The Ultimate Eighties

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Under Pressure
engineer:
Mack (German rock producer/engineer Reinhold Mack) and David Richards (Swiss-based producer and engineer)
producer:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass guitar and guitar:
John Deacon (from 1981-06 until 1982-03)
drums (drum set):
Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
electric guitar:
Brian May (Queen guitarist) (from 1981-06 until 1982-03)
finger snaps and handclaps:
John Deacon (from 1981-06 until 1982-03), Brian May (Queen guitarist) (from 1981-06 until 1982-03), Freddie Mercury (from 1981-06 until 1982-03) and Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
finger snaps and handclaps:
David Bowie (English singer‐songwriter) (from 1981 until 1982-03)
keyboard:
John Deacon (from 1981-06 until 1982-03) and Freddie Mercury (from 1981-06 until 1982-03)
piano:
Freddie Mercury (from 1981-06 until 1982-03)
synthesizer:
David Bowie (English singer‐songwriter) (from 1981-06 until 1982-03)
background vocals:
Freddie Mercury (from 1981-06 until 1982-03) and Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
lead vocals:
David Bowie (English singer‐songwriter) (from 1981-06 until 1982-03) and Freddie Mercury (from 1981-06 until 1982-03)
phonographic copyright (℗) by:
David R. Jones (Jones Music subsidiary) (in 1981, in 1994), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1981, in 1994), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1981, in 2011) and Raincloud Productions Ltd. (in 1981, in 1994)
recorded at:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1981-06 until 1982-03) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1981-06 until 1982-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 429)
recording of:
Under Pressure (from 1981-06 until 1982-03)
writer:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury and Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., Bewlay Bros. Music, Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1981), Tintoretto Music (in 1981) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen & David Bowie4.33:56
2New Year’s Day
engineer:
Paul Thomas (engineer)
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1983)
edit of:
New Year’s Day by U2 (Irish rock band)
recording of:
New Year’s Day
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. and Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U24.54:18
3It’s a Sin
programming:
Andy Richards (Strawbs keyboard player/record producer)
engineer:
David Jacob and Julian Mendelsohn (Australian record producer and engineer)
additional producer:
Stephen Hague
producer:
Julian Mendelsohn (Australian record producer and engineer)
additional mixer:
David Jacob
mixer:
Stephen Hague
keyboard and sampler:
Andy Richards (Strawbs keyboard player/record producer)
lead vocals:
Neil Tennant
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 40)
recording of:
It’s a Sin
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd., Cage Music Ltd. and Kobalt Music Publishing Ltd. (UK)
Pet Shop Boys4.655:02
4Sexcrime
additional engineer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
engineer:
Eric Thorngren
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Eric Thorngren
performer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) and Universal Music Careers
Eurythmics2.43:56
5Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
6Is There Something I Should Know
co-producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
mixer:
Ian Little (producer, engineer, songwriter) and Alex Sadkin
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Is There Something I Should Know?
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.14:06
7Need You Tonight
assistant engineer:
Paula Jones (Australian audio engineer, producer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain and Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
music videos:
Need You Tonight (music video) by INXS
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 16) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 114)
recording of:
Need You Tonight
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) and Chardonnay Investments Ltd. (in 1987)
INXS4.153:04
8I’m Still Standing
recording engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
drums (drum set):
Nigel Olsson
electric bass guitar:
Dee Murray
electric guitar:
Davey Johnstone
piano, synthesizer and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1983)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
music videos:
I’m Still Standing by Elton John (English singer, songwriter, pianist, and composer)
recording of:
I’m Still Standing
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) and Universal–Songs of PolyGram International, Inc.
Elton John3.83:00
9Everywhere
programming:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Richard Dashut
drums (drum set) and percussion:
Mick Fleetwood (in 1987)
electric bass guitar:
John McVie (in 1987)
guitar and sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) and Christine McVie (in 1987)
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) and Stevie Nicks (in 1987)
lead vocals:
Christine McVie (in 1987)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) and Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
lyricist and composer:
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac4.13:38
10Every Breath You Take
recording of:
Every Breath You Take
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) and Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Police13:58
11The Road to Hell
recording of:
The Road to Hell
lyricist and composer:
Chris Rea
Chris Rea3:55
12I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.954:55
13Big LogRobert Plant4:51
14Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:48
15Love of the Common PeoplePaul Young3:31
16Road to NowhereTalking Heads44:03
17Reward
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
Reward
composer:
Julian Cope and Alan Gill
The Teardrop Explodes4.52:44
18Something About You
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
music videos:
Something About You by Level 42
recording of:
Something About You
writer:
Wally Badarou, Boon Gould, Phil Gould, Mark King and Mike Lindup
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Visual Arts Ltd., Music of Windswept, Peermusic III, Ltd. (BMI), Universal–Songs of PolyGram International, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Level 422.53:38
19Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:25
20She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) and London Records Ltd. (not release label) (in 1989)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:31
2CD
#TitleArtistRatingLength
1Money for Nothing
producer:
Neil Dorfsman and Mark Knopfler
additional guest vocals:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022)
recording of:
Money for Nothing (Dire Straits song)
lyricist and composer:
Mark Knopfler
additional composer:
Sting (singer, songwriter & member of The Police)
publisher:
Chariscourt Ltd., Rondor Music (London) Ltd. and Virgin Music (Publishers) Ltd.
quotes music from:
Don’t Stand So Close to Me
Dire Straits3.854:08
2Wonderland
recording of:
Wonderland
writer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson (member of Big Country)
publisher:
BMG VM Music Ltd. and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1984)
Big Country3:47
3White Wedding
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Phil Feit (in 1982)
drums (drum set):
Steve Missal (in 1982)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1982) and Steve Stevens (US guitarist and songwriter) (in 1982)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
edit of:
White Wedding, Part 1 by Billy Idol (English rock singer‐songwriter)
music videos:
White Wedding, Pt. 1 by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 53)
recording of:
White Wedding (in 1982)
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rare Blue Music Inc
Billy Idol33:28
4Start
engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers) and Alan Douglas (Scottish born engineer)
producer:
Vic Coppersmith‐Heaven and The Jam (late 70s/early 80s UK punk/mod revival band)
bass guitar:
Bruce Foxton (on 1980-06-19)
drums (drum set):
Rick Buckler (on 1980-06-19)
guitar and lead vocals:
Paul Weller (English singer‐songwriter and musician) (on 1980-06-19)
vocals:
Bruce Foxton (on 1980-06-19)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-06-19)
samples:
Taxman (original stereo studio mix) by The Beatles (UK rock band, “The Fab Four”)
recording of:
Start! (on 1980-06-19)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and And Son Music Ltd. (from 1980 to present)
The Jam3.352:32
5Big Area
recording of:
Big Area
lyricist:
Mark Shaw
composer:
Rob Downes, Alex Mungo, Mark Shaw, Jasper Stainthorpe, Scott Taylor (UK artist) and Steve Wren (drummer)
Then Jerico44:47
6Dead Ringer for Love
recording of:
Dead Ringer for Love
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1981), Neverland Music Publishing Company (in 1981) and Peg Music Company (in 1981)
Meat Loaf3:56
7Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc
Blondie3.74:32
8I’m Your Man
producer:
George Michael
arranger:
George Michael
music videos:
I’m Your Man by Wham! (British pop-duo) and I’m Your Man by Wham! (British pop-duo)
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 8)
recording of:
I'm Your Man
lyricist and composer:
George Michael
Wham!53:59
9The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:30
10Young at Heart
cover recording of:
Young at Heart (Bananarama song)
writer:
Sara Dallin, Siobhan Fahey, Robert Hodgens and Keren Woodward
The Bluebells3:18
11Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:06
12Blue Monday
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
samples:
Uran by Kraftwerk
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (number: 61) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 235)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order3.77:27
13Only You
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe (UK producer / engineer / musician)
additional producer:
Daniel Miller (British music producer and founder of Mute Records)
producer:
Eric Radcliffe (UK producer / engineer / musician) and Yazoo (80s British synthpop duo, aka Yaz)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:03
14(Keep Feeling) Fascination
producer:
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
music videos:
(Keep Feeling) Fascination by The Human League
samples from:
Hot Dance Classics, Volume 2 by Various Artists (add compilations to this artist)
recording of:
(Keep Feeling) Fascination
writer:
Jo Callis and Philip Oakey
The Human League3.253:41
15Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:28
16Shout
producer:
Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984) and Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.654:47
17To Cut a Long Story Short
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom
recording of:
To Cut a Long Story Short
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. and Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
18Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:36
19We Close Our Eyes
producer:
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
music videos:
We Close Our Eyes by Go West
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Go West3.23:45
20Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox3.44:36