The Complete Erato, EMI Classics & Virgin Classics Recordings

~ Release by Catherine Collard (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Adagio - Im lebhaften Tempo - Im Legenden Ton (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1836)
part of:
Fantasy in C major, op. 17
Robert Schumann12:20
2Fantasie in C major, op. 17: II. Mässig. Durchaus energisch
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1836)
part of:
Fantasy in C major, op. 17
Robert Schumann7:27
3Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Fantasy in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1836)
part of:
Fantasy in C major, op. 17
Robert Schumann10:07
4Davidsbündlertänze, op. 6, Heft I: no. 1, Lebhaft
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: I. Lebhaft (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:29
5Davidsbündlertänze, op. 6, Heft I: no. 2, Innig
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: II. Innig (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:00
6Davidsbündlertänze, op. 6, Heft I: no. 3, Mit Humor
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XII. Mit Humor (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:19
7Davidsbündlertänze, op. 6, Heft I: no. 4, Ungeduldig
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: IV. Ungeduldig (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann0:45
8Davidsbündlertänze, op. 6, Heft I: no. 5, Einfach
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: V. Einfach (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:44
9Davidsbündlertänze, op. 6, Heft I: no. 6, Sehr rasch
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:29
10Davidsbündlertänze, op. 6, Heft I: no. 7, Nicht schnell
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann3:01
11Davidsbündlertänze, op. 6, Heft I: no. 8, Frisch
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: VIII. Frisch (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann0:38
12Davidsbündlertänze, op. 6, Heft I: no. 9, Lebhaft
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: IX. Lebhaft (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann0:55
13Davidsbündlertänze, op. 6, Heft II: no. 10, Balladenmäßig. Sehr rasch
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:21
14Davidsbündlertänze, op. 6, Heft II: no. 11, Einfach
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XI. Einfach (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:43
15Davidsbündlertänze, op. 6, Heft II: no. 12, Mit Humor
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XII. Mit Humor (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann0:38
16Davidsbündlertänze, op. 6, Heft II: no. 13, Wild und lustig
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XIII. Wild und lustig (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:45
17Davidsbündlertänze, op. 6, Heft II: no. 14, Zart und singend
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XIV. Zart und singend (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:33
18Davidsbündlertänze, op. 6, Heft II: no. 15, Frisch
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XV. Frisch (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:24
19Davidsbündlertänze, op. 6, Heft II: no. 16, Mit gutem Humor
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XVI. Mit gutem Humor (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:02
20Davidsbündlertänze, op. 6, Heft II: no. 17, Wie aus der Ferne
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann3:45
21Davidsbündlertänze, op. 6, Heft II: no. 18, Nicht schnell
instruments:
Catherine Collard (pianist) (from 1973-04-10 until 1973-06-21)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1974)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1973-04-10 until 1973-06-21)
recording of:
Davidsbündlertänze, op. 6: XVIII. Nicht schnell (Ganz zum Überfluss) (from 1973-04-10 until 1973-06-21)
composer:
Robert Schumann (German classical composer) (until 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann2:18
22Piano Sonata no. 1 in F‐sharp minor, op. 11: I. Introduzione. Un poco Adagio – Allegro vivace
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Sonate für Klavier Nr. 1 in fis-moll, op. 11: I. Introduzione. Allegro vivace (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (from 1833 until 1835)
part of:
Sonate für Klavier Nr. 1 in fis-moll, op. 11
Robert Schumann10:42
23Piano Sonata no. 1 in F‐sharp minor, op. 11: II. Aria. Senza passione, ma espressivo
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Sonate für Klavier Nr. 1 in fis-moll, op. 11: II. Aria (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (from 1833 until 1835)
part of:
Sonate für Klavier Nr. 1 in fis-moll, op. 11
Robert Schumann4:08
24Piano Sonata no. 1 in F‐sharp minor, op. 11: III. Scherzo e Intermezzo. Allegrissimo
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Sonate für Klavier Nr. 1 in fis-moll, op. 11: III. Scherzo e Intermezzo (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (from 1833 until 1835)
part of:
Sonate für Klavier Nr. 1 in fis-moll, op. 11
Robert Schumann5:13
25Piano Sonata no. 1 in F‐sharp minor, op. 11: IV. Finale. Allegro un poco maestoso
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Sonate für Klavier Nr. 1 in fis-moll, op. 11: IV. Finale. Allegro un poco maestoso (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (from 1833 until 1835)
part of:
Sonate für Klavier Nr. 1 in fis-moll, op. 11
Robert Schumann12:14
26Kinderszenen, op. 15: no. 1, Von fremden Ländern und Menschen
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:58
27Kinderszenen, op. 15: no. 2, Kuriose Geschichte
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 2. Kuriose Geschichte (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:57
28Kinderszenen, op. 15: no. 3, Hasche‐Mann
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 3. Hasche-Mann (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:30
29Kinderszenen, op. 15: no. 4, Bittendes Kind
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 4. Bittendes Kind (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:52
30Kinderszenen, op. 15: no. 5, Glückes genug
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 5. Glückes genug (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:17
31Kinderszenen, op. 15: no. 6, Wichtige Begebenheit
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 6. Wichtige Begebenheit (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:48
32Kinderszenen, op. 15: no. 7, Träumerei
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:51
33Kinderszenen, op. 15: no. 8, Am Kamin
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 8. Am Kamin (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:57
34Kinderszenen, op. 15: no. 9, Ritter vom Steckenpferd
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 9. Ritter vom Steckenpferd (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:35
35Kinderszenen, op. 15: no. 10, Fast zu ernst
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 10. Fast zu ernst (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:46
36Kinderszenen, op. 15: no. 11, Fürchtenmachen
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 11. Fürchtenmachen (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:37
37Kinderszenen, op. 15: no. 12, Kind im Einschlummern
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 12. Kind im Einschlummern (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:47
38Kinderszenen, op. 15: no. 13, Der Dichter spricht
producer:
Michel Garcin (French producer)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1975)
recorded at:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, France (from 1974-02-21 until 1974-02-22)
recording of:
Kinderszenen, op. 15: No. 13. Der Dichter spricht (from 1974-02-21 until 1974-02-22)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann3:06
39Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich - Schneller - Noch schneller (in 1978-03)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann6:14
40Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen (in 1978-03)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann4:57
41Piano Sonata no. 2 in G minor, op. 22: III. Scherzo. Sehr rasch und markirt
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Piano Sonata no. 2 in G minor, op. 22: III. Scherzo. Sehr rasch und markiert (in 1978-03)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann1:31
42Piano Sonata no. 2 in G minor, op. 22: IV. Rondo. Presto
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Piano Sonata no. 2 in G minor, op. 22: IV. Rondo. Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller (in 1978-03)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann5:09
43Arabeske, op. 18
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Arabeske in C major, op. 18 (in 1978-03)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Works of Robert Schumann by opus number (number: op. 18)
Robert Schumann6:12
443 Romances, op. 28: no. 1 in B‐flat minor
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Drei Romanzen für Pianoforte, op. 28: I. Sehr markiert (in 1978-03)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann2:50
453 Romances, op. 28: no. 2 in F‐sharp major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Drei Romanzen für Pianoforte, op. 28: II. Einfach (in 1978-03)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann4:03
463 Romances, op. 28: no. 3 in B major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Drei Romanzen für Pianoforte, op. 28: III. Sehr markiert (in 1978-03)
composer:
Robert Schumann (German classical composer) (in 1839)
part of:
Drei Romanzen für Pianoforte, op. 28
Robert Schumann7:09
47Papillons, op. 2: no. 1, Introduzione. Moderato
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Introduzione. Moderato (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann0:16
48Papillons, op. 2: no. 2, Waltz in D major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 1 (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann0:33
49Papillons, op. 2: no. 3, Waltz in E‐flat major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 2 Prestissimo (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann0:20
50Papillons, op. 2: no. 4, Waltz in F‐sharp minor
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 3 (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann0:50
51Papillons, op. 2: no. 5, Waltz in A Major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 4 Presto (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann0:54
52Papillons, op. 2: no. 6, Polonaise in B‐Flat Major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 5 (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann1:25
53Papillons, op. 2: no. 7, Waltz in D minor
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 6 (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann0:54
54Papillons, op. 2: no. 8, Waltz in F minor
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 7 Semplice (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann0:42
55Papillons, op. 2: no. 9, Waltz in C‐sharp minor
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 8 (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann1:08
56Papillons, op. 2: no. 10, Waltz in B‐flat minor
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 9 Prestissimo (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann0:44
57Papillons, op. 2: no. 11, Waltz in C major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 10 Vivo - Più lento (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann1:37
58Papillons, op. 2: no. 12, Polonaise in D major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 11 (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann2:38
59Papillons, op. 2: no. 13, Finale in D major
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (in 1978-03)
balance engineer:
Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1978)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (in 1978-03)
recording of:
Papillons, op. 2: Nr. 12 Finale (in 1978-03)
composer:
Robert Schumann (German classical composer)
part of:
Papillons, op. 2
Robert Schumann1:49
60Violin Sonata in G major: I. Très modéré – Vif et passionné
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (from 1979-03-08 until 1979-03-09)
violin:
Catherine Courtois (violinist) (from 1979-03-08 until 1979-03-09)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1980)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (from 1979-03-08 until 1979-03-09)
recording of:
Violin Sonata in G major: I. Très moderé (from 1979-03-08 until 1979-03-09)
composer:
Guillaume Lekeu (Belgian 19th century composer) (in 1892)
part of:
Violin Sonata in G major
Guillaume Lekeu11:10
61Violin Sonata in G major: II. Très lent
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (from 1979-03-08 until 1979-03-09)
violin:
Catherine Courtois (violinist) (from 1979-03-08 until 1979-03-09)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1980)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (from 1979-03-08 until 1979-03-09)
recording of:
Violin Sonata in G major: II. Très lent (from 1979-03-08 until 1979-03-09)
composer:
Guillaume Lekeu (Belgian 19th century composer) (in 1892)
part of:
Violin Sonata in G major
Guillaume Lekeu10:58
62Violin Sonata in G major: III. Très animé
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (from 1979-03-08 until 1979-03-09)
violin:
Catherine Courtois (violinist) (from 1979-03-08 until 1979-03-09)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1980)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (from 1979-03-08 until 1979-03-09)
recording of:
Violin Sonata in G major: III. Très animé (from 1979-03-08 until 1979-03-09)
composer:
Guillaume Lekeu (Belgian 19th century composer) (in 1892)
part of:
Violin Sonata in G major
Guillaume Lekeu9:23
63Violin Sonata in A major, FWV 8: I. Allegretto ben moderato
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (from 1979-03-08 until 1979-03-09)
violin:
Catherine Courtois (violinist) (from 1979-03-08 until 1979-03-09)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1980)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (from 1979-03-08 until 1979-03-09)
recording of:
Sonata for Violin and Piano in A major: I. Allegretto ben moderato (from 1979-03-08 until 1979-03-09)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck6:25
64Violin Sonata in A major, FWV 8: II. Allegro
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (from 1979-03-08 until 1979-03-09)
violin:
Catherine Courtois (violinist) (from 1979-03-08 until 1979-03-09)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1980)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (from 1979-03-08 until 1979-03-09)
recording of:
Sonata for Violin and Piano in A major: II. Allegro (from 1979-03-08 until 1979-03-09)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck7:59
65Violin Sonata in A major, FWV 8: III. Recitativo‐Fantasia. Ben moderato
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (from 1979-03-08 until 1979-03-09)
violin:
Catherine Courtois (violinist) (from 1979-03-08 until 1979-03-09)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1980)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (from 1979-03-08 until 1979-03-09)
recording of:
Sonata for Violin and Piano in A major: III. Recitativo – Fantasia. Ben moderato (from 1979-03-08 until 1979-03-09)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck7:29
66Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso
producer:
Michel Garcin (French producer)
piano:
Catherine Collard (pianist) (from 1979-03-08 until 1979-03-09)
violin:
Catherine Courtois (violinist) (from 1979-03-08 until 1979-03-09)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1980)
recorded at:
Salon Honnorat in Paris, Île-de-France, France (from 1979-03-08 until 1979-03-09)
recording of:
Sonata for Violin and Piano in A major: IV. Allegretto poco mosso (from 1979-03-08 until 1979-03-09)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck6:05
67Violin Sonata no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1980-12-17 until 1980-12-18)
violin:
Catherine Courtois (violinist) (from 1980-12-17 until 1980-12-18)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1981)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1980-12-17 until 1980-12-18)
recording of:
Sonata for Violin and Piano no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck (from 1980-12-17 until 1980-12-18)
composer:
Robert Schumann (German classical composer) (from 1851-09-12 until 1851-09-16)
part of:
Sonata for Violin and Piano no. 1 in A minor, op. 105
Robert Schumann6:51
68Violin Sonata no. 1 in A minor, op. 105: II. Allegretto
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1980-12-17 until 1980-12-18)
violin:
Catherine Courtois (violinist) (from 1980-12-17 until 1980-12-18)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1981)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1980-12-17 until 1980-12-18)
recording of:
Sonata for Violin and Piano no. 1 in A minor, op. 105: II. Allegretto (from 1980-12-17 until 1980-12-18)
composer:
Robert Schumann (German classical composer) (from 1851-09-12 until 1851-09-16)
part of:
Sonata for Violin and Piano no. 1 in A minor, op. 105
Robert Schumann3:40
69Violin Sonata no. 1 in A minor, op. 105: III. Lebhaft
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1980-12-17 until 1980-12-18)
violin:
Catherine Courtois (violinist) (from 1980-12-17 until 1980-12-18)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1981)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1980-12-17 until 1980-12-18)
recording of:
Sonata for Violin and Piano no. 1 in A minor, op. 105: III. Lebhaft (from 1980-12-17 until 1980-12-18)
composer:
Robert Schumann (German classical composer) (from 1851-09-12 until 1851-09-16)
part of:
Sonata for Violin and Piano no. 1 in A minor, op. 105
Robert Schumann5:06
70Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam – Lebhaft
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1980-12-17 until 1980-12-18)
violin:
Catherine Courtois (violinist) (from 1980-12-17 until 1980-12-18)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1981)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1980-12-17 until 1980-12-18)
recording of:
Sonata for Violin and Piano no. 2 in D minor, op. 121: I. Ziemlich langsam - Lebhaft (from 1980-12-17 until 1980-12-18)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Sonata for Violin and Piano no. 2 in D minor, op. 121
Robert Schumann11:34
71Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1980-12-17 until 1980-12-18)
violin:
Catherine Courtois (violinist) (from 1980-12-17 until 1980-12-18)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1981)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1980-12-17 until 1980-12-18)
recording of:
Sonata for Violin and Piano no. 2 in D minor, op. 121: II. Sehr lebhaft (from 1980-12-17 until 1980-12-18)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Sonata for Violin and Piano no. 2 in D minor, op. 121
Robert Schumann3:50
72Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1980-12-17 until 1980-12-18)
violin:
Catherine Courtois (violinist) (from 1980-12-17 until 1980-12-18)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1981)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1980-12-17 until 1980-12-18)
recording of:
Sonata for Violin and Piano no. 2 in D minor, op. 121: III. Leise, einfach (from 1980-12-17 until 1980-12-18)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Sonata for Violin and Piano no. 2 in D minor, op. 121
Robert Schumann6:04
73Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1980-12-17 until 1980-12-18)
violin:
Catherine Courtois (violinist) (from 1980-12-17 until 1980-12-18)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1981)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1980-12-17 until 1980-12-18)
recording of:
Sonata for Violin and Piano no. 2 in D minor, op. 121: IV. Bewegt (from 1980-12-17 until 1980-12-18)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Sonata for Violin and Piano no. 2 in D minor, op. 121
Robert Schumann6:24
74Violin Sonata no. 1 in F minor, op. 80: I. Andante assai
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1982-06-01 until 1982-06-02)
violin:
Catherine Courtois (violinist) (from 1982-06-01 until 1982-06-02)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1984)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1982-06-01 until 1982-06-02)
recording of:
Sonata for Violin and Piano no. 1 in F minor, op. 80: I. Andante assai (from 1982-06-01 until 1982-06-02)
composer:
Sergei Prokofiev (Russian composer) (from 1938 until 1946)
part of:
Sonata for Violin and Piano no. 1 in F minor, op. 80
Sergei Prokofiev5:20
75Violin Sonata no. 1 in F minor, op. 80: II. Allegro brusco
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1982-06-01 until 1982-06-02)
violin:
Catherine Courtois (violinist) (from 1982-06-01 until 1982-06-02)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1984)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1982-06-01 until 1982-06-02)
recording of:
Sonata for Violin and Piano no. 1 in F minor, op. 80: II. Allegro brusco (from 1982-06-01 until 1982-06-02)
composer:
Sergei Prokofiev (Russian composer) (from 1938 until 1946)
part of:
Sonata for Violin and Piano no. 1 in F minor, op. 80
Sergei Prokofiev5:59
76Violin Sonata no. 1 in F minor, op. 80: III. Andante
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1982-06-01 until 1982-06-02)
violin:
Catherine Courtois (violinist) (from 1982-06-01 until 1982-06-02)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1984)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1982-06-01 until 1982-06-02)
recording of:
Sonata for Violin and Piano no. 1 in F minor, op. 80: III. Andante (from 1982-06-01 until 1982-06-02)
composer:
Sergei Prokofiev (Russian composer) (from 1938 until 1946)
part of:
Sonata for Violin and Piano no. 1 in F minor, op. 80
Sergei Prokofiev6:22
77Violin Sonata no. 1 in F minor, op. 80: IV. Allegrissimo
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1982-06-01 until 1982-06-02)
violin:
Catherine Courtois (violinist) (from 1982-06-01 until 1982-06-02)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1984)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1982-06-01 until 1982-06-02)
recording of:
Sonata for Violin and Piano no. 1 in F minor, op. 80: IV. Allegrissimo (from 1982-06-01 until 1982-06-02)
composer:
Sergei Prokofiev (Russian composer) (from 1938 until 1946)
part of:
Sonata for Violin and Piano no. 1 in F minor, op. 80
Sergei Prokofiev6:38
78Violin Sonata no. 2 in D major, op. 94bis: I. Moderato
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1982-06-01 until 1982-06-02)
violin:
Catherine Courtois (violinist) (from 1982-06-01 until 1982-06-02)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1984)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1982-06-01 until 1982-06-02)
recording of:
Violin Sonata no. 2 in D, op. 94bis: I. Moderato (from 1982-06-01 until 1982-06-02)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Violin Sonata no. 2 in D, op. 94bis
Sergei Prokofiev5:40
79Violin Sonata no. 2 in D major, op. 94bis: II. Scherzo. Presto – Poco più mosso
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1982-06-01 until 1982-06-02)
violin:
Catherine Courtois (violinist) (from 1982-06-01 until 1982-06-02)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1984)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1982-06-01 until 1982-06-02)
recording of:
Violin Sonata no. 2 in D, op. 94bis: II. Presto - Poco più mosso del-Tempo I (from 1982-06-01 until 1982-06-02)
composer:
Sergei Prokofiev (Russian composer)
part of:
Violin Sonata no. 2 in D, op. 94bis
Sergei Prokofiev4:45
80Violin Sonata no. 2 in D major, op. 94bis: III. Andante
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1982-06-01 until 1982-06-02)
violin:
Catherine Courtois (violinist) (from 1982-06-01 until 1982-06-02)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1984)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1982-06-01 until 1982-06-02)
recording of:
Violin Sonata no. 2 in D, op. 94bis: III. Andante (from 1982-06-01 until 1982-06-02)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Violin Sonata no. 2 in D, op. 94bis
Sergei Prokofiev3:18
81Violin Sonata no. 2 in D major, op. 94bis: IV. Allegro con brio – Poco meno mosso
producer:
Eric Macleod (producer)
piano:
Catherine Collard (pianist) (from 1982-06-01 until 1982-06-02)
violin:
Catherine Courtois (violinist) (from 1982-06-01 until 1982-06-02)
balance engineer:
Serge Rémy
phonographic copyright (℗) by:
Warner Music France (in 1984)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1982-06-01 until 1982-06-02)
recording of:
Violin Sonata no. 2 in D, op. 94bis: IV. Allegro con brio - Poco meno mosso-Tempo I (from 1982-06-01 until 1982-06-02)
composer:
Sergei Prokofiev (Russian composer)
part of:
Violin Sonata no. 2 in D, op. 94bis
Sergei Prokofiev6:04
82Symphonie sur un chant montagnard français, op. 25 “Cévenole”: I. Assez lent
producer:
Alain de Chambure
piano:
Catherine Collard (pianist) (from 1991-05-06 until 1991-05-08)
orchestra:
Orchestre philharmonique de Radio France (from 1991-05-06 until 1991-05-08)
conductor:
Marek Janowski (conductor) (from 1991-05-06 until 1991-05-08)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1992)
recorded at:
Studio 104, Maison de la Radio in Paris, Île-de-France, France (from 1991-05-06 until 1991-05-08)
recording of:
Symphonie sur un chant montagnard français, op. 25: I. Assez lent - Modérément animé (from 1991-05-06 until 1991-05-08)
composer:
Vincent d’Indy (French composer & teacher) (in 1886)
part of:
Symphonie sur un chant montagnard français, op. 25
Vincent d’Indy10:22
83Symphonie sur un chant montagnard français, op. 25 “Cévenole”: II. Assez modéré, mais sans lenteur
producer:
Alain de Chambure
piano:
Catherine Collard (pianist) (from 1991-05-06 until 1991-05-08)
orchestra:
Orchestre philharmonique de Radio France (from 1991-05-06 until 1991-05-08)
conductor:
Marek Janowski (conductor) (from 1991-05-06 until 1991-05-08)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1992)
recorded at:
Studio 104, Maison de la Radio in Paris, Île-de-France, France (from 1991-05-06 until 1991-05-08)
recording of:
Symphonie sur un chant montagnard français, op. 25: II. Assez modéré, mais sans lenteur (from 1991-05-06 until 1991-05-08)
composer:
Vincent d’Indy (French composer & teacher) (in 1886)
part of:
Symphonie sur un chant montagnard français, op. 25
Vincent d’Indy6:15
84Symphonie sur un chant montagnard français, op. 25 “Cévenole”: III. Animé
producer:
Alain de Chambure
piano:
Catherine Collard (pianist) (from 1991-05-06 until 1991-05-08)
orchestra:
Orchestre philharmonique de Radio France (from 1991-05-06 until 1991-05-08)
conductor:
Marek Janowski (conductor) (from 1991-05-06 until 1991-05-08)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 1992)
recorded at:
Studio 104, Maison de la Radio in Paris, Île-de-France, France (from 1991-05-06 until 1991-05-08)
recording of:
Symphonie sur un chant montagnard français, op. 25: III. Animé (from 1991-05-06 until 1991-05-08)
composer:
Vincent d’Indy (French composer & teacher) (in 1886)
part of:
Symphonie sur un chant montagnard français, op. 25
Vincent d’Indy7:22
853 Morceaux en forme de poire: Manière de commencement
producer:
John West (classical engineer/producer)
piano:
Catherine Collard (pianist) (in 1990-10) and Anne Queffélec (pianist) (in 1990-10)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1990-10, from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Manière de commencement (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
recording of:
Trois morceaux en forme de poire : Manière de commencement (in 1990-10)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie3:19
863 Morceaux en forme de poire: Prolongation du même
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Prolongation du même (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:01
873 Morceaux en forme de poire: Morceau no. 1
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : I. Lentement (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:29
883 Morceaux en forme de poire: Morceau no. 2
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : II. Enlevé — De moitié — Premier temps (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie2:38
893 Morceaux en forme de poire: Morceau no. 3
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : III. Brutal — Modéré — Au temps (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie2:43
903 Morceaux en forme de poire: En plus
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : En plus (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:56
913 Morceaux en forme de poire: Redite
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
Trois morceaux en forme de poire : Redite (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:19
92La belle excentrique: no. 1, Grande ritournelle
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Grande ritournelle (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arranger:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse) : I. Grande ritournelle. Pas trop vite
part of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)
Erik Satie1:40
93La belle excentrique: no. 2, Marche franco‐lunaire
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Marche franco‐lunaire (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arranger:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): II. Marche franco‐lunaire
part of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)
Erik Satie1:27
94La belle excentrique: no. 3, Valse du mystérieux baiser dans l’œil
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Valse du mystérieux baiser dans l’œil (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arranger:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): III. Valse du “Mystérieux baiser dans l’œil”. Mouvement de valse
part of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)
Erik Satie1:56
95La belle excentrique: no. 4, Cancan Grand‐Mondain
producer:
John West (classical engineer/producer)
piano four hands:
Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1990-10-15 until 1990-10-18)
recording of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Cancan “Grandmondain” (from 1990-10-15 until 1990-10-18)
composer:
Erik Satie (French composer) (from 1920-07 until 1920-10)
arranger:
Erik Satie (French composer) (in 1920)
arrangement of:
La Belle Excentrique (Fantasie sérieuse): IV. Cancan grand-mondain. Galop
part of:
La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)
Erik Satie1:39