Sweet Child

~ Release by The Pentangle (see all versions of this release, 7 available)

Tracklist

| |
1▼CD: Live Album
#TitleRatingLength
1Market Song
acoustic guitar:
Bert Jansch (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
vocals:
Bert Jansch (on 1968-06-29) and Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
4:24
2No More My Lord
acoustic guitar:
Bert Jansch (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
live recording of:
No More, My Lord (on 1968-06-29)
lyricist and composer:
[anonymous] (special purpose artist)
recording of:
No More, My Lord
lyricist and composer:
[anonymous] (special purpose artist)
4:05
3Turn Your Money Green
acoustic guitar:
John Renbourn (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29) and John Renbourn (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
recording of:
Turn Your Money Green (on 1968-06-29)
lyricist and composer:
Furry Lewis (Walter E. Lewis, American country blues guitarist)
2:59
4Haitian Fight Song
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
recording of:
Haitian Fight Song (on 1968-06-29)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
3:53
5A Woman Like You
acoustic guitar:
Bert Jansch (on 1968-06-29)
vocals:
Bert Jansch (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
4:07
6Goodbye Pork-Pie Hat
acoustic guitar:
Bert Jansch (on 1968-06-29) and John Renbourn (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
live cover recording of:
Goodbye Pork Pie Hat (instrumental) (on 1968-06-29)
composer:
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing and The Mingus Music Werkshop
3:49
7Three Dances
acoustic guitar:
John Renbourn (on 1968-06-29)
glockenspiel:
Terry Cox (UK rock drummer) (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
4:57
8Watch the Stars
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29) and John Renbourn (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
3:11
9So Early in the Spring
vocals:
Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
3:37
10No Exit
acoustic guitar:
Bert Jansch (on 1968-06-29) and John Renbourn (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
live recording of:
No Exit (on 1968-06-29)
composer:
Bert Jansch and John Renbourn
2:23
11The Time Has Come
acoustic guitar:
Bert Jansch (on 1968-06-29) and John Renbourn (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
live cover recording of:
The Time Has Come (on 1968-06-29)
composer:
Anne Briggs
recording of:
The Time Has Come (on 1968-06-29)
composer:
Anne Briggs
3:15
12Bruton Town
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
vocals:
Bert Jansch (on 1968-06-29) and Jacqui McShee (on 1968-06-29)
arranger:
The Pentangle
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
live recording of:
The Bramble Briar (aka Bruton Town / The Merchant's Daughter / The Murdered Servantman) (on 1968-06-29)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 18)
6:27
13Hear My Call
acoustic guitar:
Bert Jansch (on 1968-06-29) and John Renbourn (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
recording of:
Hear My Call (on 1968-06-29)
lyricist and composer:
The Staple Singers
3:49
14Let No Man Steal Your Thyme
acoustic guitar:
Bert Jansch (on 1968-06-29) and John Renbourn (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
recording of:
Sprig o’ Thyme (Sprig o' Thyme, aka The Bunch of Thyme / The Seeds of Love) (on 1968-06-29)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3)
22:59
15Bells
acoustic guitar:
Bert Jansch (on 1968-06-29) and John Renbourn (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
recording of:
Bells (Pentangle) (on 1968-06-29)
writer:
Terry Cox (UK rock drummer), Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson (English double bass player)
4:45
16Travelling Song
acoustic guitar:
Bert Jansch (on 1968-06-29) and John Renbourn (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
4:18
17Waltz
acoustic guitar:
Bert Jansch (on 1968-06-29) and John Renbourn (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
46:00
18Way Behind the Sun
acoustic guitar:
John Renbourn (on 1968-06-29)
double bass:
Danny Thompson (English double bass player) (on 1968-06-29)
drums (drum set):
Terry Cox (UK rock drummer) (on 1968-06-29)
instruments:
Bert Jansch (on 1968-06-29)
vocals:
Jacqui McShee (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
3:00
19John Donne Song
acoustic guitar:
John Renbourn (on 1968-06-29)
vocals:
John Renbourn (on 1968-06-29)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-06-29)
3:25
2▼CD: Studio Album
#TitleRatingLength
1Sweet Child
acoustic guitar:
Bert Jansch (in 1968)
acoustic guitar [lead guitar]:
John Renbourn (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
vocals:
Bert Jansch (in 1968) and Jacqui McShee (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
recording of:
Sweet Child (in 1968)
writer:
Terry Cox (UK rock drummer), Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson (English double bass player)
45:15
2I Loved a Lass
acoustic guitar:
Bert Jansch (in 1968) and John Renbourn (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
vocals:
Bert Jansch (in 1968)
arranger:
The Pentangle
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
recording of:
I Once Loved a Lass (in 1968)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 154)
2:44
3Three Part Thing
acoustic guitar:
Bert Jansch (in 1968) and John Renbourn (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
22:29
4Sovay
acoustic guitar:
Bert Jansch (in 1968) and John Renbourn (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
vocals:
Jacqui McShee (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
recording of:
Sovay (aka Sylvia / Cecilia / The Female Highwayman) (in 1968)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 7)
2:52
5In Time
acoustic guitar:
Bert Jansch (in 1968) and John Renbourn (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
55:10
6In Your Mind
acoustic guitar:
Bert Jansch (in 1968) and John Renbourn (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
vocals:
Bert Jansch (in 1968), Jacqui McShee (in 1968) and John Renbourn (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
2:17
7I've Got a Feeling
acoustic guitar:
Bert Jansch (in 1968) and John Renbourn (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
vocals:
Jacqui McShee (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
recording of:
I've Got a Feeling (Pentangle) (in 1968)
writer:
Terry Cox (UK rock drummer), Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson (English double bass player)
is based on:
All Blues
54:29
8The Trees They Do Grow High
acoustic guitar:
Bert Jansch (in 1968) and John Renbourn (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
vocals:
Jacqui McShee (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
recording of:
The Trees They Grow So High (Original folksong) (in 1968)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 31)
53:52
9Moon Dog
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
vocals:
Terry Cox (UK rock drummer) (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
2:45
10Hole in the Coal
acoustic guitar:
Bert Jansch (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
instrumental recording of:
Hole in the Coal (in 1968)
composer:
Ewan MacColl (folksinger, songwriter, actor)
is based on:
The Big Hewer
5:24
11Hole in the Coal (alternate version)
acoustic guitar:
Bert Jansch (in 1968)
double bass:
Danny Thompson (English double bass player) (in 1968)
drums (drum set):
Terry Cox (UK rock drummer) (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
2:44
12The Trees They Do Grow High (alternate version)
double bass:
Danny Thompson (English double bass player) (in 1968)
vocals:
Jacqui McShee (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
3:52
13Haitian Fight Song (Studio version)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
cover recording of:
Haitian Fight Song (in 1968)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
24:20
14In Time (alternate version)
double bass:
Danny Thompson (English double bass player) (in 1968)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968)
4:40

Credits

Release

design/illustration:Peter Blake (designer) (ended)
photography:Studio Hans Feurer (Phtographer)
liner notes:Tony Wilson (Music journalist who wrote for Melody Maker) (in 1968)
Colin Irwin (in 2001)
graphic design:Becky Stewart
mastering:Andy (UK Mastering engineer working at Masterpiece)
copyrighted (©) by:Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2001)
mastered at:Masterpiece Mastering London (Talina Centre location until 2014) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom

Release group

Wikipedia:en: Sweet Child [info]
Discogs:https://www.discogs.com/master/82519 [info]
Wikidata:Q7655251 [info]