A Good Git-Together

~ Release by Wes Montgomery All-Stars featuring Jon Hendricks, Pony Poindexter, Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Music in the Air
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
bass and electric bass guitar:
Monk Montgomery (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
electric guitar [guitar] and guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
3:53
2Pretty Strange
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
bass and electric bass guitar:
Monk Montgomery (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
electric guitar [guitar] and guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
recording of:
Pretty Strange (in 1959)
writer:
Jon Hendricks and Randy Weston
publisher:
Andante Music, Inc. (ASCAP‐affiliated)
2:50
3The Shouter
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
bass and electric bass guitar:
Monk Montgomery (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
recording of:
The Shouter (in 1959)
composer:
Gildo Mahones
4:56
4Social Call
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
bass and electric bass guitar:
Monk Montgomery (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
recording of:
Social Call (in 1959)
writer:
Gigi Gryce and Jon Hendricks
publisher:
Jacogg Publications, Inc.
2:17
5Out of the Past
producer:
Richard Bock (record producer)
alto saxophone:
Cannonball Adderley (in 1959)
cornet:
Nat Adderley (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
electric bass guitar:
Monk Montgomery (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
recording of:
Out of the Past (in 1959)
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
4:50
6Feed Me
producer:
Richard Bock (record producer) (in 1959)
alto saxophone:
Pony Poindexter (in 1959)
double bass [bass]:
Monk Montgomery (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
3:45
7A Good Git-Together
alto saxophone:
Pony Poindexter (in 1959)
drums (drum set):
Walter Bolden (drums) (in 1959)
electric bass guitar [Fender electric bass]:
Monk Montgomery (in 1959)
electric guitar [guitar]:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recorded at:
Fugazi Hall in San Francisco, California, United States (in 1959)
3:38
8I'll Die Happy
producer:
Richard Bock (record producer) (in 1959)
alto saxophone:
Pony Poindexter (in 1959)
double bass [bass]:
Ike Isaacs (bassist) (in 1959)
drums (drum set):
James Wormworth (US percussionist, son of Jimmy Wormworth) (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vocals:
Jon Hendricks (in 1959)
recording of:
I'll Die Happy (in 1959)
lyricist and composer:
Jon Hendricks
publisher:
Hendricks Music
2:18
9Minor Catastrophe
producer:
Richard Bock (record producer) (in 1959)
alto saxophone:
Pony Poindexter (in 1959)
double bass [bass]:
Ike Isaacs (bassist) (in 1959)
drums (drum set):
Jimmy Wormsworth (US jazz drummer) (in 1959)
guitar:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vibraphone:
Buddy Montgomery (in 1959)
vocals:
Jon Hendricks (in 1959)
5:16
10I'm Gonna Shout
alto saxophone:
Pony Poindexter (in 1959)
double bass [bass]:
Ike Isaacs (bassist) (in 1959)
drums (drum set):
Jimmy Wormsworth (US jazz drummer) (in 1959)
electric guitar [guitar]:
Wes Montgomery (in 1959)
piano:
Gildo Mahones (in 1959)
vibraphone:
Buddy Montgomery (in 1959)
vocals:
Jon Hendricks (in 1959)
2:22
11Overture
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Overture (from the musical “Kismet”) (on 1958-04-22)
composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
part of:
Kismet (full musical)
6:39
12Gesticulate and Rhymes Have I
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
medley including a instrumental recording of:
Gesticulate (from the musical “Kismet”) (on 1958-04-22)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
is based on:
Prince Igor: Act II
is based on:
Symphony no. 1 in E-flat major: IV. Allegro molto vivo
part of:
Kismet (full musical)
medley including a instrumental recording of:
Rhymes Have I (from the musical “Kismet”) (on 1958-04-22)
composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
part of:
Kismet (full musical)
3:01
13Olive Tree
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
The Olive Tree (from the musical “Kismet”) (on 1958-04-22)
lyricist and composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
is based on:
Prince Igor: Act III
part of:
Kismet (full musical)
4:52
14Fate
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Fate (from the musical “Kismet”) (on 1958-04-22)
lyricist and composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
is based on:
Symphony no. 2 in B minor: I. Allegro
part of:
Kismet (full musical)
5:01
15And This Is My Beloved
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
And This Is My Beloved (from the musical “Kismet”) (on 1958-04-22)
additional composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
St. Lawrence Music, Inc.
is based on:
String Quartet no. 2 in D major: III. Notturno. Andante
part of:
Kismet (full musical)
6:18
16Baubles, Bangles and Beads
engineer and producer:
Richard Bock (record producer)
bass:
Monk Montgomery
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
guitar:
Wes Montgomery (in 1958-04)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
phonographic copyright (℗) by:
キングレコード株式会社 (King Record Co., Ltd., record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1958-04-22)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
3:28
17Stranger in Paradise
producer:
Richard Bock (record producer)
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (on 1958-04-22)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
4:55
18Not Since Nineveh
producer:
Richard Bock (record producer)
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Not Since Nineveh (from the musical “Kismet”) (on 1958-04-22)
lyricist and composer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
7:27