Mod: The Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s3.952:53
2Here I Go Again
recorded in:
Philadelphia, Pennsylvania, United States (on 1969-05-16)
bass [electric bass]:
Ronnie Baker (bass) (on 1969-05-16)
drums (drum set):
Earl Young (on 1969-05-16)
guitar:
Roland Chambers (on 1969-05-16) and Norman Harris (American Philly Soul guitarist, producer, and songwriter) (on 1969-05-16)
horn:
Sam Reed and His Horn Section (on 1969-05-16)
organ:
Thom Bell (keyboards, songwriter, producer) (on 1969-05-16)
piano:
Leon Huff (Philly soul producer, of Gamble & Huff) (on 1969-05-16)
strings:
Don Renaldo and His String Section (on 1969-05-16)
vibraphone:
Bobby Martin (US soul/R&B producer/arranger) (on 1969-05-16)
vocals:
Archie Bell (vocals, of Archie Bell & the Drells) (on 1969-05-16)
arranger:
Thom Bell (keyboards, songwriter, producer) and Leon Huff (Philly soul producer, of Gamble & Huff)
Archie Bell & the Drells52:05
3Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptation of:
Verlga norih
Aretha Franklin4.252:41
4Something Good (Is Going to Happen to You)
vocals:
Carla Thomas
Carla Thomas2:29
5Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:33
6Looking for a Fox
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (on 1967-11-10)
drums (drum set):
Roger Hawkins (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
Looking for a Fox
writer:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Wilbur Terrell
Clarence Carter2:13
7Satisfied
Ben Aiken2:35
8Cool Jerk
The Capitols2:29
9Respect
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
recording engineer:
Tom Dowd
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-07-09)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Booker T. Jones (in 1965-07) and Isaac Hayes (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-07-09)
background vocals:
Earl Sims (on 1965-07-09)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Otis Redding4.22:03
10You’re Ready Now
Frankie Valli2:14
11Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley42:17
12B‐A‐B‐Y
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.252:52
13Walkin’ Up a One Way Street
Willie Tee2:40
14I Can’t Break the News to Myself
recording of:
I Can’t Break the News to Myself
writer:
Larry Harrison and Jimmy Williams (50s/60s US funk/soul songwriter)
Ben E. King42:28
15I’m Gonna Run Away From You
recording of:
I’m Gonna Run Away From You
lyricist and composer:
Bert Russell Berns
Tami Lynn2:44
16Beggin’
producer:
Bob Crewe
conductor:
Bob Crewe
arranger:
Artie Schroeck
recording of:
Beggin’ (in 1967)
writer:
B. Gaudio and P. Farina
publisher:
EMI Longitude Music, Saturday Music, Inc. and Seasons Four Music Corp.
The Four Seasons2:43
17Me and My Baby
recording of:
Me and My Baby
writer:
Sonny Sanders and Barrett Strong
Mary Wells2:00
18Stupidity
producer:
Bert Russell Berns
vocals:
Solomon Burke
recording of:
Stupidity
writer:
Solomon Burke
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music)
Solomon Burke1:51
19You Got to Pay Your Dues
The Drifters2:31
20Baby Help Me
recording of:
Baby Help Me
lyricist and composer:
Bobby Womack
Percy Sledge2:26
21Mr. Creator
The Apollas2:37
22Hold On, I’m Coming
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:33
23You Forgot How to Love
Patti LaBelle & The Bluebelles2:22
24What’cha Gonna Do About It
recording of:
Whatcha Gonna Do About It
writer:
Gregory Carroll, Rex Garvin and Doris Payne
publisher:
Rachel Music Ltd.
Doris Troy1:50
25Walk On By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 129)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:55
2▼CD
#TitleArtistRatingLength
1Seven Days Too Long
Chuck Wood2:18
2Open the Door to Your Heart
Darrell Banks2:33
3Knock on Wood
recorded in:
Memphis, Tennessee, United States (on 1966-07-13)
producer:
Steve Cropper
baritone saxophone:
probably Floyd Newman
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-07-13)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1966-07-13)
guitar:
Steve Cropper (on 1966-07-13)
organ:
Booker T. Jones (on 1966-07-13)
piano:
Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
tenor saxophone:
probably Andrew Love (on 1966-07-13)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1966-07-13)
vocals:
Eddie Floyd (on 1966-07-13)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (on 1966-07-13)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd43:04
4Somebody (Somewhere) Needs Me
recording of:
Somebody, Somewhere Needs You
writer:
Marc Gordon (soul songwriter, producer, and manager) and Frank Wilson (Motown singer/songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Ike & Tina Turner2:33
5You’ve Got That Something Wonderful
Percy Sledge2:21
6In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:33
7Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:24
8I’ll Be Loving You
Soul Brothers Six2:16
9Ooh Baby
Deon Jackson2:34
10Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
producer:
Artie Ripp
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:27
11Crazy Baby
The Coasters1:58
12Slip Away
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass:
David Hood (on 1968-04-08)
drums (drum set):
Roger Hawkins (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Slip Away (on 1968-04-08)
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:28
13Things Get Better
recording of:
Things Get Better
writer:
Steve Cropper, Eddie Floyd and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
publisher:
Irving Music (BMI), Rondor Music (London) Ltd. and Warner/Chappell North America
Eddie Floyd2:20
14Kiss My Love Goodbye
recording of:
Kiss My Love Goodbye
writer:
Tony Bell (American 1970s musician, songwriter & engineer) and Phil Hurtt
Bettye Swann3:18
15You Hit Me (Right Where It Hurt Me)
Alice Clark2:50
16Just Say Goodbye
cover recording of:
Just Say Goodbye (on 1965-12-22)
composer:
Ruth Grant and Rogers Grant
Esther Phillips2:15
17Philly Dog
recorded in:
New York, New York, United States (on 1966-05-26)
producer:
Nesuhi Ertegun
flute:
Herbie Mann (on 1966-05-26)
conductor:
Jimmy Wisner (on 1966-05-26)
arranger:
Jimmy Wisner
instrumental recording of:
Philly Dog (on 1966-05-26)
writer:
Rufus Thomas (US blues & funk singer & songwriter)
Herbie Mann2:25
18The Return of the Prodigal Son
producer:
Arif Mardin
alto saxophone and flute:
James Spaulding (jazz) (on 1966-10-19)
bass:
Bob Cunningham (on 1966-10-19)
drums (drum set):
Otis Ray Appleton (on 1966-10-19)
flugelhorn and trumpet:
Freddie Hubbard (on 1966-10-19)
percussion:
Ray Barretto (on 1966-10-19)
piano:
Albert Dailey (on 1966-10-19)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1966-10-19)
recording of:
Return of the Prodigal Son (on 1966-10-19)
composer:
Harold Ousley
Freddie Hubbard45:39
19Dance Dance Dance
recording of:
Dance, Dance, Dance (Casualeers song)
writer:
John Giametta and Rod McBrien
The Casualeers2:39
20Memphis Soul Stew
recorded in:
Memphis, Tennessee, United States (on 1967-07-05)
producer:
King Curtis (saxophonist)
baritone saxophone:
Floyd Newman (on 1967-07-05)
bass guitar [bass]:
Tommy Cogbill (on 1967-07-05)
drums (drum set) [drums]:
Gene Chrisman (on 1967-07-05)
guitar:
R.F. Taylor (guitarist) (on 1967-07-05) and Reggie Young (Guitarist and songwriter) (on 1967-07-05)
organ:
Bobby Emmons (on 1967-07-05)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1967-07-05)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-07-05), King Curtis (saxophonist) (on 1967-07-05) and Jimmy Mitchell (saxophone) (on 1967-07-05)
trumpet:
Bowlegs Miller (American trumpeter) (on 1967-07-05)
vocals:
King Curtis (saxophonist) (on 1967-07-05)
recording of:
Memphis Soul Stew (on 1967-07-05)
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music (publisher)
King Curtis2:55
21Knucklehead
recorded in:
Memphis, Tennessee, United States (in 1967)
bass [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
drums (drum set):
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
harmonica:
Booker T. Jones (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
The Bar‐Kays2:19
22Mama Soul
recording of:
Mama Soul
writer:
Charlie Ingui and Richie Ingui
The Soul Survivors2:35
23Seventh Son (live)
Mose Allison2:34
24I’m the One Who Loves You
producer:
Ron Richards
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-06-11)
cover recording of:
I’m the One Who Loves You
writer:
Curtis Mayfield
publisher:
EMI Music Publishing (do not use as a release label!) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Paramounts2:06
25What’d I Say (Part 1)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
baritone saxophone:
Hank Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 1)
partial recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles53:10
3▼CD
#TitleArtistRatingLength
1Tainted Love
engineer:
Mike Stavrou (producer/engineer) and Gary Ulmer
producer:
Marc Bolan and Gloria Jones (US singer/songwriter, known for “Tainted Love”)
recording of:
Tainted Love (in 1976)
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones32:40
2Somebody (Somewhere Needs You)
Darrell Banks2:27
3Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
The Stax Staff
drums (drum set):
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
electric bass guitar [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones and Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:18
4Comin’ Home Baby
Mel Tormé2:37
5Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Wilson Pickett42:22
6Angel Baby (Don’t You Ever Leave Me)
Darrell Banks2:52
7Philly Dog
recording of:
Philly Dog
writer:
Rufus Thomas (US blues & funk singer & songwriter)
The Mar‐Keys2:14
8Hold On (I’m Coming)
cover recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cliff Bennett & the Rebel Rousers2:16
9Keep On Talking
cover recording of:
Keep on Talking
writer:
Dewey Oldham and Dan Penn (songwriter, soul singer)
publisher:
Fame Publishing Company LLC (affiliated to BMI) and Screen Gems–EMI Music Ltd.
sub-publisher:
Warner Chappell Music France
Arthur Conley2:28
10Mr. Pitiful
recording of:
Mr. Pitiful
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:30
11The Sidewinder
recording of:
The Sidewinder
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Herbie Mann & Tamiko Jones3:02
12Both Ends Against the Middle
Jackie Moore2:26
13The Watusi: Killer Joe
Killer Joe Piro2:11
14Go for Yourself
Larry Laster2:32
15Something New to Do
Bobby Sheen2:29
16I Can’t Stop Lovin’ My Baby
Linda Jones2:02
17Big Bird
producer:
Booker T. Jones
recording of:
Big Bird
lyricist and composer:
Eddie Floyd and Booker T. Jones
Eddie Floyd2:56
18I’m Getting Weaker
The Soul Shakers2:30
19Got to Find a Way
Cajun Hart3:04
20Just Can’t Get Enough of You
producer:
Dick Glasser
arranger:
Gene Page
recording of:
Just Can’t Get Enough of You
writer:
Jo Armstead, Nickolas Ashford and Valerie Simpson
The Apollas2:23
21Mean It Baby
Carl Hall2:34
22If You Don’t Come Back
recorded in:
New York, New York, United States (on 1963-04-12)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1963-04-12)
baritone vocals:
Eugene Pearson (vocals, Drifters) (on 1963-04-12)
bass vocals:
Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (on 1963-04-12)
tenor vocals:
Rudy Lewis (on 1963-04-12), Johnny Moore (soul/rnb vocalist for The Drifters) (on 1963-04-12) and Charlie Thomas (The Drifters) (on 1963-04-12)
recording of:
If You Don’t Come Back
writer:
Jerry Leiber and Mike Stoller
publisher:
Jerry Leiber Music and Mike Stoller Music (ASCAP)
The Drifters2:34
23A Good Thing (Is Hard to Come By)
recorded in:
New York, New York, United States (on 1966-11-23)
recording engineer:
Tom Dowd
producer:
Ahmet Ertegun (US American Songwriter, producer)
bass:
Victor Gaskin (on 1966-11-23)
bass guitar:
Everett Barksdale (on 1966-11-23)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1966-11-23)
flute:
Herbie Mann (on 1966-11-23)
percussion:
Carlos “Patato” Valdés (on 1966-11-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1966-11-23)
vibraphone:
Roy Ayers (on 1966-11-23)
vocals:
Tamiko Jones (on 1966-11-23)
conductor:
Herbie Mann (on 1966-11-23)
arranger:
Joe Zawinul (jazz and fusion keyboard player)
Herbie Mann2:09
24Blues in the Night
Johnnie Taylor3:13
25My Girl Sloopy
The Vibrations3:12
4▼CD
#TitleArtistRatingLength
1Some Kind of Wonderful
Soul Brothers Six2:38
2Walking the Dog
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 24)
recording of:
Walking the Dog (in 1963)
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East/Memphis Music
Rufus Thomas32:33
3Don’t You Even Care
Leslie Uggams2:00
4Tighten Up
Archie Bell & the Drells3:09
5Number One in Your Heart
cover recording of:
Number One in Your Heart
writer:
Wilburt Jackson and Clyde Wilson (R&B singer and songwriter)
Herbie Goins & The Night-Timers2:42
6La La La La La
The Blendells2:54
7You Said You Loved Me
Deon Jackson2:31
8Man With the Golden Touch
Charles Thomas52:30
9Bring Your Love Back to Me
Linda Lyndell2:06
10I Got My Baby Back
Lorraine Ellison2:15
11You’re Absolutely Right
The Apollas2:18
12Can’t You See (You’re Losing Me)
recording of:
Can’t You See (You’re Losing Me)
writer:
Barrett Strong and Nolan Strong
Mary Wells2:43
13In the Twilight Zone
The Astors2:40
14Frantic Escape
Innocent Bystanders2:14
15Keep On Striving
Moses Smith2:42
16The Reason Why
The Dolls2:21
17Making Love After Hours
recording engineer:
Phil Iehle and Robert Wright (engineer)
bass:
Major Holley (on 1965-03-14)
drums (drum set):
Charles Crosby (drums) (on 1965-03-14)
piano:
Lonnie Smith (on 1965-03-14)
wind instruments [tenor sax, manzello, stritch, clarinet, flute]:
Roland Kirk (on 1965-03-14)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1965-03-14)
Rahsaan Roland Kirk4:32
18Sho’ Nuff
J.J. Jackson3:02
19Come On, Let Me Love You
Moses Smith3:08
20Everybody Needs Somebody to Love
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 429)
recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
Solomon Burke52:42
21Where Did I Go Wrong?
The Embers2:16
22Skiing in the Snow
cover recording of:
Skiing in the Snow
writer:
Sandy Linzer and Denny Randell
The Invitations2:37
23Sock It to ’Em J.B.
Rex Garvin & The Mighty Cravers2:38
24Backlash
producer:
Arif Mardin
alto saxophone and flute:
James Spaulding (jazz) (on 1966-10-19)
bass:
Bob Cunningham (on 1966-10-19, from 1966-10-19 until 1966-10-24)
brass:
Freddie Hubbard (from 1966-10-19 until 1966-10-24)
drums (drum set):
Otis Ray Appleton (on 1966-10-19) and Ray Appleton (from 1966-10-19 until 1966-10-24)
flugelhorn and trumpet:
Freddie Hubbard (on 1966-10-19)
flute:
James Spaulding (jazz) (from 1966-10-19 until 1966-10-24)
percussion:
Ray Barretto (on 1966-10-19, from 1966-10-19 until 1966-10-24)
piano:
Albert Dailey (on 1966-10-19, from 1966-10-19 until 1966-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1966-10-19, from 1966-10-19 until 1966-10-24)
recording of:
Backlash (on 1966-10-19)
composer:
Donald Pickett
Freddie Hubbard54:12
25Able Mable
producer:
Al Jackson Jr. (Booker T & The MGs drummer) and Steve Cropper
recording of:
Able Mable
writer:
Lillie John and Mable John (blues, R&B and gospel singer)
Mable John2:39