Autumn Leaves

~ Release by Tal Farlow (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Mahoney’s 11 Ohms
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gary Mazzaroppi (in 1978)
drums (drum set):
Tom Sayek (in 1978)
guitar:
Tal Farlow (jazz guitarist) (in 1978)
membranophone:
Tom Sayek
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1978)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1978)
remixed at:
Coast Recorders in San Francisco, California, United States
7:03
2Here’s That Rainy Day
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gary Mazzaroppi (in 1978)
drums (drum set):
Tom Sayek (in 1978)
guitar:
Tal Farlow (jazz guitarist) (in 1978)
membranophone:
Tom Sayek
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1978)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1978)
remixed at:
Coast Recorders in San Francisco, California, United States
instrumental recording of:
Here’s That Rainy Day (in 1978)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:12
3Autumn Leaves
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gary Mazzaroppi (in 1978)
drums (drum set):
Tom Sayek (in 1978)
guitar:
Tal Farlow (jazz guitarist) (in 1978)
membranophone:
Tom Sayek
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1978)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1978)
remixed at:
Coast Recorders in San Francisco, California, United States
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1978)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
6:11
4With the Wind and the Rain in Your Hair
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gary Mazzaroppi (in 1978)
drums (drum set):
Tom Sayek (in 1978)
guitar:
Tal Farlow (jazz guitarist) (in 1978)
membranophone:
Tom Sayek
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1978)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1978)
remixed at:
Coast Recorders in San Francisco, California, United States
instrumental recording of:
With the Wind and the Rain in Your Hair (in 1978)
writer:
Clara Edwards (American singer and songwriter) and Jack Lawrence (US songwriter)
3:34
5Perdido
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gary Mazzaroppi (in 1978)
drums (drum set):
Tom Sayek (in 1978)
guitar:
Tal Farlow (jazz guitarist) (in 1978)
membranophone:
Tom Sayek
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1978)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1978)
remixed at:
Coast Recorders in San Francisco, California, United States
recording of:
Perdido (original instrumental version) (in 1978)
composer:
Juan Tizol
5:39
6Medley: Ill Wind / Invitation
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gary Mazzaroppi (in 1978)
drums (drum set):
Tom Sayek (in 1978)
guitar:
Tal Farlow (jazz guitarist) (in 1978)
membranophone:
Tom Sayek
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1978)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1978)
remixed at:
Coast Recorders in San Francisco, California, United States
medley including a instrumental recording of:
Ill Wind (in 1978)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
medley including a instrumental recording of:
Invitation (in 1978)
lyricist:
Paul Francis Webster
composer:
Bronisław Kaper
3:41
7Satin Doll
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gary Mazzaroppi (in 1978)
drums (drum set):
Tom Sayek (in 1978)
guitar:
Tal Farlow (jazz guitarist) (in 1978)
membranophone:
Tom Sayek
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1978)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1978)
remixed at:
Coast Recorders in San Francisco, California, United States
instrumental recording of:
Satin Doll (in 1978)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
6:01
8Gymkhana in Soho
recording engineer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gary Mazzaroppi (in 1978)
drums (drum set):
Tom Sayek (in 1978)
guitar:
Tal Farlow (jazz guitarist) (in 1978)
membranophone:
Tom Sayek
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1978)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1978)
remixed at:
Coast Recorders in San Francisco, California, United States
4:06
2▼CD
#TitleRatingLength
1You Stepped Out of a Dream
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1984-09)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (in 1984-09)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
4:45
2When Your Lover Has Gone
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1984-09)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
When Your Lover Has Gone (in 1984-09)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
5:02
3I Got It Bad and That Ain’t Good
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1984-09)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
I Got It Bad (and That Ain’t Good) (in 1984-09)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
5:18
4When Lights Are Low
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1984-09)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
When Lights Are Low (in 1984-09)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
6:50
5Who Cares
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1984-09)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
Who Cares? (Of Thee I Sing) (in 1984-09)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
4:21
6I Can’t Get Started
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1984-09)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
I Can’t Get Started (in 1984-09)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:22
7Prelude to a Kiss
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1984-09)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
Prelude to a Kiss (in 1984-09)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
5:19
8Everything Happens to Me
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1984-09)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
Everything Happens to Me (in 1984-09)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:51

Credits

Release

printed in:U.S.A.
producer:Carl E. Jefferson
mastering:George Horn (mastering engineer)
copyrighted (©) by:Concord Records, Inc. (not for release label use!) (in 2003)