| # | Title | Artist | Rating | Length |
|---|
| 1 | All by Myself- synclavier programming:
- Simon Franglen
- additional engineer:
- Felipe Elgueta and David Reitzas
- assistant engineer:
- Paul Boutin, Osie Bowe and Larry Schalit
- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Chris Brooke
- bass:
- Marc Langis
- drums (drum set):
- Dominique Messier
- guitar:
- André Coutu and Michael Thompson
- keyboard:
- Yves Frulla and Claude Lemay
- percussion:
- Paul Picard
- piano:
- David Foster
- lead vocals:
- Céline Dion
- strings arranger:
- Bill Ross
- arranger:
- David Foster
- produced for:
- Chartmaker Inc.
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States, Compass Point in Nassau, Bahamas and The Record Plant in Midtown Manhattan, New York, New York, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- cover recording of:
- All by Myself (in 1996)
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Céline Dion | 5 | 5:13 |
| 2 | You’re Still the One | Shania Twain | 3.65 | 3:33 |
| 3 | How Do I Live? | LeAnn Rimes | 3 | 4:08 |
| 4 | Chains | Tina Arena | | 3:56 |
| 5 | Woman- miscellaneous support:
- Booga Bear (task: sequenced by), Tony Cousins (task: cut by), Johnny Dollar (task: sequenced by; task: cut by) and Crispin Murray (task: additional digital noodling)
- programming:
- Johnny Dollar
- engineer:
- Chris Dibble and Johnny Dollar
- additional producer:
- Dave Allen and Wil Malone
- producer and mixer:
- Booga Bear and Johnny Dollar
- assistant mixer:
- Tristin "Nine Iron" Norwell and Lee Phillips
- editor:
- Tony Cousins and Johnny Dollar
- French horn:
- Jeff Bryant and Mike Butler
- instruments:
- Johnny Dollar
- other instruments [beats]:
- Booga Bear, Johnny Dollar and Mickey P
- strings arranger:
- Johnny Dollar , Wil Malone, The Session Orchestra and Gavyn Wright
- phonographic copyright (℗) by:
- Circa Records Ltd. (in 1996)
- engineered at:
- Coin Record in Málaga, Málaga , Andalucía , Spain, CTS in Wembley, Brent , London , England, United Kingdom, Eastcote in London , England, United Kingdom, El Curtiju in San Pedro, Albacete , Castilla-La Mancha , Spain, Mayfair in London , England, United Kingdom, Power Play in New York, New York, United States, Roundhouse in Camden Town, Camden , London , England, United Kingdom, Soundtrade in Solna City, Stockholms län , Sweden and Westside in London , England, United Kingdom
- edited at:
- Metropolis Mastering in London , England, United Kingdom
- recording of:
- Woman
- writer:
- Neneh Cherry, Cameron McVey and Jonathan Sharp
- publisher:
- EMI Music
| Neneh Cherry | 4.35 | 4:30 |
| 6 | Hold Me, Thrill Me, Kiss Me | Gloria Estefan | 4 | 3:22 |
| 7 | Show Me Heaven | Maria McKee | 3 | 3:50 |
| 8 | Miracle of Love | Eurythmics | 3.5 | 4:36 |
| 9 | True Colors | Cyndi Lauper | 4.65 | 3:47 |
| 10 | Don’t Be a Stranger | Dina Carroll | 3 | 4:41 |
| 11 | Promise Me | Beverley Craven | 4 | 3:33 |
| 12 | The Power of Love- producer:
- Wolfgang Detmann and Gunther Mende
- phonographic copyright (℗) by:
- Sony Music Entertainment (Germany) GmbH (in 1984) and Sony Music Entertainment Germany GmbH (in 1984)
- recording of:
- The Power of Love
- writer:
- Mary Applegate, Wolfgang Detmann , Gunther Mende and Jennifer Rush
- publisher:
- CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), フジパシフィックミュージック SBK事業部 (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Jennifer Rush | 2.5 | 4:24 |
| 13 | I Honestly Love You | Olivia Newton‐John | | 4:03 |
| 14 | Big Yellow Taxi- additional engineer:
- James Dineen III
- assistant engineer:
- John Dickson , Scott Link, Mark J. Capps and Keith Robichaux
- engineer and mixer:
- Terry Christian
- executive producer:
- Brown Bannister, Michael Blanton and Amy Grant
- producer:
- Michael Omartian
- bass:
- Danny O’Lannerghty
- drums (drum set):
- Chris McHugh
- guitar:
- Jerry McPherson and Brent Rowan
- keyboard:
- Michael Omartian
- lap steel guitar [lap steel]:
- Gary Chapman
- mandolin:
- Brent Rowan
- percussion:
- Eric Darken
- background vocals:
- Lisa Bevill , Gary Chapman , Ashley Cleveland and Michael Mellet
- recorded at:
- Tejas Recorders in Franklin, Tennessee, United States
- mixed at:
- Secret Sound in Franklin, Tennessee, United States and The Soundshop in Nashville, Tennessee, United States
- engineered at:
- The Soundshop in Nashville, Tennessee, United States
- cover recording of:
- Big Yellow Taxi
- lyricist and composer:
- Joni Mitchell
- publisher:
- Siquomb Pub. Corp.
| Amy Grant | 5 | 3:04 |
| 15 | Love and Affection | Joan Armatrading | | 4:20 |
| 16 | Hold On- additional recording engineer:
- Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
- recording engineer and mixer:
- Francis Buckley
- assistant engineer:
- Dan Bosworth , Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
- producer:
- Glen Ballard
- additional guitar:
- Joe Walsh
- bass:
- Jimmy Johnson
- drums (drum set):
- John “JR” Robinson
- guitar:
- Michael Landau
- keyboard:
- Glen Ballard and Randy Kerber
- percussion:
- Paulinho da Costa
- percussion arranger:
- Glen Ballard
- vocals arranger:
- Glen Ballard and Wilson Phillips
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990)
- part of:
- Billboard: The 500 Best Pop Songs (number: 312)
- recording of:
- Hold On
- writer:
- Glen Ballard, Chynna Phillips and Carnie Wilson
- publisher:
- Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (in 1990, in 2003), MCA Music Publishing (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (in 2003)
| Wilson Phillips | 4.5 | 4:24 |
| 17 | At Seventeen | Janis Ian | 4.25 | 4:43 |
| 18 | From a Distance | Nanci Griffith | 4 | 4:11 |
| 19 | Stop! | Sam Brown | 4 | 3:59 |
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