang Amadeus Mozart2:35
22Die Hochzeit des Figaro, K. 492: Act IV, Scene 10. Recitativo „Endlich naht sich die Stunde“
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV. Rezitativ und Arie „Endlich naht sich die Stunde“ – „O säume länger nicht“ (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
part of:
Die Hochzeit des Figaro: Akt IV (German translation)
Wolfgang Amadeus Mozart1:20
23Die Hochzeit des Figaro, K. 492: Act IV, Scene 10. Aria „O säume länger nicht“
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV. Rezitativ und Arie „Endlich naht sich die Stunde“ – „O säume länger nicht“ (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
translated version of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
part of:
Die Hochzeit des Figaro: Akt IV (German translation)
Wolfgang Amadeus Mozart3:24
24Die Hochzeit des Figaro, K. 492: Act IV. „Der kleine Page!“
soprano vocals [Cherubin]:
Edith Mathis (soprano)
soprano vocals [Gräfin Almaviva]:
Hilde Güden (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro (German translation)
Wolfgang Amadeus Mozart0:25
25Die Hochzeit des Figaro, K. 492: Act IV, Scenes 11–14, Finale „Still nur, still, ich will mich nähern“
soprano vocals [Cherubin]:
Edith Mathis (soprano)
soprano vocals [Gräfin Almaviva]:
Hilde Güden (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro (German translation)
Wolfgang Amadeus Mozart1:21
26Die Hochzeit des Figaro, K. 492: Act IV. „Ha, da ist ja mein Susannchen!“
baritone vocals [Graf Almaviva]:
Hermann Prey (baritone)
bass vocals [Figaro]:
Walter Berry (bass‐baritone)
soprano vocals [Cherubin]:
Edith Mathis (soprano)
soprano vocals [Gräfin Almaviva]:
Hilde Güden (soprano)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro (German translation)
Wolfgang Amadeus Mozart4:33
27Die Hochzeit des Figaro, K. 492: Act IV. „Jetzt scheint ja alles still zu sein“
bass vocals [Figaro]:
Walter Berry (bass‐baritone)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro (German translation)
Wolfgang Amadeus Mozart3:42
28Die Hochzeit des Figaro, K. 492: Act IV. Finale „Friede, Friede, du einzig Geliebte“
baritone vocals [Graf Almaviva]:
Hermann Prey (baritone)
bass vocals [Figaro]:
Walter Berry (bass‐baritone)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro (German translation)
Wolfgang Amadeus Mozart1:43
29Die Hochzeit des Figaro, K. 492: Act IV. „Holla, Leute!“
baritone vocals [Graf Almaviva]:
Hermann Prey (baritone)
bass vocals [Antonio]:
Siegfried Vogel (operatic bass)
bass vocals [Bartolo]:
Fritz Ollendorff (operatic bass)
bass vocals [Figaro]:
Walter Berry (bass‐baritone)
mezzo-soprano vocals [Marcellina]:
Annelies Burmeister (contralto)
soprano vocals [Barbarina]:
Rosemarie Rönisch
soprano vocals [Cherubin]:
Edith Mathis (soprano)
soprano vocals [Gräfin Almaviva]:
Hilde Güden (soprano)
soprano vocals [Susanne]:
Anneliese Rothenberger (soprano)
tenor vocals [Basilio]:
Peter Schreier (German tenor and conductor)
tenor vocals [Don Curzio]:
Jürgen Förster (German tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
partial recording of:
Die Hochzeit des Figaro: Akt IV (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Die Hochzeit des Figaro (German translation)
Wolfgang Amadeus Mozart4:39
2▼Digital Media
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Act I - “Hier soll ich dich denn sehen”
tenor vocals [Belmonte]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart3:08
2The Abduction from the Seraglio, K. 384: Act I - “Konstanze, dich wiederzusehen, dich!”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:36
3The Abduction from the Seraglio, K. 384: Act II - “Wenn der Freude Tränen fliessen”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:48
4The Abduction from the Seraglio, K. 384: Act III - “Ich baue ganz auf deine Stärke”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart6:30
5The Magic Flute, K. 620: Act I - “Dies Bildnis ist bezaubernd schön”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:13
6The Magic Flute, K. 620: Act I - “Wie stark ist nicht dein Zauberton!”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:06
7Così Fan Tutte, K. 588: Act I - “Un’aura amorosa”
tenor vocals [Ferrando]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:03
8Così Fan Tutte, K. 588: Act II - “In qual fiero contrasto - Tradito, schernito”
tenor vocals [Ferrando]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:39
9Don Giovanni, K. 527: Act I - “Come mai creder deggio - Dalla sua pace”
harpsichord:
Walter Olbertz (German pianist)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:18
10Don Giovanni, K. 527: Act II - “Amici miei - Il mio tesoro intanto”
harpsichord:
Walter Olbertz (German pianist)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:29
11La Clemenza di Tito K. 621: Act II - “Se all impero, amici Dei”
tenor vocals [Tito]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Otmar Suitner (conductor)
recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:16
3▼Digital Media
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1Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:05
2Symphony No. 5 in C Minor, Op.67: II. Andante con moto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven11:22
3Symphony No. 5 in C Minor Op.67: III. Allegro
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:53
4Symphony No. 5 in C Minor Op.67: IV. Allegro - Presto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:03
5Symphony No. 6 in F Major Op. 68 “Pastoral”: I. Awakening of cheerful feelings upon arrival in the country: Allegro ma non troppo
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:31
6Symphony No. 6 in F Major, Op. 68: II. Andante molto mosso
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:41
7Symphony No. 6 in F Major Op. 68 “Pastoral”: 3. Merry Gathering of Country Folk: Allegro
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven5:44
8Symphony No. 6 in F Major, Op. 68 “Pastoral”: IV. Thunderstorm. Allegro
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:43
9Symphony No. 6 in F Major Op. 68 “Pastoral”: 5. Shepherd’s Song: Happy and Thankful Feelings after the Storm: Allegretto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Herbert Blomstedt (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:51
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1Symphony No. 9 in C Major D. 944 “Great”: 1. Andante - Allegro ma non troppo
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Jeffrey Tate (conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert17:07
2Symphony No. 9 in C Major D. 944 “Great”: 2. Andante con moto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Jeffrey Tate (conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert15:14
3Symphony No. 9 in C Major D. 944 “Great”: 3. Scherzo: Allegro vivace con delicatezza
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Jeffrey Tate (conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert15:14
4Symphony No. 9 in C Major D. 944 “Great”: 4. Allegro vivace
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Jeffrey Tate (conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert16:07
5▼Digital Media
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1Euryanthe Op. 81: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Marek Janowski (conductor)
recording of:
Euryanthe: Ouvertüre
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe (1825 revision)
Carl Maria von Weber9:10
2Clarinet Concerto No. 2 in E‐Flat Major Op. 74: 1. Allegro con brio
clarinet:
Oskar Michallik (German clarinetist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Kurt Sanderling (conductor)
recording of:
Clarinet Concerto no. 2 in E-flat major, op. 74: I. Allegro
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
Clarinet Concerto no. 2 in E-flat major, op. 74 (Concerto for Clarinet and Orchestra no. 2 in E-flat major, op.74)
Carl Maria von Weber9:19
3Clarinet Concerto No. 2 in E‐Flat Major Op. 74: 2. Romanza: Andante
clarinet:
Oskar Michallik (German clarinetist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Kurt Sanderling (conductor)
recording of:
Clarinet Concerto no. 2 in E-flat major, op. 74: II. Andante con moto
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
Clarinet Concerto no. 2 in E-flat major, op. 74 (Concerto for Clarinet and Orchestra no. 2 in E-flat major, op.74)
Carl Maria von Weber7:31
4Clarinet Concerto No. 2 in E‐Flat Major Op. 74: 3. Alla polacca
clarinet:
Oskar Michallik (German clarinetist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Kurt Sanderling (conductor)
recording of:
Clarinet Concerto no. 2 in E-flat major, op. 74: III. Alla polacca
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
Clarinet Concerto no. 2 in E-flat major, op. 74 (Concerto for Clarinet and Orchestra no. 2 in E-flat major, op.74)
Carl Maria von Weber7:36
5Clarinet Concerto No. 1 in F Minor Op. 73: 1. Allegro
clarinet:
Oskar Michallik (German clarinetist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Kurt Sanderling (conductor)
recording of:
Konzert für Klarinette und Orchester Nr. 1 in f-Moll, op. 73: I. Allegro
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
Konzert für Klarinette und Orchester Nr. 1 in f-Moll, op. 73 (Concerto for Clarinet and Orchestra No. 1 in F minor, Op. 73)
Carl Maria von Weber9:28
6Clarinet Concerto No. 1 in F Minor Op. 73: 2. Adagio ma non troppo
clarinet:
Oskar Michallik (German clarinetist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Kurt Sanderling (conductor)
recording of:
Konzert für Klarinette und Orchester Nr. 1 in f-Moll, op. 73: II. Adagio ma non troppo
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
Konzert für Klarinette und Orchester Nr. 1 in f-Moll, op. 73 (Concerto for Clarinet and Orchestra No. 1 in F minor, Op. 73)
Carl Maria von Weber6:45
7Clarinet Concerto No. 1 in F Minor Op. 73: 3. Rondo: Allegretto
clarinet:
Oskar Michallik (German clarinetist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Kurt Sanderling (conductor)
recording of:
Konzert für Klarinette und Orchester Nr. 1 in f-Moll, op. 73: III. Rondo. Allegretto
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
Konzert für Klarinette und Orchester Nr. 1 in f-Moll, op. 73 (Concerto for Clarinet and Orchestra No. 1 in F minor, Op. 73)
Carl Maria von Weber7:22
6▼Digital Media
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1The Flying Dutchman, WWV 36: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hiroshi Wakasugi (conductor)
recording of:
Der fliegende Holländer, WWV 63: Ouvertüre (The Flying Dutchman: Overture)
composer:
Richard Wagner (composer) (from 1840 until 1841)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner11:10
2Tannhäuser: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hiroshi Wakasugi (conductor)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Richard Wagner15:31
3Rienzi, Act I: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hiroshi Wakasugi (conductor)
recording of:
Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
composer:
Richard Wagner (composer) (from 1838-07 until 1840-11)
librettist:
Richard Wagner (composer)
part of:
Rienzi, der letzte der Tribunen, WWV 49
Richard Wagner12:23
4Lohengrin: Act I - Prelude
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hiroshi Wakasugi (conductor)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner9:23
5Lohengrin: Act III: Prelude
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hiroshi Wakasugi (conductor)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:08
7▼Digital Media
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1Violin Concerto in D Major, Op. 35: I. Allegro moderato
violin:
Christian Funke (violinist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky18:31
2Violin Concerto in D Major, Op. 35: II. Canzonetta: Andante
violin:
Christian Funke (violinist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky6:11
3Violin Concerto in D Major Op. 35: III. Finale. Allegro vivacissimo
violin:
Christian Funke (violinist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky9:32
4Symphony No. 5 in E Minor Op. 64: 1. Andante - Allegro con anima
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Siegfried Kurz (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky14:05
5Symphony No. 5 in E Minor Op. 64: 2. Andante cantabile con alcuna licenza
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Siegfried Kurz (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky12:22
6Symphony No. 5 in E Minor Op. 64: 3. Valse: Allegro moderato
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Siegfried Kurz (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky5:55
7Symphony No. 5 in E Minor Op. 64: 5. Finale: Andante maestoso - Allegro vivace
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Siegfried Kurz (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky11:48
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1Der Rosenkavalier Op. 59: Act I: Da geht er hin, der aufgeblas’ne, schlechte Kerl
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Neuhaus (german conductor)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss25:30
2Der Rosenkavalier Op. 59: Act II: Zu ihm hätt’ ich ein Zutraun
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Neuhaus (german conductor)
partial recording of:
Der Rosenkavalier, op. 59: Akt II
composer:
Richard Strauss (German composer)
librettist:
Harry Graf Kessler and Hugo von Hofmannsthal
part of:
Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227)
part of:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich! Was einem Cavalier nit alls passieren kann in dieser Wienerstadt" (Ochs, Annina, Chorus)
part of:
Der Rosenkavalier, op. 59: Akt II. "Eh bien, Mamsell, was hat Sie mir zu sagen" (Ochs, Sophie, Octavian, Annina, Duenna, Faninal, Chorus)
Richard Strauss5:02
3Der Rosenkavalier Op. 59: Act II: Mir ist die Ehre widerfahren
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Neuhaus (german conductor)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss11:39
4Der Rosenkavalier Op. 59: Act III: Es Ist ein Traum, kann nicht wirklich sein
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Neuhaus (german conductor)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss7:30
5Arabella Op. 79: Act I: Die schönen Rosen - Aber der Richtige
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Neuhaus (german conductor)
recording of:
Arabella, op. 79: Act I. "Aber der Richtige, wenns einen gibt" (Arabella, Zdenka)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss9:56