The Capitol Recordings

~ Release by Louis Prima / Keely Smith / Sam Butera (see all versions of this release, 1 available)

Annotation

ISBN 978-3-89795-325-3

Annotation last modified on 2012-04-12 10:41 UTC.

Tracklist

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1▼CD: Louis Prima
#TitleArtistRatingLength
1Buona sera
producer:
Voyle Gilmore
double bass:
Amato Rodrigues (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
James Blount, Jr. (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Buona sera (on 1956-04-19)
lyricist:
Carl Sigman
composer:
Peter de Rose
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
translated version of:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima43:00
2Oh Marie!
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Oh Marie (on 1956-04-19)
lyricist and composer:
Eduardo Di Capua
arranger:
Louis Prima
Louis Prima42:28
3Just a Gigolo / I Ain’t Got Nobody
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
Louis Prima44:44
4Body and Soul (instrumental)
solo trombone:
James Blount (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Body and Soul (on 1956-04-19)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Louis Prima43:25
5Jump, Jive, an’ Wail
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Jump, Jive an’ Wail (on 1956-04-19)
lyricist:
Louis Prima
composer:
Louis Prima (in 1956)
Louis Prima53:29
6(Nothing’s too Good) For My Baby
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (in 1956-04)
recording of:
(Nothing’s Too Good) For My Baby (on 1956-04-19)
composer:
Ted Eddy, Mack Kay and Frederick Patrick
Keely Smith & Louis Prima2:38
7I’ll Be Glad When You’re Dead You Rascal You
lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1956-04-19)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Prima3:15
8Basin Street Blues / When It’s Sleepy Time Down South
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
medley including a recording of:
Basin Street Blues (on 1956-04-19)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (on 1956-04-19)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Prima4:15
9Night Train (instrumental)
solo tenor saxophone:
Sam Butera (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1956-04-19)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Louis Prima42:49
10The Lip
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
The Lip (on 1956-04-19)
writer:
Ted Klages and Vic Knight
Keely Smith & Louis Prima2:19
11Whistle Stop
Louis Prima2:29
12Five Months, Two Weeks, Two Days
producer:
Voyle Gilmore
bass:
Amato Rodriguez (on 1956-09-13)
drums (drum set):
Bobby Morris (on 1956-09-13)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-09-13)
instruments:
Willie McCumber Jr. (on 1956-09-13)
tenor saxophone:
Sam Butera (on 1956-09-13)
trombone:
Jimmy 'Little Red' Blount (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
5 Months, 2 Weeks, 2 Days (on 1956-09-13)
writer:
Don Donaldson and Debbie Morris (songwriter)
Louis Prima52:13
13Banana Split for My Baby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
Banana Split for My Baby (on 1956-09-13)
writer:
Stan Irwin and Louis Prima
Louis Prima42:32
14Be Mine (Little Baby)
Louis Prima2:39
15When You’re Smiling / The Sheik of Araby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1957-01-17)
trumpet:
Louis Prima (on 1957-01-17)
vocals:
Louis Prima (on 1957-01-17)
orchestra:
The Witnesses (on 1957-01-17)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-17)
medley including a cover recording of:
The Sheik of Araby (on 1957-01-17)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
medley including a cover recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1957-01-17)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Prima4:01
16The Birth of the Blues
cover recording of:
Birth of the Blues
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Keely Smith2:51
17Blow, Red Blow
Louis Prima & Keely Smith2:19
18When the Saints Go Marching In
Louis Prima4:20
19Sentimental Journey
Louis Prima2:28
20There’ll Be No Next Time
producer:
Voyle Gilmore (on 1957-01-17)
tenor saxophone:
Sam Butera (on 1957-01-17)
trumpet:
Louis Prima (on 1957-01-17)
vocals:
Sam Butera (on 1957-01-17) and Louis Prima (on 1957-01-17)
orchestra:
The Witnesses (on 1957-01-17)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-17)
recording of:
Next Time (on 1957-01-17)
composer:
Richard Berry (US singer/songwriter, composed “Louie Louie”) and Joe Josea
Sam Butera & Louis Prima3:17
21The Closer to the Bone
Louis Prima4:14
22I’ve Got the World on a String
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-31)
drums (drum set):
Bobby Morris (on 1957-01-31)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1957-01-31)
piano:
Willie McCumber Jr. (on 1957-01-31)
tenor saxophone:
Sam Butera (on 1957-01-31)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-31)
trumpet:
Louis Prima (on 1957-01-31)
vocals:
Louis Prima (on 1957-01-31)
orchestra:
The Witnesses (on 1957-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-31)
cover recording of:
I’ve Got the World on a String (on 1957-01-31)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Louis Prima2:29
23Much Too Young to Loose My Mind
Sam Butera1:57
24Don’t Let a Memory
Keely Smith1:49
25Pennies From Heaven
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-31)
drums (drum set):
Bobby Morris (on 1957-01-31)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1957-01-31)
piano:
Willie McCumber Jr. (on 1957-01-31)
tenor saxophone:
Sam Butera (on 1957-01-31)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-31)
trumpet:
Louis Prima (on 1957-01-31)
vocals:
Louis Prima (on 1957-01-31)
orchestra:
The Witnesses (on 1957-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-31)
cover recording of:
Pennies From Heaven (on 1957-01-31)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
Louis Prima52:22
26Baby Won’t You Please Come Home
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-17)
drums (drum set):
Bobby Morris (on 1957-01-17)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1957-01-17)
piano:
Willie McCumber Jr. (on 1957-01-17)
tenor saxophone:
Sam Butera (on 1957-01-17)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-17)
trumpet:
Louis Prima (on 1957-01-17)
vocals:
Louis Prima (on 1957-01-17) and Keely Smith (on 1957-01-17)
orchestra:
The Witnesses (on 1957-01-17)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-17)
cover recording of:
Baby Won’t You Please Come Home (on 1957-01-17)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
Louis Prima & Keely Smith2:08
27Autumn Leaves
cover recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Keely Smith2:51
2▼CD: Louis Prima
#TitleArtistRatingLength
1The Pump Song
Louis Prima1:51
2The Boulevard of Broken Dreams (instrumental)
Louis Prima2:59
3Natural Buy
Keely Smith2:13
4Beep! Beep!
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1957-11-21)
drums (drum set):
Harvey Lang (on 1957-11-21)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1957-11-21)
piano:
Willie McCumber Jr. (on 1957-11-21)
tenor saxophone:
Sam Butera (on 1957-11-21)
trombone:
Lou Sino (on 1957-11-21)
trumpet:
Louis Prima (on 1957-11-21)
vocals:
Louis Prima (on 1957-11-21)
orchestra:
The Witnesses (on 1957-11-21)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-11-21)
recording of:
Beep! Beep! (on 1957-11-21)
lyricist:
Louis Prima
composer:
Jerry Joyce and Jerry Winn
Louis Prima2:15
5If You Were the Only Girl
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
If You Were the Only Girl (in the World) (on 1958-08-25)
lyricist:
Clifford Grey
composer:
Nat D. Ayer
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
part of:
The Vagabond Lover
Louis Prima3:07
6Bourbon Street Blues
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
Bourbon Street Blues (on 1958-08-25)
writer:
Barbara Belle, Louis Prima and Keely Smith
Louis Prima2:15
7Sing, Sing, Sing
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live recording of:
Sing, Sing, Sing (With a Swing) (on 1958-08-25)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Louis Prima4:11
8That Old Black Magic
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25) and Keely Smith (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
That Old Black Magic (on 1958-08-25)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Louis Prima & Keely Smith42:57
9Judy
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
Judy (credited to "Carmichael, Lerner") (on 1958-08-25)
lyricist:
Sammy Lerner
composer:
Hoagy Carmichael
publisher:
Samuel M. Lerner Publications, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Louis Prima2:52
10Felicia No Capicia
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live recording of:
Felicia No Capicia (on 1958-08-25)
writer:
Milton Drake, Al Hoffman and Jerry Livingston (songwriter)
Louis Prima3:00
11That’s My Home
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live recording of:
That's My Home (on 1958-08-25)
writer:
Sid Robin (US lyricist & composer)
Louis Prima3:16
12Moonglow
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
Moonglow (on 1958-08-25)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Louis Prima2:54
13Gotta See Baby Tonight
Louis Prima2:33
14Fee Fie Foo
Louis Prima6:19
15The Music Goes ’Round and ’Round
producer:
Voyle Gilmore
bass:
Tony Liuzza (in 1958-08)
drums (drum set):
Paul Ferrara (in 1958-08)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (in 1958-08)
piano:
Willie McCumber Jr. (in 1958-08)
tenor saxophone:
Sam Butera (in 1958-08)
trombone:
Lou Sino (in 1958-08)
trumpet:
Louis Prima (in 1958-08)
vocals:
Louis Prima (in 1958-08)
orchestra:
The Witnesses (in 1958-08)
recorded at:
Sahara Theater in Winchester, Nevada, United States (in 1958-08)
cover recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (in 1958-08)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
Louis Prima2:38
16Fever
Sam Butera3:07
17Oh Marie
Louis Prima2:27
18Don’t Take Your Love From Me
producer:
Voyle Gilmore
vocals:
Keely Smith
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Don’t Take Your Love From Me
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
Keely Smith3:08
19Hey Boy, Hey Girl
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-10-06)
drums (drum set):
Paul Ferrara (on 1958-10-06)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-10-06)
piano:
Robert J. Carter (occasional pianist with Sam Butera & the Witnesses) (on 1958-10-06)
tenor saxophone:
Sam Butera (on 1958-10-06)
trombone:
Lou Sino (on 1958-10-06)
trumpet:
Louis Prima (on 1958-10-06)
vocals:
Louis Prima (on 1958-10-06) and Keely Smith (on 1958-10-06)
orchestra:
The Witnesses (on 1958-10-06)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-10-06)
cover recording of:
Hey, Boy! Hey, Girl! (on 1958-10-06)
writer:
Oscar McLollie and Jimmy Thomas
publisher:
Recordo Music Pub.
Louis Prima & Keely Smith2:54
20Lazy River
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-10-06)
drums (drum set):
Paul Ferrara (on 1958-10-06)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-10-06)
piano:
Robert J. Carter (occasional pianist with Sam Butera & the Witnesses) (on 1958-10-06)
tenor saxophone:
Sam Butera (on 1958-10-06)
trombone:
Lou Sino (on 1958-10-06)
trumpet:
Louis Prima (on 1958-10-06)
vocals:
Louis Prima (on 1958-10-06)
orchestra:
The Witnesses (on 1958-10-06)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-10-06)
cover recording of:
Lazy River (on 1958-10-06)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
Louis Prima3:30
21Hey Boy, Hey Girl (reprise)
cover recording of:
Hey, Boy! Hey, Girl!
writer:
Oscar McLollie and Jimmy Thomas
publisher:
Recordo Music Pub.
Louis Prima & Keely Smith1:28
22Nothing’s Too Good for My Baby
recording of:
(Nothing’s Too Good) For My Baby
composer:
Ted Eddy, Mack Kay and Frederick Patrick
Keely Smith & Louis Prima2:17
23Oh Marie (alternate)
Louis Prima2:23
3▼CD: Louis Prima / Live at Harrah’s Club (& Gia Maione)
#TitleArtistRatingLength
1I’ve Got You Under My Skin
producer:
Voyle Gilmore (on 1959-01-02)
tenor saxophone:
Sam Butera (on 1959-01-02)
trumpet:
Louis Prima (on 1959-01-02)
vocals:
Louis Prima (on 1959-01-02) and Keely Smith (on 1959-01-02)
orchestra:
The Witnesses (on 1959-01-02)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (on 1959-01-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Keely Smith & Louis Prima2:40
2Don’t Take Your Love From Me
cover recording of:
Don’t Take Your Love From Me
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
Keely Smith2:08
3You’re Just In Love
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
cover recording of:
You’re Just in Love (Call Me Madam) (on 1962-02-23)
lyricist and composer:
Irving Berlin (in 1950)
publisher:
Irving Berlin Music Corp.
part of:
Call Me Madam
Louis Prima2:30
4Harlem Nocturne (instrumental)
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
instrumental cover recording of:
Harlem Nocturne (Mike Hammer) (on 1962-02-23)
lyricist:
Dick Rogers (singer, comedian, songwriter & pianist)
composer:
Earle Hagen (TV & film composer)
publisher:
Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
Louis Prima2:42
5Glow Worm (instrumental)
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
instrumental cover recording of:
The Glow‐Worm (Johnny Mercer version) (on 1962-02-23)
additional lyricist:
Johnny Mercer
composer:
Paul Lincke
translator:
Lilla Cayley Robinson
translated version of:
Lysistrata: „Glühwürmchen, Glühwürmchen flimm're” (Glühwürmchen-Idyll)
Louis Prima2:00
6Just One of Those Things
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
cover recording of:
Just One of Those Things (on 1962-02-23)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Louis Prima2:38
7All Night Long
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Sam Butera (on 1962-02-23) and Louis Prima (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
cover recording of:
All Night Long (on 1962-02-23)
writer:
Teddy McRae and Charles Singleton (composer/lyricist)
Sam Butera2:55
8Lover, Come Back to Me (instrumental)
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
instrumental cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1962-02-23)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Louis Prima2:36
9Everybody Knows
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
Louis Prima2:47
10Ain’t Misbehavin’ / ’Way Down Yonder in New Orleans
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trombone:
Lou Sino (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
medley including a cover recording of:
’Way Down Yonder in New Orleans (on 1962-02-23)
lyricist:
Henry Creamer (Lyricist)
composer:
Turner Layton
publisher:
Shapiro, Bernstein & Co., Inc.
medley including a cover recording of:
Ain’t Misbehavin’ (on 1962-02-23)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Louis Prima5:57
11Three Handed Woman
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Reuss (on 1962-02-23) and Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
cover recording of:
Three Handed Woman (on 1962-02-23)
writer:
Ben Raleigh and Hilda Taylor
Louis Prima2:44
12St. Louis Blues
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Reuss (on 1962-02-23) and Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
cover recording of:
St. Louis Blues (on 1962-02-23)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Prima2:56
13Twist All Night
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Reuss (on 1962-02-23) and Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
vocals:
Louis Prima
orchestra:
The Witnesses
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
recording of:
Twist All Night (on 1962-02-23)
writer:
Sam Butera and Louis Prima
Louis Prima1:55
14John Ping Pong
producer:
Voyle Gilmore
bass:
Rolando 'Rolly Dee' DiIorio (on 1962-02-23)
drums (drum set):
Jimmy Vincent (on 1962-02-23)
guitar:
Allan Reuss (on 1962-02-23) and Allan Seltzer (on 1962-02-23)
instruments:
Sam Butera & the Witnesses (on 1962-02-23)
piano:
John Nagy (on 1962-02-23)
tenor saxophone:
Sam Butera (on 1962-02-23)
trumpet:
Louis Prima (on 1962-02-23) and Morgan Thomas (on 1962-02-23)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-02-23)
Louis Prima2:37
15Ooh, Look What You’ve Done to Me
Louis Prima & Keely Smith2:32
16Big Daddy
Keely Smith & Louis Prima2:46
17Sonday Lover
Keely Smith2:08
18Little Girl Blues / Intro (at Harrah’s Club)
Keely Smith / Louis Prima3:21
19Scuba Diver
Louis Prima3:00
20I Want You to Be My Baby
Gia Maione2:11
21Shadrack
Louis Prima2:45
22The Next Time
Louis Prima & Sam Butera7:56
23Lady of Spain (instrumental)
Louis Prima2:10
24Hello Lover, Goodbye Tears
Gia Maione2:22
25Undecided
Louis Prima & Gia Maione2:18
26Come Rain or Shine / Go Back Where You Stayed Last Night
Sam Butera / Louis Prima & Gia Maione6:25
4▼CD: Live at Harrah’s Club / Live at the Sahara
#TitleArtistRatingLength
1On the Sunny Side of the Street / Exactly Like You
Louis Prima6:12
2A Foggy Day
Keely Smith2:38
3How High the Moon (instrumental)
Louis Prima2:26
4Angelina / Zooma Zooma
producer:
Voyle Gilmore (on 1957-07-26)
bass:
Tony Liuzza (on 1957-07-26)
drums (drum set):
Bobby Morris (on 1957-07-26)
piano:
Willie McCumber Jr. (on 1957-07-26)
tenor saxophone:
Sam Butera (on 1957-07-26)
trombone:
Jimmy 'Little Red' Blount (on 1957-07-26)
trumpet:
Louis Prima (on 1957-07-26)
vocals:
Louis Prima (on 1957-07-26)
orchestra:
The Witnesses (on 1957-07-26)
recorded at:
Harrah’s Lake Tahoe in Stateline, Nevada, United States (on 1957-07-26)
live medley including a recording of:
Angelina (on 1957-07-26)
writer:
Allan Roberts (songwriter) and Doris Fisher
live medley including a recording of:
Zooma Zooma (on 1957-07-26)
writer:
Pablo Citarella and Louis Prima
Louis Prima4:17
5Don’t Worry ’Bout Me / I’m in the Mood for Love
bass:
Tony Liuzza (on 1957-07-26)
drums (drum set):
Bobby Morris (on 1957-07-26)
instruments:
Sam Butera & the Witnesses (on 1957-07-26)
piano:
Willie McCumber Jr. (on 1957-07-26)
saxophone:
Sam Butera (on 1957-07-26)
trombone:
James Blount (on 1957-07-26)
trumpet:
Louis Prima (on 1957-07-26)
vocals:
Louis Prima (on 1957-07-26) and Keely Smith (on 1957-07-26)
live medley including a cover recording of:
Don’t Worry ’Bout Me (on 1957-07-26)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
live medley including a cover recording of:
I’m in the Mood for Love (on 1957-07-26)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Louis Prima & Keely Smith4:25
6Come Back to Sorrento (instrumental)
Louis Prima3:08
7I Gotta Right to Sing the Blues
live cover recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Keely Smith3:39
8Robin Hood / Oh Babe!
Louis Prima5:33
9Judy
live recording of:
Judy (credited to "Carmichael, Lerner") (in 1958)
lyricist:
Sammy Lerner
composer:
Hoagy Carmichael
publisher:
Samuel M. Lerner Publications, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Louis Prima3:19
10Them There Eyes (vocal) / Honeysuckle Rose (instrumental)
Louis Prima4:43
11Tiger Rag (instrumental) / Just Because (instrumental)
Louis Prima2:51
12Embraceable You / I Got It Bad and That Ain’t Good
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-02-11)
drums (drum set):
Harvey Lang (on 1958-02-11)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-02-11)
piano:
Willie McCumber Jr. (on 1958-02-11)
tenor saxophone:
Sam Butera (on 1958-02-11)
trombone:
Lou Sino (on 1958-02-11)
trumpet:
Louis Prima (on 1958-02-11)
vocals:
Louis Prima (on 1958-02-11) and Keely Smith (on 1958-02-11)
orchestra:
The Witnesses (on 1958-02-11)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-02-11)
live medley including a cover recording of:
Embraceable You (on 1958-02-11)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
live medley including a cover recording of:
I Got It Bad (and That Ain’t Good) (on 1958-02-11)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Keely Smith & Louis Prima2:52
13Should I / I Can’t Believe That You’re in Love with Me
Louis Prima5:53
14The White Cliffs of Dover
Louis Prima4:40
15Holiday for Strings (instrumental)
Louis Prima2:57
16Greenback Dollar Bill
Sam Butera3:21
17Love of My Life (O Sole Mio) (instrumental)
Louis Prima3:45
18Too Marvelous for Words
Louis Prima2:03
5▶CD: Keely Smith & Nelson Riddle
6▶CD: Keely Smith & Nelson Riddle, Van Alexander, Billy May
7▶CD: Sam Butera
8▶CD: Sam Butera