Master and Magician

~ Release by Franz Liszt (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Concerto for Piano and Orchestra No. 1 in E-flat major, S 124: I. Allegro maestoso. Tempo giusto
recording engineer:
Lewis Layton (engineer) (on 1956-02-12)
producer:
John Pfeiffer (producer and engineer)
piano:
Arthur Rubinstein (pianist) (on 1956-02-12)
orchestra:
RCA Victor Symphony Orchestra (on 1956-02-12)
conductor:
Alfred Wallenstein (conductor and cellist) (on 1956-02-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-02-12) and Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1956-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso (on 1956-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
5:09
2Concerto for Piano and Orchestra No. 1 in E-flat major, S 124: II (1). Quasi Adagio
recording engineer:
Lewis Layton (engineer) (on 1956-02-12)
producer:
John Pfeiffer (producer and engineer)
piano:
Arthur Rubinstein (pianist) (on 1956-02-12)
orchestra:
RCA Victor Symphony Orchestra (on 1956-02-12)
conductor:
Alfred Wallenstein (conductor and cellist) (on 1956-02-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-02-12) and Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1956-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio (on 1956-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
4:17
3Concerto for Piano and Orchestra No. 1 in E-flat major, S 124: II (2). Allegro vivace - Allegro animato
recording engineer:
Lewis Layton (engineer) (on 1956-02-12)
producer:
John Pfeiffer (producer and engineer)
piano:
Arthur Rubinstein (pianist) (on 1956-02-12)
orchestra:
RCA Victor Symphony Orchestra (on 1956-02-12)
conductor:
Alfred Wallenstein (conductor and cellist) (on 1956-02-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-02-12) and Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1956-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato (on 1956-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
3:47
4Concerto for Piano and Orchestra No. 1 in E-flat major, S 124: III. Allegro marziale animato - Presto
recording engineer:
Lewis Layton (engineer) (on 1956-02-12)
producer:
John Pfeiffer (producer and engineer)
piano:
Arthur Rubinstein (pianist) (on 1956-02-12)
orchestra:
RCA Victor Symphony Orchestra (on 1956-02-12)
conductor:
Alfred Wallenstein (conductor and cellist) (on 1956-02-12)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-02-12) and Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1956-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato (on 1956-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
4:09
5Concerto for Piano and Orchestra No. 2 in A major, S 125: (1) Adagio sostenuto assai
piano:
Van Cliburn (pianist) (on 1970-05-07)
orchestra:
The Philadelphia Orchestra (on 1970-05-07)
conductor:
Eugene Ormandy (conductor) (on 1970-05-07)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
5:10
6Concerto for Piano and Orchestra No. 2 in A major, S 125: (2) Allegro agitato assai
piano:
Van Cliburn (pianist) (on 1970-05-07)
orchestra:
The Philadelphia Orchestra (on 1970-05-07)
conductor:
Eugene Ormandy (conductor) (on 1970-05-07)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
2:00
7Concerto for Piano and Orchestra No. 2 in A major, S 125: (3) Allegro moderato
piano:
Van Cliburn (pianist) (on 1970-05-07)
orchestra:
The Philadelphia Orchestra (on 1970-05-07)
conductor:
Eugene Ormandy (conductor) (on 1970-05-07)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
5:10
8Concerto for Piano and Orchestra No. 2 in A major, S 125: (4) Allegro deciso
piano:
Van Cliburn (pianist) (on 1970-05-07)
orchestra:
The Philadelphia Orchestra (on 1970-05-07)
conductor:
Eugene Ormandy (conductor) (on 1970-05-07)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
3:08
9Concerto for Piano and Orchestra No. 2 in A major, S 125: (5) Marziale un poco meno allegro
piano:
Van Cliburn (pianist) (on 1970-05-07)
orchestra:
The Philadelphia Orchestra (on 1970-05-07)
conductor:
Eugene Ormandy (conductor) (on 1970-05-07)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
3:53
10Concerto for Piano and Orchestra No. 2 in A major, S 125: (6) Allegro animato - Stretto (molto accelerando)
piano:
Van Cliburn (pianist) (on 1970-05-07)
orchestra:
The Philadelphia Orchestra (on 1970-05-07)
conductor:
Eugene Ormandy (conductor) (on 1970-05-07)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (on 1970-05-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
1:58
11Totentanz, S 126: Andante - Cadenza. Presto - Allegro - Var. I. Allegro moderato - Var. II - Var. III. Molto vivace - Var. IV. Lento - Variation V. Vivace. Fugato - Var. VI. Sempre allegro (ma non troppo) - Allegro animato
recording engineer:
Lewis Layton (engineer) (on 1959-02-23)
producer:
Richard Mohr (producer)
piano:
Byron Janis (pianist) (on 1959-02-23)
orchestra:
Chicago Symphony Orchestra (on 1959-02-23)
conductor:
Fritz Reiner (conductor) (on 1959-02-23)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1959-02-23)
recording of:
Totentanz, S. 126/2 (for piano and orchestra, published version) (on 1959-02-23)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered by:
Hans von Bülow (German conductor and composer) (on 1865-04-15)
premiered at:
[concert] (1865-04-15)
is based on:
Dies Irae (plainchant)
revision of:
Totentanz, S. 126/1 (early unpublished version)
15:34
12Fantasy on Hungarian Folk Melodies, S123: Andante mesto - Adagio - Cadenza. Allegro molto - Allegro eroico - Molto adagio, quasi fantasia - Moderato - Vivace assai
engineer:
Bob Auger (Robert Auger, engineer) (from 1971-10-04 until 1971-10-05) and Mike Fritzhenry (from 1971-10-04 until 1971-10-05)
producer:
Paul Myers (classical record producer)
piano:
Philippe Entremont (French pianist/conductor) (from 1971-10-04 until 1971-10-05)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1971-10-04)
conductor:
Seiji Ozawa (conductor and composer) (from 1971-10-04 until 1971-10-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1971-10-04 until 1971-10-05)
recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (from 1971-10-04 until 1971-10-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14
16:41
2▼CD
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1Études d'exécution transcendante S 139, No. 1 in C major: Preludio
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: I. Preludio in C major
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
1:03
2Études d'exécution transcendante S 139, No. 2 in A minor
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
2:07
3Études d'exécution transcendante S 139, No. 3 in F major "Paysage"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: III. “Paysage” in F major. Poco adagio
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
4:41
4Études d'exécution transcendante S 139, No. 4 in D minor "Mazeppa"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: IV. “Mazeppa” in D minor. Allegro
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
7:31
5Études d'exécution transcendante S 139, No. 5 in B-flat major "Feux follets"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: V. “Feux follets” in B‐flat major. Allegretto
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
3:20
6Études d'exécution transcendante S 139, No. 6 in G minor "Vision"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VI. “Vision” in G minor. Lento
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:20
7Études d'exécution transcendante S 139, No. 7 in E-flat major "Eroica"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VII. “Eroica” in E‐flat major. Allegro
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
4:54
8Études d'exécution transcendante S 139, No. 8 in C minor "Wilde Jagd"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: VIII. “Wilde Jagd” in C minor. Presto furioso
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:11
9Études d'exécution transcendante S 139, No. 9 in A-flat major "Ricordanza"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: IX. “Ricordanza” in A‐flat major. Andantino, improvisato
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
10:22
10Études d'exécution transcendante S 139, No. 10 in F minor
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: X. Étude in F minor. Allegro agitato molto
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
4:20
11Études d'exécution transcendante S 139, No. 11 in D-flat major "Harmonies du soir"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: XI. “Harmonies du soir” in D‐flat major. Andantino
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
9:09
12Études d'exécution transcendante S 139, No. 12 in B-flat minor "Chasse-neige"
piano:
横山幸雄 (Yukio Yokoyama, pianist)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: XII. “Chasse‐neige” in B‐flat minor. Andante con moto
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
5:25
3▼CD
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1Études d'exécution transcendante d'après Paganini S 140, Preludio - No. 1 in G minor
piano:
Gary Graffman (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 6 in G minor: Lento
part of:
Études d’exécution transcendante d’après Paganini, S. 140
4:48
2Études d'exécution transcendante d'après Paganini S 140, No. 2 in E-flat major
piano:
Gary Graffman (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 17 in E-flat major: Sostenuto – Andante
part of:
Études d’exécution transcendante d’après Paganini, S. 140
4:27
3Études d'exécution transcendante d'après Paganini S 140, No. 3 in A-flat minor "La Campanella"
piano:
Gary Graffman (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella”
part of:
Études d’exécution transcendante d’après Paganini, S. 140
4:12
4Études d'exécution transcendante d'après Paganini S 140, No. 4 in E major
piano:
Gary Graffman (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 1 in E major: Andante “l’Arpeggio”
part of:
Études d’exécution transcendante d’après Paganini, S. 140
31:50
5Études d'exécution transcendante d'après Paganini S 140, No. 5 in E major "La Chasse"
piano:
Gary Graffman (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse”
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 9 in E major: Allegretto “La Chasse”
part of:
Études d’exécution transcendante d’après Paganini, S. 140
3:06
6Études d'exécution transcendante d'après Paganini S 140, No. 6 in A minor. Tema con variazioni
piano:
Gary Graffman (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
part of:
Études d’exécution transcendante d’après Paganini, S. 140
15:00
7Grandes Études de Paganini S 141, No. 1 in G minor
piano:
Stanisław Drzewiecki (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 1. Tremolo in G minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor
5:06
8Grandes Études de Paganini S 141, No. 2 in E-fleat major
piano:
Stanisław Drzewiecki (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 2. Octave in E‐flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major
5:31
9Grandes Études de Paganini S 141, No. 3 in G-sharp minor "La Campanella"
piano:
Stanisław Drzewiecki (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 3. La campanella in G‐sharp minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”
4:37
10Grandes Études de Paganini S 141, No. 4 in E major
piano:
Stanisław Drzewiecki (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 4. Arpeggio in E major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major
2:07
11Grandes Études de Paganini S 141, No. 5 in E major "La Chasse"
piano:
Stanisław Drzewiecki (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 5. La Chasse in E major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse”
2:48
12Grandes Études de Paganini S 141, No. 6 in A minor. Tema con variazioni
piano:
Stanisław Drzewiecki (pianist)
recording of:
Grandes études de Paganini, S. 141: No. 6. Variations in A minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Grandes études de Paganini, S. 141
revision of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor
5:41
13Trois Études de concert S 144, No. 1 in A-flat major "Il lamento"
piano:
Kathryn Stott (pianist)
recording of:
Trois études de concert, S. 144: I. "Il lamento" in A-flat minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
10:13
14Trois Études de concert S 144, No. 2 in F minor "La leggierezza"
engineer:
Ken-Ichi Handa (sound engineer)
producer:
Juro Yokoyama
piano:
Yevgeny Kissin (Evgeny Kissin, Russian classical pianist) (on 1987-05-12)
recorded at:
Suntory Hall in Akasaka, Minato (Minato-ku), Tokyo, Japan (on 1987-05-12)
live recording of:
Trois études de concert, S. 144: II. "La leggierezza" in F minor (on 1987-05-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
recording of:
Trois études de concert, S. 144: II. "La leggierezza" in F minor
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
4:53
15Trois Études de concert S 144, No. 3 in D-flat major "Un sospiro"
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
recording of:
Trois études de concert, S. 144: III. "Un sospiro" in D-flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
5:39
4▼CD
#TitleRatingLength
1Années de pèlerinage - 1re année: Suisse S 160, No. 4: Au bord d'une source
engineer:
Masaki Ohno (from 1972-06-11 until 1972-06-12)
producer:
Masamitsu Kurokawa
piano:
John Ogdon (pianist and composer) (from 1972-06-11 until 1972-06-12)
recorded at:
青山タワーホール in Minami-Aoyama, Minato (Minato-ku), Tokyo, Japan (from 1972-06-11 until 1972-06-12)
recording of:
Au bord d'une source, S. 160 no. 4 (version from Années de pèlerinage) (from 1972-06-11 until 1972-06-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: I. Impressions et poésies: 2b. Au bord d'une source (Version from Album d'un voyageur)
13:07
2Années de pèlerinage - 1re année: Suisse S 160, No. 6: Vallée d'Obermann
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
recording of:
Vallée d’Obermann, S. 160 no. 6
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: I. Impressions et poésies: 4. Vallée d'Obermann
13:16
3Années de pèlerinage - 2e année: Italie S 161, No. 1: Sposalizio
piano:
Angela Brownridge (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sposalizio, S. 161 no. 1
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Sposalizio, S. 157a
7:29
4Années de pèlerinage - 2e année: Italie S 161, No. 2: Il Pensieroso
piano:
Angela Brownridge (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Il penseroso, S. 161 no. 2
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1849)
revised by:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1858)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Il penseroso, S. 157b
4:07
5Années de pèlerinage - 2e année: Italie S 161, No. 3: Canzonetta del Salvator Rosa
piano:
Angela Brownridge (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Canzonetta del Salvator Rosa, S. 161 no. 3
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Canzonetta del Salvator Rosa, S. 157c
2:36
6Années de pèlerinage - 2e année: Italie S 161, No. 4: Sonetto 47 del Petrarca
piano:
Angela Brownridge (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 47 del Petrarca, S. 161 no. 4
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 1. Sonetto XLVII. Benedetto sia il giorno (for solo piano)
5:30
7Années de pèlerinage - 2e année: Italie S 161, No. 5: Sonetto 104 del Petrarca
piano:
Angela Brownridge (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 104 del Petrarca, S. 161 no. 5
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 2. Sonetto CIV. Pace non trovo (for solo piano)
5:43
8Années de pèlerinage - 2e année: Italie S 161, No. 6: Sonetto 123 del Petrarca
piano:
Angela Brownridge (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 123 del Petrarca, S. 161 no. 6
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
revision of:
Tre sonetti di Petrarca, S. 158: No. 3. Sonetto CXXIII. I' vidi in terra angelici costumi (for solo piano)
6:05
9Années de pèlerinage - 2e année: Italie S 161, No. 7: Après une lecture de Dante. Fantasia quasi Sonata
piano:
Angela Brownridge (pianist)
recording of:
Années de pèlerinage, Deuxième année; Italie, S. 161: Après une lecture de Dante: Fantasia quasi sonata, S. 161 no. 7
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Italie, S. 161
14:30
10Années de pèlerinage - 3e année S 163, No. 4: Les jeux d'eau à la Villa d'Este
piano:
小山実稚恵 (pianist)
recording of:
Les Jeux d’eaux à la Villa d’Este, S. 163 no. 4
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
8:02
5▼CD
#TitleRatingLength
1Zwei Konzertetüden S 145 No. 1: Waldesrauschen
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
4:04
2Zwei Konzertetüden S 145 No. 1: Gnomenreigen
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
recording of:
Zwei Konzertetüden, S. 145, Nr. 2: Gnomenreigen
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
3:15
3Harmonies poétiques es religieuses S173, No. 7: Funérailles
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
recording of:
Harmonies poétiques et religieuses, S. 173: No. 7. Funérailles
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1849)
part of:
Harmonies poétiques et religieuses, S. 173
11:35
4Ballade No. 2 in B minor S 172
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
recording of:
Ballade no. 2, S. 171
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1853)
part of:
The Music of Liszt (number: S. 171)
revision of:
Ballade no. 2, S. 170a (first version)
15:23
5Consolations (Pensées poétiques) S 172, No. 1 in E major
piano:
Gerhard Oppitz (pianist)
recording of:
Consolation in E major, S. 172 no. 1: Andante con moto
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)
1:54
6Consolations (Pensées poétiques) S 172, No. 2 in E major
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
recording of:
Consolation in E major, S. 172 no. 2: Un poco più mosso
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 2: Un poco più mosso (first, less common version)
3:34
7Consolations (Pensées poétiques) S 172, No. 3 in D-flat major
piano:
Van Cliburn (pianist)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
4:13
8Consolations (Pensées poétiques) S 172, No. 4 in D-flat major
piano:
Gerhard Oppitz (pianist)
recording of:
Consolation in D‐flat major, S. 172 no. 4: Quasi adagio
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in D‐flat major, S. 171a no. 4: Quasi adagio (first, less common version)
2:57
9Consolations (Pensées poétiques) S 172, No. 5 in E major
piano:
Van Cliburn (pianist)
recording of:
Consolation in E major, S. 172 no. 5: Andantino
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 5: Andantino (first, less common version)
3:15
10Consolations (Pensées poétiques) S 172, No. 6 in E major
piano:
Святослав Рихтер (Sviatoslav Richter, pianist)
recording of:
Consolation in E major, S. 172 no. 6: Allegretto sempre cantabile
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 6: Allegretto (first, less common version)
2:48
6▼CD
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1Venezia e Napoli S 162, No. 1: Gondoliera
piano:
小菅優 (classical pianist)
recording of:
Venezia e Napoli, S. 162: no. 1. Gondoliera
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Venezia e Napoli, supplément, S. 162
revision of:
Venezia e Napoli, S. 159: No. 3. Andante placido
5:51
2Venezia e Napoli S 162, No. 2: Canzone
piano:
小菅優 (classical pianist)
recording of:
Venezia e Napoli, S. 162: no. 2. Canzone
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Venezia e Napoli, supplément, S. 162
3:45
3Venezia e Napoli S 162, No. 3: Tarantella
piano:
小菅優 (classical pianist)
recording of:
Venezia e Napoli, S. 162: no. 3. Tarantella
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Deuxième année : Venezia e Napoli, supplément, S. 162
revision of:
Venezia e Napoli, S. 159: No. 4. Tarantelles napolitaines
9:38
42 Légendes S 175, No. 1: Saint Francois d'Assise. La prédication aux oiseaux
piano:
Gerhard Oppitz (pianist)
recording of:
Deux légendes, S. 175: St. François d'Assise: la prédication aux oiseaux (for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Deux légendes, S. 175 (for piano)
10:20
52 Légendes S 175, No. 2: Saint Francois de Paule marchant sur les flots
piano:
Gerhard Oppitz (pianist)
recording of:
Deux légendes, S. 175: St. François de Paule: marchant sur les flots (for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Deux légendes, S. 175 (for piano)
8:09
6Scherzo & March S 177
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
recording of:
Scherzo und Marsch, S. 177
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 177)
revision of:
Wilde Jagd: Scherzo, S. 176a
10:40
7Piano Sonata in B Minor S 178
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
recording of:
Sonata for Piano in B minor, S. 178
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
30:04
7▼CD
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1Weinen, Klagen, Sorgen, Zagen (J.S. Bach) S 179
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
recording of:
Weinen, Klagen, Sorgen, Zagen, Präludium nach Johann Sebastian Bach, S. 179
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (until 1854)
part of:
The Music of Liszt (number: S. 179)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
5:23
2Elegy No. 2 S 197
piano:
Barry Douglas (classical pianist and conductor)
recording of:
Elegy no. 2, S. 197 (for solo piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
The Music of Liszt (number: S. 197)
revision of:
Entwurf der Ramann‐Elegie, S. 196a
4:38
3Nuages gris S 199
piano:
Barry Douglas (classical pianist and conductor)
recording of:
Trübe Wolken (Nuages gris), S. 199, R. 78
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1881)
part of:
The Music of Liszt (number: S. 199)
2:15
4La lugubre gondola S 200/2
piano:
Arcadi Volodos (pianist)
recording of:
La lugubre gondola, S. 200/2 (for piano solo, La lugubre gondola II in 4/4)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1883-01)
revised by:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1885)
publisher:
Editio Musica (publisher) (in 1885)
part of:
The Music of Liszt (number: S. 200/2)
revision of:
La lugubre gondola, S. 199a/1 (for piano solo, first version)
revision of:
La lugubre gondola, S. 200/1 (for piano solo, La lugubre gondola I in 6/8)
9:23
5Richard Wagner - Venezia S 201
piano:
Gerhard Oppitz (pianist)
recording of:
R. W. - Venezia, S. 201
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1883)
part of:
The Music of Liszt (number: S. 201)
3:17
6Am Grabe Richard Wagners S 202
piano:
Gerhard Oppitz (pianist)
recording of:
Am Grabe Richard Wagners, S. 202 (for solo piano)
composer and arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1883)
part of:
The Music of Liszt (number: S. 202)
arrangement of:
Am Grabe Richard Wagners, S. 135 (for string quartet and harp ad lib)
3:45
7Schlaflos! Frage und Antwort
piano:
Barry Douglas (classical pianist and conductor)
recording of:
Schlaflos! Frage und Antwort, S. 203
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1883)
2:22
8Valse-impromptu in A-flat major S 213
piano:
Arthur Rubinstein (pianist)
recording of:
Valse-Impromptu, S. 213
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
5:31
9Valse oubliée No. 1 S 215/1
piano:
Arthur Rubinstein (pianist)
recording of:
Valse oubliée no. 1, S. 215 no. 1
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Valses oubliées, S. 215
3:07
10Bagatelle sans tonalité S 216a
piano:
Arcadi Volodos (pianist)
recording of:
Bagatelle sans tonalité, S. 216a
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1885)
part of:
The Music of Liszt (number: S. 216a)
3:04
11Grand Galop chromatique S 219
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
recording of:
Grand galop chromatique en mi bémol majeur, S. 219
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 219)
4:18
8▼CD
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1Hungarian Rhapsodies S 244, No. 6 in D-flat major
piano:
Ivan Davis (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante - Allegro - Presto
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
7:29
2Hungarian Rhapsodies S 244, No. 7 in D minor
piano:
Олександр Браіловський (Alexander Brailowsky)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 7 in D minor, S. 244 no. 7
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
5:07
3Hungarian Rhapsodies S 244, No. 8 in F-sharp minor "Capriccio"
piano:
Claudio Arrau (pianist) (on 1951-10-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1951-10-18)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 8 in F-sharp minor, S. 244 no. 8 (on 1951-10-18)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
6:25
4Hungarian Rhapsodies S 244, No. 9 in E-flat major "The Carnival of Pest"
piano:
Claudio Arrau (pianist) (on 1951-10-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1951-10-18)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 9 in E-flat major, S. 244 no. 9 "Carnival in Pest" (on 1951-10-18)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
11:02
5Hungarian Rhapsodies S 244, No. 10 in E major
piano:
Charles Rosen (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 10 in E major, S. 244 no. 10
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
5:00
6Hungarian Rhapsodies S 244, No. 11 in A minor
piano:
Gary Graffman (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 11 in A minor, S. 244 no. 11
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
5:40
9▼CD
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1Hungarian Rhapsodies S 244, No. 13 in A minor
piano:
Arcadi Volodos (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 13 in A minor, S. 244 no. 13
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
8:32
2Hungarian Rhapsodies S 244, No. 15 in A minor "Rákóczy March"
piano:
Arcadi Volodos (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 15 in A minor, S. 244 no. 15 "Rákóczi March"
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
5:34
3Hungarian Rhapsodies S 244, No. 17 in D minor
piano:
Святослав Рихтер (Sviatoslav Richter, pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 17 in D minor, S. 244 no. 17
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
2:52
4Hungarian Rhapsodies S 244, No. 19 in D minor
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 19 in D minor, S. 244 no. 19
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
9:50
5Rhapsodie espagnole S 254
piano:
Evgeny Kissin (Russian classical pianist) (on 1990-09-30)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1990-09-30)
recording of:
Rhapsodie espagnole (on 1990-09-30)
composer:
Léon Itasse
recording of:
Rhapsodie espagnole, S. 254, R. 90
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1863)
13:52
6Hexaméron S 392: Introduction (Liszt)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
recording of:
Hexaméron, S. 392: I. Introduction
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Hexaméron, S. 392
3:45
7Hexaméron S 392: Theme. (Bellini/Liszt)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
recording of:
Hexaméron, S. 392: II. Tema. Allegro marziale
composer:
Vincenzo Bellini (Sicilian opera composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
I puritani: Atto II. N°17d “Suoni la tromba, e intrepido” (Giorgio, Riccardo)
part of:
Hexaméron, S. 392
1:19
8Hexaméron S 392: Variation I (Thalberg)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
recording of:
Hexaméron, S. 392: III. Variation I. Ben marcato
composer:
Sigismond Thalberg (composer)
part of:
Hexaméron, S. 392
0:57
9Hexaméron S 392: Variation II (Liszt)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
recording of:
Hexaméron, S. 392: IV. Variation II. Moderato
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Hexaméron, S. 392
2:14
10Hexaméron S 392: Variation III (Pixis)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
partial recording of:
Hexaméron, S. 392: V. Variation III di bravura - Ritornello
composer:
Franz Liszt (Hungarian composer, pianist and conductor) and Johann Peter Pixis
part of:
Hexaméron, S. 392
1:36
11Hexaméron S 392: Interlude (Liszt)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
partial recording of:
Hexaméron, S. 392: V. Variation III di bravura - Ritornello
composer:
Franz Liszt (Hungarian composer, pianist and conductor) and Johann Peter Pixis
part of:
Hexaméron, S. 392
0:21
12Hexaméron S 392: Variation IV (Herz)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
recording of:
Hexaméron, S. 392: VI. Variation IV. Legato e grazioso
composer:
Henri Herz
part of:
Hexaméron, S. 392
1:24
13Hexaméron S 392: Variation V (Czerny)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
partial recording of:
Hexaméron, S. 392: VII. Variation V. Vivo e brillante - Fuocoso molto energico - Lento quasi recitativo
composer:
Carl Czerny (composer) and Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Hexaméron, S. 392
1:11
14Hexaméron S 392: Interlude (Liszt)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
partial recording of:
Hexaméron, S. 392: VII. Variation V. Vivo e brillante - Fuocoso molto energico - Lento quasi recitativo
composer:
Carl Czerny (composer) and Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Hexaméron, S. 392
1:47
15Hexaméron S 392: Variation VI (Chopin)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
partial recording of:
Hexaméron, S. 392: VIIIa. Variation VI. Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Hexaméron, S. 392
recording of:
Hexaméron, S. 392: VIIIa. Variation VI. Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Hexaméron, S. 392
1:21
16Hexaméron S 392: Interlude (Liszt)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
partial recording of:
Hexaméron, S. 392: VIIIa. Variation VI. Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Hexaméron, S. 392
recording of:
Hexaméron, S. 392: VIIIb. Coda
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Hexaméron, S. 392
0:47
17Hexaméron S 392: Finale (Liszt)
piano:
Raymond Lewenthal (American pianist) (from 1965 until 1966)
recording of:
Hexaméron, S. 392: IX. Finale. Molto vivace quasi prestissimo
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Hexaméron, S. 392
recording of:
Hexaméron, S. 392: VIIIb. Coda
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Hexaméron, S. 392
2:44
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Credits