Das Kantatenwerk: Sacred Cantatas, Vol. 10: BWV 183-188, 192, 194-199

~ Release by Johann Sebastian Bach; Harnoncourt, Leonhardt (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cantata, BWV 183 "Sie werden euch in den Bann tun," I. Recitativo (bass). Sie werden euch in den Bann tun
bass vocals:
Thomas Hampson (baritone) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": I. Recitativo (Bass) "Sie werden euch in den Bann tun" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:21
2Cantata, BWV 183 "Sie werden euch in den Bann tun," II. Aria (tenor). Ich fürchte nicht des Todes Schrecken
tenor vocals:
Kurt Equiluz (tenor) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": II. Aria (Tenor) "Ich fürchte nicht des Todes Schrecken" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach7:31
3Cantata, BWV 183 "Sie werden euch in den Bann tun," III. Recitativo (alto). Ich bin bereit, mein Blut und armes Leben
alto vocals:
Paul Esswood (countertenor) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": III. Recitativo (Alt) "Ich bin bereit, mein Blut und armes Leben" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:46
4Cantata, BWV 183 "Sie werden euch in den Bann tun," IV. Aria (soprano). Höchster Tröster, heilger Geist
treble vocals:
Helmut Wittek (boy soprano) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": IV. Aria (Sopran) "Höchster Tröster, Heilger Geist" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
arranger:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach3:48
5Cantata, BWV 183 "Sie werden euch in den Bann tun," V. Choral (coro). Du bist ein Geist, der lehret
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": V. Choral "Du bist ein Geist, der lehret" (in 1988)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 126)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:21
6Cantata, BWV 184 "Erwünschtes Freudenlicht," I. Recitativo (tenor). Erwünschtes Freudenlicht
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": I. Recitativo (Tenor) "Erwünschtes Freudenlicht" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach3:37
7Cantata, BWV 184 "Erwünschtes Freudenlicht," II. Aria (Duetto) (soprano, alto). Gesegnete Christen
alto vocals:
Paul Esswood (countertenor) (from 1987-01-10 until 1987-01-11)
treble vocals:
Alexander Raymann (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria (Sopran, Alt) "Gesegnete Christen, glückselige Herde" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach9:23
8Cantata, BWV 184 "Erwünschtes Freudenlicht," III. Recitativo (tenor). So freuet euch, ihr auserwählten Seelen
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": III. Recitativo (Tenor) "So freuet euch, ihr auserwählten Seelen" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach2:07
9Cantata, BWV 184 "Erwünschtes Freudenlicht," IV. Aria (tenor). Glück und Segen sind bereit
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": IV. Aria (Tenor) "Glück und Segen sind bereit" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach4:34
10Cantata, BWV 184 "Erwünschtes Freudenlicht," V. Choral (coro). Herr, ich hoff je, du werdest die in keiner Not verlassen
choir vocals:
Collegium Vocale Gent (from 1987-01-10 until 1987-01-11) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
chorus master:
Heinz Hennig (conductor) (from 1987-01-10 until 1987-01-11) and Philippe Herreweghe (Belgian conductor) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": V. Choral "Herr, ich hoffe je, du werdest die" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Anarg von Wildenfels (Hymn-Writer) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 283)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach1:17
11Cantata, BWV 184 "Erwünschtes Freudenlicht," VI. Coro (soprano, bass). Guter Hirte, Trost der Deinen
bass vocals:
Max van Egmond (bass-baritone) (from 1987-01-10 until 1987-01-11)
choir vocals:
Collegium Vocale Gent (from 1987-01-10 until 1987-01-11) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1987-01-10 until 1987-01-11)
treble vocals:
Alexander Raymann (from 1987-01-10 until 1987-01-11)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-10 until 1987-01-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-10 until 1987-01-11)
chorus master:
Heinz Hennig (conductor) (from 1987-01-10 until 1987-01-11) and Philippe Herreweghe (Belgian conductor) (from 1987-01-10 until 1987-01-11)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-10 until 1987-01-11)
recording of:
Kantate, BWV 184 "Erwünschtes Freudenlicht": VI. Coro (+ Sopran, Bass) "Guter Hirte, Trost der Deinen" (from 1987-01-10 until 1987-01-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-05-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 184 "Erwünschtes Freudenlicht"
Johann Sebastian Bach2:42
12Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe," I. Aria (Duetto) (soprano, tenor). Barmherziges Herze der ewigen Liebe
tenor vocals:
Kurt Equiluz (tenor) (in 1989)
treble vocals:
Helmut Wittek (boy soprano) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": I. Aria Duetto (Sopran, Tenor) "Barmherziges Herze der ewigen Liebe" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:57
13Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe," II. Recitativo (alto). Ihr Herzen, die ihr euch
alto vocals:
Paul Esswood (countertenor) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo (Alt) "Ihr Herzen, die ihr euch" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:03
14Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe," III. Aria (alto). Sei bemüht in dieser Zeit
alto vocals:
Paul Esswood (countertenor) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria (Alt) "Sei bemüht in dieser Zeit" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach4:43
15Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe," IV. Recitativo (bass). Die Eigenliebe schmeichelt sich!
bass vocals:
Thomas Hampson (baritone) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": IV. Recitativo (Bass) "Die Eigenliebe schmeichelt sich" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach1:01
16Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe," V. Aria (bass). Das ist der Christen Kunst
bass vocals:
Thomas Hampson (baritone) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": V. Aria (Bass) "Das ist der Christen Kunst" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach2:15
17Cantata, BWV 185 "Barmherziges Herze der ewigen Liebe," VI. Choral (coro). Ich ruf zu dir, Herr Jesu Christ
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1989)
orchestra:
Concentus Musicus Wien (in 1989)
conductor:
Nikolaus Harnoncourt (conductor) (in 1989)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": VI. Choral "Ich ruf zu dir, Herr Jesu Christ" (in 1989)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-07-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Agricola (German 16th century protestant reformer)
part of:
Breitkopf 389 Choralgesänge (number: 184)
part of:
Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe"
Johann Sebastian Bach1:18
2▼CD
#TitleArtistRatingLength
1Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Prima Parte: I. Coro. Ärgre dich, o Seele, nicht
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": I. Coro "Ärgre dich, o Seele, nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach3:18
2Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Prima Parte: II. Recitativo (bass). Die Knechtsgestalt, die Not, der Mangel
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": II. Recitativo (Bass) "Die Knechtsgestalt, die Not, der Mangel"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:28
3Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Prima Parte: III. Aria (bass). Bist du, der mir helfen soll
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": III. Aria (Bass) "Bist du, der mir helfen soll"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:37
4Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Prima Parte: IV. Recitativo (tenor). Ach, daß ein Christ so sehr
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IV. Recitativo (Tenor) "Ach, daß ein Christ so sehr"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:15
5Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Prima Parte: V. Aria (tenor). Mein Heiland läßt sich merken
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": V. Aria (Tenor) "Mein Heiland läßt sich merken"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:55
6Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Prima Parte: VI. Choral (coro). Ob sichs anließ, als wollt er nicht
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VI. Choral "Ob sichs anließ, als wollt er nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:01
7Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Seconda Parte: I. Recitativo (bass). Es ist die Welt die große Wüstenei
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VII. Recitativo (Bass) "Es ist die Welt die große Wüstenei"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:44
8Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Seconda Parte: II. Aria (soprano). Die Armen will der Herr umarmen
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": VIII. Aria (Sopran) "Die Armen will der Herr umarmen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach3:01
9Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Seconda Parte: III. Recitativo (alto). Nun mag die Welt mit ihrer Lust vergehen
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": IX. Recitativo (Alt) "Nun mag die Welt mit ihrer Lust vergehen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach1:25
10Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Seconda Parte: IV. Aria (Duetto) (soprano, alto). Laß, Seele, kein Leiden
alto vocals:
Paul Esswood (countertenor)
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": X. Duetto (Sopran, Alt) "Laß, Seele, kein Leiden"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Salomon Franck (in 1716)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach4:57
11Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Seconda Parte: IV. Choral (coro). Die Hoffnung wart' der rechten Zeit
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": XI. Choral "Die Hoffnung wart' der rechten Zeit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Speratus (in 1524)
part of:
Kantate, BWV 186 "Ärgre dich, o Seele, nicht"
Johann Sebastian Bach2:08
12Cantata, BWV 187 "Es wartet alles auf dich," Prima Parte: I. Coro. Es wartet alles auf dich
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": I. Coro "Es wartet alles auf dich"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach7:12
13Cantata, BWV 187 "Es wartet alles auf dich," Prima Parte: II. Recitativo (bass). Was Kreaturen hält das große Rund der Welt
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": II. Recitativo (Bass) "Was Kreaturen hält"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach0:56
14Cantata, BWV 187 "Es wartet alles auf dich," Prima Parte: III. Aria (alto). Du Herr, du krönst allein das Jahr
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach4:34
15Cantata, BWV 187 "Es wartet alles auf dich," Seconda Parte: IV. Aria (bass). Darum sollt ihr nicht sorgen
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach2:48
16Cantata, BWV 187 "Es wartet alles auf dich," Seconda Parte: V. Aria (soprano). Gott versorget alles Leben
treble vocals:
Michael Emmermann (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach4:21
17Cantata, BWV 187 "Es wartet alles auf dich," Seconda Parte: VI. Recitativo (soprano). Halt ich nur fest an ihm mit kindlichem Vertrauen
treble vocals:
Michael Emmermann (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VI. Recitativo (Sopran) "Halt ich nur fest an ihm"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach1:18
18Cantata, BWV 187 "Es wartet alles auf dich," Seconda Parte: VII. Choral (coro). Gott hat die Erde zugericht
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VII. Choral "Gott hat die Erde zugericht'"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Hans Vogel (in 1563)
part of:
Breitkopf 389 Choralgesänge (number: 308)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach2:06
3▼CD
#TitleArtistRatingLength
1Cantata, BWV 188 "Ich habe meine Zuversicht," I. Sinfonia.
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach7:37
2Cantata, BWV 188 "Ich habe meine Zuversicht," II. Aria (tenor). Ich habe meine Zuversicht
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach8:08
3Cantata, BWV 188 "Ich habe meine Zuversicht," III. Recitativo (bass). Gott meint es gut mit jedermann
bass vocals:
Robert Holl (bass‐baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach2:00
4Cantata, BWV 188 "Ich habe meine Zuversicht," IV. Aria (alto). Unerforschlich ist die Weise
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach5:42
5Cantata, BWV 188 "Ich habe meine Zuversicht," V. Recitativo (soprano). Die Macht der Welt verlieret sich
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach0:34
6Cantata, BWV 188 "Ich habe meine Zuversicht," VI. Choral (coro). Auf meinen lieben Gott
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 25)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach0:57
7Cantata, BWV 192 "Nun danket alle Gott," I. Coro. Nun danket alle Gott
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach5:28
8Cantata, BWV 192 "Nun danket alle Gott," II. Duetto (soprano, bass). Der ewig reiche Gott
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
treble vocals:
Helmut Wittek (boy soprano) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": II. Duetto (Sopran, Bass) "Der ewig reiche Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach3:40
9Cantata, BWV 192 "Nun danket alle Gott," III. Coro. Lob, Ehr und Preis sei Gott
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": III. Coro "Lob, Ehr und Preis sei Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach3:05
4▼CD
#TitleArtistRatingLength
1Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: I. Coro. Höchsterwünschtes Freudenfest
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": I. Coro "Höchsterwünschtes Freudenfest" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach5:04
2Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: II. Recitativo (bass). Unendlich großer Gott
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": II. Recitativo (Bass) "Unendlich großer Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:10
3Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: III. Aria (bass). Was des Höchsten Glanz erfüllt
baritone vocals:
Thomas Hampson (baritone)
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Bass) "Was des Höchsten Glanz erfüllt" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach4:47
4Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: IV. Recitativo (soprano). Wie könnte dir, du höchstes Angesicht
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IV. Recitativo (Sopran) "Wie könnte dir, du höchstes Angesicht" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:24
5Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: V. Aria (soprano). Hilf, Gott, daß es uns gelingt
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": V. Aria (Sopran) "Hilf, Gott, daß es uns gelingt" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach6:04
6Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: VI. Choral (coro). Heilger Geist ins Himmels Throne
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VI. Choral "Heilger Geist ins Himmels Throne" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 100)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach2:13
7Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: VII. Recitativo (tenor). Ihr Heiligen, erfreuet euch
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VII. Recitativo (Tenor) "Ihr Heiligen, erfreuet euch" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:07
8Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: VIII. Aria (tenor). Des Höchsten Gegenwart allein
tenor vocals:
Kurt Equiluz (tenor) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": VIII. Aria (Tenor) "Des Höchsten Gegenwart allein" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach3:48
9Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: IX. Recitativo (Duetto) (soprano, bass). Kann wohl ein Mensch
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": IX. Recitativo (Duetto Sopran, Bass) "Kann wohl ein Mensch" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach2:10
10Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: X. Aria (Duetto) (soprano, bass). O wie wohl ist uns geschehn
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
treble vocals:
Stefan Gienger (from 1987-01 until 1987-03) and Hans Stricker (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": X. Aria (Duetto Sopran, Bass) "O wie wohl ist uns geschehn" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach9:24
11Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: XI. Recitativo (bass). Wohlan demnach, du heilige Gemeine
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XI. Recitativo (Bass) "Wohlan demnach" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach0:46
12Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: XII. Choral (coro). Sprich Ja zu meinen Taten
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": XII. Choral "Sprich Ja zu meinen Taten" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Paul Gerhardt (17th century hymn writer) (from 1647 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 268)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach1:26
13Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) I. Coro. Dem Gerechten muß das Licht
alto vocals:
René Jacobs (conductor) (in 1988-01)
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
tenor vocals:
John Elwes (tenor) (in 1988-01)
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": I. Coro (Sopran, Alt, Tenor, Bass) "Dem Gerechten muß das Licht immer wieder aufgehen" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach5:24
14Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) II. Recitativo (bass). Dem Freudenlicht gerechter Frommen
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": II. Recitativo (Bass) "Dem Freudenlicht gerechter Frommen" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach1:20
15Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) III. Aria (bass). Rühmet Gottes Güt und Treu!
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": III. Aria (Bass) "Rühmet Gottes Güt und Treu" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach4:21
16Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) IV. Recitativo (soprano). Wohlan, so knüpfet denn ein Band
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": IV. Recitativo (Sopran) "Wohlan, so knüpfet denn ein Band" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach1:15
17Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) V. Coro. Wir kommen, deine Heiligkeit
alto vocals:
René Jacobs (conductor) (in 1988-01)
bass vocals:
Harry van der Kamp (operatic bass) (in 1988-01)
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
tenor vocals:
John Elwes (tenor) (in 1988-01)
treble vocals:
Jan Patrick O'Farrell (boy soprano) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": V. Coro (Sopran, Alt, Tenor, Bass) "Wir kommen, deine Heiligkeit" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach5:52
18Cantata, BWV 195 "Dem Gerechten muß das Licht," (Wedding Cantata) VI. Choral (coro). Nun danket all und bringet Ehr
choir vocals:
Collegium Vocale Gent (in 1988-01) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (in 1988-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1988-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1988-01)
chorus master:
Heinz Hennig (conductor) (in 1988-01) and Philippe Herreweghe (Belgian conductor) (in 1988-01)
recorded at:
Lutherse Kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-01)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": VI. Choral "Nun danket all und bringet Ehr" (in 1988-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1647)
part of:
Breitkopf 389 Choralgesänge (number: 236)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach0:45
5▼CD
#TitleArtistRatingLength
1Cantata, BWV 196 "Der Herr denket an uns," (Wedding Cantata) I. Sinfonia.
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:13
2Cantata, BWV 196 "Der Herr denket an uns," (Wedding Cantata) II. Coro. Der Herr denket an uns
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": II. Coro "Der Herr denket an uns"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:15
3Cantata, BWV 196 "Der Herr denket an uns," (Wedding Cantata) III. Aria (soprano). Er segnet, die den Herrn fürchten
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": III. Aria (Sopran) "Er segnet, die den Herrn fürchten"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach2:29
4Cantata, BWV 196 "Der Herr denket an uns," (Wedding Cantata) IV. Duetto (tenor, bass). Der Herr segne euch
bass vocals:
Thomas Hampson (baritone)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenor, Bass) "Der Herr segne euch je mehr und mehr"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:52
5Cantata, BWV 196 "Der Herr denket an uns," (Wedding Cantata) V. Coro. Ihr seid die Gesegneten des Herrn
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": V. Coro "Ihr seid die Gesegneten des Herrn"
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach3:33
6Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) I. Coro. Gott ist unsre Zuversicht
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": I. Coro "Gott ist unsre Zuversicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach6:18
7Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) II. Recitativo (bass). Gott ist und bleibt der beste Sorger
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": II. Recitativo (Bass) "Gott ist und bleibt der beste Sorger"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:16
8Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) III. Aria (alto). Schläfert allen Sorgenkummer
harpsichord:
Siebe Henstra (harpsichordist)
alto vocals:
René Jacobs (conductor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": III. Aria (Alt) "Schläfert allen Sorgenkummer"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach6:43
9Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) IV. Recitativo (bass). Drum folget Gott und seinem Triebe!
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IV. Recitativo (Bass) "Drum folget Gott und seinem Triebe"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:54
10Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) V. Choral (coro). Du süße Lieb, schenk uns deine Gunst
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": V. Choral "Du süße Lieb, schenk uns deine Gunst"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 255)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:07
11Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) VI. Aria (bass). O du angenehmes Paar
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VI. Aria (Bass) "O du angenehmes Paar"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach5:39
12Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) VII. Recitativo (soprano). So wie es Gott mit dir getreu
harpsichord:
Siebe Henstra (harpsichordist)
treble vocals:
Jan Patrick O'Farrell (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VII. Recitativo (Sopran) "So wie es Gott mit dir"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:47
13Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) VIII. Aria (soprano). Vergnügen und Lust
harpsichord:
Siebe Henstra (harpsichordist)
treble vocals:
Jan Patrick O'Farrell (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach4:32
14Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) IX. Recitativo (bass). Und dieser frohe Lebenslauf
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IX. Recitativo (Bass) "Und dieser frohe Lebenslauf"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:54
15Cantata, BWV 197 "Gott ist unsre Zuversicht," (Wedding Cantata) X. Choral (coro). Sing, bet und geh auf Gottes Wegen
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": X. Choral "So wandelt froh auf Gottes Wegen"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 370)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:54
6▼CD
#TitleArtistRatingLength
1Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Prima Parte: I. Coro. Laß, Fürstin, laß noch einen Strahl
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:16
2Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Prima Parte: II. Recitativo (soprano). Dein Sachsen, dein bestürztes Meißen
harpsichord:
Siebe Henstra (harpsichordist)
treble vocals:
Jan Patrick O'Farrell (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:16
3Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Prima Parte: III. Aria (soprano). Verstummt, verstummt, ihr holden Saiten
harpsichord:
Siebe Henstra (harpsichordist)
treble vocals:
Jan Patrick O'Farrell (boy soprano)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:04
4Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Prima Parte: IV. Recitativo (alto). Der Glocken bebendes Getön
harpsichord:
Siebe Henstra (harpsichordist)
alto vocals:
René Jacobs (conductor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:47
5Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Prima Parte: V. Aria (alto). Wie starb die Heldin so vergnügt!
harpsichord:
Siebe Henstra (harpsichordist)
alto vocals:
René Jacobs (conductor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:46
6Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Prima Parte: VI. Recitativo (tenor). Ihr Leben ließ die Kunst zu sterben
harpsichord:
Siebe Henstra (harpsichordist)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:11
7Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Prima Parte: VII. Coro. An dir, du Vorbild großer Frauen
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:21
8Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Seconda Parte: VIII. Aria (tenor). Der Ewigkeit saphirnes Haus
harpsichord:
Siebe Henstra (harpsichordist)
tenor vocals:
John Elwes (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:06
9Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Seconda Parte: IX. Recitativo-Arioso (bass). Was Wunder ists
harpsichord:
Siebe Henstra (harpsichordist)
bass vocals:
Harry van der Kamp (operatic bass)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:32
10Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl," (Funeral Ode) Seconda Parte: X. Coro. Doch Königin! Du stirbest nicht
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:14
11Cantata, BWV 199 "Mein Herze schwimmt im Blut," I. Recitativo (soprano). Mein Herze schwimmt im Blut
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut"
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach2:09
12Cantata, BWV 199 "Mein Herze schwimmt im Blut," II. Aria (soprano). Stumme Seufzer, stille Klagen
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen"
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach8:44
13Cantata, BWV 199 "Mein Herze schwimmt im Blut," III. Recitativo (soprano). Doch Gott muß mir genädig sein
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein"
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach1:02
14Cantata, BWV 199 "Mein Herze schwimmt im Blut," IV. Aria (soprano). Tief gebückt und voller Reue
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue"
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach6:36
15Cantata, BWV 199 "Mein Herze schwimmt im Blut," V. Recitativo (soprano). Auf diese Schmerzensreu
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu"
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach0:15
16Cantata, BWV 199 "Mein Herze schwimmt im Blut," VI. Choral (soprano). Ich, dein betrübtes Kind
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind"
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach2:06
17Cantata, BWV 199 "Mein Herze schwimmt im Blut," VII. Recitativo (soprano). Ich lege mich in diese Wunden
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden"
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach0:41
18Cantata, BWV 199 "Mein Herze schwimmt im Blut," VIII. Aria (soprano). Wie freudig ist mein Herz
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano) (in 1988-09)
orchestra:
Concentus Musicus Wien (in 1988-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-09)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (in 1988-09)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach2:09

Credits

Release

part of:Das Kantatenwerk (Teldec) (order: 4)
Das Alte Werk (order: 20)
Discogs:https://www.discogs.com/release/19491013 [info]