Housework Songs II

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1I’m Outta Love
programming:
Louis Biancaniello (in 2000)
producer:
Louis Biancaniello and Sam Watters
mixer:
Louis Biancaniello and David Frazier (engineer)
drums (drum set) [drums]:
Louis Biancaniello (in 2000) and Sam Watters (in 2000)
guitar [guitars]:
Vernon Black (in 2000)
keyboard [all keyboards]:
Louis Biancaniello (in 2000)
background vocals:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2000) and Sam Watters (in 2000)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999, in 2000) and Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
produced for:
Breakthrough Entertainment
recorded at:
Homesite 13 in Novato, California, United States (in 2000)
mixed at:
Homesite 13 in Novato, California, United States
music videos:
I’m Outta Love by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
a cappella versions:
I'm Outta Love (a cappella) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
instrumental versions:
I'm Outta Love (instrumental) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.84:05
2Dancing Queen
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass:
Rutger Gunnarsson (from 1976-08-04 until 1976-08-05)
cello:
Hans‐Göran Eketorp (Swedish cellist) (on 1976-09-12) and Åke Olofsson (Swedish cellist) (on 1976-09-12)
clavinet and keyboard:
Benny Andersson (ABBA) (from 1976-08-04 until 1976-08-05)
drums (drum set):
Roger Palm (from 1976-08-04 until 1976-08-05, on 1976-12-03)
viola:
Åke Arvinder (Swedish violist) (on 1976-09-12), Lars Brolin (on 1976-09-12) and Håkan Roos (Swedish violist) (on 1976-09-12)
violin:
Martin Bylund (Swedish violinist) (on 1976-09-12), Anders Dahl (Swedish violinist) (on 1976-09-12), Lars Stegenberg (Swedish violinist) (on 1976-09-12), Gunnar Michols (Swedish violinist) (on 1976-09-12), Claes Nilsson (Swedish violinist) (on 1976-09-12), Bertil Orsin (Swedish violinist) (on 1976-09-12), Sixten Strömvall (Swedish violinist) (on 1976-09-12), Harry Teike (on 1976-09-12) and Krzysztof Zdrzalka (Swedish violinist) (on 1976-09-12)
lead vocals:
Agnetha Fältskog (in 1976-09) and Frida (Swedish singer and member of ABBA) (in 1976-09)
strings arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1976) and Polar Music International AB (in 1976)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Sweden (from 1976-08-04 until 1976-08-05) and KMH Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1976-12-03)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (number: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 9), Q50 – December 2005 (number: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 171) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 286)
recording of:
Dancing Queen (in 1976)
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (from 1976 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1976 to present) and Universal/Union Songs Musikförlag AB (from 1976 to present)
premiered at:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1976-06-18)
part of:
Mamma Mia! (1999 musical)
ABBA43:49
3Look at Me
Geri Halliwell4:08
4Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a-ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.53:45
5I Want Your Love
part of:
TV Cream: Real 100 Best Singles Ever (number: 99)
recording of:
I Want Your Love
lyricist and composer:
Nick Christian Sayer
Transvision Vamp2.53:30
6Love Generation
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician)
drum machine programming:
Jean‐Guy Schreiner
engineer:
Cutee B.
producer:
Bob Sinclar (French record producer, house music DJ & remixer)
guitar:
Tom Naim
keyboard:
Cutee B.
whistle and background vocals:
Bob Sinclar (French record producer, house music DJ & remixer)
lead vocals:
Gary Nesta Pine
recorded at:
Bass Hit Studios in New York, New York, United States
engineered at:
Defrey Studio in Paris, Île-de-France, France
edit of:
Love Generation (club version) (album) by Bob Sinclar (French record producer, house music DJ & remixer) feat. Gary Pine
recording of:
Love Generation
writer:
Duane Harden, Christophe Le Friant, Gary Nesta Pine, Jean‐Guy Schreiner, Bob Sinclar (French record producer, house music DJ & remixer) and Alain Wisniak (French film music composer and singer)
publisher:
Mighty Bop Sessions, Inc
Bob Sinclar & Gary Pine43:27
7I’m a Slave 4 U
recording engineer:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Brian Garten
assistant engineer:
Tim Roberts (engineer) and Ryan Smith (NY, US-based engineer/mastering)
producer:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
mixer:
Serban Ghenea
instruments:
Chad Hugo and Pharrell Williams
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
recorded at:
Master Sound Studios (Virginia) in Virginia Beach, Virginia, United States and Right Track Studios in Manhattan, New York, New York, United States
mixed at:
Windmark Recording in Virginia Beach, Virginia, United States
music videos:
I’m a Slave 4 U by Britney Spears, I’m a Slave 4 U (Angle 1) by Britney Spears, I’m a Slave 4 U (Angle 2) by Britney Spears and I’m a Slave 4 U (Angle 3) by Britney Spears
recording of:
I’m a Slave 4 U
writer:
Chad Hugo and Pharrell Williams
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., Songs MP and Waters of Nazareth
Britney Spears3.553:25
8Round Round
lead vocals:
Keisha Buchanan, Mutya Buena and Heidi Range
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2002)
music videos:
Round Round by Sugababes
recording of:
Round Round
writer:
Keisha Buchanan, Mutya Buena, Nick Coler, Miranda Cooper, Lisa Cowling, Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) and Heidi Range
additional composer:
Robin Hofmann, Florian Pflueger, Rino Spadavecchia and Felix Stecher
is based on:
Tango Forte
Sugababes3.53:55
9If You Could Read My Mind
co-producer:
Lati Kronlund
producer:
The Berman Brothers
vocals:
Amber (Dutch vocalist Marie-Claire Cremers), Jocelyn Enriquez and Ultra Naté
instrumental versions:
If You Could Read My Mind (Instrumental) by Ultra Naté, Amber & Jocelyn Enriquez
part of:
Canada’s Drag Race Lip Sync Performances (season 1) (number: 2)
cover recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Stars on 5433:27
10I Knew You Were Waiting (For Me)
recording engineer:
David Frazer (engineer) (in 1986)
percussion programming:
Preston Glass (in 1986)
synthesizer programming:
Walter Afanasieff (in 1986)
additional assistant engineer:
Stuart Hirotsu, Mike Iacopelli (engineer), Gordon Lyon, Lennete Viegas and Jim Watts (engineer)
additional engineer:
Dana Jon Chappelle and Maureen Droney
producer:
George Michael and Narada Michael Walden
mixer:
David Frazer (engineer) and Serban Ghenea
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
drums (drum set):
Narada Michael Walden (in 1986)
electric guitar:
Corrado Rustici (in 1986)
percussion and tambourine:
Greg “Gigi” Gonaway (in 1986)
synthesizer:
Walter Afanasieff (in 1986)
additional vocals:
Aretha Franklin (in 1986)
background vocals:
Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (English actress, singer-songwriter) (in 1986), Myrna Matthews (in 1986) and Claytoven Richardson (in 1986)
lead vocals:
Aretha Franklin (in 1986) and George Michael (in 1986)
vocals:
Aretha Franklin (in 1986)
strings arranger:
Jerry Hey
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986), Arista Records, LLC (holding company - file NO releases here!) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
I Knew You Were Waiting (for Me) (in 1986)
writer:
Simon Climie and Dennis Morgan (US songwriter)
publisher:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs (BMI), Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael & Aretha Franklin43:58
11A Good Heart
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
mixer:
Shelly Yakus
arranger:
Feargal Sharkey and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
lyricist and composer:
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:39
12Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
background vocals:
Al Jardine (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.352:32
13Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:36
14How Do You Do!
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Mats Arne Persson (“M.P.”) (in 1992-04), Lennart Haglund (engineer) (from 1992-04 until 1992-05), Anders Herrlin (from 1992-04 until 1992-05) and Alar Suurna (from 1992-04 until 1992-05)
producer:
Clarence Öfwerman
mixer:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (from 1992-04 until 1992-05)
drums (drum set):
Pelle Alsing (from 1992-04 until 1992-05)
electric guitar and guitar:
Jonas Isacsson (from 1992-04 until 1992-05)
keyboard:
Clarence Öfwerman (from 1992-04 until 1992-05)
percussion:
Staffan Öfwerman (from 1992-04 until 1992-05)
background vocals:
Vicki Benckert (from 1992-04 until 1992-05) and Staffan Öfwerman (from 1992-04 until 1992-05)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1992)
produced for:
Carlos Government Music
recorded at:
Tits & Ass in Halmstad, Halland (Halland county), Sweden (in 1992-04) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1992-04 until 1992-05)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
How Do You Do! (from 1992-04 until 1992-05)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette33:09
15Life Goes On
programming:
Gregg Pagani and Peter Amato
producer:
Desmond Child, Gregg Pagani and Peter Amato
mixer:
Rob Chiarelli (US mixer) and Rob Chiarelli (US mixer) (lead vocals)
bass:
Abe Laboriel Sr.
drums (drum set):
Abe Laboriel Jr.
guitar:
Michael Landau
keyboard:
Gregg Pagani and Peter Amato
background vocals:
Nora Payne, LeAnn Rimes (US country & pop singer) and Sherree Ford
lead vocals:
LeAnn Rimes (US country & pop singer)
arranger:
Gregg Pagani and Peter Amato
background vocals arranger:
Sherree Ford
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 2002)
mixed at:
Larrabee Studios North in North Hollywood, Los Angeles, California, United States and Larrabee West (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
LeAnn Rimes43:34
16Dove (I’ll Be Loving You)Moony3.14:03
17Something About You
recording of:
Something About You
writer:
Peter Biker, Carsten Schack and Jamelia
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and Full of Soul Music
Jamelia33:20
18My Sharona
recording engineer:
Pete Coleman
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Prescott Niles
drums (drum set):
Bruce Gary
guitar:
Berton Averre and Doug Fieger (in The Knack)
lead vocals:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 201)
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.154:54
19Maniac
producer:
Phil Ramone and Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
writer:
Dennis Matkosky and Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 2)
Michael Sembello4.154:03
20You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:14
21Don’t Leave Me This Way
producer:
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:31
2CD
#TitleArtistRatingLength
1Simply Irresistible
engineer:
Tim Kramer (engineer)
producer:
Robert Palmer (English singer‐songwriter)
mixer:
Eric "E.T." Thorngren
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:12
2Can’t Get Enough of Your Love
producer and mixer:
Robert Clivilles and David Cole
arranger:
Robert Clivilles and David Cole
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1993)
cover recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Taylor Dayne4:24
3Neutron Dance
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine programming:
Reek Havoc (in 1983), Bob Mithoff (in 1983) and Howie Rice (in 1983)
synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
producer:
Richard Perry (producer)
Minimoog, drum machine, guitar, organ, piano and synthesizer:
Howie Rice (in 1983)
tambourine:
Paulinho da Costa (Brazilian percussionist) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1983) and Geffen Records (in 1984)
recording of:
Neutron Dance (in 1983)
writer:
Danny Sembello and Allee Willis
publisher:
MCA Music Ltd.
The Pointer Sisters34:10
4I Only Want to Be With You
producer:
John Franz
phonographic copyright (℗) by:
Mercury Ltd (not for release label use!) (in 1963)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1963)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 31) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 323)
recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1963)
writer:
Mike Hawker and Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (until 1987) and Warner/Chappell Music International Ltd. (from 1987 to present)
Dusty Springfield4.42:34
5Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.42:59
6I Say a Little Prayer
producer:
Andy Marvel
cover recording of:
I Say a Little Prayer
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:31
7Together in Electric DreamsPhilip Oakey & Giorgio Moroder2.353:49
8The Only Way Is Up
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population3:58
9If I Can’t Have You
engineer:
James Richards (engineer) and Stephen Streater
additional producer:
Phil Kelsey (notable remixer, aka Uncle Bob)
producer:
Ricky Wilde
remixer:
Phil Kelsey (notable remixer, aka Uncle Bob)
arranger:
Ricky Wilde
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
recorded at and mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom
cover recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
Kim Wilde2.653:25
10I’ve Been Thinking About You
producer and mixer:
Martyn Phillips (producer, engineer, multi-instrumentalist)
bass guitar:
William Henshall (Londonbeat)
electric guitar:
John Turnbull
piano and synthesizer:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat)
background vocals:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), William Henshall (Londonbeat) and John Turnbull
lead vocals:
Jimmy Helms (soul singer)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1990)
recording of:
I’ve Been Thinking About You
writer:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) and William Henshall (Londonbeat)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat43:46
11Suddenly I See
assistant engineer:
Graham Deas
engineer:
Bruno Ellingham
producer:
Steve Osborne (producer)
mixer:
Ren Swan
baritone guitar and bass:
Arnulf Lindner
cajón, drums (drum set) and percussion:
Luke Bullen
guitar:
KT Tunstall
vocals:
KT Tunstall
phonographic copyright (℗) by:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
mixed at:
Metrophonic in London (Greater London), England, United Kingdom
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, United Kingdom
recording of:
Suddenly I See
lyricist and composer:
KT Tunstall
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
KT Tunstall3.63:09
12Finally
phonographic copyright (℗) by:
A&M Records, Inc. (in 1982)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 447)
recording of:
Finally (CeCe Peniston song)
writer:
Cecilia Peniston, Felipe Delgado, Elbert Linnear and R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music and Wax Museum Music
CeCe Peniston4.24:04
13Crush
recording engineer and producer:
Andy Goldmark
mixer:
Dave Way
additional instruments:
Jimmy Bralower
guitar:
Kevin Dukes
keyboard:
Andy Goldmark
percussion:
Alex Acuña
background vocals and lead vocals:
Jennifer Paige
arranger:
Andy Goldmark
phonographic copyright (℗) by:
Edel America Records, Inc. (in 1998)
recording of:
Crush
writer:
Kevin Clark (UK singer/songwriter/producer active since 1980s, married to Berny Cosgrove), Berny Cosgrove, Andy Goldmark and Mark Mueller (US songwriter)
Jennifer Paige3.453:18
14When the Going Gets Tough, the Tough Get Going
executive producer:
Robert John “Mutt” Lange (Robert John Lange)
producer:
Barry J. Eastmond and Wayne Brathwaite
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
music videos:
When the Going Gets Tough, the Tough Get Going by Billy Ocean
recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean34:05
15Out of Touch
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Hall & Oates4:04
16Walking on Broken Glass
engineer:
Heff Moraes
producer:
Stephen Lipson
assistant mixer:
Will O'Donovan
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Walking on Broken Glass (video) by Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 300)
recording of:
Walking on Broken Glass
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Music Publishing Ltd., La Lennoxa Ltd and Universal Music Publishing International MGB Ltd.
Annie Lennox44:03
17Always Something There to Remind Me
producer:
Tony Mansfield (producer & songwriter)
cover recording of:
(There’s) Always Something There to Remind Me
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
Naked Eyes4.153:33
18Things Can Only Get Better
D:Ream3:26
19HeartbreakerDionne Warwick4:13
20Leave a Light On
producer:
Rick Nowels
phonographic copyright (℗) by:
Artist Management Services Ltd. (in 1989)
recording of:
Leave a Light On
writer:
Rick Nowels and Ellen Shipley
publisher:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) and Virgin Songs, Inc. (in 1989)
Belinda Carlisle24:13
21Save the Best for Last
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
additional arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
recording of:
Save the Best for Last
writer:
Phil Galdston, Jon Lind and Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:38