Pop & Wave: The Hits of the 80’s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This is a special 3-disc set. Be careful when linking or merging as there's a couple of confusingly similarly named compilations.

Reference: http://samplerinfos.de/sampler_popwave_sp.htm

Annotation last modified on 2014-05-10 07:14 UTC.

Tracklist

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1CD: The Hits of the 80s
#TitleArtistRatingLength
1Sounds Like a Melody
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
programming:
Wolfgang Loos
producer:
Andreas Budde, Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
strings:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Sounds Like a Melody
lyricist:
Marian Gold
composer:
Marian Gold, Bernhard Lloyd and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4:27
2P‐Machinery
engineer:
Bobby Kraushaar
producer:
S. J. Lipson
mixer:
Horn and Lipson
performer:
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper and Suzanne Freytag
phonographic copyright (℗) by:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1985)
recording of:
p:Machinery
miscellaneous support:
David Sylvian
lyricist:
Ralf Dörper
composer:
Claudia Brücken, Ralf Dörper, Susanne Freytag and Michael Mertens (German musician & producer)
Propaganda43:50
3Hey Little Girl
recording of:
Hey Little Girl
lyricist and composer:
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse34:17
4Who Can It Be Now
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:21
5We Need ProtectionPicnic at the Whitehouse6:24
6Goody Two Shoes
producer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
acoustic guitar and bass guitar:
Adam Ant (English new wave singer and actor)
drums (drum set):
Bogdan Wiczling
saxophone:
Jeff Daly
trumpet:
Martin Drover
vocals:
Adam Ant (English new wave singer and actor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1982-06)
remixed at:
Alchemy Studio (London studio owned by Kenny Jones) in London (Greater London), England, United Kingdom (in 1982-06)
music videos:
Goody Two Shoes by Adam Ant (English new wave singer and actor)
part of:
The Downloader’s Music Source Book (number: 149)
recording of:
Goody Two Shoes
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited and EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant2.353:30
7Feels Like Heaven
producer:
Peter Wilson (UK Producer)
arranger:
Chic Medley and Kevin Patterson (songwriter)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
lyricist and composer:
Eddie Jordan (songwriter) and Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:30
8Don’t Be So Shy
recording of:
Don't Be So Shy
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Tissy Thiers
Moti Special3:29
9You (maxi)
performer:
Peter Sawatzki and Holger Wobker
recording of:
You
lyricist:
Peter Sawatzki and Holger Wobker
composer:
Peter Sawatzki
Boytronic7:05
10Girls Just Want to Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 63)
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:50
11Girls Got a Brand New Toy
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1985)
recording of:
Girl’s Got a Brand New Toy
lyricist and composer:
Ken Taylor
publisher:
CBS Songs, Chartbreaker Musikverlag GmbH (publisher) and EMI Kick Musikverlag GmbH
T.X.T.3:52
12Cars & Girls
producer:
Jon Kelly (engineer at Air London Studios) and Paddy McAloon
mixer:
Richard Moakes
keyboard:
Gary Moberley, Prefab Sprout and Paul Wickens
percussion:
Luís Jardim
lead vocals:
Paddy McAloon
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
part of:
Cachitos Nochevieja 2022 (number: 53)
recording of:
Cars and Girls
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout44:26
13Love & Pride
producer:
Richard James Burgess
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
writer:
Paul King (British-Irish singer/musician/VJ) and Mick Roberts
publisher:
EMI Songs Ltd. and King Songs
King43:21
1425 Years
recording of:
25 Years
lyricist and composer:
Don Snow
publisher:
Don Snow Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1983)
The Catch3:54
151980‐F
additional engineer:
Pete Hammond (UK producer aka “Mixmaster”)
engineer, producer and mixer:
Mack (German rock producer/engineer Reinhold Mack)
additional producer:
Tony Mansfield (producer & songwriter)
bass guitar and lead vocals:
Andy Piercy
drums (drum set):
Pete King (UK drummer for After the Fire/BAP)
guitar:
John Russell (British guitarist, member of After The Fire)
synthesizer:
Memory Banks (keyboard player)
background vocals:
Memory Banks (keyboard player) and John Russell (British guitarist, member of After The Fire)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
mixed at and engineered at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
additionally engineered at:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, United Kingdom
produced at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
recording of:
1980-F
composer:
Peter Banks (keyboard player)
After the Fire2:33
16Rage Hard
assistant engineer:
Heff Moraes
executive producer:
Trevor Horn
producer:
Stephen Lipson
additional guitar:
Stephen Lipson
additional keyboard:
Stephen Lipson, Peter Vetesse (British keyboardist, songwriter, arranger and record producer) and Andy Richards (Strawbs keyboard player/record producer)
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
additional background vocals:
Betsy Cooke
vocals:
Holly Johnson
brass arranger and strings arranger:
Richard Niles
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1986)
recorded at:
Maison Rouge in London (Greater London), England, United Kingdom, Ridge Farm in Dorking, Surrey, England, United Kingdom, Sarm West Studio in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Wisseloord in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Rage Hard
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Frankie Goes to Hollywood25:04
2CD: More Hits of the 80s
#TitleArtistRatingLength
1Relax (maxi)
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood3:55
2You Spin Me ’round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:11
3Early Morning Wake Up Call
recording of:
Early Morning Wakeup Call
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son and J. Albert & Son Pty. Ltd.
Flash and the Pan4:09
4Pretty in Pink
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4:38
5Dr. Mabuse
recording of:
Dr. Mabuse
lyricist:
Ralf Dörper
composer:
Ralf Dörper, Michael Mertens (German musician & producer) and Andreas Thein
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda5:00
6Come Back and Stay
producer:
Laurie Latham
bass guitar:
Pino Palladino
guitar:
Paul Young (English pop singer and musician)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Come Back and Stay
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Chrysalis Songs
Paul Young4.54:22
7West End Girls
engineer:
David Jacob
producer:
Stephen Hague
additional vocals:
Helena Springs (from 1984 until 1986)
performer:
Chris Lowe (1/2 of Pet Shop Boys) (from 1984 until 1986) and Neil Tennant (from 1984 until 1986)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (from 1984 until 1986)
engineered at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 189) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 433)
recording of:
West End Girls (from 1984 until 1986)
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (from 1984 to present) and CBS, Inc. (US broadcasting company; file no releases here!) (from 1984 to present)
Pet Shop Boys44:51
8The Promise You Made
producer and mixer:
Steve Hillage
drums (drum set) and percussion:
Louis Molino
lead vocals:
Peter Kingsbery and Anna LaCazio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
mixed at:
Kendun Recorders in Burbank, California, United States
recording of:
The Promise You Made
lyricist and composer:
Peter Kingsbery
publisher:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan, Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Nichion Synch Division (NICHION, INC. Synch Division) and Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin4.53:54
9Voyage, Voyage
recording engineer:
Antoine Cambourakis (engineer) and Gilbert Courtois (engineer)
producer:
Jean‐Michel Rivat
mixer:
Dominique Blanc-Francard
synthesizer:
Jean‐Michel Rivat
background vocals:
Claudie Fritsch-Mentrop and Daniel Glikmans (guitarist, singer and songwriter)
phonographic copyright (℗) by:
Rivat Music (production company and copyrights holder) (in 1986)
recorded at:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, France
mixed at:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, France
recording of:
Voyage, voyage
lyricist:
Jean‐Michel Rivat
writer and composer:
Dominique Dubois and Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat and Editions Rivat Music (publisher) (in 1986)
Desireless44:21
10Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:40
11When Will I Be Famous
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer and mixer:
Nicky Graham
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
When Will I Be Famous?
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited and Warner Chappell Music (publisher as Warner/Chappell Music)
Bros5:02
12Flashdance (What a Feeling)
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.553:51
13Always the Sun
recording of:
Always the Sun
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Ltd., EMI Music Publishing Limited (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers3:59
14All You Zombies
recording engineer:
John Agnello (engineer & producer) and William Wittman
assistant engineer:
Carol Cafiero and Dan Nash
producer:
Rick Chertoff
mixer:
William Wittman
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
All You Zombies
writer:
Eric Bazilian and Rob Hyman
The Hooters55:57
15Through the Barricades
assistant engineer:
Stephen Wissnet
engineer:
Gary Langan
producer:
Gary Langan and Spandau Ballet
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
drums (drum set):
John Keeble
guitar:
Gary Kemp
keyboard:
Toby Chapman
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
background vocals:
Ruby James (L.A-based singer/songwriter), Shirley Lewis and Helena Springs
lead vocals:
Tony Hadley
performer:
Spandau Ballet
phonographic copyright (℗) by:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1986) and Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at and mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
recording of:
Through the Barricades
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet35:44
16Moments in Love (maxi)
electronic instruments:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik and Gary Langan
recording of:
Moments in Love
composer:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), SPZ Music, Inc. (BMI affiliated) and Unforgettable Songs Ltd.
Art of Noise410:17
3CD: Neue Deutsche Welle
#TitleArtistRatingLength
1Nur geträumt
engineer:
Imre Sereg (in 1982)
producer:
Reinhold Heil (in 1982) and Manfred Praeker (in 1982)
mixer:
Udo Arndt (in 1982)
drums (drum set):
Rolf Brendel (in 1982)
electric bass guitar:
Jürgen Dehmel (in 1982)
electric guitar:
Carlo Karges (in 1982)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
lead vocals:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographic copyright (℗) by:
CBS Schallplatten GmbH
recorded at:
Spliff Studio in Berlin, Germany (in 1982)
mixed at:
Audio Tonstudio in Berlin, Germany (in 1982)
recording of:
Nur geträumt (in 1982)
lyricist:
Rolf Brendel and Nena Kerner (the person, performing solo since 1987)
composer:
Uwe Fahrenkrog-Petersen
publisher:
EMI Songs Musikverlag GmbH
Nena3:38
2Blaue Augen
producer:
Klaus D. Müller (in 1980-06)
drums (drum set):
Hans Behrendt (in 1980-06)
electric bass guitar:
Ulli Deuker (in 1980-06)
electric guitar:
Eff Jott Krüger (in 1980-06)
keyboard and lead vocals:
Annette Humpe (in 1980-06)
background vocals:
Eff Jott Krüger (in 1980-06), Hans Behrendt (in 1980-06) and Ulli Deuker (in 1980-06)
recorded at:
IC-Studio in Winsen an der Aller, Niedersachsen (Lower Saxony), Germany (in 1980-06)
recording of:
Blaue Augen (in 1980-06)
lyricist and composer:
Annette Humpe
Ideal3:28
3Carbonara
engineer:
Imre Sereg (in 1981)
producer:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) and Manfred Praeker (in 1981)
mixer:
Udo Arndt (in 1981)
drums (drum set):
Herwig Mitteregger (in 1981)
electric bass guitar:
Manfred Praeker (in 1981)
guitar:
Potsch Potschka (in 1981)
keyboard and lead vocals:
Reinhold Heil (in 1981)
background vocals:
Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) and Manfred Praeker (in 1981)
arranger:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) and Manfred Praeker (in 1981)
recorded at:
Spliff Studio in Berlin, Germany (in 1981)
mixed at:
Audio Studios in Berlin, Germany (in 1981)
music videos:
Carbonara by Spliff (Neue Deutsche Welle)
recording of:
Carbonara (in 1981)
lyricist and composer:
Reinhold Heil
publisher:
April Musikverlag GmbH (publisher) (in 1982) and Edition SPLIFF (publisher) (in 1982)
Spliff54:12
4Goldener Reiter
engineer:
René Tinner (in 1980)
producer:
René Tinner (in 1980) and Joachim Witt (in 1980)
recording of:
Goldener Reiter (in 1980)
lyricist and composer:
Joachim Witt
translated version of:
Goldener Reiter (English version, but not "Golden Rider")
Joachim Witt4:26
5Eisbär
recording of:
Eisbär
lyricist and composer:
Martin Eicher
publisher:
Control (German electronic), EMI Music (do not use as release label! this is a music publisher) and Of Course Music
Grauzone3:29
6Radio
recording of:
Radio
lyricist:
Meikel Clauss and Andrea Mothes
composer:
Meikel Clauss
Nichts2:24
7Immer mehrHerwig Mitteregger3:23
8TV‐Glotzer
producer:
Bernhard Potschka (in 1978), Reinhold Heil (in 1978), Herwig Mitteregger (in 1978), Tom Müller (engineer) (in 1978), Ralf Nowy (in 1978) and Manfred Praeker (in 1978)
bass:
Manfred Praeker (in 1978)
drums (drum set):
Herwig Mitteregger (in 1978)
guitar:
B. Potschka (in 1978)
keyboard:
Reinhold Heil (in 1978)
lead vocals:
Nina Hagen (in 1978)
arranger:
Bernhard Potschka (in 1978), Reinhold Heil (in 1978), Herwig Mitteregger (in 1978) and Manfred Praeker (in 1978)
recording of:
TV-Glotzer (White Punks on Dope) (in 1978)
lyricist:
Nina Hagen
writer:
Michael Evans (songwriter), Bill Spooner and Roger Steen
version of:
White Punks on Dope
Nina Hagen4.45:14
9Computerliebe
recording of:
Computerliebe (in 1984)
lyricist:
Sonja Mangold
composer:
Frank Hieber
Paso Doble3:40
10Kleine Taschenlampe brenn’
background vocals:
Andrea (in 1982)
lead vocals:
Markus (Markus Mörl, "Ich will Spaß") (in 1982)
recording of:
Kleine Taschenlampe brenn’ (in 1982)
lyricist:
Axel Klopprogge
composer:
Kenneth Taylor-King and Axel Klopprogge
Markus3:29
11Das Blech
producer:
Reinhold Heil (in 1982), Herwig Mitteregger (in 1982), Potsch Potschka (in 1982) and Manfred Praeker (in 1982)
arranger:
Reinhold Heil (in 1982), Herwig Mitteregger (in 1982), Potsch Potschka (in 1982) and Manfred Praeker (in 1982)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1982)
edit of:
Das Blech by Spliff (Neue Deutsche Welle)
recording of:
Das Blech (in 1982)
lyricist and composer:
Reinhold Heil
publisher:
April Musikverlag GmbH (publisher) (in 1982) and Edition SPLIFF (publisher) (in 1982)
Spliff3:40
12Die Sennerin vom Königssee
drums (drum set):
Thomas Dörr (in 1982)
electric bass guitar:
Chutichai Indrasen (in 1982)
electric guitar:
Ulrich Herter (singer, songwriter, producer) (in 1982)
electronic instruments:
Inga Römer (in 1982)
lead vocals:
Joachim Gaiser (in 1982)
edit of:
Die Sennerin vom Königssee by Kiz (NDW)
recording of:
Die Sennerin vom Königssee (in 1982)
lyricist:
Joachim Gaiser
composer:
Ulrich Herter (singer, songwriter, producer)
KIZ3:41
13MillionenmalCosa Rosa24:54
14Sommersprossen
edit of:
Sommersprossen (album version) by UKW (German pop band)
recording of:
Sommersprossen (in 1982)
lyricist and composer:
Peter Hubert
UKW3:38
1599 Luftballons
engineer:
Imre Sereg (in 1982)
producer:
Reinhold Heil (in 1982) and Manfred Praeker (in 1982)
mixer:
Udo Arndt (in 1982)
drums (drum set):
Rolf Brendel (in 1982)
electric bass guitar:
Jürgen Dehmel (in 1982)
electric guitar:
Carlo Karges (in 1982)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
lead vocals:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) and Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
recorded at:
Spliff in Berlin, Germany (in 1982)
mixed at:
Audio-Studio in Berlin, Germany (in 1982)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 73) and Cachitos Nochevieja 2022 (number: 105)
recording of:
99 Luftballons (in 1982)
lyricist:
Carlo Karges (in 1982)
composer:
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.43:52
16Major Tom
engineer:
Frank Reinke (Germany based Engineer) (in 1982) and Peter Schmidt (recording engineer) (in 1982)
assistant producer:
Frank Hieber (in 1982)
producer:
Armin Sabol (in 1982) and Peter Schilling (German synthpop musician) (in 1982)
mixer:
Holger J. Magnussen (in 1982)
drums (drum set):
Curt Cress (in 1982)
electric bass guitar:
Günther Gebauer (in 1982)
electric guitar:
Armin Sabol (in 1982)
keyboard [keyboard solo]:
Gonzo Bishop (in 1982)
lead vocals:
Peter Schilling (German synthpop musician) (in 1982)
arranger:
Peter Schilling (German synthpop musician) (in 1982)
phonographic copyright (℗) by:
WEA Musik GmbH (company, not a label) (in 1982)
recorded at:
Peermusic Studio in Hamburg, Germany (in 1982)
edit of:
Major Tom (Völlig losgelöst) by Peter Schilling (German synthpop musician)
recording of:
Major Tom (Völlig losgelöst) (in 1982)
lyricist and composer:
Peter Schilling (German synthpop musician)
publisher:
Peer Musikverlag GmbH (in 1982)
Peter Schilling53:59