Das Kantatenwerk, Volume 35

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

Liner notes at:
http://www.bach-cantatas.com/Pic-Rec-BIG/HL-L35-5c%5BTeldec-2CD%5D.pdf

Annotation last modified on 2014-08-03 05:26 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
7:11
2Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!"
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
0:58
3Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus)
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:32
4Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen"
choir vocals:
Kinderchor Bad Tölz
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
3:59
5Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir"
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:38
6Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus)
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:22
7Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:59
8Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele"
choir vocals:
Collegium Vocale (from 1984-01-05 until 1984-01-09) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1984-01-05 until 1984-01-09)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1984-01-05 until 1984-01-09)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1984-01-05 until 1984-01-09)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 1984-01-05 until 1984-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:17
9Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Chorale (Soprano) "Du Friedefürst, Herr Jesu Christ"
soprano vocals:
Roger Cericius (soprano)
treble vocals:
Roger Cericius (soprano) (from 1984-01-05 until 1984-01-09)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1984-01-05 until 1984-01-09)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1984-01-05 until 1984-01-09)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 1984-01-05 until 1984-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:18
10Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenore) "Wohl dem, des Hilfe der Gott Jakob ist"
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-05 until 1984-01-09)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1984-01-05 until 1984-01-09)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1984-01-05 until 1984-01-09)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 1984-01-05 until 1984-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
0:21
11Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria (Tenore) "Tausendfaches Unglück, Schrecken"
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-05 until 1984-01-09)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1984-01-05 until 1984-01-09)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1984-01-05 until 1984-01-09)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken" (from 1984-01-05 until 1984-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:56
12Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Basso) "Der Herr ist König ewiglich"
bass vocals:
Max van Egmond (bass-baritone) (from 1984-01-05 until 1984-01-09)
choir vocals:
Collegium Vocale Gent (from 1984-01-05 until 1984-01-09)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1984-01-05 until 1984-01-09)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1984-01-05 until 1984-01-09)
chorus master:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 1984-01-05 until 1984-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:48
13Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenore) "Jesu, Retter deiner Herde"
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-05 until 1984-01-09)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1984-01-05 until 1984-01-09)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1984-01-05 until 1984-01-09)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 1984-01-05 until 1984-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:22
14Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Chorale "Gedenk, Herr, jetztund an dein Amt"
choir vocals:
Collegium Vocale Gent (from 1984-01-05 until 1984-01-09) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1984-01-05 until 1984-01-09)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1984-01-05 until 1984-01-09)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1984-01-05 until 1984-01-09)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 1984-01-05 until 1984-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:24
15Kantate, BWV 144 "Nimm hin, was dein ist, und gehe hin": I. Coro "Nimm hin, was dein ist, und gehe hin"
choir vocals:
Collegium Vocale Gent (in 1984) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": I. Coro "Nimm, was dein ist, und gehe hin" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
2:06
16Kantate, BWV 144 "Nimm hin, was dein ist, und gehe hin": II. Aria (Alto) "Murre nicht, lieber Christ"
alto vocals:
Paul Esswood (countertenor) (in 1984)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (Alt) "Murre nicht, lieber Christ" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
5:05
17Kantate, BWV 144 "Nimm hin, was dein ist, und gehe hin": III. Chorale "Was Gott tut, das ist wohlgetan"
choir vocals:
Collegium Vocale Gent (in 1984) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Choral "Was Gott tut, das ist wohlgetan" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Samuel Rodigast (German poet) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 338)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
0:48
18Kantate, BWV 144 "Nimm hin, was dein ist, und gehe hin": IV. Recitativo (Tenore) "Wo die Genügsamkeit regiert"
tenor vocals:
Kurt Equiluz (tenor) (in 1984)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitativo (Tenor) "Wo die Genügsamkeit regiert" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
0:56
19Kantate, BWV 144 "Nimm hin, was dein ist, und gehe hin": V. Aria (Soprano) "Genügsamkeit ist ein Schatz in diesem Leben"
treble vocals:
Ansgar Pfeiffer (in 1984)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (Sopran) "Genügsamkeit ist ein Schatz in diesem Leben" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
3:11
20Kantate, BWV 144 "Nimm hin, was dein ist, und gehe hin": VI. Chorale "Was mein Gott will, das g'scheh allzeit"
choir vocals:
Collegium Vocale Gent (in 1984) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1984)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": VI. Choral "Was mein Gott will, das gscheh allzeit" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 343)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
1:11
2▼CD
#TitleRatingLength
1Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": I. Aria (Duetto: Soprano, Tenore) "Ich lebe, mein Herze, zu deinem Ergötzen"
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01-19 until 1983-03-11)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1983-01-19 until 1983-03-11)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-11)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": I. Aria Duetto (Sopran, Tenor) "Ich lebe, mein Herze, zu deinem Ergötzen" (from 1983-01-19 until 1983-03-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
3:41
2Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": II. Recitativo (Tenore) "Nun fordre, Moses, wie du willt"
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01-19 until 1983-03-11)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-11)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": II. Recitativo (Tenor) "Nun fordre, Moses, wie du willt" (from 1983-01-19 until 1983-03-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
0:58
3Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": III. Aria (Basso) "Merke, mein Herze, beständig nur dies"
bass vocals:
Thomas Hampson (baritone) (from 1983-01-19 until 1983-03-11)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-11)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": III. Aria (Bass) "Merke, mein Herze, beständig nur dies" (from 1983-01-19 until 1983-03-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
3:20
4Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": IV. Recitativo (Soprano) "Mein Jesus lebt"
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1983-01-19 until 1983-03-11)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-11)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": IV. Recitativo (Sopran) "Mein Jesus lebt" (from 1983-01-19 until 1983-03-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
0:48
5Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": V. Chorale "Drum wir auch billig fröhlich sein"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01-19 until 1983-03-11)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": V. Choral "Drum wir auch billig fröhlich sein" (from 1983-01-19 until 1983-03-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Nikolaus Herman (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 84)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
0:52
6Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": I. Sinfonia
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-12)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": I. Sinfonia (from 1983-01-19 until 1983-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
7:35
7Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": II. Coro "Wir müssen durch viel Trübsal in das Reich Gottes eingehen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01-19 until 1983-03-12)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-12)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": II. Coro "Wir müssen durch viel Trübsal" (from 1983-01-19 until 1983-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
6:26
8Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": III. Aria (Alto) "Ich will nach dem Himmel zu"
alto vocals:
Paul Esswood (countertenor) (from 1983-01-19 until 1983-03-12)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-12)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": III. Aria (Alt) "Ich will nach dem Himmel zu" (from 1983-01-19 until 1983-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
8:10
9Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": IV. Recitativo (Soprano) "Ach! wer doch schon im Himmel wär!"
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1983-01-19 until 1983-03-12)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-12)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": IV. Recitativo (Sopran) "Ach! wer doch schon im Himmel wär" (from 1983-01-19 until 1983-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
2:03
10Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": V. Aria (Soprano) "Ich säe meine Zähren"
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1983-01-19 until 1983-03-12)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-12)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": V. Aria (Sopran) "Ich säe meine Zähren" (from 1983-01-19 until 1983-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
5:49
11Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": VI. Recitativo (Tenore) "Ich bin bereit"
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01-19 until 1983-03-12)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-12)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VI. Recitativo (Tenor) "Ich bin bereit" (from 1983-01-19 until 1983-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
1:05
12Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": VII. Aria (Duetto: Tenore, Basso) "Wie will ich mich freuen, wie will ich mich laben"
bass vocals:
Thomas Hampson (baritone) (from 1983-01-19 until 1983-03-12)
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01-19 until 1983-03-12)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-12)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VII. Aria (Duetto Tenor, Bass) "Wie will ich mich freuen" (from 1983-01-19 until 1983-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
5:52
13Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": VIII. Chorale "Denn wer selig dahin fähret"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1983-01-19 until 1983-03-12)
orchestra:
Concentus Musicus Wien (from 1983-01-19 until 1983-03-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01-19 until 1983-03-12)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VIII. Choral "Denn wer selig dahin fähret" (from 1983-01-19 until 1983-03-12)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 360)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
1:02

Credits

Release group

part of:Das Kantatenwerk (number: 35) (order: 14)