Legends of Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Over the Rainbow
vocals:
Judy Garland (on 1939-07-28)
orchestra:
Victor Young and His Orchestra
conductor:
Victor Young (American composer, arranger, violinist & conductor) (on 1939-07-28)
phonographic copyright (℗) by:
Geffen Records (in 1939)
recording of:
Over the Rainbow (The Wizard of Oz) (on 1939-07-28)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Judy Garland2:49
2Stormy Weather
instrumental cover recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Art Tatum3:09
3Ponchatrain
recording of:
Ponchatrain
composer:
Jelly Roll Morton
Jelly Roll Morton2:55
4Give Me Your Telephone Number
J.C. Higginbotham3:09
5Stardust
vocals:
Bing Crosby (in 1939)
orchestra:
The Matty Malneck Orchestra
conductor:
Matty Malneck
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
Stardust (the jazz standard) (on 1931-08-19)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Bing Crosby2:59
6Oh Babe, Maybe Someday
Ivie Anderson2:51
7When Day Is Done
recording of:
When Day Is Done
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
Mildred Bailey3:26
8Lullaby of Broadway
clarinet:
Jimmie Noone (on 1935-02-21, on 1940-02-21)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1935-02-21)
drums (drum set):
Benny Washington (on 1935-02-21)
guitar:
John Henley (on 1935-02-21)
piano:
Zinky Cohn (on 1935-02-21)
saxophone:
Eddie Pollack (on 1935-02-21)
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”) (on 1935-02-21)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
Jimmie Noone3:09
9Jazz Me Blues
Bunny Berigan3:12
10I’ll Be a Friend
recording of:
I'll Be A Friend (With Pleasure)
lyricist and composer:
Maceo Pinkard
Bix Beiderbecke3:03
11Baby, Won’t You Please Come Home
recorded in:
New York, New York, United States (on 1939-01-31)
alto saxophone:
Ted Buckner (US jazz saxophonist) (on 1939-01-31) and Dan Grissom (on 1939-01-31)
double bass:
Moses Allen (on 1939-01-31)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1939-01-31)
guitar:
Al Norris (on 1939-01-31)
piano:
Edwin Wilcox (on 1939-01-31)
reeds:
Earl Carruthers (on 1939-01-31), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1939-01-31) and Joe Thomas (US jazz tenor saxophone player) (on 1939-01-31)
trombone:
Russell Bowles (on 1939-01-31), Elmer Crumbley (on 1939-01-31) and Trummy Young (on 1939-01-31)
trumpet:
Sy Oliver (on 1939-01-31), Eddie Tompkins (on 1939-01-31) and Paul Webster (trumpet, jazz musician) (on 1939-01-31)
vocals:
Joe Thomas (US jazz tenor saxophone player) (on 1939-01-31)
arranger:
Sy Oliver (on 1939-01-31)
part of:
Vocalion (by matrix number) (number: 24051-2)
cover recording of:
Baby Won’t You Please Come Home (on 1939-01-31)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
Jimmie Lunceford2:52
12Honeysuckle Rose
recorded in:
New York, New York, United States (on 1934-11-07)
clarinet:
Gene Sedric (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
double bass [bass]:
Bill Taylor (jazz bassist) (on 1934-11-07)
drums (drum set):
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
Honeysuckle Rose (on 1934-11-07)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Fats Waller2:40
13St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Benny Goodman5:00
14On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Lionel Hampton3:14
15Tutti Frutti
Gene Krupa2:25
16In the Mood
recorded in:
New York, New York, United States (on 1939-08-01)
tenor saxophone:
Tex Beneke and Al Klink
trumpet:
Clyde Hurley
instrumental recording of:
In the Mood (on 1939-08-01)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller3:33
17Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong3:22
18Jive at Five
recording of:
Jive at Five
composer:
Count Basie (pianist) and Harry “Sweets” Edison
Count Basie2:38
19Pennies From Heaven
guitar:
Herbert Mills (on 1937-02-03) and John Mills, Jr. (on 1937-02-03)
baritone vocals:
Harry Mills (on 1937-02-03)
bass vocals:
John Mills, Jr. (on 1937-02-03)
tenor vocals:
Donald Mills (on 1937-02-03) and Herbert Mills (on 1937-02-03)
recording of:
Pennies From Heaven (on 1937-02-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
The Mills Brothers3:05
20One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Harry James2:58
2▼CD
#TitleArtistRatingLength
1Hot House
recording of:
Hot House
composer:
Tadd Dameron
publisher:
Bregman, Vocco & Conn Inc./ASCAP
Dizzy Gillespie3:05
2Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dinah Shore3:05
3Bojangles
recording of:
Bojangles
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Ben Webster2:53
4Twelve o’Clock Jump
Benny Carter2:55
5Sensation
Bud Freeman2:49
6Flying Home
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
Charlie Barnet2:53
7Wine-O-Baby Boogie
Big Joe Turner2:33
8Sentimental Journey
recorded in:
New York, New York, United States (on 1944-11-20)
vocals:
Doris Day (on 1944-11-20)
orchestra:
Les Brown and His Orchestra (on 1944-11-20)
recording of:
Sentimental Journey (on 1944-11-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day3:09
9Billie’s Bounce
recording engineer:
Doug Hawkins (sound engineer) (on 1945-11-26)
producer:
Teddy Reig
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-11-26)
double bass:
Curley Russell (on 1945-11-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-11-26)
piano:
Dizzy Gillespie (on 1945-11-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1945-11-26)
orchestra:
Charlie Parker's Reboppers (on 1945-11-26)
recorded at:
WOR Studios in New York, New York, United States (on 1945-11-26)
recording of:
Billie’s Bounce (on 1945-11-26)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker3:08
10Carnegie Blues
alto saxophone:
Otto Hardwick (on 1945-01-04) and Johnny Hodges (on 1945-01-04)
cornet:
Rex Stewart (on 1945-01-04)
double bass:
Junior Raglin (bass) (on 1945-01-04)
drums (drum set):
Hillard Brown (on 1945-01-04) and Sonny Greer (on 1945-01-04)
guitar:
Fred Guy (on 1945-01-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-01-04)
reeds:
Harry Carney (on 1945-01-04), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1945-01-04) and Otto Hardwick (on 1945-01-04)
tenor saxophone:
Al Sears (on 1945-01-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1945-01-04), Claude Jones (on 1945-01-04) and Joe "Tricky Sam" Nanton (on 1945-01-04)
trumpet:
William “Cat” Anderson (on 1945-01-04), Taft Jordan (on 1945-01-04), Ray Nance (on 1945-01-04), Shelton Hemphill (on 1945-01-04) and Rex Stewart (on 1945-01-04)
recording of:
Carnegie Blues (on 1945-01-04)
composer:
Bennie R. Crawford, Jr
Duke Ellington2:47
11Embraceable You
recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Billie Holiday3:15
12Tiger Rag
solo piano:
Art Tatum (US jazz pianist) (on 1940-02-22)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1940-02-22)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Art Tatum2:14
13It’s Sand, Man!
alto saxophone:
Earle Warren (on 1942-07-27)
baritone saxophone:
Jack Washington (on 1942-07-27)
double bass:
Walter Page (on 1942-07-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1942-07-27)
guitar:
Freddie Green (on 1942-07-27)
piano:
Count Basie (pianist) (on 1942-07-27)
saxophone:
Caughey Roberts (on 1942-07-27)
tenor saxophone:
Don Byas (on 1942-07-27) and Buddy Tate (US jazz saxophonist & clarinetist) (on 1942-07-27)
trombone:
Eli Robinson (trombonist) (on 1942-07-27), Robert Scott (jazz trombonist) (on 1942-07-27) and Dicky Wells (on 1942-07-27)
trumpet:
Buck Clayton (on 1942-07-27), Harry “Sweets” Edison (on 1942-07-27), Al Killian (on 1942-07-27) and Ed Lewis (jazz trumpeter) (on 1942-07-27)
recording of:
It's Sand, Man! (on 1942-07-27)
writer:
Jon Hendricks, Dave Lambert (jazz vocalist) and Ed Lewis (jazz trumpeter)
Count Basie3:06
14You Are My Sunshine
Bing Crosby2:38
15Sophisticated Lady
Coleman Hawkins3:10
16Georgia on My Mind
cover recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Anita O’Day2:55
17Can’t We Be Friends?
Buster Bailey2:38
18Begin the Beguine
Art Tatum3:19
19Three Little Words
producer:
Milt Gabler
double bass:
John Simmons (bassist) (on 1944-03-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1944-03-27)
piano:
Joe Bushkin (on 1944-03-27)
tenor saxophone:
Lester Young (saxophonist) (on 1944-03-27)
trombone:
Dicky Wells (on 1944-03-27)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1944-03-27)
instrumental cover recording of:
Three Little Words (on 1944-03-27)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
Bill Coleman, Dicky Wells, Lester Young, Joe Bushkin, John Simmons & Jo Jones2:52
20What Is This Thing Called Love
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Buddy Rich3:42
3▼CD
#TitleArtistRatingLength
1A Foggy Day
recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Mel Tormé2:51
2Lazy
recording of:
Lazy (on 1942-05-25)
lyricist and composer:
Irving Berlin (in 1924)
Bing Crosby2:29
3Tea for Two
edit of:
Tea for Two (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
Tea for Two (No, No, Nanette) (on 1947-11-30)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Louis Armstrong4:42
4Can’t Help Lovin’ Dat Man
vocals:
Ella Fitzgerald (American jazz singer) (on 1941-07-31)
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (on 1941-07-31)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald2:46
5Rocks in My Bed
recording of:
Rocks in My Bed
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Ivie Anderson3:05
6“C” Jam Blues
edit of:
"C" Jam Blues (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
“C” Jam Blues (on 1947-11-30)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Louis Armstrong3:30
7Stairway to the Stars
vocals:
Dinah Washington (in 1947)
orchestra:
Chubby Jackson and his Orchestra
cover recording of:
Stairway to the Stars
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Dinah Washington2:59
8Night and Day
double bass:
Eddie Brown (Bassist) (on 1945-01-10)
drums (drum set):
‘Doc’ West (on 1945-01-10)
piano:
Erroll Garner (on 1945-01-10)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1945-01-10)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Erroll Garner3:15
9High Society
Edmond Hall4:04
10’round About Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Dizzy Gillespie2:27
11Lover Come Back to Me
Lester Young2:35
12Chattanooga Choo Choo
vocals:
Tex Beneke
recording of:
Chattanooga Choo Choo
lyricist:
Mack Gordon (in 1941)
composer:
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 14th Academy Award for Best Original Song (number: 2)
Glenn Miller3:27
13Caravan
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
arranger:
György Vukán
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Duke Ellington2:45
14The Skunk
Fats Navarro2:56
15St. James Infirmary
bass and double bass:
Billy Taylor Sr. (jazz bassist) (on 1940-12-15)
clarinet:
Barney Bigard (on 1940-12-15)
cornet:
Rex Stewart (on 1940-12-15)
drums (drum set):
Dave Tough (jazz drummer) (on 1940-12-15)
guitar:
Brick Fleagle (on 1940-12-15)
piano:
Billy Kyle (on 1940-12-15)
tenor saxophone:
Ben Webster (on 1940-12-15)
trombone:
Jack Teagarden (on 1940-12-15)
vocals:
Jack Teagarden (on 1940-12-15)
recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1940-12-15)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Jack Teagarden4:15
16Singin’ in the Rain
recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Judy Garland3:00
17Tuxedo Junction
Gene Krupa2:56
18As Time Goes By
alto saxophone:
Lem Davis (saxophonist) (on 1944-04-01)
double bass:
John Simmons (bassist) (on 1944-04-01)
drums (drum set):
Sid Catlett (on 1944-04-01)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1944-04-01)
trombone:
Vic Dickenson (on 1944-04-01)
trumpet:
Doc Cheatham (on 1944-04-01)
vocals:
Billie Holiday (on 1944-04-01)
recording of:
As Time Goes By (the song from “Casablanca”) (on 1944-04-01)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Billie Holiday3:09
19Baby, It’s Cold Outside
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
Dinah Shore & Buddy Clark4:58
20Somebody Loves Me
George Wettling3:45
4▼CD
#TitleArtistRatingLength
1Begin the Beguine
Les Brown3:04
2Bloomdido
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
orchestra:
Charlie Parker Quintet (on 1950-06-06)
recording of:
Bloomdido (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker3:25
3Flying Home
recording of:
Flying Home (instrumental version)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
Oscar Peterson1:49
4Almost Like Being in Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (US jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-01-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
Nat King Cole1:51
5All of You
Mel Torme2:47
6Don’t Get Around Much Any More
bass:
Keter Betts (in 1953)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1953)
piano:
Beryl Booker (in 1953)
vocals:
Dinah Washington (in 1953)
cover recording of:
Don’t Get Around Much Anymore (in 1953)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Dinah Washington3:07
7Anniversary Song
conductor:
Morris Stoloff
recording of:
Anniversary Song
composer:
Iosif Ivanovici (in 1880), Saul Chaplin (in 1946) and Al Jolson (in 1946)
version of:
Valurile Dunării (The Waves of the Danube)
Dinah Shore3:03
8Mister and Mississippi
Patti Page3:08
9Funny (Not Much)
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1952-01-11)
guitar:
John Collins (US jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
recording of:
Funny (Not Much) (on 1952-01-11)
writer:
Philip Broughton, Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl), Marcia Neil and Hughie Prince
Nat King Cole2:57
10A Bushel & a Peck
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1950) and Betty Hutton (in 1950)
orchestra:
Mitchell Ayres and His Orchestra (in 1950)
recording of:
A Bushel and a Peck
lyricist and composer:
Frank Loesser
part of:
Guys and Dolls (Broadway musical)
Perry Como2:43
11Can’t Get Out of This Mood
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
solo clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
solo tenor saxophone:
Budd Johnson (on 1950-05-18)
solo trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
cover recording of:
Can’t Get Out of This Mood (on 1950-05-18)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
Sarah Vaughan2:48
12Jealousy
Frankie Laine3:14
13Half Nelson
cover recording of:
Half Nelson
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Half Nelson
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Gerry Mulligan3:01
14After Work
Herbie Mann4:03
15My Heart Cries for You
recording of:
My Heart Cries for You
additional writer:
Percy Faith and Carl Sigman
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Gladys Music Inc. and Massey Music Co., Inc.
is based on:
La Jardinière du roi
Guy Mitchell2:45
16Cotton Tail
Ben Webster3:21
17Autumn Nocturne
Herbie Mann2:52
18Ain’t Misbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Sarah Vaughan2:59
19I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Stan Getz3:15
20Chicken Little
Herbie Mann2:57
5▼CD
#TitleArtistRatingLength
1Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:34
2The Lady in Red
recording of:
The Lady in Red
lyricist:
Mort Dixon
composer:
Allie Wrubel (US composer and songwriter)
Stan Kenton and His Orchestra2:02
3Straight No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:55
4The Roving Kid
cover recording of:
The Roving Kind (Based on "The Pirate Ship")
writer:
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) and Arnold Stanton
recording of:
The Roving Kind (Based on "The Pirate Ship")
writer:
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) and Arnold Stanton
Guy Mitchell2:47
5Shaw ’nuff
recording of:
Shaw 'Nuff
composer:
Dizzy Gillespie and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Robbins Music Corp.
Dizzy Gillespie2:55
6Orange Colored Sky
producer:
Lee Gillette
piano:
Nat King Cole (on 1961-07-06)
vocals:
Nat King Cole (on 1961-07-06)
orchestra:
Stan Kenton and His Orchestra (on 1961-07-06)
conductor:
Stan Kenton (on 1961-07-06)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-07-06)
recording of:
Orange Colored Sky (on 1961-07-06)
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
Nat King Cole42:31
7Riders in the Sky
producer:
Lee Gillette
background vocals:
The Jud Conlon Singers (on 1949-04-18)
vocals:
Peggy Lee (jazz vocalist) (on 1949-04-18)
orchestra:
Dave Barbour All-Stars (on 1949-04-18)
conductor:
Dave Barbour (on 1949-04-18)
arranger:
Heinie Beau
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (on 1949-04-18)
lyricist and composer:
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (on 1948-06-05)
publisher:
Prophecies Publishing, Revega Music and WB Music Corp. (1929–2019)
version of:
Spookrijder in de nacht
Peggy Lee2:39
8Wildwood
Art Farmer2:54
9Rose O’Day
Mel Tormé2:19
10Midnight Sun
Coleman Hawkins2:54
11My Melancholy Baby
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass [bass]:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
earliest release:
Melancholy Baby by Charlie Parker (aka “Bird”, jazz alto saxophonist) & Dizzy Gillespie
instrumental recording of:
My Melancholy Baby (on 1950-06-06)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
recording of:
My Melancholy Baby
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Charlie Parker3:24
12The Red Door
double bass:
Percy Heath (on 1952-09-08)
drums (drum set):
Art Blakey (on 1952-09-08)
piano:
George Wallington (on 1952-09-08)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1952-09-08)
trombone:
Kai Winding (on 1952-09-08)
recording of:
Red Door (on 1952-09-08)
composer:
Gerry Mulligan and Zoot Sims (US jazz saxophonist)
Zoot Sims4:35
13No Other Love Have I
Les Brown2:33
14My Little Suede Shoes
Herbie Mann2:40
15Out of Nowhere
Stan Getz2:25
16Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Oscar Peterson3:38
17Rollin’ Stone
recording of:
Rollin’ Stone
writer:
Irving Gordon (US songwriter)
Perry Como3:04
18Tennessee Waltz
orchestra:
Jack Rael & his Orchestra (in 1950-11)
conductor:
Jack Rael (in 1950-11)
cover recording of:
Tennessee Waltz (on 1950-10-14)
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Patti Page3:01
19So What
Gerry Mulligan2:44
20Ain’t Nothing Good
vocals:
Dinah Washington (in 1953)
recording of:
Ain't Nothin' Good (in 1953)
writer:
Jules Fox and Sam Friedman (American songwriter)
Dinah Washington2:52

Credits

Release

part of:Cheap’O’Lata (number: 523) (order: 33)
Discogs:https://www.discogs.com/release/15475321 [info]
ASIN:UK: B000ANYIL4 [info]