Best of Bond… James Bond: Deluxe Edition

~ Release by Various Artists (see all versions of this release, 34 available)

Annotation

Clear double CD jewel case.

Matrix (CD1): [4x Universal Logo] arvato 56211027/00602547623928 21
Mastering SID (CD1): IFPI LP 73
Mould SID (CD1): IFPI 0767
DiscID (CD1): 7be7XvNPbpA83m3LLAUaIVKd3OA-
Matrix (CD2): [4x Universal Logo] arvato 56211030/00602547623935 21
Mastering SID (CD2): IFPI LP 73
Mould SID (CD2): IFPI 0764
DiscID (CD2): wmcGa4strsDQ7i90TmwjSyBq5yg-

Annotation last modified on 2023-04-22 11:00 UTC.

Tracklist

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1▼CD
#	Title	Artist	Rating	Length
1	James Bond Theme orchestra: The John Barry Orchestra recording of: James Bond Theme composer: Monty Norman publisher: EMI Music Publishing (do not use as a release label!) and EMI United Partnership part of: James Bond themes is based on: Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)	The John Barry Orchestra	4	1:47
2	From Russia With Love producer: George Martin (producer, arranger, composer, conductor, audio engineer, and musician) lead vocals: Matt Monro conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: From Russia With Love lyricist and composer: Lionel Bart publisher: EMI United Partnership Ltd. part of: James Bond themes part of: From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)	Matt Monro	3.35	2:34
3	Goldfinger engineer: John Richards (engineer) producer: John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician) vocals: Shirley Bassey (Welsh singer) (in 1964-07) conductor: John Barry (English score composer) (in 1964-07) arranger: John Barry (English score composer) phonographic copyright (℗) by: Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964) recorded at: CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07) recording of: Goldfinger (in 1964-07) lyricist: Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker) composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. and Sony/ATV Songs LLC part of: James Bond themes part of: Goldfinger	Shirley Bassey	4.25	2:49
4	Thunderball vocals: Tom Jones (Welsh pop singer) conductor: John Barry (English score composer) recording of: Main Title: Thunderball lyricist: Don Black (English lyricist) composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: James Bond themes part of: Thunderball (film score)	Tom Jones	4.3	3:03
5	You Only Live Twice producer: John Barry (English score composer) lead vocals: Nancy Sinatra conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: You Only Live Twice lyricist: Leslie Bricusse composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: James Bond themes part of: You Only Live Twice (from the James Bond Film)	Nancy Sinatra	3.75	2:45
6	On Her Majesty’s Secret Service producer: Phil Ramone mixer: John Richards (engineer) (from 1969-09 until 1969-10) orchestra: The John Barry Orchestra (from 1969-09 until 1969-10) conductor: John Barry (English score composer) (from 1969-09 until 1969-10) recorded at: CTS Studios Bayswater (original Bayswater location, 1956–1972) in Bayswater, Westminster, London (Greater London), England, United Kingdom (from 1969-09 until 1969-10) recording of: On Her Majesty’s Secret Service (from 1969-09 until 1969-10) composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: On Her Majesty's Secret Service (from the James Bond film)	The John Barry Orchestra	4	2:36
7	We Have All the Time in the World producer: John Barry (English score composer) and Phil Ramone lead vocals: Louis Armstrong conductor: John Barry (English score composer) arranger: John Barry (English score composer) phonographic copyright (℗) by: Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981) recording of: We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”) lyricist: Hal David composer: John Barry (English score composer) publisher: EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd. part of: James Bond themes part of: On Her Majesty's Secret Service (from the James Bond film)	Louis Armstrong	3.5	3:14
8	Diamonds Are Forever producer: John Barry (English score composer) lead vocals: Shirley Bassey (Welsh singer) conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: Diamonds Are Forever (main title theme) lyricist: Don Black (English lyricist) composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: James Bond themes part of: Diamonds Are Forever (Soundtrack of the James Bond film)	Shirley Bassey	4.15	2:41
9	Live and Let Die recording engineer: Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20) producer: George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20) mixer: Bill Price (UK producer/engineer) (on 1972-10-21) bass guitar: Denny Laine (from 1972-10-19 until 1972-10-20) bass guitar, electric guitar and percussion, piano and lead vocals: Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20) drums (drum set): Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20) duck call and timpani: Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) electric guitar: Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20) percussion: Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20) background vocals: Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20) orchestrator: George Martin (producer, arranger, composer, conductor, audio engineer, and musician) phonographic copyright (℗) by: MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973) additionally recorded at: Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20) recorded at: Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19) mixed at: Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21) recording of: Live and Let Die (from 1972-10-19 until 1972-10-20) writer: Linda McCartney and Paul McCartney (The Beatles) publisher: EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing (USA, ASCAP affiliated) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) part of: The 46th Academy Award for Best Original Song (number: 2) and James Bond themes	Paul McCartney & Wings	4.1	3:13
10	The Man With the Golden Gun producer: John Barry (English score composer) vocals: Lulu (Scottish singer and actress, best known for “To Sir With Love”) conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: The Man With the Golden Gun (The Man With the Golden Gun) lyricist: Don Black (English lyricist) composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: James Bond themes part of: The Man With the Golden Gun (from the James Bond Film)	Lulu	3.25	2:35
11	Nobody Does It Better engineer: Howard Steel (US producer, sound engineer) producer: Richard Perry (producer) vocals: Carly Simon conductor: Richard Hewson (horn, strings) horn arranger and strings arranger: Richard Hewson part of: TV Cream: Real 100 Best Singles Ever (number: 16) recording of: Nobody Does It Better (from “The Spy Who Loved Me”) lyricist: Carole Bayer Sager composer: Marvin Hamlisch publisher: EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists Music Ltd. part of: The 50th Academy Award for Best Original Song (number: 2) and James Bond themes part of: The Spy Who Loved Me	Carly Simon	4	3:28
12	Moonraker producer: John Barry (English score composer) vocals: Shirley Bassey (Welsh singer) conductor: John Barry (English score composer) (in 1979-04) arranger: John Barry (English score composer) recording of: Main Title (Moonraker) (in 1979-04) lyricist: Hal David composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: James Bond themes part of: Moonraker (soundtrack of the 1979 James Bond film)	Shirley Bassey	3.65	3:09
13	For Your Eyes Only producer: Christopher Neil vocals: Sheena Easton conductor: Bill Conti phonographic copyright (℗) by: Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981) recording of: For Your Eyes Only (in 1981) lyricist: Michael Leeson composer: Bill Conti publisher: EMI United Partnership Ltd. part of: The 54th Academy Award for Best Original Song (number: 2) and James Bond themes	Sheena Easton	3.5	3:04
14	All Time High vocals: Rita Coolidge recording of: All Time High (Main Titles) (from the film "Octopussy") lyricist: Tim Rice composer: John Barry (English score composer) publisher: BMG Music and EMI Songs part of: James Bond themes part of: Octopussy (soundtrack from the James Bond film)	Rita Coolidge	4	3:03
15	A View to a Kill engineer and mixer: Jason Corsaro (U.S. music engineer, and record producer) producer: John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards (American bassist and record producer) sampler: Jonathan Elias vocals: Duran Duran (English rock band) conductor: John Barry (English score composer) arranger: John Barry (English score composer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998) recording of: A View to a Kill orchestrator: John Barry (English score composer) writer: John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer) composer: John Barry (English score composer) and Duran Duran (English rock band) publisher: EMI Songs and Gloucester Place Music Ltd. part of: James Bond themes part of: A View to a Kill (from the James Bond film)	Duran Duran	3.6	3:35
16	The Living Daylights producer: a-ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer) vocals: a-ha (Norwegian synth‐pop band) conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: The Living Daylights writer: Pal Waaktaar (guitarist, songwriter and singer) additional composer: John Barry (English score composer) publisher: ATV Music and BMG Music part of: James Bond themes	a‐ha	4	4:13
17	Licence to Kill associate producer: Walter "Babylove" Afanasieff* producer: Narada Michael Walden performer: Gladys Knight arranger: Narada Michael Walden co-arranger: Walter "Babylove" Afanasieff* phonographic copyright (℗) by: MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989) edit of: Licence to Kill (extended version) by Gladys Knight recording of: Licence to Kill writer: Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and SBK Songs Ltd. (in 1989) part of: James Bond themes quotes music from: Goldfinger	Gladys Knight	4	4:11
18	Goldeneye recorded in: London (Greater London), England, United Kingdom recording engineer: Mark “Spike” Stent (producer, engineer) programming: Marius de Vries assistant engineer: Paul ‘P Dub’ Walton executive producer: Bono (singer of U2) and The Edge (U2 guitarist David Evans) producer: Nellee Hooper mixer: Nellee Hooper and Mark “Spike” Stent (producer, engineer) vocals: Tina Turner strings [orchestra] arranger: Craig Armstrong (Scottish score composer) recording of: GoldenEye writer: Bono (singer of U2) and The Edge (U2 guitarist David Evans) publisher: Blue Mountain Music and Songs of PolyGram International, Inc. part of: James Bond themes	Tina Turner	3.35	3:29
19	Tomorrow Never Dies recording engineer: Steve Rosenthal producer: Mitchell Froom mixer: Tchad Blake additional keyboard: Mitchell Froom double bass: Greg Cohen drums (drum set): Pete Thomas (drummer) guitar: Steve Donnelly piano: Sheryl Crow (American singer-songwriter and musician) strings: Mark Feldman (American violinist), Dylan Fitzgerald, Julianne Klopotic, Matthew Pierce (strings player), Lorenza Ponce and Jane Scarpantoni (cellist) vocals: Sheryl Crow (American singer-songwriter and musician) recording of: Tomorrow Never Dies writer: Sheryl Crow (American singer-songwriter and musician) and Mitchell Froom publisher: BMG Music and Warner Chappell Ltd. part of: James Bond themes	Sheryl Crow	4	4:52
20	The World Is Not Enough assistant engineer: Paul Forgues and Matt Lawrence engineer: Billy Bush (mixing engineer) producer: David Arnold (English score composer) and Garbage (US rock band) mixer: Garbage (US rock band) additional bass guitar and bass: Daniel Shulman (bass guitarist) mixed at: Armoury Studios in Vancouver, British Columbia, Canada and Metropolis Studios (London) in London (Greater London), England, United Kingdom recording of: The World Is Not Enough (The World Is Not Enough) lyricist: Don Black (English lyricist) composer: David Arnold (English score composer) publisher: BMG Music and United Lion Music, Inc. part of: James Bond themes part of: The World Is Not Enough (film soundtrack)	Garbage	3.85	3:57
21	Die Another Day programming: Mirwais Ahmadzaï assistant engineer: David Treahearn engineer: Mark “Spike” Stent (producer, engineer) and Paul ‘P Dub’ Walton producer: Madonna (“Queen of Pop”) and Mirwais Ahmadzaï mixer: Mark “Spike” Stent (producer, engineer) lead vocals: Madonna (“Queen of Pop”) conductor: Michel Colombier (French score composer) strings arranger: Michel Colombier (French score composer) recording of: Die Another Day writer: Madonna (“Queen of Pop”) and Mirwais Ahmadzaï publisher: EMI Music Publishing (do not use as a release label!) and Warner/Chappell (Warner/Chappell Music, Inc.) part of: James Bond themes	Madonna	3.5	4:37
22	You Know My Name recording engineer: Todd Parker assistant engineer: Cameron Barton engineer: Ryan Castle producer: David Arnold (English score composer), Chris Cornell (Soundgarden lead singer) and Steve Lillywhite mixer: David Sardy (American score composer) bass and strings: Miles Mosley (US jazz/soul musician) drums (drum set): Nir Zidkyahu (drummer) guitar: Chris Cornell (Soundgarden lead singer), Cameron Greider and Gary Lucas (US guitarist/songwriter) vocals: Chris Cornell (Soundgarden lead singer) phonographic copyright (℗) by: Interscope Records (part of UMG Recordings, Inc.) recorded at: NRG Recording Studios in North Hollywood, Los Angeles, California, United States mixed at: Hillside Manor in Los Angeles, California, United States music videos: You Know My Name (Music video) by Chris Cornell (Soundgarden lead singer) recording of: You Know My Name writer: David Arnold (English score composer) and Chris Cornell (Soundgarden lead singer) publisher: Disappearing One and EMI April Music Inc. part of: James Bond themes part of: Casino Royale (2006 film soundtrack)	Chris Cornell	3.75	4:02
23	Another Way to Die assistant engineer: Nathan Yarboro, Mark Petaccia and Josh Smith (engineer) engineer: Vance Powell and Vance Powell (task: mixdown engineer) producer and mixer: Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records) baritone guitar and bass guitar: Jack Lawrence (Member of The Greenhornes & The Raconteurs) brass [horns]: Jack Hale (trombone), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Tom McGinley cello: Lindsay Smith-Trostle double bass: Michael Rinne drums (drum set) [drums] and guitar: Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records) piano: Laura Matula violin and violin [5-string violin]: Lyndsay Pruett vocals: Alicia Keys and Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records) recorded at: Blackbird Studio in Nashville, Tennessee, United States and Sputnik Sound in Nashville, Tennessee, United States mixed at: Blackbird Studio in Nashville, Tennessee, United States recording of: Another Way to Die writer: Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records) publisher: Colpix Music, Inc., Third String Tunes (Jack White's publishing society) and United Lion Music Inc. part of: James Bond themes	Jack White & Alicia Keys	3.65	4:24

2▼CD
#	Title	Artist	Rating	Length
1	Dr. No’s Fantasy recording of: Dr. No’s Fantasy composer: Monty Norman	The Monty Norman Orchestra		1:43
2	Under the Mango Tree recording of: Under the Mango Tree lyricist and composer: Monty Norman publisher: EMI Unart Catalog Inc.	Diana Coupland		2:23
3	007 conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: 007 composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)	The John Barry Orchestra	5	2:46
4	Opening Titles (medley): James Bond Is Back / From Russia With Love / James Bond Theme solo guitar: Vic Flick conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: Opening Titles: James Bond Is Back / From Russia With Love / James Bond Theme (often compiled or performed as just "From Russia With Love") composer: John Barry (English score composer), Lionel Bart and Monty Norman part of: James Bond themes medley of: James Bond Theme medley of: From Russia With Love medley of: James Bond Is Back	The John Barry Orchestra		2:28
5	Into Miami engineer: John Richards (engineer) conductor: John Barry (English score composer) (in 1964-07) phonographic copyright (℗) by: Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) and United Artists Corporation (in 1964) recorded at: CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07) recording of: Into Miami (in 1964-07) composer: John Barry (English score composer) part of: Goldfinger part of: Goldfinger	The John Barry Orchestra	3	0:57
6	The Laser Beam engineer: John Richards (engineer) phonographic copyright (℗) by: Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964) and United Artists Corporation (in 1964) recorded at: CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07) recording of: The Laser Beam composer: John Barry (English score composer) part of: Goldfinger	The John Barry Orchestra		2:54
7	Mr. Kiss Kiss Bang Bang producer: John Barry (English score composer) lead vocals: Shirley Bassey (Welsh singer) conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: Mr. Kiss Kiss Bang Bang lyricist: Leslie Bricusse composer: John Barry (English score composer) part of: Thunderball (film score)	Shirley Bassey		2:16
8	Switching the Body conductor: John Barry (English score composer) recording of: Switching the Body composer: John Barry (English score composer) part of: Thunderball (film score)	The John Barry Orchestra	2.5	2:48
9	Capsule in Space conductor: John Barry (English score composer) arranger: John Barry (English score composer) recording of: Capsule in Space (from the film "You Only Live Twice") (in 1967) composer: John Barry (English score composer) publisher: EMI Unart Catalog Inc. and EMI United Partnership Ltd. part of: You Only Live Twice (from the James Bond Film)	The John Barry Orchestra	3.9	2:41
10	Do You Know How Christmas Trees Are Grown producer: Phil Ramone mixer: John Richards (engineer) (from 1969-09 until 1969-10) vocals: Nina (Danish singer/actress Nina van Pallandt) (from 1969-09 until 1969-10) conductor: John Barry (English score composer) (from 1969-09 until 1969-10) recorded at: CTS Studios Bayswater (original Bayswater location, 1956–1972) in Bayswater, Westminster, London (Greater London), England, United Kingdom (from 1969-09 until 1969-10) recording of: Do You Know How Christmas Trees Are Grown (from 1969-09 until 1969-10) lyricist: Hal David composer: John Barry (English score composer) part of: On Her Majesty's Secret Service (from the James Bond film)	Nina		3:22
11	Bond Smells a Rat recording of: Bond Smells a Rat composer: John Barry (English score composer) part of: Moonraker (soundtrack of the 1979 James Bond film)	The John Barry Orchestra	3	1:53
12	Fillet of Soul-New Orleans / Live and Let Die / Fillet of Soul-Harlem (medley) vocals: Brenda “B.J.” Arnau (60s-80s UK/US singer) orchestra: George Martin Orchestra recording of: Fillet of Soul (New Orleans / Live and Let Die / Fillet of Soul-Harlem) writer: George Martin (producer, arranger, composer, conductor, audio engineer, and musician), Linda McCartney and Paul McCartney (The Beatles)	The George Martin Orchestra featuring B.J. Arnau	2.5	3:21
13	Underground Lair recording of: Underground Lair composer: George Martin (producer, arranger, composer, conductor, audio engineer, and musician)	The John Barry Orchestra		4:17
14	Hip’s Trip conductor: John Barry (English score composer) recording of: Hip's Trip (The Man With the Golden Gun) composer: John Barry (English score composer) part of: The Man With the Golden Gun (from the James Bond Film)	The John Barry Orchestra	3	3:20
15	The Pyramids producer: Marvin Hamlisch acoustic guitar [acoustic]: Mike Egan (guitar) bass guitar: Brian Odges and Bruce Lynch drums (drum set) [drums]: Barry De Souza electric guitar [second electric guitar]: Chris Rae (British guitarist, composer, producer and engineer) solo guitar: Laurence Juber conductor: Marvin Hamlisch recording of: The Pyramids composer: Marvin Hamlisch publisher: Sony/ATV Harmony part of: The Spy Who Loved Me	Marvin Hamlisch		1:31
16	Cable Car and Snake Fight conductor: John Barry (English score composer) (in 1979-04) arranger: John Barry (English score composer) recording of: Cable Car and Snake Fight (in 1979-04) composer: John Barry (English score composer) part of: Moonraker (soundtrack of the 1979 James Bond film)	The John Barry Orchestra		3:07
17	Make It Last All Night producer: Christopher Neil conductor: Bill Conti performer: Rage (from the song "Make It Last All Night") recording of: Make It Last All Night writer: Bill Conti and Silvia Conti	Bill Conti featuring Rage		3:31
18	The Chase Bomb Theme producer: John Barry (English score composer) conductor: John Barry (English score composer) recording of: The Chase Bomb Theme composer: John Barry (English score composer) part of: Octopussy (soundtrack from the James Bond film)	The John Barry Orchestra		1:58
19	Snow Job producer: John Barry (English score composer) recording of: Snow Job composer: John Barry (English score composer) part of: A View to a Kill (from the James Bond film)	The John Barry Orchestra		2:30
20	Where Has Everybody Gone producer: John Barry (English score composer) and Paul Staveley O’Duffy performer: Pretenders (English‐American rock band) arranger: John Barry (English score composer) recording of: Where Has Everybody Gone (The Living Daylights) lyricist: Chrissie Hynde (rock singer-songwriter and founder of Pretenders) composer: John Barry (English score composer) part of: The Living Daylights (1987 James Bond film)	The Pretenders		3:37
21	If There Was a Man producer: John Barry (English score composer) and Paul Staveley O’Duffy performer: Pretenders (English‐American rock band) arranger: John Barry (English score composer) recording of: If There Was a Man lyricist: Chrissie Hynde (rock singer-songwriter and founder of Pretenders)	The Pretenders		2:51
22	The Experience of Love producer: Rupert Hine and Éric Serra (French bassist and score composer) mixer: Didier Lozahic background vocals: Rupert Hine and Noa (Israeli singer) orchestra: The London Session Orchestra phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) mixed at: Studio Zorrino in Paris, Île-de-France, France recording of: The Experience of Love lyricist: Rupert Hine composer and arranger: Éric Serra (French bassist and score composer)	Eric Serra		5:55
23	James Bond Theme (Moby’s Re-version) recording engineer and producer: Moby (electronic musician Richard Melville Hall) mixer: Daniel Miller (British music producer and founder of Mute Records) and Alan Moulder (producer and engineer) saxophone [sax]: Rob Hardt (American saxophonist and clarinetist) and Alexander McCabe trombone: Greg Robinson trumpet: Osho Endo remixer: Moby (electronic musician Richard Melville Hall) phonographic copyright (℗) by: Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997) recording of: James Bond Theme (Moby version) (Moby arrangement) composer: Monty Norman arranger: Richard Melville Hall arrangement of: James Bond Theme	Moby	2.6	3:24
24	Surrender recording engineer and mixer: David Arnold (English score composer) and Steve Orchard (producer and engineer) producer: David Arnold (English score composer) performer: k.d. lang	k.d. lang	4	3:56
25	Only Myself to Blame producer: David Arnold (English score composer) recording of: Only Myself to Blame lyricist: Don Black (English lyricist) composer: David Arnold (English score composer) publisher: United Lion Music, Inc. part of: The World Is Not Enough (film soundtrack)	Scott Walker		3:37
26	Vesper recording engineer and mixer: Geoff Foster (sound engineer) programming: Rob Playford assistant engineer: Chris Barret (British sound engineer, @AIR Lyndhurst Studios) and Sam Jones (London engineer (Air Studios)) producer: David Arnold (English score composer) assistant editor: Robin Whittaker editor: Dina Eaton and Dominic Gibbs (music editor) bass: Simon Edwards (bassist) percussion [African Percussions Designed and Performed by]: Pete Lockett trumpet: Derek Watkins (trumpeter) conductor: Nicholas Dodd (conductor) orchestrator: Nicholas Dodd (conductor) recorded at: Air Lyndhurst (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom recording of: Vesper composer: David Arnold (English score composer) publisher: Colpix Music, Inc., Sony/ATV Songs LLC and United Lion Music Inc. part of: Casino Royale (2006 film soundtrack)	David Arnold		1:45
27	Time to Get Out recording engineer and mixer: Geoff Foster (sound engineer) programming: Rob Playford and Steve Hilton assistant engineer: Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Laurence Love Greed producer: David Arnold (English score composer), Geoff Foster (sound engineer) and Rob Playford editor: Dina Eaton and Robin Whittaker conductor: Nicholas Dodd (conductor) orchestrator: Nicholas Dodd (conductor) recorded at: AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom recording of: Time to Get Out composer: David Arnold (English score composer) publisher: Colpix Music, Inc. and United Lion Music Inc.	David Arnold		3:31

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Discogs:	https://www.discogs.com/release/8767994 [info]
ASIN:	FR: B015QO2ALQ [info]

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part of:	James Bond covers (order: 32)

Discogs:	https://www.discogs.com/master/88999 [info] https://www.discogs.com/master/116626 [info]
other databases:	https://rateyourmusic.com/release/comp/various-artists/the-best-of-bond-james-bond/ [info] https://www.musik-sammler.de/album/750258/ [info]
Allmusic:	https://www.allmusic.com/album/mw0000429683 [info]
Wikidata:	Q120333072 [info]

Best of Bond… James Bond: Deluxe Edition

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