Die Zauberflöte / Der Schauspieldirektor

~ Release by Mozart; Karl Böhm (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Ouvertüre
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:14
2Die Zauberflöte: Act I No. 1 Introduktion: "Zu Hilfe! Zu Hilfe!"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart7:04
3Die Zauberflöte: Act I No. 2 Arie: "Der Vogelfänger bin ich ja"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:48
4Die Zauberflöte: Act I No. 3 Arie: "Dies Bildnis ist bezaubernd schön"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:21
5Die Zauberflöte: Act I No. 4 Rezitativ und Arie: "O zittre nicht, mein lieber Sohn!"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:26
6Die Zauberflöte: Act I No. 5 Quintett: "Hm, hm, hm, hm"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin] and soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:27
7Die Zauberflöte: Act I No. 6 Terzett: "Du feines Täubchen, nur herein!"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:10
8Die Zauberflöte: Act I No. 7 Duett: "Bei Männern, welche Liebe fühlen"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:17
9Die Zauberflöte: Act I No. 8 Finale: "Zum Ziele führt dich diese Bahn"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (from 1965-10-31 until 1965-11-03)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 1965-10-31 until 1965-11-03)
contralto vocals [Dritter Knabe]:
Raili Kostia (mezzo-soprano) (from 1965-10-31 until 1965-11-03)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (soprano) (from 1965-10-31 until 1965-11-03)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (soprano) (from 1965-10-31 until 1965-11-03)
spoken vocals [Sprecher]:
Hans Hotter (German operatic bass-baritone) (from 1965-10-31 until 1965-11-03)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
chorus master:
Günther Arndt (choral conductor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart10:25
10Die Zauberflöte: Act I No. 8 Finale: "Wie stark ist nicht dein Zauberton"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:19
11Die Zauberflöte: Act I No. 8 Finale: "Schnelle Füße, rascher Mut"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:06
12Die Zauberflöte: Act I No. 8 Finale: "Es lebe Sarastro, Sarastro soll leben!"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart8:04
2▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Act II No. 9 Arie: Marsch der Priester
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:44
2Die Zauberflöte: Act II No. 10 Arie mit Chor: "O, Isis und Osiris"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:52
3Die Zauberflöte: Act II No. 11 Duett: "Bewahret euch vor Weibertücken"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Dritter Priester]:
Manfred Röhrl (operatic bass) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:08
4Die Zauberflöte: Act II No. 12 Quintett: "Wie? Wie? Wie? Ihr an diesem Schreckensort?"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:05
5Die Zauberflöte: Act II No. 13 Arie: "Alles fühlt der Liebe Freuden"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:40
6Die Zauberflöte: Act II No. 14 Arie: "Der Hölle Rache kocht in meinem Herzen"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:45
7Die Zauberflöte: Act II No. 15 Arie: "In diesen heil'gen Hallen"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:51
8Die Zauberflöte: Act II No. 16 Terzett: "Seid uns zum zweitenmal willkommen"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
contralto vocals [Dritter Knabe]:
Raili Kostia (mezzo-soprano) (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (soprano) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:55
9Die Zauberflöte: Act II No. 17 Arie: "Ach, ich fühl's, es ist verschwunden"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:30
10Die Zauberflöte: Act II No. 18 Chor der Priester: "O, Isis und Osiris"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:39
11Die Zauberflöte: Act II No. 19 Terzett: "Soll ich dich, Teurer, nicht mehr sehn?"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:11
12Die Zauberflöte: Act II No. 20 Arie: "Ein Mädchen oder Weibchen wünscht Papageno sich!"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
tenor vocals [Erster Priester]:
Hubert Hilten (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:54
3▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Act II No. 21 Finale: "Bald prangt, den Morgen zu verkünden"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
contralto vocals [Dritter Knabe]:
Raili Kostia (mezzo-soprano) (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (soprano) (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:27
2Die Zauberflöte: Act II No. 21 Finale: "Der, welcher wandert diese Straße voll Beschwerden"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (operatic bass) (from 1965-10-31 until 1965-11-03)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (from 1965-10-31 until 1965-11-03)
tenor vocals [Erster geharnischter Mann]:
James King (tenor) (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:25
3Die Zauberflöte: Act II No. 21 Finale: "Tamino mein! O welch ein Glück!"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (operatic bass) (from 1964-06-18 until 1964-06-25)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06, from 1964-06-18 until 1964-06-25)
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06, from 1964-06-18 until 1964-06-25)
tenor vocals [Erster geharnischter Mann]:
James King (tenor) (from 1964-06-18 until 1964-06-25)
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06, from 1964-06-18 until 1964-06-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06, from 1964-06-18 until 1964-06-25)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06, from 1964-06-18 until 1964-06-25)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06), Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-06-18 until 1964-06-25) and Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:04
4Die Zauberflöte: Act II No. 21 Finale: "Papagena, Papagena, Papagena! Weibchen! Täubchen!"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
contralto vocals [Dritter Knabe]:
Raili Kostia (mezzo-soprano) (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (soprano) (in 1964-06)
soprano vocals [Papagena]:
Lisa Otto (soprano) (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart8:10
5Die Zauberflöte: Act II No. 21 Finale: "Nur stille, stille, stille, stille!"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin] and soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (contralto) (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (Slovenian opera singer and mezzo-sopranist) (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (soprano) (in 1964-06)
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:15
6Die Zauberflöte: Act II No. 21 Finale: "Die Strahlen der Sonne vertreiben die Nacht"
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
chorus master:
Günther Arndt (choral conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:23
7Der Schauspieldirektor: Ouvertüre
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
Wolfgang Amadeus Mozart4:51
8Der Schauspieldirektor: No. 1 Arietta: "Da schlägt die Abschiedsstunde"
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Madame Herz]:
Reri Grist (American soprano) (in 1964-06)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 1 Ariette "Da schlägt die Abschiedsstunde" (Mme Herz) (in 1964-06)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
Wolfgang Amadeus Mozart4:50
9Der Schauspieldirektor: No. 2 Rondo: "Bester Jüngling!"
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Mademoiselle Silberklang]:
Arleen Augér (soprano) (in 1964-06)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 2 Rondo "Bester Jüngling" (Mlle Silberklang) (in 1964-06)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
Wolfgang Amadeus Mozart3:50
10Der Schauspieldirektor: No. 3 Terzett: "Ich bin die erste Sängerin!"
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Madame Herz]:
Reri Grist (American soprano) (in 1964-06)
soprano vocals [Mademoiselle Silberklang]:
Arleen Augér (soprano) (in 1964-06)
tenor vocals [Monsieur Vogelsang]:
Peter Schreier (German tenor and conductor) (in 1964-06)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 3 Terzett "Ich bin die erste Sängerin" (Mlle Silberklang, Mme Herz, M. Vogelsang) (in 1964-06)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
Wolfgang Amadeus Mozart6:01
11Der Schauspieldirektor: No. 4 Vaudeville: "Jeder Künstler strebt nach Ehre"
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Buff]:
Kurt Moll (operatic bass) (in 1964-06)
soprano vocals [Madame Herz]:
Reri Grist (American soprano) (in 1964-06)
soprano vocals [Mademoiselle Silberklang]:
Arleen Augér (soprano) (in 1964-06)
tenor vocals [Monsieur Vogelsang]:
Peter Schreier (German tenor and conductor) (in 1964-06)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 4 Schlußgesang "Jeder Künstler strebt nach Ehre" (Mlle Silberklang, Mme Herz, M. Vogelsang, Buff) (in 1964-06)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
Wolfgang Amadeus Mozart4:43

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ASIN:DE: B000026BKO [info]