Greatest Hits

~ Release by Santana (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Into the Night
additional assistant recording engineer:
Chris Beaver and Joe-l Angelo Margolis
additional recording engineer:
Jim Reitzel (engineer, mixer and bass player)
recording engineer:
Joey Moi and Jim Reitzel (engineer, mixer and bass player)
engineer:
Scott Cooke and Jim Reitzel (engineer, mixer and bass player)
producer:
Chad Kroeger and Joey Moi
mixer:
Joey Moi
guitar:
Chad Kroeger and Carlos Santana
Hammond organ:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion:
Karl Perazzo
vocals:
Chad Kroeger
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2007)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Mountain View Studio in Abbotsford, British Columbia, Canada and Tarpan Studios in San Rafael, California, United States
mixed at:
Mountain View Studio in Abbotsford, British Columbia, Canada
part of:
The Village Voice – The 50 Worst Songs of the ’00s (number: 23)
recording of:
Into the Night
lyricist and composer:
Chad Kroeger
publisher:
Anaesthetic Publishing and Warner/Chappell Music, Inc.
Santana with Chad Kroeger3.253:39
2The Game of Love
producer:
Alex Ander and Rick Nowels
lead vocals:
Tina Turner
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2007)
recording of:
The Game of Love
writer:
Alex Ander and Rick Nowels
publisher:
EMI–April Music, Inc., Future Furniture Music, Keepin’ It Real, How ’Bout You? and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Santana with Tina Turner4:22
3Smooth
assistant recording engineer:
Steve Fontano
recording engineer and mixer:
David Thoener
programming and editor:
Mark Dobson (engineer)
mastering:
Stephen Marcussen (mastering engineer)
producer:
Matt Serletic
assistant mixer:
Andy Haller
bass guitar:
Benny Rietveld (bass guitar player)
congas:
Raul Rekow
drums (drum set):
Rodney Holmes
guitar:
Carlos Santana
keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion:
Karl Perazzo
trombone:
Jeff Cressman and Jose Abel Figueroa
trumpet:
Julius Meléndez and Bill Ortiz
guest lead vocals and lead vocals:
Rob Thomas (Matchbox Twenty)
performer:
Rob Thomas (Matchbox Twenty)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1999) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 2005 to present)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much (number: 2000) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 206)
recording of:
Smooth
lyricist:
Rob Thomas (Matchbox Twenty)
composer:
Itaal Shur and Rob Thomas (Matchbox Twenty)
publisher:
Bidnis, Inc., EMI April Music Inc., EMI Blackwood Music Inc., Itaal Shur Music and U Rule Music
Santana with Rob Thomas3.14:52
4Chill Out (Things Gonna Change)
engineer:
Samuel Lehmer
producer:
Carlos Santana
bass:
Benny Rietveld (bass guitar player)
congas:
Raul Rekow
drums (drum set):
Gaylord Birch
guitar:
Carlos Santana
keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
timbales:
Karl Perazzo
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
phonographic copyright (℗) by:
The John Lee Hooker Family Limited Partnership (in 1995)
engineered at:
Russian Hill Recording in San Francisco, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
recording of:
Chill Out (Things Gonna Change)
writer:
John Lee Hooker (US blues singer, songwriter & guitarist), Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
King of Boogie
Santana with John Lee Hooker54:45
5Why Don’t You & I
recording of:
Why Don't You & I
lyricist and composer:
Chad Kroeger
publisher:
Anaesthetic Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Santana with Alex Band3:51
6I’m Feeling You
additional engineer:
Mark Valentine
assistant engineer:
David Luke (engineer)
engineer:
Jim Gaines and Jeff Rothschild
producer:
Kara DioGuardi and John Shanks
mixer:
Jeff Rothschild and John Shanks
acoustic guitar and electric guitar:
John Shanks
bass:
Benny Rietveld (bass guitar player)
congas:
Raul Rekow
drums (drum set):
Kenny Aronoff
guitar:
Carlos Santana
keyboard:
Jamie Muhoberac
organ:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion and timbales:
Karl Perazzo
background vocals:
Jessica Harp
lead vocals:
Michelle Branch
performer:
The Wreckers
phonographic copyright (℗) by:
Arista Records, LLC (holding company - file NO releases here!) (in 2005)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
recording of:
I’m Feeling You
writer:
Michelle Branch, Kara DioGuardi and John Shanks
publisher:
I'm Still With The Band Music, John Shanks Music, K’Stuff Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Santana with Michelle Branch & The Wreckers44:29
7Corazón espinado
additional engineer:
Steve Fontano
assistant engineer:
Tony Flores (engineer), Andy Haller, Claudio Leiva and Adam Olmsted (engineer)
engineer and mixer:
Benny Faccone
co-producer:
Alex González
producer:
Fher (Lead singer of Maná) and K.C. Porter
creative direction:
José Quintana
congas:
Raul Rekow
guest bass guitar:
Juan Diego Calleros Ramos (bassist)
guest drums (drum set) and guest background vocals:
Alex González
guest guitar:
Sergio Vallín Loera
guitar:
Carlos Santana
keyboard:
Alberto Salas and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion and timbales:
Karl Perazzo
background vocals:
Gonzalo Chomat
guest lead vocals:
Fher (Lead singer of Maná)
chorus master:
José Quintana
guest performer:
Maná (Mexican rock group)
performer:
Maná (Mexican rock group)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
engineered at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
recording of:
Corazón espinado
lyricist and composer:
Fher Olvera (Lead singer of Maná)
publisher:
EMI April Music Inc. and Yelapa Songs
Santana with Maná4.054:33
8Just Feel Better
assistant recording engineer and assistant editor:
Dave Luke (engineer)
recording engineer and editor:
Lars Fox
engineer:
Jim Gaines and Jeff Rothschild
additional producer:
Richie Supa (American guitarist, singer & songwriter) and John Shanks
producer:
John Shanks
mixer:
Jeff Rothschild and John Shanks
acoustic guitar, bass guitar and electric guitar:
John Shanks
congas, percussion and timbales:
Karl Perazzo
guitar:
Carlos Santana
keyboard and piano:
Jamie Muhoberac
membranophone:
Jeff Rothschild
organ:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
lead vocals:
Steven Tyler
phonographic copyright (℗) by:
Arista Records, LLC (holding company - file NO releases here!) (in 2005)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
recording of:
Just Feel Better
writer:
Jamie Houston, Buck Johnson and Damon Johnson
publisher:
Buck on the Run Music, Hou & Co. Music, John and Nancye’s Son’s Music, Seven Peaks Music and Sweet Sanctuary Songs
Santana with Steven Tyler24:11
9Put Your Lights On
programming and producer:
John Gamble (member of the SD50s) and Dante Ross
assistant engineer:
Mike Andersen (Danish blues and soul songwriter, guitarist, singer)
engineer:
Steve Farrone, Steve Fontano and John Gamble (member of the SD50s)
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
bass guitar:
Benny Rietveld (bass guitar player)
congas, guitar and percussion:
Carlos Santana
guest guitar and guest lead vocals:
Everlast (US rapper/singer/songwriter Erik Schrody)
keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1999)
mixed at:
South Beach Studios in Miami Beach, Florida, United States
engineered at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and South Beach Studios in Miami Beach, Florida, United States
recording of:
Put Your Lights On (Santana & Everlast)
lyricist and composer:
Erik Schrody
publisher:
Irish Intellect Music (ASCAP), T‐Boy Music Publishing, Inc. and WB Music Corp. (1929–2019)
Santana with Everlast3.554:43
10The Healer
engineer:
Jim Gaines
producer:
Jim Gaines, Roy Rogers (US blues guitarist & producer) and Carlos Santana
congas:
Armando Peraza
drums (drum set):
Leon Ndugu Chancler (in 1988-04)
guitar:
John Lee Hooker (US blues singer, songwriter & guitarist) and Carlos Santana
keyboard and synthesizer:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
timbales:
José “Chepito” Áreas
lead vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
recorded at:
The Plant Studios (1981–2008) in Sausalito, California, United States
recording of:
The Healer (in 1988-04)
writer:
John Lee Hooker (US blues singer, songwriter & guitarist), Roy Rogers (US blues guitarist & producer), Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
Santana with John Lee Hooker45:38
11This Boy’s Fire
recording engineer:
Steve "Rokstar" Morales
additional drum machine programming:
Jesus Bobe
additional engineer:
John Hanes (audio engineer, mixer)
producer:
Sean Garrett, Luke "Dr. Luke" Gottwald, Raymond "Sarom" Diaz (producer aka Soram), Cory Rooney, S Dot and Steve "Rokstar" Morales
assistant mixer:
Kevin Mahoney (engineer) and Tim Roberts (engineer)
mixer:
Serban Ghenea
acoustic guitar and electric guitar:
Carlos Santana
Hammond organ:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
keyboard:
David Delgado (Keyboards) and Kiethen Pittman
vocals:
Baby Bash and Jennifer Lopez (American singer and actress aka J.Lo)
recorded at:
Icon Sound Studios in Miami, Florida, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
This Boy’s Fire
writer:
Raymond Diaz (producer aka Soram), Sean Garrett, Steve Morales and Ronald Bryant
publisher:
Hitco Music, Latino Velvet Music, Songs of TVT, Songs of Universal, Inc. (BMI), Songs of Windswept Pacific and Team S Dot Publishing
Santana with Jennifer Lopez & Baby Bash33:28
12Maria Maria
assistant engineer:
Chuck Bailey (engineer) and Jason Gorucott
engineer:
Steve Fontano, Andy Grassi and Chris Theis
producer:
Jerry Duplessis and Wyclef Jean (Haitian rapper, musician and actor)
assistant mixer:
Michael McCoy
mixer:
Andy Grassi
cello:
Joseph Hébert
electric guitar [guitar] and additional vocals:
Carlos Santana
percussion:
Carol Steele
viola:
David Balakrishnan and Danny Seidenberg
violin:
Jeremy Cohen (violinist)
lead vocals:
The Product G&B
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1999)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
engineered at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and The Hit Factory in Manhattan, New York, New York, United States
recording of:
Maria Maria
writer:
Jerry Duplessis, Wyclef Jean (Haitian rapper, musician and actor), David McRae, Marvin Moore-Hough, Karl Perazzo, Raul Rekow and Carlos Santana
publisher:
EMI Blackwood Music Inc., Ghetto and Blues, Hempstead Live, Huss‐Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP), Stellabella Music, Te Bass Music, Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Santana with The Product G&B3.954:20
13Cry Baby Cry
additional assistant engineer:
Tim Roberts (engineer)
additional engineer:
John Hanes (audio engineer, mixer)
assistant engineer:
David Luke (engineer) and Sang Shin
engineer:
Jim Gaines, Chris Shaw (US producer & engineer) and Joe Wohlmuth
producer:
Lester Mendez
mixer:
Serban Ghenea
congas, percussion and timbales:
Karl Perazzo
guitar:
Carlos Santana
keyboard:
Lester Mendez
organ:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
tres:
Ramón Stagnaro
viola and violin:
Charlie Bisharat (US violinist)
background vocals:
Kara DioGuardi
lead vocals:
Sean Paul (Jamaican reggae/dancehall) and Joss Stone
arranger:
Lester Mendez
phonographic copyright (℗) by:
Arista Records, LLC (holding company - file NO releases here!) (in 2005)
recorded at:
Chung King Studios in New York, New York, United States, Cubejam in Miami, Florida, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
Cry Baby Cry
writer:
Kara DioGuardi, Jimmy Harry (pop music composer, producer, engineer), Lester Mendez and Sean Paul (Jamaican reggae/dancehall)
publisher:
Apollinaire Music, Dutty Rock Music, EMI April Music Inc., EMI Blackwood Music Inc. and K’Stuff Publishing
Santana with Sean Paul & Joss Stone3:52
14Nothing at All
programming:
Dan Shea
assistant engineer:
Ben Conrad and Greg Price (engineer)
engineer:
Jim Gaines, Peter Wade Keusch and Jose Sanchez
producer:
Cori Rooney and Dan Shea
assistant mixer:
Dan Bucchi
mixer:
Peter Wade and Bruce Swedien
editor:
Peter Wade Keusch and Justin Lieberman
acoustic guitar:
René Martinez (guitarist, technician, engineer)
acoustic guitar [acoustic steel string guitar]:
René Toledo
classical guitar [acoustic nylon strings guitar] and electric guitar [electric lead guitar]:
Carlos Santana
congas:
Karl Perazzo
background vocals:
Cori Rooney and Shelene Thomas
lead vocals:
Musiq
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2002)
produced for:
Cori Rooney Entertainment and Dan Shea Productions
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
engineered at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and The Hit Factory in Manhattan, New York, New York, United States
music videos:
Nothing at All by Santana (US Latin, blues, & rock band) featuring Musiq
recording of:
Nothing at All
writer:
Cori Rooney and Rob Thomas (Matchbox Twenty)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cori Tiffani Publishing and Sony/ATV Songs LLC
Santana with Musiq34:22
15Love of My LifeSantana with Dave Matthews35:43
16You Are My Kind
miscellaneous support:
Becky Scott (task: production coordinator)
programming:
Havana Hustlers and Lester Mendez
assistant engineer:
Scott Holderby, Elias Ponce and Phil Tyreman
engineer:
Jim Gaines, Lester Mendez and Dan Vickers
producer:
Lester Mendez
mixer:
Manny Marroquin
editor:
Justin Lieberman
additional acoustic guitar:
Manny López
electric guitar [electric lead guitar] and rainstick [rain stick]:
Carlos Santana
Hammond organ [Hammond B3] and Rhodes piano [Fender Rhodes]:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
keyboard [keyboards]:
Lester Mendez
percussion:
Karl Perazzo
lead vocals:
Seal (English‐born singer and songwriter)
arranger:
Lester Mendez
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2002)
mixed at:
Larrabee Studios North in North Hollywood, Los Angeles, California, United States
engineered at:
CubeJam in Miami, Florida, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and SARM West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
You Are My Kind
lyricist and composer:
Rob Thomas (Matchbox Twenty)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Santana with Seal4:16
17Hoy es adiós
programming:
Jeeve (Jean-Yves “Jeeve” Ducornet)
assistant engineer:
Scott Holderby
engineer:
Jeeve (Jean-Yves “Jeeve” Ducornet) and Michael Rosen (US metal producer/engineer)
producer and mixer:
Klaus Derendorf and Jeeve (Jean-Yves “Jeeve” Ducornet)
editor:
Tone (engineer, real name Josh Weaver)
classical guitar [acoustic nylon strings guitar] and electric guitar [electric lead guitar]:
Carlos Santana
guitar [rhythm guitar]:
Klaus Derendorf and Jeeve (Jean-Yves “Jeeve” Ducornet)
lead vocals:
Alejandro Lerner
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2002)
mixed at:
Where’s My Cut Studio in Hollywood, Los Angeles, California, United States
engineered at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and Where’s My Cut Studio in Hollywood, Los Angeles, California, United States
recording of:
Hoy es adiós
writer:
Klaus Derendorf, Jean‐Yves Ducornet (Jean-Yves “Jeeve” Ducornet) and Alejandro Lerner
publisher:
Migrant Music (work publisher), Pen Music Group (publisher; do NOT use as release label), The Fly and the Bee Music, Universal Musica Inc. and Where’s My Cut Publishing
Santana with Alejandro Lerner2.54:37
18Interplanetary Party
drum machine programming:
Joe-l Angelo Margolis and Jim Reitzel (engineer, mixer and bass player)
additional engineer:
John Haines
engineer:
Jim Reitzel (engineer, mixer and bass player)
producer:
Carlos Santana
assistant mixer:
Kevin Mahoney (engineer) and Tim Roberts (engineer)
mixer:
Serban Ghenea
guitar:
Carlos Santana
Hammond organ and synthesizer:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion:
Karl Perazzo
trombone:
Marty Wehner (trombonist)
trumpet:
Julius Meléndez and Bill Ortiz
background vocals:
Nikita Houston and Sakai (female R&B singer)
lead vocals:
Tony Lindsay
recorded at:
Laughing Tiger Studios in San Rafael, California, United States and Tarpan Studios in San Rafael, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
Interplanetary Party
writer:
Tony Lindsay, Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Divine Revelation Music and Stellabella Music
Santana34:06
2CD
#TitleRatingLength
1Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (on 1969-05-12)
vocals:
Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 69)
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
4.23:55
2Black Magic Woman / Gypsy Queen
recorded in:
San Francisco, California, United States (in 1970-06)
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (from 1970-06-04 until 1970-06-05)
congas:
José “Chepito” Áreas (in 1970-06) and Michael Carabello (in 1970-06)
congas and percussion:
Michael Carabello (from 1970-06-04 until 1970-06-05)
congas, percussion and timbales and timbales:
José “Chepito” Áreas (from 1970-06-04 until 1970-06-05)
drums (drum set):
Michael Shrieve (from 1970-06-04 until 1970-06-05)
guitar:
Carlos Santana (from 1970-06-04 until 1970-06-05)
keyboard and lead vocals:
Gregg Rolie (from 1970-06-04 until 1970-06-05)
percussion:
Rico Reyes (from 1970-06-04 until 1970-06-05)
tabla:
Steven Saphore (from 1970-06-04 until 1970-06-05)
background vocals:
Rico Reyes (from 1970-06-04 until 1970-06-05) and Carlos Santana (from 1970-06-04 until 1970-06-05)
vocals:
Gregg Rolie (in 1970-06)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (from 1970-06-04 until 1970-06-05)
cover recording of:
Black Magic Woman (in 1970-06)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
cover recording of:
Gypsy Queen (in 1970-06)
composer:
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
4.155:19
3Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
44:16
4Samba pa ti
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
3.94:45
5No One to Depend On
producer:
Bob Irwin and Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1971)
recorded at:
Fillmore West in San Francisco, California, United States (on 1971-07-04)
recording of:
No One to Depend On (on 1970-07-16)
writer:
Michael Carabello, Coke Escovedo and Gregg Rolie
publisher:
Careers–BMG Music Publishing, Inc., Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
live recording of:
No One to Depend On (on 1971-07-04)
writer:
Michael Carabello, Coke Escovedo and Gregg Rolie
publisher:
Careers–BMG Music Publishing, Inc., Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
5:23
6Carnaval
recording of:
Carnaval
writer:
Tom Coster and Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
2:15
7Let the Children Play
recording of:
Let the Children Play
writer:
Leon Patillo and Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
3:29
8She’s Not There
recording engineer:
Tom Vicari (on 1977-08-05)
producer:
Tom Coster and Carlos Santana
mixer:
Chris Minto (engineer) and Tom Vicari
bass guitar:
David Margen (on 1977-08-05)
drums (drum set):
Graham Lear (on 1977-08-05)
guitar:
Carlos Santana (on 1977-08-05)
keyboard:
Tom Coster (on 1977-08-05)
percussion:
Pete Escovedo (on 1977-08-05) and Raul Rekow (on 1977-08-05)
vocals:
Greg Walker (ex-member of Santana) (on 1977-08-05)
strings arranger:
Tom Coster
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (on 1977-08-05)
mixed at:
The Automatt in San Francisco, California, United States
cover recording of:
She’s Not There (on 1977-08-05)
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
3.54:08
9Europa (Earth’s Cry Heaven’s Smile)
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson and David Rubinson & Friends, Inc.
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1975-12-16)
congas:
Armando Peraza (on 1975-12-16)
drums (drum set):
Leon Ndugu Chancler (on 1975-12-16) and Michael Shrieve (on 1975-12-16)
guitar:
Carlos Santana (on 1975-12-16)
keyboard:
Tom Coster (on 1975-12-16)
percussion:
Jose Chepito Áreas (on 1975-12-16) and Armando Peraza (on 1975-12-16)
piano:
Leon Patillo (on 1975-12-16)
saxophone:
Jules Broussard (on 1975-12-16)
vocals:
Leon Patillo (on 1975-12-16) and Carlos Santana (on 1975-12-16)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1975-12-16)
recording of:
Europa (Earth’s Cry, Heaven’s Smile) (on 1975-12-16)
composer:
Tom Coster and Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. and Wixen Music Publishing, Inc.
4.255:04
10Flor d’Luna (Moonflower)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
Flor d’Luna (Moonflower)
lyricist and composer:
Tom Coster
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Light Music (US publishing label) and Rondor Music (London) Ltd.
34:52
11Stormy
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978)
recording of:
Stormy
writer:
Buddy Buie and J. R. Cobb
publisher:
Low‐Sal Music, Inc.
4:45
12Well All Right
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978)
cover recording of:
Well… All Right
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
4:09
13Aqua Marine (single version)5:04
14I Love You Much Too Much
assistant engineer:
Wayne Lewis (engineer)
engineer and mixer:
Fred Catero
associate producer:
Fred Catero and The Santana Band (US Latin, blues, & rock band)
producer:
Devadip Carlos Santana and Bill Graham (San Francisco Bay Area promoter)
bass guitar:
David Margen
bongos:
Armando Peraza
congas:
Raul Rekow
drums (drum set):
Graham Lear
electric guitar [lead guitar]:
Devadip Carlos Santana
keyboard:
Richard Baker (US keyboardist for Santana) and Alan Pasqua
organ and piano:
Richard Baker (US keyboardist for Santana)
percussion:
Devadip Carlos Santana, Armando Peraza, Raul Rekow and Orestes Vilató
timbales:
Orestes Vilató
background vocals and lead vocals:
Alexander J. Ligertwood
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at and mixed at:
The Automatt in San Francisco, California, United States
instrumental cover recording of:
I Love You Much Too Much
lyricist:
Chaim Tauber
composer:
Alexander Olshanetsky
translator:
Don Raye
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
34:42
15Winning
assistant engineer and assistant mixer:
Chris Minto (engineer)
engineer, producer and mixer:
Keith Olsen (US producer and engineer)
associate producer:
Devadip Carlos Santana
bass guitar:
David Margen (in 1980)
bongos:
Armando Peraza (in 1980)
congas:
Raul Rekow (in 1980)
drums (drum set):
Graham Lear (in 1980)
electric guitar [lead guitar]:
Devadip Carlos Santana (in 1980)
keyboard:
Alan Pasqua (in 1980)
percussion:
Devadip Carlos Santana (in 1980), Armando Peraza (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
synthesizer:
Richard Baker (US keyboardist for Santana) (in 1980)
timbales:
Orestes Vilató (in 1980)
background vocals:
Alexander J. Ligertwood (in 1980), Devadip Carlos Santana (in 1980), Alan Pasqua (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
lead vocals:
Alexander J. Ligertwood (in 1980)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
The Automatt in San Francisco, California, United States (in 1980)
mixed at:
Sound City Studios in Van Nuys, California, United States
cover recording of:
Winning (in 1980)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:29
16Hold On
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Hold On (in 1982)
lyricist and composer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. and フジパシフィックミュージック (Fujipacific Music, Inc.)
4:36
17Love Is You
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
recording of:
Love Is You
writer:
Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Light Music (US publishing label) and Urmila Music
3:54
18Blues for Salvador
recording of:
Blues for Salvador
writer:
Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Rondor Music (London) Ltd.
5:56