Soundtrack for a Century: Selections from the 26 CD Series (disc 2)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Like a Rolling Stone
recorded in:
New York, New York, United States (on 1965-06-15)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (from 1965-07-15 until 1965-07-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 4) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 16)
recording of:
Like a Rolling Stone (on 1965-06-15)
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bob Dylan4.556:11
2I Want to Take You HigherSly & the Family Stone4.53:05
3Shining Star
engineer:
George Massenburg
co-producer:
Charles Stepney (musician, producer, arranger and songwriter)
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney (musician, producer, arranger and songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
writer:
Philip Bailey, Lorenzo Dunn and Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:53
4Born to Run
engineer and mixer:
Louis Lahav
producer:
Mike Appel and Bruce Springsteen
bass guitar:
Garry Tallent (from 1974-01 until 1974-08-06)
drums (drum set):
Ernest Carter (from 1974-01 until 1974-08-06)
guitar:
Bruce Springsteen (from 1974-01 until 1974-08-06)
keyboard:
David Sancious (from 1974-01 until 1974-08-06)
organ:
Danny Federici (from 1974-01 until 1974-08-06)
saxophone:
Clarence Clemons (from 1974-01 until 1974-08-06)
vocals:
Bruce Springsteen (from 1974-01 until 1974-08-06)
phonographic copyright (℗) by:
Bruce Springsteen (in 1975)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recorded at:
914 Sound Studios in New York, United States (from 1974-01 until 1974-08-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 21), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 27) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 70)
recording of:
Born to Run (from 1974-01 until 1974-08-06)
publisher:
Bruce Springsteen (in 1975, in 1988, in 2003)
lyricist and composer:
Bruce Springsteen (in 1974)
publisher:
Bruce Springsteen Music, Intersong Music Ltd., Penjane, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing France (not for release label use!), Universal Music Works (GMR affiliated) and Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1974)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bruce Springsteen4.44:30
5Walk This Way
miscellaneous support:
David Krebs, Leber Krebs Inc. and Steven Leber
assistant engineer:
Rod O’Brien, Corky Stasiak and David Thoener
engineer:
Jay Messina
producer:
Jack Douglas
creative direction:
David Krebs, Leber Krebs Inc. and Steve Leber
acoustic guitar, guitar, percussion and slide guitar and background vocals:
Joe Perry (guitarist for Aerosmith)
bass guitar:
Tom Hamilton (bassist for Aerosmith)
drums (drum set) and percussion:
Joey Kramer (drummer for Aerosmith)
guitar:
Brad Whitford (Aerosmith)
harmonica, keyboard and percussion and lead vocals:
Steven Tyler
arranger:
Aerosmith (American hard rock band) and Jack Douglas
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1975, in 2012) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1994)
produced for:
Contemporary Communications Corp. and Waterfront Productions Limited
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1975-02)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 336)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
Aerosmith43:41
6London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
The Clash4.13:20
7Billie Jean
recording engineer and mixer:
Bruce Swedien
synthesizer programming:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
Leon Ndugu Chancler
guitar:
David Williams (session guitarist and songwriter)
Rhodes piano and synthesizer:
Greg Phillinganes
synthesizer:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
lead vocals:
Michael Jackson (“King of Pop”)
conductor:
Jeremy Lubbock
percussion and synthesizer arranger and synthesizer arranger:
Michael Jackson (“King of Pop”)
strings arranger:
Jerry Hey
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States (in 1982)
edit of:
Billie Jean (12″ version) by Michael Jackson (“King of Pop”)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 7), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 58) and Billboard: Greatest of All Time Hot 100 Songs (number: 95)
recording of:
Billie Jean
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
MJ: The Musical
Michael Jackson4.14:56
8Pride and Joy
Stevie Ray Vaughan3:39
9Black
additional engineer:
Don Gilmore (American rock/nu metal music producer), Dave Hillis and Adrian Moore (recording engineer)
producer:
Rick Parashar and Pearl Jam
mixer:
Tim Palmer (British producer/mixer)
bass guitar:
Jeff Ament (from 1991-03 until 1991-04)
drums (drum set):
Dave Krusen (from 1991-03 until 1991-04)
guitar:
Stone Gossard (from 1991-03 until 1991-04) and Mike McCready (from 1991-03 until 1991-04)
lead vocals:
Eddie Vedder (from 1991-03 until 1991-04)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recorded at:
London Bridge Studios in Seattle, Washington, United States (from 1991-03 until 1991-04)
mixed at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom (in 1991-06)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 351)
recording of:
Black (from 1991-03 until 1991-04)
lyricist:
Eddie Vedder
composer:
Stone Gossard
Pearl Jam4.455:42
10For the Cool in You
Babyface3:35
11Freedom Is in the Trying
recording engineer:
Mark Wilder (US recording/mastering engineer) (from 1995-01-22 until 1995-01-25)
producer:
Steven Epstein (classical music producer)
assistant mixer:
Jen Wyler (American sound engineer)
mixer:
Todd Whitelock (engineer)
bass:
Reginald Veal (from 1995-01-22 until 1995-01-25)
brass [trombone, tuba]:
Wycliffe Gordon (from 1995-01-22 until 1995-01-25)
percussion [drums, tambourine]:
Herlin Riley (from 1995-01-22 until 1995-01-25)
piano:
Eric Reed (jazz pianist) (from 1995-01-22 until 1995-01-25)
reeds [clarinet, alto, soprano saxophone]:
Wessell Anderson (from 1995-01-22 until 1995-01-25)
reeds [clarinet, bass clarinet, baritone saxophone]:
James Carter (jazz saxophonist, flautist, bass clarinettist) (from 1995-01-22 until 1995-01-25)
reeds [clarinet, bass clarinet, tenor, soprano saxophone]:
Victor Goines (from 1995-01-22 until 1995-01-25)
tenor saxophone:
Robert Stewart (saxophone, producer) (from 1995-01-22 until 1995-01-25)
trombone:
Wayne Goodman (from 1995-01-22 until 1995-01-25) and Ron Westray (from 1995-01-22 until 1995-01-25)
trumpet:
Seneca Black (from 1995-01-22 until 1995-01-25), Russell Gunn (from 1995-01-22 until 1995-01-25), Roger Ingram (from 1995-01-22 until 1995-01-25), Ryan Kisor (from 1995-01-22 until 1995-01-25), Wynton Marsalis (from 1995-01-22 until 1995-01-25), Riley Mullins (from 1995-01-22 until 1995-01-25) and Marcus Printup (from 1995-01-22 until 1995-01-25)
conductor:
Wynton Marsalis (from 1995-01-22 until 1995-01-25)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
Masonic Grand Lodge, NY in New York, New York, United States (from 1995-01-22 until 1995-01-25)
produced at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Freedom Is in the Trying (from 1995-01-22 until 1995-01-25)
composer:
Wynton Marsalis
Wynton Marsalis2:47
12Anything for You
recording of:
Anything for You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan and Miami Sound Machine3:45
13Fantasy
producer:
Mariah Carey and Dave Hall (producer a.k.a. Jam)
mixer:
Tony Maserati (engineer / mixer)
remixer:
Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
additional performer:
Ol’ Dirty Bastard (Wu‐Tang founder, NYC rapper/producer)
performer:
Ol’ Dirty Bastard (Wu‐Tang founder, NYC rapper/producer)
arranger:
Mariah Carey and Dave Hall (producer a.k.a. Jam)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
remix of:
Fantasy by Mariah Carey
samples:
Genius of Love by Tom Tom Club
music videos:
Fantasy (remix video) by Mariah Carey feat. O.D.B. (Wu‐Tang founder, NYC rapper/producer)
recording of:
Fantasy
lyricist:
Mariah Carey, Chris Frantz and Tina Weymouth
composer:
Adrian Belew, Mariah Carey, Chris Frantz, Dave Hall (producer a.k.a. Jam), Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) and Tina Weymouth
publisher:
Metered Music, Inc., Ness Nitty and Capone Inc., Rye Songs, Sony Songs Inc., Sony/ATV Songs LLC, Stonejam Publishing Corp. and WB Music Corp. (1929–2019)
is based on:
Genius of Love
Mariah Carey54:51
14Maria
recording of:
María (Spanglish Version)
writer:
Ian Blake (pseudonym of Robi Rosa, associated with Ricky Martin), Luis Gómez Escolar and K.C. Porter
translator:
Deborah Castillero
publisher:
Draco Cornelius Music (from 1995 to present), Mundo Nuevo Music (from 1995 to present), Música Calaca S.L. (from 1995 to present), Olinga Music (from 1995 to present), Para-sac Music Corporation (from 1995 to present) and Sony/ATV Latin Music Publishing (from 1995 to present)
translated version of:
María
Ricky Martin24:13
15Gettin' Jiggy With It
recording engineer:
Ken "DURO" Ifill (mix engineer Ken Ifill)
co-producer:
L.E.S. (QB hip hop producer)
producer:
Poke and Tone
assistant mixer:
Chris Ribando
mixer:
Rich Travali
bass guitar:
Lanar "Kern" Brantley (US bassist)
guitar [lead guitar]:
David Foreman
keyboard [keyboards]:
Timothy "Tyme" Riley (US drummer Timothy Riley)
turntable [scratches]:
DJ Jazzy Jeff (DJ/turntablist)
recorded at:
Right Track Studios in Manhattan, New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
He’s the Greatest Dancer by Sister Sledge and Sang and Dance by The Bar-Kays
recording of:
Gettin’ Jiggy Wit It
writer:
Samuel Barnes, Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers and Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith4.153:51
16My Heart Will Go On
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4.354:40
17Appalachia Waltz (feat. Mark O'Connor & Edgar Meyer)
cello:
Yo‐Yo Ma (cellist)
double bass:
Edgar Meyer (contemporary bassist and composer)
violin:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Yo‐Yo Ma5:48
18Wide Open Spaces
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville, Tennessee, United States
additionally produced at:
Sound Stage Studio in Hollywood, Los Angeles, California, United States, Soundshop (Nashville, TN) in Nashville, Tennessee, United States, The Money Pit in Nashville, Tennessee, United States and Westwood Studio
recording of:
Wide Open Spaces (from 1997-03 until 1997-08)
lyricist and composer:
Susan Gibson
publisher:
Pie-Eyed Music (in 1997)
Dixie Chicks53:45
19Doo Wop (That Thing)
edit of:
Doo Wop (That Thing) by Lauryn Hill
recording of:
Doo Wop (That Thing)
lyricist and composer:
Lauryn Hill
Lauryn Hill3.353:59