Ihre größten Erfolge

~ Release by Elisabeth Schwarzkopf (see all versions of this release, 1 available)

Tracklist

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1▼CD: Wolfgang Amadeus Mozart
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1Le nozze di Figaro: Voi che sapete
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Pritchard (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:58
2Le nozze di Figaro: E Susanna non vien / Dove sono
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart7:09
3Le nozze di Figaro: Sull’ aria (Briefduett)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) and Irmgard Seefried (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:47
4Le nozze di Figaro: Porgi amor
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (conductor) (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:15
5Così fan tutte: Soavee sia il vento
bass-baritone vocals:
Sesto Bruscantini (bass-baritone)
mezzo-soprano vocals:
Nan Merriman (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:24
6Così fan tutte: Prenderó quel brunettino
mezzo-soprano vocals:
Nan Merriman (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:12
7Così fan tutte: Come scoglio immoto resta
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:49
8Don Giovanni: Crudele? Non mi dir
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Pritchard (conductor)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:25
9Don Giovanni: In quali eccessi / Mi tradi, quell’ alma ingrata
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Josef Krips (conductor/violinist)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:51
10Don Giovanni: Batti, batti, o bel Masetto
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Pritchard (conductor)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:32
11Il re pastore: L’amerò, arò costante
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Josef Krips (conductor/violinist)
recording of:
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act II
Wolfgang Amadeus Mozart8:33
12Die Entführung aus dem Serail: Welcher Kummer / Traurigkeit ward mir zum Lose
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester)
conductor:
Rudolf Moralt (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:50
13Die Entführung aus dem Serail: Welch ein Geschick
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Anton Dermota (tenor)
orchestra:
ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester)
conductor:
Rudolf Moralt (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart8:15
14Die Zauberflöte: Ach, ich fühl’s, es ist entschwunden
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Orchestra Sinfonica di Torino della RAI
conductor:
Mario Rossi (Italian conductor)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
2▼CD: Richard Strauss
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1Der Rosenkavalier: Hergott im Himmel / Mir ist die Ehre widerfahren
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) and Irmgard Seefried (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss11:16
2Der Rosenkavalier: Da geht er hin, der aufgeblasene, schlechte Kerl
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:27
3Der Rosenkavalier: Marie Theres! Hab’ mir’s gelobt, ihn lieb zu haben / Ist ein Traum, kann nicht wirklich sein
baritone vocals:
Eberhard Wächter (baritone)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) and Teresa Stich‐Randall (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss12:50
4Ariadne auf Naxos: Es gibt ein Reich, wo alles rein ist
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:42
5Ariadne auf Naxos: Du schönes Wesen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:00
6Arabella: Aber der Richtige, wenn’s einen gibt
soprano vocals [Arabella]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
soprano vocals [Zdenka]:
Anny Felbermayer (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lovro von Matačić (conductor)
recording of:
Arabella, op. 79: Act I. "Aber der Richtige, wenns einen gibt" (Arabella, Zdenka)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss3:39
7Arabella: Sie wollen mich heiraten / Und du wirst mein Gebieter sein
producer:
Walter Legge (British classical producer)
baritone vocals [Mandryka]:
Josef Metternich (baritone) (on 1954-10-06)
soprano vocals [Arabella]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-10-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1954-10-06)
conductor:
Lovro von Matačić (conductor) (on 1954-10-06)
balance engineer:
Douglas Larter (on 1954-10-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1954-10-06)
recording of:
Arabella, op. 79: Act II. "Sie wollen mich heiraten, sagt mein Vater" (Arabella, Mandryka) (on 1954-10-06)
composer:
Richard Strauss (German composer) (in 1932)
publisher:
Adolph Fürstner Ltd. and Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Arabella, op. 79: Akt II
recording of:
Arabella, op. 79: Act II. "Und du wirst mein Gebieter sein" (Arabella, Mandryka, Dominik)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss8:49
8Capriccio: Morgen Mittag um elf / Kain Andres, das mir so im Herzen loht
baritone vocals:
Karl Schmitt-Walter (baritone)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
Capriccio, op. 85: Letzte Szene. „Morgen mittag um elf! … Kein andres, das mir so im Herzen loht“ (Gräfin)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss15:25
3▼CD
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1Der Freischütz: Wie nahte mir der Schlummer / Leise, leise, fromme Weise
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
recording of:
Der Freischütz: Akt II. Nr. 8. Szene und Arie „Wie nahte mir der Schlummer“ … „Leise, leise …” (Agathe) (Agathes Gebet)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber8:34
2Lohengrin: Einsam in trüben Tagen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
recording of:
Lohengrin, WWV 75: Akt I, Scene II. “Seht hin! Sie naht, die hart Beklagte!” (Elsas Traum „Einsam in trüben Tagen”)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt I
Richard Wagner5:58
3Lohengrin: Euch Lüften, die mein Klagen so traurig oft erfüllt
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Heinz Wallberg (conductor)
recording of:
Lohengrin, WWV 75: Akt II, Scene II. “Euch Lüften, die mein Klagen so traurig oft erfüllt”
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt II
Richard Wagner3:36
4Die Meistersinger von Nürnberg: Guten Abend, Meister
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt II, Scene IV. "Gut'n Abend, Meister!"
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt II
Richard Wagner6:36
5Fidelio: Ach, wär’ ich schon mit dir vereint
sound engineer:
Douglas Larter (in 1950-10)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1950-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1950-10)
conductor:
Alceo Galliera (organist, conductor and composer) (in 1950-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1950-10)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1950-10)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:50
6Fidelio: Jetzt, Schätzchen, jetzt sind wir allein
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:25
7Hänsel und Gretel: Der kleine Sandmann bin ich / Abends will ich schlafen geh’n
soprano vocals:
Anny Felbermayer (soprano), Elisabeth Grümmer (soprano) and Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. Lied des Sandmanns “Der kleine Sandmann bin ich, s-t!” (Sandmann, Hänsel, Gretel)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck6:14
8Die verkaufte Braut: Endlich allein
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Heinrich Schmitz
recording of:
Die verkaufte Braut: Akt. III "Endlich allein ... Wie fremd und tot"
composer:
Bedřich Smetana (composer)
additional librettist:
Max Kalbeck
librettist:
Karel Sabina
part of:
Die verkaufte Braut
Bedřich Smetana5:41
9Der Barbier von Bagdad: Er kommt! Er kommt!
mezzo-soprano vocals:
Grace Hoffman (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Gerhard Unger (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Erich Leinsdorf (conductor)
partial recording of:
Der Barbier von Bagdad: Akt II
composer and librettist:
Peter Cornelius (German composer, lived from 1824 to 1874)
part of:
Der Barbier von Bagdad
Peter Cornelius2:27
10Carmen: Je dis, que rien ne m’epouvante
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:42
11Gianni Schicchi: O mio babbino caro
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:55
12Turandot: Signore, ascolta
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1957-07-09 until 1957-07-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-15)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-15)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1957-07-09 until 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:29
13Turandot: Tu, che di gel
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:54
14La Bohème: Mi chiamano Mimì
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:45
15Madame Butterfly: Un bel dì vedremo
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:56
16La Traviata: Addio del passato
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi4:28
17The Rake’s Progress: I go to him
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
recording of:
The Rakes Progress: Silently Night... I Go to Him
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
Igor Stravinsky2:58
4▼CD: Hugo Wolf & Richard Strauss
#TitleArtistRatingLength
1Lebe wohl!
piano:
Wilhelm Furtwängler (conductor)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Mörike-Lieder: No. 36. Lebewohl “Lebe wohl! - Du fühlest nicht”
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:15
2Schlafendes Jesukind: Sohn der Jungfrau, Himmelskind
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Mörike-Lieder: No. 25. Schlafendes Jesuskind "Sohn der Jungfrau" (for voice and piano) (on 1953-08-12)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:49
3Elfenlied: Bei Nacht im Dorf der Wächter rief
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Mörike-Lieder: No. 16. Elfenlied "Bei Nacht im Dorf der Wächter reif" (on 1953-08-12)
lyricist and librettist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:08
4Phänomen: Wenn zu der Regenwand
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: Nr. 32. Phänomen "Wenn zu der Regenwand" (on 1953-08-12)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:17
5Die Spröde: An dem reinsten Frühlingsmorgen
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: Nr. 26. Die Spröde "An dem reinsten Frühlingsmorgen" (on 1953-08-12)
lyricist and librettist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:23
6Die Bekehrte: Bei dem Glanz der Abendröte
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: Nr. 27. Die Bekehrte "Bei dem Glanz der Abendröte" (on 1953-08-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
librettist:
Johann Wolfgang von Goethe
part of:
Goethe-Lieder
Hugo Wolf3:28
7Blumengruß: Den Strauß, den ich gepflücket
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: Nr. 24. Blumengruß "Der Strauß, den ich gepflücket" (on 1953-08-12)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:47
8Epiphanias: Die heiligen drei Könige
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Goethe-Lieder: Nr. 19. Epiphanias "Die heiligen drei König'" (on 1953-08-12)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf4:39
9Die Zigeunerin: Am Kreuzweg, da lausche ich
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Eichendorff-Lieder: Nr. 7. Die Zigeunerin "Am Kreuzweg, da lausche ich" (on 1953-08-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Joseph von Eichendorff
part of:
Eichendorff-Lieder
Hugo Wolf3:27
10Italienisches Liederbuch: Was soll der Zorn, mein Schatz
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Italienisches Liederbuch: No. 32. Was soll der Zorn, mein Schatz, der dich erhitzt (for female voice) (on 1953-08-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Paul Johann Ludwig von Heyse (German writer)
part of:
Italienisches Liederbuch
Hugo Wolf2:12
11Spanisches Liederbuch: Herr, was trägt der Boden hier
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Spanisches Liederbuch: Geistliche Lieder: No. 9. Herr, was trägt der Boden hier (on 1953-08-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (from 1889 until 1891)
librettist:
Franz Emanuel August Geibel (poet) and Paul Johann Ludwig von Heyse (German writer)
part of:
Spanisches Liederbuch: Part 1. Geistliche Lieder
Hugo Wolf3:15
12Wie glänzt der helle Mond
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Wie glänzt der helle Mond (on 1953-08-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Gottfried Keller (Swiss writer, † 1890)
Hugo Wolf3:59
13Nachtzauber: Hörst du nicht die Quellen gehen
piano:
Wilhelm Furtwängler (conductor) (on 1953-08-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-08-12)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (on 1953-08-12)
recording of:
Eichendorff-Lieder: Nr. 8. Nachtzauber "Hörst du nicht die Quellen gehen" (on 1953-08-12)
lyricist:
Joseph von Eichendorff
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Eichendorff-Lieder
Hugo Wolf5:42
14Wiegenlied: Vom Berg hinabgestiegen
piano:
Wilhelm Furtwängler (conductor)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
6 Lieder für eine Frauenstimme: Nr. 4. Wiegenlied im Sommer
lyricist:
Robert Reinick (German poet)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1882)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf4:46
15Vier letzte Lieder: Frühling: In dämmrigen Grüften träumte ich lang
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:22
16Vier letzte Lieder: September: Der Garten trauert
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:06
17Vier letzte Lieder: Beim Schlafengehen: Nun der Tag mich müd gemacht
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:27
18Vier letzte Lieder: Im Abendrot: Wir sind durch Not und Freude gegangen
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (on 1953-09-25)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss7:10
19Mausfallen‐Sprüchlein: Kleine Gäste, kleines Haus
piano:
Gerald Moore (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
6 Lieder für eine Frauenstimme: Nr. 6. Mausfallensprüchlein
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1882)
librettist:
Eduard Mörike (German Romantic poet, † 1875)
revised by:
Mary Goetze (editor)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf1:07
20Philine: Singet nicht in Trauertönen
piano:
Michael Raucheisen (pianist)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Philine: Singet nicht in Trauertönen
librettist:
Johann Wolfgang von Goethe
Hugo Wolf3:13
21Hat gesagt, bleibt’s nicht dabei: Mein Vater hat gesagt
piano:
Michael Raucheisen (pianist) (in 1945)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1945)
recording of:
Hat gesagt, bleibt's nicht dabei, op. 36 no. 3 (for voice and piano) (in 1945)
lyricist:
[traditional] (special purpose artist)
composer:
Richard Strauss (German composer) (from 1897 until 1898)
part of:
4 Lieder for voice and piano (op. 36; TrV 186)
Richard Strauss1:54
22Schlagende Herzen: Über Wiesen und Felder
piano:
Michael Raucheisen (pianist) (in 1945)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1945)
vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Schlagende Herzen, op. 29 no. 2 (in 1945)
lyricist:
Otto Julius Bierbaum (Martin Möbius, German writer)
composer:
Richard Strauss (German composer)
part of:
3 Lieder for voice and piano (op. 29; TrV 172)
Richard Strauss2:38
23Morgen: Und morgen wird die Sonne wieder scheinen
piano:
Michael Raucheisen (pianist) (in 1945)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1945)
recording of:
Morgen!, op. 27 no. 4 (for voice and piano) (in 1945)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer) (in 1894)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
4 Lieder, op. 27
Richard Strauss4:04
5▼CD: Franz Schubert u. a.
#TitleArtistRatingLength
1Ungeduld: Ich schnitt’ es gern in alle Rinden ein
piano:
Gerald Moore (pianist) (from 1954-01-09 until 1954-01-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-01-09 until 1954-01-10)
recording of:
Die schöne Müllerin, D. 795: Nr. 7. Ungeduld (from 1954-01-09 until 1954-01-10)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert2:54
2Liebhaber in alle Gestalten: Ich wollt’ ich wär’ ein Fisch
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Liebhaber in allen Gestalten, D. 558
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 558)
Franz Schubert1:10
3Die Vögel: Wie lieblich und fröhlich
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die Vögel, D. 691
lyricist:
Karl Wilhelm Friedrich von Schlegel
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 691)
Franz Schubert0:54
4Litanei auf das Fest Allerseelen: Ruh’ in Frieden
piano:
Gerald Moore (pianist) (from 1954-01-09 until 1954-01-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-01-09 until 1954-01-10)
recording of:
Am Tage aller Seelen (Litanei), D. 343 (original for voice and piano) (from 1954-01-09 until 1954-01-10)
lyricist:
Johann Georg Jacobi
composer:
Franz Schubert (composer) (in 1816-08)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 343)
Franz Schubert5:33
5An den Frühling: Willkommen, schöner Jüngling
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
An den Frühling, D. 587
composer:
Franz Schubert (composer) (in 1817)
librettist:
Friedrich Schiller (German poet and playwright)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 587)
Franz Schubert2:13
6Seligkeit: Freuden sonder Zahl
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Seligkeit, D. 433
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Franz Schubert (composer) (in 1816-05)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 433)
Franz Schubert2:25
7An die Musik: Du holde Kunst
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
An die Musik, D. 547 (original, for solo voice and piano)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:38
8Im Frühling: Still sitz ich an des Hügels Hang
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Im Frühling, D. 882
lyricist:
Ernst Schulze (German poet)
composer:
Franz Schubert (composer) (in 1826)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 882)
Franz Schubert4:32
9Wehmut: Wenn ich durch Wald und Fluren geh
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Wehmut, D. 772
lyricist:
Matthäus von Collin
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 772)
Franz Schubert3:00
10Ganymed: Wie im Morgenglanze
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Ganymed, D. 544
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 544)
Franz Schubert4:48
11Das Lied im Grünen: Ins Grüne, ins Grüne
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Das Lied im Grünen, D. 917
lyricist:
Johann Anton Friedrich Reil (German writer)
composer:
Franz Schubert (composer) (in 1827)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 917)
Franz Schubert4:33
12Gretchen am Spinnrade: Meine Ruh ist hin
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Gretchen am Spinnrade, D. 118
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert3:24
13Nähe des Geliebten: Ich denke dein
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Nähe des Geliebten, D. 162
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-02-27)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 162)
Franz Schubert3:17
14Die junge Nonne: Wie braust durch die Wipfel der heulende Sturm
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Die junge Nonne, D. 828
lyricist:
Jacob Nicolaus Craigher de Jachelutta and Jacob Nikolaus Craigher de Jachelutta (Austrian poet and translator)
composer:
Franz Schubert (composer) (in 1825)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 828)
Franz Schubert4:49
15An Silvia: Was ist Silvia?
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
An Sylvia, D. 891 (for voice and piano)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert3:05
16Auf dem Wasser zu singen: Mitten im Schimmer der spiegelnden Wellen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Auf dem Wasser zu singen, D. 774
lyricist:
Friedrich Leopold Graf zu Stolberg-Stolberg
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 774)
Franz Schubert3:19
17Nachtviolen: Nachtviolen, dunkle Augen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Nachtviolen, D. 752
lyricist:
Johann Mayrhofer
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 752)
Franz Schubert2:47
18Der Musensohn: Durch Feld und Wald zu schweifen
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Der Musensohn, D. 764
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
Franz Schubert2:05
19Aufträge: Nicht so schnelle
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
Lieder und Gesänge, op. 77: Nr. 5. Aufträge
lyricist:
Christian L'Egru
composer:
Robert Schumann (German classical composer)
part of:
Lieder und Gesänge, op. 77
Robert Schumann2:20
20Come Again!: Sweet Love Doth Now Invite
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite"
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland3:11
21First and chief - Sweet bird
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
recording of:
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 12. Accompagnato “First, and Chief, on Golden Wing” (Il Penseroso)
composer:
George Frideric Handel (German‐British baroque composer) (in 1740)
librettist:
John Milton (English poet; composer of Paradise Lost)
part of:
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I
recording of:
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 13. Air “Sweet Bird” (Il Penseroso)
composer:
George Frideric Handel (German‐British baroque composer) (in 1740)
part of:
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I
Georg Friedrich Händel7:29
22Nehmt meinen Dank, ihr holden Gönner, KV 383
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner"
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 383) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 383)
Wolfgang Amadeus Mozart4:21
6▶CD
7▶CD: Carl Loewe, Hermann Zilcher & Richard Trunk
8▶CD: Max Reger, Volkslieder u. a.
9▶CD: Johann Strauß u. a.
10▶CD: Franz Lehár u. a

Credits

Release

artwork:Membran A & R Development GmbH (In-house graphics teams at Membran)
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
manufactured by and distributed by:Membran Music Ltd.
Discogs:https://www.discogs.com/release/18469657 [info]
ASIN:DE: B0027LZ4BK [info]