Boulez Conducts Mahler: Complete Recordings

~ Release by Mahler; Pierre Boulez (see all versions of this release, 2 available)

Tracklist

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1▼CD: Symphony no. 1 / Totenfeier
#TitleArtistRatingLength
1Symphony no. 1 in D major: Langsam. Schleppend
recording engineer:
Reinhard Lagemann
producer:
Karl-August Naegler (balance engineer)
editor and balance engineer:
Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1998-05)
conductor:
Pierre Boulez (composer and conductor) (in 1998-05)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-05)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1998-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler15:57
2Symphony no. 1 in D major: Kräftig bewegt
recording engineer:
Reinhard Lagemann
producer:
Karl-August Naegler (balance engineer)
editor and balance engineer:
Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1998-05)
conductor:
Pierre Boulez (composer and conductor) (in 1998-05)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-05)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1998-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler6:48
3Symphony no. 1 in D major: 3. Feierlich und gemessen, ohne zu schleppen
recording engineer:
Reinhard Lagemann
producer:
Karl-August Naegler (balance engineer)
editor and balance engineer:
Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1998-05)
conductor:
Pierre Boulez (composer and conductor) (in 1998-05)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-05)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1998-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:39
4Symphony no. 1 in D major: 4. Stürmisch bewegt
recording engineer:
Reinhard Lagemann
producer:
Karl-August Naegler (balance engineer)
editor and balance engineer:
Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1998-05)
conductor:
Pierre Boulez (composer and conductor) (in 1998-05)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-05)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1998-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler19:16
5Totenfeier
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Dagmar Birwe
orchestra:
Chicago Symphony Orchestra (in 1996-12)
conductor:
Pierre Boulez (composer and conductor) (in 1996-12)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1996-12)
recording of:
Totenfeier (Funeral Rites) (in 1996-12)
composer:
Gustav Mahler (composer) (in 1888)
Gustav Mahler25:08
2▼CD: Symphony no. 2 "Resurrection"
#TitleArtistRatingLength
1Symphony no. 2 in C minor "Resurrection": Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2005-06)
conductor:
Pierre Boulez (composer and conductor) (in 2005-06)
balance engineer:
Rainer Maillard (in 2005-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2005-06)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 2005-06)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler20:55
2Symphony no. 2 in C minor "Resurrection": Andante moderato. Sehr gemächlich
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2005-06)
conductor:
Pierre Boulez (composer and conductor) (in 2005-06)
balance engineer:
Rainer Maillard (in 2005-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2005-06)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 2005-06)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler9:17
3Symphony no. 2 in C minor "Resurrection": Scherzo: In ruhig fliessender Bewegung
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2005-06)
conductor:
Pierre Boulez (composer and conductor) (in 2005-06)
balance engineer:
Rainer Maillard (in 2005-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2005-06)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 2005-06)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler9:27
4Symphony no. 2 in C minor "Resurrection": 'Urlicht' - O Röschen rot! Der Mensch liegt in grösster Not! (Sehr feierlich aber schlicht)
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor:
Rainer Maillard
mezzo-soprano vocals:
Michelle DeYoung (mezzo-soprano) (in 2005-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2005-06)
conductor:
Pierre Boulez (composer and conductor) (in 2005-06)
balance engineer:
Rainer Maillard (in 2005-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2005-06)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 2005-06)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:36
5Symphony no. 2 in C minor "Resurrection": Im Tempo des Scherzo - Langsam misterioso
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor:
Rainer Maillard
choir vocals:
Wiener Singverein (in 2005-06)
mezzo-soprano vocals:
Michelle DeYoung (mezzo-soprano) (in 2005-06)
soprano vocals:
Christine Schäfer (soprano) (in 2005-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2005-06)
conductor:
Pierre Boulez (composer and conductor) (in 2005-06)
balance engineer:
Rainer Maillard (in 2005-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2005-06)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 2005-06)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler35:21
3▼CD: Symphony no. 3 in D minor, Part 1
#TitleArtistRatingLength
1Symphony no. 3 in D minor: Kräftig. Entscheiden
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2001-02)
conductor:
Pierre Boulez (composer and conductor) (in 2001-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2001-02)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 2001-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler33:34
2Symphony no. 3 in D minor: Tempo di minuetto. Sehr mäßig
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2001-02)
conductor:
Pierre Boulez (composer and conductor) (in 2001-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2001-02)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 2001-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler9:28
3Symphony no. 3 in D minor: Comodo. Scherzando. Ohne Hast
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2001-02)
conductor:
Pierre Boulez (composer and conductor) (in 2001-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2001-02)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 2001-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler16:36
4▼CD: Symphony no. 3 in D minor, Part 2 / Das klagende Lied
#TitleArtistRatingLength
1Symphony no. 3 in D minor: Sehr langsam. Misterioso: 'O Mensch! Gib acht!' 'O Mensch! Gib acht'
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Rainer Maillard
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 2001-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2001-02)
conductor:
Pierre Boulez (composer and conductor) (in 2001-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2001-02)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 2001-02)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler9:17
2Symphony no. 3 in D minor: Lustig im Tempo und keck im Ausdruck: 'Bimm Bamm. Es sungen drei Engel'
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Rainer Maillard
choir vocals:
Frauenchor des Wiener Singverein (in 2001-02) and Wiener Sängerknaben (The Vienna Boys Choir) (in 2001-02)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 2001-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2001-02)
conductor:
Pierre Boulez (composer and conductor) (in 2001-02)
chorus master:
Johannes Prinz (in 2001-02) and Gerald Wirth (choir conductor) (in 2001-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2001-02)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 2001-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:06
3Symphony no. 3 in D minor: Langsam. Ruhevoll. Empfunden
recording engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2001-02)
conductor:
Pierre Boulez (composer and conductor) (in 2001-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 2001-02)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 2001-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler22:23
4Das Klagende Lied: Beim Weidenbaum, im kühlen Tann
recording engineer:
Peter Hecker and Gernot Hoffmann
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
editor:
Rainer Maillard
contralto vocals:
Anna Larsson (contralto) (from 2011-07-28 until 2011-07-31)
soprano vocals:
Dorothea Röschmann (soprano) (from 2011-07-28 until 2011-07-31)
tenor vocals:
Johan Botha (operatic tenor) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
live recording of:
Das klagende Lied: Part I. I. Beim Weidenbaum, im kühlen Tann (1898 revision) (from 2011-07-28 until 2011-07-31)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied: Part I (1898 revision)
Gustav Mahler5:35
5Das Klagende Lied: Ein Spielmann zog einst des Weges daher
recording engineer:
Peter Hecker and Gernot Hoffmann
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
editor:
Rainer Maillard
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 2011-07-28 until 2011-07-31)
contralto vocals:
Anna Larsson (contralto) (from 2011-07-28 until 2011-07-31)
soprano vocals:
Dorothea Röschmann (soprano) (from 2011-07-28 until 2011-07-31)
tenor vocals:
Johan Botha (operatic tenor) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
live recording of:
Das klagende Lied: Part I. II. Ein Spielmann zog einst des Weges daher (1898 revision) (from 2011-07-28 until 2011-07-31)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied: Part I (1898 revision)
Gustav Mahler5:40
6Das Klagende Lied: Ach Spielmann, lieber Spielmann mein!
recording engineer:
Peter Hecker and Gernot Hoffmann
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
editor:
Rainer Maillard
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 2011-07-28 until 2011-07-31)
contralto vocals:
Anna Larsson (contralto) (from 2011-07-28 until 2011-07-31)
tenor vocals:
Johan Botha (operatic tenor) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
live recording of:
Das klagende Lied: Part I. III. Ach Spielmann, lieber Spielmann mein! (1898 revision) (from 2011-07-28 until 2011-07-31)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied: Part I (1898 revision)
Gustav Mahler5:31
7Das Klagende Lied: Von hohen Felsen erglänzt das Schloß
recording engineer:
Peter Hecker and Gernot Hoffmann
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
editor:
Rainer Maillard
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 2011-07-28 until 2011-07-31)
contralto vocals:
Anna Larsson (contralto) (from 2011-07-28 until 2011-07-31)
soprano vocals:
Dorothea Röschmann (soprano) (from 2011-07-28 until 2011-07-31)
tenor vocals:
Johan Botha (operatic tenor) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
live recording of:
Das klagende Lied: Part II. IV. Von hohen Felsen erglänzt das Schloß (1898 revision) (from 2011-07-28 until 2011-07-31)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied: Part II (1898 revision)
Gustav Mahler4:01
8Das Klagende Lied: Was ist der König so stumm und bleich
recording engineer:
Peter Hecker and Gernot Hoffmann
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
editor:
Rainer Maillard
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 2011-07-28 until 2011-07-31)
contralto vocals:
Anna Larsson (contralto) (from 2011-07-28 until 2011-07-31)
tenor vocals:
Johan Botha (operatic tenor) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
live recording of:
Das klagende Lied: Part II. V. Was ist der König so stumm und bleich (1898 revision) (from 2011-07-28 until 2011-07-31)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied: Part II (1898 revision)
Gustav Mahler4:52
9Das Klagende Lied: Ach Spielmann, lieber Spielmann mein!
recording engineer:
Peter Hecker and Gernot Hoffmann
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
editor:
Rainer Maillard
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 2011-07-28 until 2011-07-31)
contralto vocals:
Anna Larsson (contralto) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
live recording of:
Das klagende Lied: Part II. VI. Ach Spielmann, lieber Spielmann mein! (1898 revision) (from 2011-07-28 until 2011-07-31)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied: Part II (1898 revision)
Gustav Mahler2:32
10Das Klagende Lied: Auf springt der König von seinem Thron
recording engineer:
Peter Hecker and Gernot Hoffmann
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
editor:
Rainer Maillard
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
live recording of:
Das klagende Lied: Part II. VII. Auf springt der König von seinem Thron (1898 revision) (from 2011-07-28 until 2011-07-31)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied: Part II (1898 revision)
Gustav Mahler1:08
11Das Klagende Lied: Ach Bruder, lieber Bruder mein!
recording engineer:
Peter Hecker and Gernot Hoffmann
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
editor:
Rainer Maillard
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 2011-07-28 until 2011-07-31)
soprano vocals:
Dorothea Röschmann (soprano) (from 2011-07-28 until 2011-07-31)
tenor vocals:
Johan Botha (operatic tenor) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
live recording of:
Das klagende Lied: Part II. VIII. Ach Bruder, lieber Bruder mein! (1898 revision) (from 2011-07-28 until 2011-07-31)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied: Part II (1898 revision)
Gustav Mahler6:12
5▼CD: Symphony no. 4 in G
#TitleArtistRatingLength
1Symphony no. 4 in G major: Bedächtig. Nicht eilen - Recht gemächlich
recording engineer:
Reinhard Lagemann
producer:
Christian Gansch (conductor)
editor:
Johannes Müller (German engineer/producer)
orchestra:
The Cleveland Orchestra (in 1998-04)
conductor:
Pierre Boulez (composer and conductor) (in 1998-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1998-04)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1998-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler15:17
2Symphony no. 4 in G major: In gemächlicher Bewegung. Ohne Hast
recording engineer:
Reinhard Lagemann
producer:
Christian Gansch (conductor)
editor:
Johannes Müller (German engineer/producer)
violin:
William Preucil (violinist) (in 1998-04)
orchestra:
The Cleveland Orchestra (in 1998-04)
conductor:
Pierre Boulez (composer and conductor) (in 1998-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1998-04)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1998-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:31
3Symphony no. 4 in G major: Ruhevoll (Poco adagio)
recording engineer:
Reinhard Lagemann
producer:
Christian Gansch (conductor)
editor:
Johannes Müller (German engineer/producer)
orchestra:
The Cleveland Orchestra (in 1998-04)
conductor:
Pierre Boulez (composer and conductor) (in 1998-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1998-04)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1998-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler20:00
4Symphony no. 4 in G major: Sehr behaglich: 'Wir genießen die himmlischen Freuden'
recording engineer:
Reinhard Lagemann
producer:
Christian Gansch (conductor)
editor:
Johannes Müller (German engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1998-04)
orchestra:
The Cleveland Orchestra (in 1998-04)
conductor:
Pierre Boulez (composer and conductor) (in 1998-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1998-04)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1998-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler8:44
6▼CD: Symphony no. 5 in C-sharp minor
#TitleArtistRatingLength
1Symphony no. 5 in C-sharp minor: Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlichschneller. Leidenschaftlich. Wild - Tempo I)
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer) and Martin Derner
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1996-03)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:52
2Symphony no. 5 in C-sharp minor: Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer) and Martin Derner
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (in 1996-03)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:02
3Symphony no. 5 in C-sharp minor: Scherzo (Kräftig, nicht zu schnell)
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer) and Martin Derner
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (in 1996-03)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler18:12
4Symphony no. 5 in C-sharp minor: Adagietto (Sehr langsam)
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer) and Martin Derner
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1996-03)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:59
5Symphony no. 5 in C-sharp minor: Rondo-Finale (Allegro)
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer) and Martin Derner
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (in 1996-03)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:12
7▼CD: Symphony no. 6 in A minor
#TitleArtistRatingLength
1Symphony no. 6 in A minor: Allegro energico, ma non troppo. Heftig aber Markig
recording engineer:
Stephan Flock and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
associate producer:
Ewald Markl
producer:
Werner Mayer (classical producer)
editor:
Mark Bücker (recording engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-05)
conductor:
Pierre Boulez (composer and conductor) (in 1994-05)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-05)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 1994-05)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler23:07
2Symphony no. 6 in A minor: Scherzo (Wuchtig)
recording engineer:
Stephan Flock and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
associate producer:
Ewald Markl
producer:
Werner Mayer (classical producer)
editor:
Mark Bücker (recording engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-05)
conductor:
Pierre Boulez (composer and conductor) (in 1994-05)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-05)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 1994-05)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler12:19
3Symphony no. 6 in A minor: Andante moderato
recording engineer:
Stephan Flock and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
associate producer:
Ewald Markl
producer:
Werner Mayer (classical producer)
editor:
Mark Bücker (recording engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-05)
conductor:
Pierre Boulez (composer and conductor) (in 1994-05)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-05)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 1994-05)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler14:47
4Symphony no. 6 in A minor: Finale (Allegro moderato)
recording engineer:
Stephan Flock and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
associate producer:
Ewald Markl
producer:
Werner Mayer (classical producer)
editor:
Mark Bücker (recording engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1994-05)
conductor:
Pierre Boulez (composer and conductor) (in 1994-05)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1994-05)
recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (in 1994-05)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler29:10
8▼CD: Symphony no. 7 In E minor
#TitleArtistRatingLength
1Symphony no. 7 In E minor: Langsam - Allegro
recording engineer:
Klaus Behrens (engineer) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock
orchestra:
The Cleveland Orchestra (in 1994-11)
conductor:
Pierre Boulez (composer and conductor) (in 1994-11)
balance engineer:
Rainer Maillard
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1994-11)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 1994-11)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler23:25
2Symphony no. 7 In E minor: Nachtmusik (Allegro moderato)
recording engineer:
Klaus Behrens (engineer) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock
orchestra:
The Cleveland Orchestra (in 1994-11)
conductor:
Pierre Boulez (composer and conductor) (in 1994-11)
balance engineer:
Rainer Maillard
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1994-11)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 1994-11)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler13:56
3Symphony no. 7 In E minor: Scherzo
recording engineer:
Klaus Behrens (engineer) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock
orchestra:
The Cleveland Orchestra (in 1994-11)
conductor:
Pierre Boulez (composer and conductor) (in 1994-11)
balance engineer:
Rainer Maillard
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1994-11)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 1994-11)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler9:14
4Symphony no. 7 In E minor: Nachtmusik (Andante amoroso)
recording engineer:
Klaus Behrens (engineer) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock
orchestra:
The Cleveland Orchestra (in 1994-11)
conductor:
Pierre Boulez (composer and conductor) (in 1994-11)
balance engineer:
Rainer Maillard
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1994-11)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 1994-11)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler10:38
5Symphony no. 7 In E minor: Rondo - Finale (Allegro ordinario - Allegro moderato ma energico)
recording engineer:
Klaus Behrens (engineer) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock
orchestra:
The Cleveland Orchestra (in 1994-11)
conductor:
Pierre Boulez (composer and conductor) (in 1994-11)
balance engineer:
Rainer Maillard
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1994-11)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 1994-11)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler17:42
9▼CD: Symphony no. 8 in E-flat "Symphony of a Thousand", Part 1
#TitleArtistRatingLength
1Symphony no. 8 in E-flat major: Veni, creator spiritus
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:24
2Symphony no. 8 in E-flat major: "Imple superna gratia"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo baritone vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 2007-04)
solo bass vocals:
Robert Holl (bass‐baritone) (in 2007-04)
solo contralto vocals [Mezzo-Soprano I]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
solo contralto vocals [Mezzo-Soprano II]:
Simone Schröder (in 2007-04)
solo soprano vocals [Soprano I]:
Twyla Robinson (soprano) (in 2007-04)
solo soprano vocals [Soprano III]:
Adriane Queiroz (in 2007-04)
solo tenor vocals:
Johan Botha (operatic tenor) (in 2007-04)
soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:21
3Symphony no. 8 in E-flat major: "Infirma nostri corporis"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo baritone vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 2007-04)
solo bass vocals:
Robert Holl (bass‐baritone) (in 2007-04)
solo contralto vocals [Mezzo-Soprano I]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
solo contralto vocals [Mezzo-Soprano II]:
Simone Schröder (in 2007-04)
solo soprano vocals [Soprano I]:
Twyla Robinson (soprano) (in 2007-04)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2007-04)
solo soprano vocals [Soprano III]:
Adriane Queiroz (in 2007-04)
solo tenor vocals:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:31
4Symphony no. 8 in E-flat major: Tempo I. (Allegro, etwas hastig)
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (in 2007-04)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:27
5Symphony no. 8 in E-flat major: "Infirma nostri corporis"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
solo baritone vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 2007-04)
solo bass vocals:
Robert Holl (bass‐baritone) (in 2007-04)
solo contralto vocals [Mezzo-Soprano I]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
solo contralto vocals [Mezzo-Soprano II]:
Simone Schröder (in 2007-04)
solo soprano vocals [Soprano I]:
Twyla Robinson (soprano) (in 2007-04)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2007-04)
solo soprano vocals [Soprano III]:
Adriane Queiroz (in 2007-04)
solo tenor vocals:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (in 2007-04)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:18
6Symphony no. 8 in E-flat major: "Accende lumen sensibus"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo baritone vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 2007-04)
solo bass vocals:
Robert Holl (bass‐baritone) (in 2007-04)
solo contralto vocals [Mezzo-Soprano I]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
solo contralto vocals [Mezzo-Soprano II]:
Simone Schröder (in 2007-04)
solo soprano vocals [Soprano I]:
Twyla Robinson (soprano) (in 2007-04)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2007-04)
solo soprano vocals [Soprano III]:
Adriane Queiroz (in 2007-04)
solo tenor vocals:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:54
7Symphony no. 8 in E-flat major: "Veni, Creator...Da gaudiorum praemia"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Aurelius Sängerknaben Calw (in 2007-04), Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo baritone vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 2007-04)
solo bass vocals:
Robert Holl (bass‐baritone) (in 2007-04)
solo contralto vocals [Mezzo-Soprano I]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
solo contralto vocals [Mezzo-Soprano II]:
Simone Schröder (in 2007-04)
solo soprano vocals [Soprano I]:
Twyla Robinson (soprano) (in 2007-04)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2007-04)
solo soprano vocals [Soprano III]:
Adriane Queiroz (in 2007-04)
solo tenor vocals:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:47
8Symphony no. 8 in E-flat major: "Gloria sit Patri Domino"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Aurelius Sängerknaben Calw (in 2007-04), Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo baritone vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 2007-04)
solo bass vocals:
Robert Holl (bass‐baritone) (in 2007-04)
solo contralto vocals [Mezzo-Soprano I]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
solo contralto vocals [Mezzo-Soprano II]:
Simone Schröder (in 2007-04)
solo soprano vocals [Soprano I]:
Twyla Robinson (soprano) (in 2007-04)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2007-04)
solo soprano vocals [Soprano III]:
Adriane Queiroz (in 2007-04)
solo tenor vocals:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:03
10▼CD: Symphony no. 8 in E-flat "Symphony of a Thousand", Part 2
#TitleArtistRatingLength
1Symphony no. 8 in E-flat major: Poco adagio
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler7:16
2Symphony no. 8 in E-flat major: Più mosso (Allegro moderato)
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:20
3Symphony no. 8 in E-flat major: "Waldung, sie schwankt heran"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:09
4Symphony no. 8 in E-flat major: "Ewiger Wonnebrand"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
solo baritone vocals [Pater Ecstaticus]:
Hanno Müller‐Brachmann (bass-baritone) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:43
5Symphony no. 8 in E-flat major: "Wie Felsenabgrund mir zu Füßen"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
solo bass vocals [Pater Profundus]:
Robert Holl (bass‐baritone) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:04
6Symphony no. 8 in E-flat major: "Gerettet ist das edle Glied" - "Hände verschlinget"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Aurelius Sängerknaben Calw (in 2007-04), Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:08
7Symphony no. 8 in E-flat major: "Jene Rosen, aus den Händen"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 2007-04)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:03
8Symphony no. 8 in E-flat major: "Uns bleibt ein Erdenrest"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo contralto vocals [Mulier Samaritana]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:02
9Symphony no. 8 in E-flat major: "Ich spür' soeben" - "Freudig empfangen wir"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Aurelius Sängerknaben Calw (in 2007-04) and Chor der Deutschen Staatsoper Berlin (in 2007-04)
solo tenor vocals [Doctor Marianus]:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 2007-04)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:19
10Symphony no. 8 in E-flat major: "Höchste Herrscherin der Welt"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo tenor vocals [Doctor Marianus]:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:28
11Symphony no. 8 in E-flat major: "Dir, der Unberührbaren" - "Du schwebst zu Höhen"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:33
12Symphony no. 8 in E-flat major: "Bei der Liebe" - "Bei dem Bronn" - Bei dem hochgeweihten Orte"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
solo contralto vocals [Maria Aegyptiaca]:
Simone Schröder (in 2007-04)
solo contralto vocals [Mulier Samaritana]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
solo soprano vocals [Magna Peccatrix]:
Twyla Robinson (soprano) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:26
13Symphony no. 8 in E-flat major: "Neige, neige, du Ohnegleiche"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:04
14Symphony no. 8 in E-flat major: "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Aurelius Sängerknaben Calw (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 2007-04)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:30
15Symphony no. 8 in E-flat major: "Komm! hebe dich zu höhern Sphären" - "Blicket auf zum Retterblick"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Aurelius Sängerknaben Calw (in 2007-04), Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo soprano vocals [Mater Gloriosa]:
Adriane Queiroz (in 2007-04)
solo tenor vocals [Doctor Marianus]:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler7:21
16Symphony no. 8 in E-flat major: "Alles Vergängliche"
assistant engineer:
Wolf‐Dieter Karwatky
producer:
Christian Gansch (conductor)
choir vocals:
Aurelius Sängerknaben Calw (in 2007-04), Chor der Deutschen Staatsoper Berlin (in 2007-04) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 2007-04)
solo baritone vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 2007-04)
solo bass vocals:
Robert Holl (bass‐baritone) (in 2007-04)
solo contralto vocals [Mezzo-Soprano I]:
Michelle DeYoung (mezzo-soprano) (in 2007-04)
solo contralto vocals [Mezzo-Soprano II]:
Simone Schröder (in 2007-04)
solo soprano vocals [Soprano I]:
Twyla Robinson (soprano) (in 2007-04)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2007-04)
solo tenor vocals:
Johan Botha (operatic tenor) (in 2007-04)
orchestra:
Staatskapelle Berlin (in 2007-04)
conductor:
Pierre Boulez (composer and conductor) (in 2007-04)
balance engineer:
Hans‐Ulrich Bastin and Ulrich Vette (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 2007-04)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 2007-04)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:05
11▶CD: Symphony no. 9 in D
12▶CD: Des Knaben Wunderhorn / Adagio from Symphony no. 10
13▶CD: Song Cycles
14▶CD: Das Lied von der Erde