Nice Work...

~ Release by Wesla Whitfield (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Nice Work If You Can Get It
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
Nice Work If You Can Get It (in 1994-12)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
4:07
2How Deep Is the Ocean?
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
guitar:
Gene Bertoncini (guitar player) (in 1994-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
How Deep Is the Ocean? (in 1994-12)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:31
3I'm Crazy 'Bout My Baby
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (in 1994-12)
lyricist:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
composer:
Fats Waller
4:19
4I'm Gonna Laugh You Right Out of My Life
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
guitar:
Gene Bertoncini (guitar player) (in 1994-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
I’m Gonna Laugh You Right Out of My Life (in 1994-12)
lyricist:
Joseph McCarthy (lyricist, 1885–1943)
composer:
Cy Coleman
3:14
5Bewitched, Bothered and Bewildered
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (in 1994-12)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:24
6This Can't Be Love
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
guitar:
Gene Bertoncini (guitar player) (in 1994-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
This Can’t Be Love (in 1994-12)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
2:58
7Where's That Rainbow?
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
3:55
8Thou Swell
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
Thou Swell (in 1994-12)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
4:18
9A Kiss to Build a Dream On
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
A Kiss to Build a Dream On (in 1994-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
3:34
10I Concentrate on You
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
I Concentrate on You (in 1994-12)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
3:05
11I'm Confessin' That I Love You
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
I’m Confessin’ (That I Love You) (in 1994-12)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
5:21
12I'm an Errand Girl (Boy) For Rhythm
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
I'm an Errand Boy for Rhythm (in 1994-12)
lyricist and composer:
Nat King Cole
3:22
13Golden Earrings
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
Golden Earrings (in 1994-12)
lyricist:
Ray Evans (American songwriter) and Jay Livingston
composer:
Victor Young (American composer, arranger, violinist & conductor)
3:28
14Nevertheless
recording engineer:
Danny Kopelson (from 1994-12-11 until 1994-12-12)
assistant engineer:
Ed Raso
engineer and editor:
Fred Kevorkian
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:
Mike Greensill (from 1994-12-11 until 1994-12-12)
vocals:
Wesla Whitfield (from 1994-12-11 until 1994-12-12)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1994-12-11 until 1994-12-12)
edited at:
Sear Sound in New York, New York, United States
recording of:
Nevertheless (I’m in Love With You) (in 1994-12)
lyricist:
Bert Kalmar
composer:
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:24

Credits

Release

photography:John Abbott (photographer)
graphic design:Rosemarie Iorio McGlynn
bass:Michael Moore (Bass player) (from 1994-12-11 until 1994-12-12)
piano:Mike Greensill (from 1994-12-11 until 1994-12-12)
arranger:Mike Greensill
ASIN:US: B000008OHL [info]