Stranger in Town

~ Release by Bob Seger & the Silver Bullet Band (see all versions of this release, 17 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Hollywood Nights
engineer:
John Arrias (engineer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and percussion:
David Teegarden
guitar:
Bob Seger
organ and piano:
Bill Payne
background vocals:
Julia Waters, Luther Waters, Maxine Waters and Oren Waters
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 99)
recording of:
Hollywood Nights
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1978)
4.355:03
2Still the Same
engineer:
John Arrias (engineer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
acoustic guitar and piano:
Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and percussion:
David Teegarden
organ:
Robyn Robbins
background vocals:
Brandye, Venetta Fields, Clydie King and Shirley Mathews (US vocalist)
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Criteria Studios in Miami, Florida, United States
recording of:
Still the Same
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) (ended) and Gear Publishing Co. (in 1977)
3.53:24
3Old Time Rock & Roll
engineer:
Greg Hamm (US engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
David Hood
drums (drum set) and percussion:
Roger Hawkins
guitar:
Ken Bell and Howie McDonald
piano:
Randy McCormick (session musician and songwriter)
saxophone:
Alto Reed
background vocals:
Stanley Carter, George Jackson (US soul songwriter/vocalist) and James Lavell Easley (Blues harmonica player)
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Old Time Rock & Roll
writer:
George Jackson (US soul songwriter/vocalist) and Thomas Jones, III (Songwriter)
publisher:
Muscle Shoals Sound Publishing, Peermusic (UK) Limited and Peermusic III, Ltd. (BMI)
part of:
Risky Business (film soundtrack)
4.53:14
4Till It Shines
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
solo guitar:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Hideout Records & Distributors, Inc. (in 1978)
recording of:
Till It Shines
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co
3.53:54
5Feel Like a Number
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
piano:
Doug Riley
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Hideout Records & Distributors, Inc. (in 1978)
recording of:
Feel Like a Number
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co and Hideout Records/Distribtrs Inc (Gear Publishing Div)
3.53:45
6Ain’t Got No Money
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
solo guitar:
Don Felder
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
cover recording of:
Ain’t Got No Money
lyricist and composer:
Frankie Miller (Scottish rock singer-songwriter)
publisher:
Chrysalis Music, Inc.
44:14
7We’ve Got Tonight
engineer:
Steve Melton (engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
David Hood
drums (drum set) and percussion:
Roger Hawkins
guitar:
Pete Carr (US guitarist) and Jimmie Johnson (guitar, producer, Muscle Shoals rhythm section)
keyboard:
Barry Beckett
background vocals:
Venetta Fields, Clydie King and Shirley Mathews (US vocalist)
vocals:
Bob Seger
conductor:
Jim Ed Norman
strings arranger:
Jim Ed Norman
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
We’ve Got Tonite (in 1976)
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) and Gear Publishing Co (in 1976)
3.354:41
8Brave Strangers
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
piano:
Doug Riley
background vocals:
Brandye
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
recording of:
Brave Strangers
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co
3.56:22
9The Famous Final Scene
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
recording of:
The Famous Final Scene
lyricist and composer:
Bob Seger
45:12