Sanctus: 1000 Years of Sacred Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Hildegard von Bingen: The Music of a Saint
#TitleArtistRatingLength
1From the Hildegard Liederband: Cum processit factura (De sancta Maria. Antiphona No. 8)
recording of:
Symphonia armonie celestium revelationem: Cum processit factura
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen2:56
2From the Hildegard Liederband: Cum erubuerint infelices (De sancta Maria. Antiphona No. 9)
recording of:
Symphonia armonie celestium revelationem: Cum erubuerint (Antiphon to Maria)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:59
3From the Hildegard Liederband: O frondens virgo (De sancta Maria. Antiphona No. 10)
Hildegard von Bingen1:47
4From the Hildegard Liederband: Ave, generosa, gloriosa (De sancta Maria. Hymnus No. 12)
recording of:
Symphonia armonie celestium revelationum: Ave generosa
lyricist:
Hildegard von Bingen (German medieval saint)
composer:
Ola Gjeilo (Norwegian composer) and Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen5:02
5From the Hildegard Liederband: O virga ac diadema purpurae regis (De sancta Maria. Sequentia No. 13)
recording of:
Symphonia armonie celestium revelationum: O virga ac diadema
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen7:11
6From the Hildegard Liederband: Caritas abundat (De Spiritu Sancto. Antiphona No. 16)
recording of:
Symphonia armonie celestium revelationem: Karitas habundat
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:48
7From the Hildegard Liederband: O pastor animarum (Ad Christum. Antiphona No. 61)
recording of:
Symphonia armonie celestium revelationum: O Pastor animarum
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:26
8From the Hildegard Liederband: O quam preciosa est (De sancta Maria. Responsorium No. 63)
recording of:
Symphonia armonie celestium revelationem: O quam preciosa (Responsory to Maria)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen4:03
9From the Hildegard Liederband: Kyrie (No. 69)
Hildegard von Bingen2:07
10From “Ordo Virtutum”: Patriarchae et Prophetae
Hildegard von Bingen2:11
11From “Ordo Virtutum”: Castitas
partial recording of:
Ordo virtutum
lyricist and composer:
Hildegard von Bingen (German medieval saint)
Hildegard von Bingen1:44
12From “Ordo Virtutum”: Virtutes
partial recording of:
Ordo virtutum
lyricist and composer:
Hildegard von Bingen (German medieval saint)
Hildegard von Bingen1:04
13Gregorian Chant: Antiphona ad Magnificat-Magnificat-Antiphona ad Benedictus-Hildegardis prophetissa
Hildegard von Bingen4:24
14Gregorian Chant: In I Vesperis-Hymnus ex Officio in hon. S. Hildegardis
Hildegard von Bingen2:53
2▼CD: Lamentations
#TitleArtistRatingLength
1Stabat Mater
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
phonographic copyright (℗) by:
Brilliant Classics (in 2009)
recorded at:
Jesus College (Cambridge) Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Stabat Mater
composer:
Giovanni Pierluigi da Palestrina (composer)
Giovanni Pierluigi da Palestrina11:22
2O vos omnes
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
O vos omnes, Tenebrae Responsory for Holy Saturday
publisher:
Antonio Gardane (in 1572)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1572)
Tomás Luis de Victoria2:30
3O vos omnes
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Tenebrae Responsories for Holy Saturday: O vos omnes
composer:
Carlo Gesualdo (composer)
part of:
Tenebrae Responsories for Holy Saturday
Carlo Gesualdo2:58
4Lamentations of Jeremiah
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Lamentations of Jeremiah (I), P. 102
composer:
Thomas Tallis (composer)
part of:
Lamentations of Jeremiah (I–II)
Thomas Tallis7:29
5Civitas sancti tui
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Ne irascaris, Domine: II. Civitas sancti tui (à 5, Cantiones sacrae I (1589))
composer:
William Byrd (English composer)
part of:
Cantiones sacrae, Liber 1 (1589)
part of:
Ne irascaris, Domine (à 5, Cantiones sacrae I (1589))
William Byrd4:23
6Vox in Rama
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Vox in rama audita est
composer:
George Kirbye
George Kirbye4:32
7How are the mighty fallen
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recorded at:
Jesus College (Cambridge) Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
How Are the Mighty Fallen
writer:
2 Samuel 1: 25-27 ([anonymous], special purpose artist)
composer:
Robert Ramsey (Scottish composer)
Robert Ramsey7:41
8When David heard
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recorded at:
Jesus College (Cambridge) Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
When David Heard
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
publisher:
Oxford University Press
Thomas Weelkes4:20
9Absalon fili mi
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Absalon, fili mi
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez3:57
10When David heard
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
When David heard that Absalom was slain
lyricist:
2 Samuel 18: 33 ([anonymous], special purpose artist)
composer:
Thomas Tomkins (English Renaissance/Baroque composer)
Thomas Tomkins4:45
11La Déploration de Johannes Ockeghem
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices)
lyricist:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:38
12Miserere
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
phonographic copyright (℗) by:
Brilliant Classics (in 2009)
recorded at:
Jesus College (Cambridge) Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Miserere mei, Deus (in 1993-07)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri12:39
3▼CD: Monteverdi: Vespro Della Beata Vergine
#TitleArtistRatingLength
1Vespro della Beata Vergine: Deus adjutorium
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:06
2Vespro della Beata Vergine: Antiphon to Psalm 109
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:24
3Vespro della Beata Vergine: Psalm 109: Dixit Dominus
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: II. Psalmus I "Dixit Dominus"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:34
4Vespro della Beata Vergine: Antiphon
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:24
5Vespro della Beata Vergine: Concerto: Nigra sum
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:24
6Vespro della Beata Vergine: Antiphon to Psalm 112
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:23
7Vespro della Beata Vergine: Psalm 112: Laudate Pueri
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:59
8Vespro della Beata Vergine: Antiphon
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:24
9Vespro della Beata Vergine: Concerto: Pulchra es
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: V. Concerto "Pulchra es"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:52
10Vespro della Beata Vergine: Antiphon to Psalm 121
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:23
11Vespro della Beata Vergine: Psalm 121: Laetatus sum
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: VI. Psalmus III "Laetatus sum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:42
12Vespro della Beata Vergine: Antiphon
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:24
13Vespro della Beata Vergine: Concerto: Duo Seraphim
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:27
14Vespro della Beata Vergine: Antiphon to Psalm 126
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi1:08
15Vespro della Beata Vergine: Psalm 126: Nisi Dominus
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: VIII. Psalmus IV "Nisi Dominus"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:46
16Vespro della Beata Vergine: Antiphon
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi1:11
17Vespro della Beata Vergine: Concerto: Audi coelum
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:38
18Vespro della Beata Vergine: Antiphon to Psalm 147
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:15
19Vespro della Beata Vergine: Psalm 147: Lauda Jerusalem
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: X. Psalmus V "Lauda Jerusalem"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:25
20Vespro della Beata Vergine: Antiphon
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:17
21Vespro della Beata Vergine: Sonata Sancta Maria
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:30
22Vespro della Beata Vergine: Hymnus Ave Maris Stella
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XII. Hymnus "Ave maris stella"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:54
23Vespro della Beata Vergine: Antiphon to Magnificat
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:22
24Vespro della Beata Vergine: Magnificat anima mea
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIa. Magnificat (I): "Magnificat"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVa. Magnificat (II): "Magnificat"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi0:52
25Vespro della Beata Vergine: Et exultavit
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat (I): "Et exsultavit"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVb. Magnificat (II): "Et exsultavit"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:13
26Vespro della Beata Vergine: Quia respexit
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat (I): "Quia respexit"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVc. Magnificat (II): "Quia respexit"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:31
27Vespro della Beata Vergine: Quia fecit
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIId. Magnificat (I): "Quia fecit mihi magna"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVd. Magnificat (II): "Quia fecit mihi magna"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:03
28Vespro della Beata Vergine: Et misericordia
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIe. Magnificat (I): "Et misericordia"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVe. Magnificat (II): "Et misericordia"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:40
29Vespro della Beata Vergine: Fecit potentiam
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIf. Magnificat (I): "Fecit potentiam"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVf. Magnificat (II): "Fecit potentiam"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:07
4▼CD: Monteverdi: Vespero della Beata Vegine (cont.) / Purcel: Sacred Music
#TitleArtistRatingLength
1Vespro della Beata Vergine: Deposuit potentes
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIg. Magnificat (I): "Deposuit potentes de sede"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVg. Magnificat (II): "Deposuit potentes de sede"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi2:32
2Vespro della Beata Vergine: Esurientes
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat (I): "Esurientes implevit bonis"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVh. Magnificat (II): "Esurientes implevit bonis"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:08
3Vespro della Beata Vergine: Suscepit Israel
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIi. Magnificat (I): "Suscepit Israel"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVi. Magnificat (II): "Suscepit Israel"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:19
4Vespro della Beata Vergine: Sicut locutus est
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIj. Magnificat (I): "Sicut locutus est"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVj. Magnificat (II): "Sicut locutus est"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:10
5Vespro della Beata Vergine: Gloria Patri
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIk. Magnificat (I): "Gloria Patri"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVk. Magnificat (II): "Gloria Patri"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi2:16
6Vespro della Beata Vergine: Sicut erat in principio
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
recording of:
Vespro della Beata Vergine, SV 206: XIIIl. Magnificat (I): "Sicut erat in principio"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
recording of:
Vespro della Beata Vergine, SV 206: XIVl. Magnificat (II): "Sicut erat in principio"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi2:04
7Vespro della Beata Vergine: Antiphon
bass vocals:
Adolph Seidel
choir vocals:
Motettenchor Pforzheim (German chamber choir)
soprano vocals:
Judith Decker (singer (soprano)) and Monika Mauch (soprano)
tenor vocals:
Tobias Hiller (German singer (tenor), conductor and composer) and Holger Speck (tenor / conductor)
orchestra:
Barockorchester L'arpa festante München
conductor:
Rolf Schweizer
Claudio Monteverdi0:25
8Te Deum
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Te Deum and Jubilate Deo in D, Z. 232: Te Deum
composer:
Henry Purcell (Baroque composer)
part of:
Te Deum and Jubilate Deo, for St. Cecilia's Day, Z. 232
Henry Purcell11:36
9Jubilate Deo
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Te Deum and Jubilate Deo in D, Z. 232: Jubilate Deo
composer:
Henry Purcell (Baroque composer)
part of:
Te Deum and Jubilate Deo, for St. Cecilia's Day, Z. 232
Henry Purcell7:14
10Me Beloved Spake
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
My beloved spake, Z. 28
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 28)
Henry Purcell9:29
11O God, Thou art my God
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
O God, thou art my God, Z. 35
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 35)
Henry Purcell3:24
12Lord, how long wilt Thou be angry
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Lord, how long wilt thou be angry, Z. 25
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 25)
Henry Purcell3:17
13Remember not, Lord, our offences
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Remember not, Lord, our offences, Z. 50
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 50)
Henry Purcell2:53
14Hear my prayer, O LordFuneral Sentences for Queen Mary
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Hear My Prayer, O Lord, Z. 15
lyricist:
[anonymous] (special purpose artist)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 15)
Henry Purcell2:03
15Funeral March
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:09
16Man that is born of a woman
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman"
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:24
17In the midst of life
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 17)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell3:40
18Canzona
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
recording of:
Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:24
19Thou knowest, Lord
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord"
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 58b)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:51
20Funeral March
engineer and producer:
Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer)
instruments:
Baroque Brass of London
choir vocals:
Clare College Choir
conductor:
Timothy Brown (English classical choral conductor)
recording of:
Funeral Music on the Death of Queen Mary: VII. March, Z. 860
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:17
6▼CD: J.S. Bach: Mass in B minor
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:00
2Mass in B minor, BWV 232: Kyrie: Duet (soprano I & II): Christe eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) and Catherine Dubosc (soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
3Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:34
4Mass in B minor, BWV 232: Gloria: Chorus: Gloria in excelsis Deo
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:52
5Mass in B minor, BWV 232: Gloria: Chorus: Et in terra pax
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:07
6Mass in B minor, BWV 232: Gloria: Aria (soprano II): Laudamus te
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Denley (contralto, mezzo‐soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:23
7Mass in B minor, BWV 232: Gloria: Chorus: Gratias agimus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:22
8Mass in B minor, BWV 232: Gloria: Duet (soprano I, tenor): Domine Deus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Dubosc (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:28
9Mass in B minor, BWV 232: Gloria: Chorus: Qui tollis
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:12
10Mass in B minor, BWV 232: Gloria: Aria (alto): Qui Sedes ad dexteram Patris
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals:
James Bowman (UK countertenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
11Mass in B minor, BWV 232: Gloria: Aria (bass): Quoniam to solus Sanctus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
horn:
Roger Montgomery (horn player)
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:30
12Mass in B minor, BWV 232: Gloria: Chorus: Cum Sancto Spiritu
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:51
7▶CD: J.S. Bach: Mass in B minor (cont.)
8▶CD: W.A. Mozart: Mass in C minor, K427
9▶CD: J. Hayden: Harmoniemesse in B flat major
10▶CD: F. Schubert: Mass in B flat major / Magnificat
11▶CD: Antonin Dvorak: Stabat Mater
12▶CD: Antonin Dvorak: Stabat Mater (cont.)
13▶CD: Luigi Cherubini: Missa Solemnis, in D minor
14▶CD: Johannes Brahms: Ein Deutsches Requiem
15▶CD: Duruflé: Requiem / Pärt: Magnificat Antiphone

Credits

Release

ASIN:US: B001TNYHDI [info]