Les Grands Classiques d'Edgar : La Musique romantique

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleArtistRatingLength
1Les saisons: L'hiver / No. 40 Lied (Hanne) mit Chor: "Ein Madchen, Das auf Ehre Hielt"Joseph Haydn3:34
2Symphonie No 83 en sol mineur «La poule»: Finale: VivaceJoseph Haydn3:47
3Symphonie No 88 en sol majeur: Largo
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Wilhelm Furtwängler (conductor)
recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn6:19
4Quintette pour clarinette et quatuor à cordes en la majeur, K. 581: Larghetto
recorded in:
New York, New York, United States (from 1951-03-28 until 1951-03-29)
producer:
Simon Rady
clarinet:
Reginald Kell (clarinetist) (from 1951-03-28 until 1951-03-29)
string quartet:
Fine Arts Quartet (from 1951-03-28 until 1951-03-29)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto (from 1951-03-28 until 1951-03-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:32
5Le nozze de figaro: Acte Quatre / "Gente, Gente! All'armi, All'Armi!"Wolfgang Amadeus Mozart4:38
6Cosi Fan Tutte: Acte Un / "Soave sia il Vento"Wolfgang Amadeus Mozart2:53
7Sérénade No 9 en ré majeur, K. 320 "Posthorn": MenuettoWolfgang Amadeus Mozart5:07
8Concerto pour piano No 4 en sol, Op. 58: Andante con moto
piano:
Эмиль Гилельс (Emil Gilels, pianist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Ludwig (conductor)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven5:29
9Symphonie No 3 en si bémol majeur, Op. 55: 3e mouvement / Scherzo : Allegro vivace & Trio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven6:28
10Quator à cordes No 13 en si bémol majeur, Op. 130: V. Cavatina - Adagio molto espressivoLudwig van Beethoven6:44
11Egmont, Op. 84: Ouverture
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Rudolf Kempe (conductor)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven8:43
12Quatuor à cordes en ré mineur, No 14 "La jeune fille et la mort": IV. Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Günther Breest (producer for classical music) and Karl-Heinz Schneider (producer)
cello:
Martin Lovett (cellist) (in 1959-04)
string quartet:
Amadeus Quartet (in 1959-04)
viola:
Peter Schidlof (violist) (in 1959-04)
violin [violin I]:
Norbert Brainin (violinist) (in 1959-04)
violin [violin II]:
Siegmund Nissel (violinist) (in 1959-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1959-04)
recording of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: IV. Presto (in 1959-04)
composer:
Franz Schubert (composer)
part of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”
Franz Schubert9:20
13Quintette pour piano en la majeur "La truite", D. 667: IV Thème & Variations. Andantino
cello:
Nikolaus Hübner (cellist) (in 1957-10)
double bass:
Johann Krump (double bass player) (in 1957-10)
piano:
Sir Clifford Curzon (classical pianist, knighted in 1977) (in 1957-10)
vertical viola:
Günther Breitenbach (violist)
viola:
Günther Breitenbach (violist) (in 1957-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1957-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1957-10)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (in 1957-10)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert7:33
2CD
#TitleArtistRatingLength
1Winterreise D. 911: Der Leiermann
piano:
Gerald Moore (pianist)
baritone vocals:
Hans Hotter (German operatic bass-baritone)
recording of:
Winterreise, op. 89, D. 911: XXIV. Der Leiermann
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827)
part of:
Winterreise, op. 89, D. 911
Franz Schubert4:21
2Symphonie No 8 en si mineur D. 759: Allegro Moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert11:24
3Der Freischützer: Acte Trois / Was Gleicht Wohl auf Erden dem Jagervergnugen
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:40
4Symphonie fantastique Op. 14: Songe d'une nuit de sabbatHector Berlioz8:44
5La damnation de Faust, Op. 24: Une puce gentille
baritone vocals:
Martial Singher (baritone) (from 1954-02-21 until 1954-02-22)
tenor vocals:
David Poleri (tenor) (from 1954-02-21 until 1954-02-22)
orchestra:
Boston Symphony Orchestra (from 1954-02-21 until 1954-02-22)
conductor:
Charles Munch (conductor and violinist) (from 1954-02-21 until 1954-02-22)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 6. Chanson de Méphistophélès « Une puce gentille » (Méphistophélès, Chœur) / « Assez ! Fuyons ces lieux » (Faust, Méphistophélès) (from 1954-02-21 until 1954-02-22)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:40
6La damnation de Faust, Op. 24: Voici les roses
baritone vocals:
Martial Singher (baritone) (from 1954-02-21 until 1954-02-22)
tenor vocals:
David Poleri (tenor) (from 1954-02-21 until 1954-02-22)
orchestra:
Boston Symphony Orchestra (from 1954-02-21 until 1954-02-22)
conductor:
Charles Munch (conductor and violinist) (from 1954-02-21 until 1954-02-22)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Bosquets et Prairies du Bord de l'Elbe. Air de Méphistophélès « Voici des roses » (Méphistophélès) (from 1954-02-21 until 1954-02-22)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
Hector Berlioz2:38
7Roméo et Juliette Op. 17: Strophes: Premiers transports que nul n'oublieHector Berlioz5:47
8Symphonie No 3 en la mineur Op. 56 "Écossaise": Allegro vivacissimo: Allegro Maestoso
orchestra:
Boston Symphony Orchestra (on 1959-12-07)
conductor:
Charles Munch (conductor and violinist) (on 1959-12-07)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai (on 1959-12-07)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn9:38
9Trio pour piano et cordes No 1 en ré mineur, Op. 49: Scherzo - Leggiero e vivaceFelix Mendelssohn3:30
10Les Hébrides, Ouverture en si mineur, Op. 26, "La grotte de Fingal"
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Carl Schuricht
recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
Felix Mendelssohn9:54
11Octuor en mi bémol, Op. 20: Scherzo - Allegro Leggierissimo
cello:
Roger Smith (cello, Academy of St. Martin in the Fields) (in 1978-12) and Denis Vigay (cellist) (in 1978-12)
viola:
Anthony Jenkins (viola, Academy of St. Martin in the Fields' Chamber Ensemble) (in 1978-12) and Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12), Roger Garland (violinist) (in 1978-12), Malcolm Latchem (violinist) (in 1978-12) and Andrew McGee (classical violinist) (in 1978-12)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1978-12)
recording of:
Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo (in 1978-12)
composer:
Felix Mendelssohn (composer) (in 1825)
part of:
Octet in E-flat major, op. 20
Felix Mendelssohn34:25
12Mazurka No 21
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Mazurka no. 21 in C‐sharp minor, op. 30 no. 4
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 30
Frédéric Chopin3:44
13Mazurka No 35
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Mazurka no. 35 in C minor, op. 56 no. 3
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 56
Frédéric Chopin5:18
3CD
#TitleArtistRatingLength
1La sonnambula: Acte Deux / "Ah non credea mirarti"
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
other vocals and tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:45
2Elisir d'amore: Acte Trois - Una furtiva Lagrima
tenor vocals:
Jussi Björling (tenor)
conductor:
Nils Grevillius (Swedish conductor and violinist)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:11
3Les Amours du poète, Op. 48: Im Rhein, Im Heiligen Strome
piano:
Jörg Demus (pianist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:31
4Symphonie No 4 en ré mineur Op. 120: 1er mouvement - Ziemlich Langsam - Lebhaft
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Wilhelm Furtwängler (conductor)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
Robert Schumann11:53
5Les Jeux d'eau à la villa d'Este
piano:
Georges Cziffra (pianist)
recording of:
Les Jeux d’eaux à la Villa d’Este, S. 163 no. 4
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
Franz Liszt7:22
6Tristan und Isolde: Acte un - Prélude
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Wilhelm Furtwängler (conductor)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner11:06
7Falstaff: Acte Trois - Scène 2 - Un coro e terminiam la scena
baritone vocals:
Tito Gobbi (baritone)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano)
soprano vocals:
Anna Moffo (soprano) and Elisabeth Schwarzkopf (German-born Austrian/British soprano)
vocals:
Luigi Alva (tenor), Nan Merriman (mezzo-soprano) and Rolando Panerai (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:16
8Symphonie No 3 en fa Op. 90: 3e mouvement "Poco Allegretto"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:10
9Trio pour violon, cor et piano en mi bémol majeur: I. Andante
producer:
James Mallinson (producer)
horn:
Barry Tuckwell (hornist / conductor) (from 1968-10-11 until 1968-10-13)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1968-10-11 until 1968-10-13)
violin:
Itzhak Perlman (violinist and conductor) (from 1968-10-11 until 1968-10-13)
balance engineer:
Alec Rosner (sound engineer)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1968-10-11 until 1968-10-13)
recording of:
Trio für Klavier, Violine und Horn Es-Dur, op. 40: I. Andante – Poco più animato (from 1968-10-11 until 1968-10-13)
composer:
Johannes Brahms (German composer) (in 1865)
part of:
Trio für Klavier, Violine und Horn Es-Dur, op. 40 (Trio for Horn, Violin & Piano in E-flat major, op. 40)
Johannes Brahms7:53
10Sonate pour violon et piano en la majeur: IV. Allegretto poco mossoCésar Franck5:49
11Quatuor à cordes No 1 en ré majeur Op. 11: II. Andante cantabileПётр Ильич Чайковский6:55
12Requiem Op. 48: IV. Pie Jesu
baritone vocals:
Gérard Souzay (baritone)
choir vocals:
Union Chorale de la Tour-de-Peilz
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:12
4CD
#TitleArtistRatingLength
1Symphonie en do majeur: I. Allegro vivo
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
André Cluytens (conductor)
recording of:
Symphonie no. 1 en ut majeur : I. Allegro vivo (Symphony no. 1 in C major: I. Allegro vivo)
composer:
Georges Bizet (French composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet7:23
2Chanson triste
piano:
Jacqueline Robin (French pianist, aka Jacqueline Bonneau)
baritone vocals:
Gérard Souzay (baritone)
recording of:
Chanson triste, op. 2 no. 4 (for voice and piano)
lyricist:
Henri Cazalis (a.k.a. Jean Caselli/Lahor)
composer:
Henri Duparc (French composer) (in 1868)
Henri Duparc3:06
3Symphonie espagnole en ré majeur Op. 21: II. Scherzando: Allegro molto
violin:
Arthur Grumiaux (Belgian violinist)
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra)
conductor:
Jean Fournet (conductor)
recording of:
Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo4:15
4Quatuor à cordes en fa majeur Op. 96: II. LentoAntonín Dvořák7:26
5España
orchestra:
Detroit Symphony Orchestra
conductor:
Paul Paray (French conductor and composer)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:36
6Lieder eines fahrenden gesellen: IV. Die Zwei Blauen Augen von Neimen Schatz
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Wilhelm Furtwängler (conductor)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:43
7Quatre derniers lieder: Im Abendrot: Eichendorff
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (on 1953-09-25)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss7:20
8La mer: Dialogue du vent et de la mer
orchestra:
Boston Symphony Orchestra (from 1956-12-09 until 1956-12-10)
conductor:
Charles Munch (conductor and violinist) (from 1956-12-09 until 1956-12-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1956-12-09 until 1956-12-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:59
9Concerto pour violon en ré mineur Op. 47: II. Adagio di moltoJean Sibelius8:09
10La Bohème: Acte Un / O soave fanciulla, o dolce viso
baritone vocals:
Robert Merrill (American operatic baritone)
choir vocals:
RCA Victor Chorus
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
tenor vocals:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Sir Thomas Beecham (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:08
11Sea Pictures Op. 37: Sea Slumber Song
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1993-03)
orchestra:
Royal Philharmonic Orchestra (in 1993-03)
conductor:
Charles Mackerras (Australian conductor) (in 1993-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (in 1993-03)
lyricist:
Roden Noel
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Sir Edward Elgar5:02
12Les saisons Op. 67: L'Automne
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Les saisons, op. 67: Tableau IV. L'Automne
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936)
part of:
Les saisons, op. 67 (The Seasons, op. 67)
Александр Константинович Глазунов9:32
5CD
#TitleArtistRatingLength
1Valses et miniatures: Liebesleid
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Liebesleid (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:46
2Valses et miniatures: Schön rosmarin
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Schön Rosmarin (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler2:06
3Valses et miniatures: Liebesfreud
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Liebesfreud (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:39
4Valses et miniatures: La Vida breve
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Danse espagnole (for violin and piano, Kreisler)
composer:
Manuel de Falla (Spanish composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
La vida breve: Acto II. Danza española
Fritz Kreisler3:33
5Valses et miniatures: La Gitane
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
La gitana (catch-all for arrangements)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
La Gitana (for violin and piano)
Fritz Kreisler3:45
6Valses et miniatures: Danse espagnole
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for violin and piano, Kreisler)
composer:
Enrique Granados (composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
Fritz Kreisler4:25
7Valses et miniatures: Tango
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
España, seis hojas de álbum, op. 165: II. Tango (for violin and piano, arr. Kreisler)
composer:
Isaac Albéniz (Spanish composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
España, seis hojas de álbum, op. 165: II. Tango
Fritz Kreisler2:59
8Valses et miniatures: Prélude et Allegro
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Prélude et Allegro dans le style de Pugnani
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler5:22
9Valses et miniatures: Tambourin chinois
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Tambourin chinois, op. 3 (original, for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler4:27
10Valses et miniatures: Polichinelle
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Polichinelle (for violin & piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler1:35
11Valses et miniatures: Caprice viennois
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Caprice viennois, op. 2
composer:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1910)
Fritz Kreisler4:29
12Valses et miniatures: Syncopation
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Syncopation (for violin & piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler2:10
13Valses et miniatures: Recitativo & Scherzo
violin:
Alexandre Da Costa
orchestra:
Ensemble Canimex
recording of:
Recitative and Scherzo-Caprice for Solo Violin, op. 6
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler4:23
14Valses et miniatures: Petite valse pour piano solo
piano:
Alexandre Da Costa
recording of:
Petite Valse (for piano solo)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler2:42
6CD
#TitleArtistRatingLength
1Rêverie
piano:
Wonny Song (pianist)
recording of:
Rêverie, L. 68, CD 76 (for piano)
composer:
Claude Debussy (French composer) (in 1890)
premiered at:
[concert] (1899-02-27)
publisher:
Choudens (in 1891) and Eugène Fromont (in 1905)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)
Claude Debussy4:16
2Nocturne en do dièse mineurFrédéric Chopin4:08
3Sonate pour piano No 14 en do dièse mineur Op. 27, No. 2: I. Adagio sostenutoLudwig van Beethoven6:35
4Sonate pour piano No 14 en do dièse mineur Op. 27, No 2: II. AllegrettoLudwig van Beethoven2:27
5Sonate pour piano No 14 en do dièse mineur Op. 27, No 2: III. Presto agitatoLudwig van Beethoven7:39
6Fantasiestücke Op. 12: Des abends
piano:
Wonny Song (pianist)
recording of:
Fantasiestücke, op. 12: I. Des Abends
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann4:01
7Fantasiestücke Op. 12: Aufschwung
piano:
Wonny Song (pianist)
recording of:
Fantasiestücke, op. 12: II. Aufschwung
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann3:17
8Fantasiestücke Op. 12: Warum?
piano:
Wonny Song (pianist)
recording of:
Fantasiestücke, op. 12: III. Warum?
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann2:43
9Fantasiestücke Op. 12: Grillen
piano:
Wonny Song (pianist)
recording of:
Fantasiestücke, op. 12: IV. Grillen
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann3:44
10Fantasiestücke Op. 12: In der nacht
piano:
Wonny Song (pianist)
recording of:
Fantasiestücke, op. 12: V. In der Nacht
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann4:08
11Fantasiestücke Op. 12: Fabel
piano:
Wonny Song (pianist)
recording of:
Fantasiestücke, op. 12: VI. Fabel
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann2:49
12Fantasiestücke Op. 12: Traumes wirren
piano:
Wonny Song (pianist)
recording of:
Fantasiestücke, op. 12: VII. Traumes Wirren
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann2:34
13Fantasiestücke Op. 12: Ende vom lied
piano:
Wonny Song (pianist)
recording of:
Fantasiestücke, op. 12: VIII. Ende vom Lied
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann5:32

Credits

Release

ASIN:CA: B001T4JKB6 [info]