In a Sentimental Mood: Mathis Sings Ellington

~ Release by Johnny Mathis (see all versions of this release, 2 available)

Annotation

Copyright: ℗ 1990 Jon Mat Records Inc.

Annotation last modified on 2025-12-19 22:31 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Overture – A Musical Tribute to Duke Ellington
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
2:16
2Lush Life
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Lush Life (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:15
3Medley
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
medley including a recording of:
Don’t You Know I Care? (from 1990-02-06 until 1990-02-10)
lyricist:
Mack David (American lyricist and songwriter) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
medley including a recording of:
I Didn’t Know About You (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
is based on:
Sentimental Lady
4:49
4Things Ain’t What They Used to Be (instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Things Ain’t What They Used to Be (from 1990-02-06 until 1990-02-10)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
1:18
5In a Sentimental Mood
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
In a Sentimental Mood (from 1990-02-06 until 1990-02-10)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:05
6What Am I Here For
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
What Am I Here For (from 1990-02-06 until 1990-02-10)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:24
7I Got It Bad and That Ain’t Good (instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1990-02-06 until 1990-02-10)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
1:44
8Something to Live For
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Something to Live For (1938 Billy Strayhorn jazz composition) (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Billy Strayhorn
3:38
9Solitude
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Solitude (for strings, Gould) (from 1990-02-06 until 1990-02-10)
orchestrator:
Morton Gould (American composer and conductor)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
arrangement of:
(In My) Solitude
3:41
10Perdido (instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Perdido (original instrumental version) (from 1990-02-06 until 1990-02-10)
composer:
Juan Tizol
1:05
11Prelude to a Kiss
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
producer:
Mike Berniker
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1990)
recording of:
Prelude to a Kiss (from 1990-02-06 until 1990-02-10)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
2:52
12In a Mellow Tone
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
In a Mellow Tone (from 1990-02-06 until 1990-02-10)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:19
13Don’t Get Around Much Anymore
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
cover recording of:
Don’t Get Around Much Anymore (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
3:17
14Satin Doll (instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Satin Doll (from 1990-02-06 until 1990-02-10)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
1:08
15Come Sunday
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Come Sunday (1958 revision with lyrics) (from 1990-02-06 until 1990-02-10)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
3:25
16Do Nothin’ Till You Hear From Me
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Do Nothin’ Till You Hear From Me (from 1990-02-06 until 1990-02-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
4:40
17Caravan (instrumental)
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
phonographic copyright (℗) by:
Jon Mat Records, Inc.
instrumental recording of:
Caravan (from 1990-02-06 until 1990-02-10)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
arranger:
György Vukán
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
0:55
18Day Dream
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (American jazz pianist and composer) (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (US pop/soul singer) (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Byron Olson
phonographic copyright (℗) by:
Jon Mat Records, Inc.
recording of:
Day Dream (from 1990-02-06 until 1990-02-10)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
3:26