Requiem / Magnificat / Moteti

~ Release by Lassus; Pro Cantione Antiqua (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Missa Pro defunctis (Requiem) à 5, H. vi/135: Introitus
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Introitus (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:28
2Missa Pro defunctis (Requiem) à 5, H. vi/135: Kyrie
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Kyrie (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:20
3Graduale
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Graduale (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
[anonymous]3:27
4Missa Pro defunctis (Requiem) à 5, H. vi/135: Tractus: Absolve Domine
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Tractus: Absolve Domine (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus4:55
5Missa Pro defunctis (Requiem) à 5, H. vi/135: Offertorium: Domine Jesu Christe
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Offertorium: Domine Jesu Christe (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:53
6Missa Pro defunctis (Requiem) à 5, H. vi/135: Sanctus - Benedictus
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Sanctus - Benedictus (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:35
7Missa Pro defunctis (Requiem) à 5, H. vi/135: Agnus Dei
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Agnus Dei (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:32
8Missa Pro defunctis (Requiem) à 5, H. vi/135: Communio: Lux aeterna
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Communio: Lux aeterna (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus2:59
9O bone Jesu, S. i/69
miscellaneous support:
Dr. Alfred Krings (task: recording supervision) and Hubert Kübler (producer) (task: recording supervision)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1971-04), Brian Etheridge (operatic bass) (in 1971-04), William Mason (opera bass) (in 1971-04) and David Thomas (British operatic bass) (in 1971-04)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
countertenor vocals:
Keith Davis (doo wop artist) (in 1971-04), John Elwes (tenor) (in 1971-04), Paul Esswood (countertenor) (in 1971-04), Geoffrey Mitchell (in 1971-04) and Kevin Smith (english counter-tenor) (in 1971-04)
tenor vocals:
James Griffett (tenor) (in 1971-04), James Lewington (in 1971-04) and Ian Thompson (tenor) (in 1971-04)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1971-04)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1971-04)
recorded at:
Pfarrkirche Schleiden/Eifel in Schleiden, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1971-04)
recording of:
O bone Jesu, S. i, 69 (in 1971-04)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. i/69)
Orlande de Lassus3:51
10Magnificat "Praeter rerum seriem", H. xv/248
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1973), Brian Etheridge (operatic bass) (in 1973), William Mason (opera bass) (in 1973) and David Thomas (British operatic bass) (in 1973)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
countertenor vocals:
Keith Davis (doo wop artist) (in 1973), John Elwes (tenor) (in 1973), Paul Esswood (countertenor) (in 1973), Geoffrey Mitchell (in 1973) and Kevin Smith (english counter-tenor) (in 1973)
tenor vocals:
James Griffett (tenor) (in 1973), James Lewington (in 1973) and Ian Thompson (tenor) (in 1973)
orchestra:
Collegium Aureum (in 1973)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1973)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1973)
recording of:
Magnificat secundi toni, LV 1070 "Praeter rerum seriem" (in 1973)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
is based on:
Praeter rerum seriem (a 6)
Orlande de Lassus13:45
11Alma Redemptoris mater a 6, S. xiii/108
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1973)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1973), Brian Etheridge (operatic bass) (in 1973), William Mason (opera bass) (in 1973) and David Thomas (British operatic bass) (in 1973)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
countertenor vocals:
Keith Davis (doo wop artist) (in 1973), John Elwes (tenor) (in 1973), Paul Esswood (countertenor) (in 1973), Geoffrey Mitchell (in 1973) and Kevin Smith (english counter-tenor) (in 1973)
tenor vocals:
James Griffett (tenor) (in 1973), James Lewington (in 1973) and Ian Thompson (tenor) (in 1973)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1973)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1973)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1973)
recording of:
Alma Redemptoris mater a 6, S. xiii, 108 (One of the four by Lassus) (in 1973)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xiii/108)
Orlande de Lassus4:17
12Ave Maria gratia plena, S. v/118
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1974)
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (in 1974)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer) (in 1974), Brian Etheridge (operatic bass) (in 1974), William Mason (opera bass) (in 1974) and David Thomas (British operatic bass) (in 1974)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1974)
countertenor vocals:
Keith Davis (doo wop artist) (in 1974), John Elwes (tenor) (in 1974), Paul Esswood (countertenor) (in 1974), Geoffrey Mitchell (in 1974) and Kevin Smith (english counter-tenor) (in 1974)
tenor vocals:
James Griffett (tenor) (in 1974), James Lewington (in 1974) and Ian Thompson (tenor) (in 1974)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble) (in 1974)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor) (in 1974)
recorded at:
Schloss Kirchheim in Kirchheim unter Teck, Baden-Württemberg, Germany (in 1974)
recording of:
Ave Maria Gratia Plena À 5 (in 1974)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. v/118)
Orlande de Lassus2:43

Credits

Release

manufactured in:Germany
printed in:Germany
photography:Peter-Cornell Richter (photographer) (task: booklet back photo)
liner notes:Bruno Turner (musicologist, choral conductor)
liner notes translator:Giorgio Giandomenici
Jane Heller (translation)
Anne Wölfli (translation)
booklet editor:Dr. Jens Markowsky (liner notes)
manufactured by:Sonopress (Sonopress GmbH, German vinyl, cassette, CD and DVD manufacturer. see annotations)
distributed by:BMG Ariola (company mostly named as distributor in Europe)
BMG Records (not for release label use! primarily named as distributor in the UK)
copyrighted (©) by:harmonia mundi (in 1990)
phonographic copyright (℗) by:harmonia mundi (in 1988)
Discogs:https://www.discogs.com/release/2140297 [info]
ASIN:DE: B000001TWR [info]