Tracklist

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1CD: Dido and Aeneas, Z. 626
#TitleArtistRatingLength
1Dido and Aeneas, Z. 626: Overture
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Overture
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:38
2Dido and Aeneas, Z. 626: Act 1. "Shake the cloud from off your brow"
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:14
3Dido and Aeneas, Z. 626: Act 1. "Ah! Belinda" / "Grief increases" / "When monarchs unite"
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell5:25
4Dido and Aeneas, Z. 626: Act 1. "Whence could so much virtue spring?" - "Fear no danger"
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:51
5Dido and Aeneas, Z. 626: Act 1. "See, your royal guest appears" / "Cupid only throws…"
alto vocals [Spirit]:
Paul Esswood (countertenor)
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:29
6Dido and Aeneas, Z. 626: Act 1. "If not for mine, for empire's sake" … "To the hills and the vales"
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:05
7Dido and Aeneas, Z. 626: Act 1. The Triumphing Dance
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:03
8Dido and Aeneas, Z. 626: Act 2. "Prelude for…" / "Harms our…" / "The Queen" / "Ho, ho, ho"
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:38
9Dido and Aeneas, Z. 626: Act 2. "Ruin'd ere the set of sun" … "But ere we this perform"
contralto vocals [Second Witch]:
Margaret Rizza (contralto and composer)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:44
10Dido and Aeneas, Z. 626: Act 2. "In our deep vaulted cell"
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:41
11Dido and Aeneas, Z. 626: Act 2. Echo Dance of Furies
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:15
12Dido and Aeneas, Z. 626: Act 2. Ritornelle - "Thanks to these lonesome vales" - Gitter Ground a Dance
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Gittar Ground a Dance (interstitial, unnumbered)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:23
13Dido and Aeneas, Z. 626: Act 2. "Oft she visits"
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:45
14Dido and Aeneas, Z. 626: Act 2. "Behold, upon my bending spear" / "Haste, haste to town"
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:22
15Dido and Aeneas, Z. 626: Act 2. "Stay, Prince"
alto vocals [Spirit]:
Paul Esswood (countertenor)
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:01
16Dido and Aeneas, Z. 626: Act 2. "Then since our charms have sped" - A Dance - The Groves Dance
contralto vocals [Second Witch]:
Margaret Rizza (contralto and composer)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. The Groves Dance (unnumbered, end of Act II)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:47
17Dido and Aeneas, Z. 626: Act 3. Prelude - "Come away, fellow sailors"
tenor vocals [First Sailor]:
Nigel Rogers (tenor)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:37
18Dido and Aeneas, Z. 626: Act 3. The Sailors' Dance - "See the flags and streamers curling"
contralto vocals [Second Witch]:
Margaret Rizza (contralto and composer)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
soprano vocals [First Witch / Second Woman]:
Margaret Baker (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:53
19Dido and Aeneas, Z. 626: Act 3. "Our next motion" - "Destruction's our delight"
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:21
20Dido and Aeneas, Z. 626: Act 3. The Witches' Dance
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:24
21Dido and Aeneas, Z. 626: Act 3. "Your counsel all is urg'd in vain" - "Great minds against themselves conspire"
baritone vocals [Aeneas, a Trojan prince]:
Barry McDaniel (baritone)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
soprano vocals [Belinda, Queen's confidante]:
Sheila Armstrong (soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:22
22Dido and Aeneas, Z. 626: Act 3. "Thy hand, Belinda" … "When I am laid in earth"
mezzo-soprano vocals [Dido, Queen of Carthage]:
Tatiana Troyanos (mezzo-soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:47
23Dido and Aeneas, Z. 626: Act 3. "With drooping wings…" - Cupids’ Dance
orchestra:
Kammerorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Cupids’ Dance (interstitial, unnumbered, end of Act III)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell6:01
2CD: Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day
#TitleArtistRatingLength
1Ode for St. Cecilia’s Day, Z. 328: Symphony
executive producer:
Hans Weber (producer/engineer)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: I. Symphony (in 1969-01)
composer:
Henry Purcell (Baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell11:49
2Ode for St. Cecilia’s Day, Z. 328: Hail, bright Cecilia!
executive producer:
Hans Weber (producer/engineer)
bass vocals [I]:
Michael Rippon (operatic bass) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
partial recording of:
“Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell0:28
3Ode for St. Cecilia’s Day, Z. 328: Hail, bright Cecilia!
executive producer:
Hans Weber (producer/engineer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-01) and Tiffin Boys’ Choir (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
partial recording of:
“Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:27
4Ode for St. Cecilia’s Day, Z. 328: Hark, hark, each tree its silence breaks
executive producer:
Hans Weber (producer/engineer)
bass vocals [II]:
John Shirley‐Quirk (bass-baritone) (in 1969-01)
treble vocals:
Simon Woolf (treble vocalist / jazz bassist) (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: III. “Hark! Hark! Each tree its silence breaks” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:54
5Ode for St. Cecilia’s Day, Z. 328: Tis Nature's voice
executive producer:
Hans Weber (producer/engineer)
countertenor vocals [I]:
Paul Esswood (countertenor) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:43
6Ode for St. Cecilia’s Day, Z. 328: Soul of the world
executive producer:
Hans Weber (producer/engineer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-01) and Tiffin Boys’ Choir (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: V. “Soul of the world” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:56
7Ode for St. Cecilia’s Day, Z. 328: Thou tun'st this world below, the spheres above
executive producer:
Hans Weber (producer/engineer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-01) and Tiffin Boys’ Choir (in 1969-01)
treble vocals:
Simon Woolf (treble vocalist / jazz bassist) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:38
8Ode for St. Cecilia’s Day, Z. 328: With that sublime celestial lay
executive producer:
Hans Weber (producer/engineer)
bass vocals [I]:
Michael Rippon (operatic bass) (in 1969-01)
countertenor vocals [I]:
Paul Esswood (countertenor) (in 1969-01)
countertenor vocals [II]:
Roland Tatnell (Countertenor) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:52
9Ode for St. Cecilia’s Day, Z. 328: Wondrous machine!
executive producer:
Hans Weber (producer/engineer)
bass vocals [II]:
John Shirley‐Quirk (bass-baritone) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:21
10Ode for St. Cecilia’s Day, Z. 328: The airy violin
executive producer:
Hans Weber (producer/engineer)
countertenor vocals [I]:
Paul Esswood (countertenor) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell1:38
11Ode for St. Cecilia’s Day, Z. 328: In vain the am'rous flute and soft guitar
executive producer:
Hans Weber (producer/engineer)
countertenor vocals [I]:
Paul Esswood (countertenor) (in 1969-01)
tenor vocals:
Alexander Young (tenor) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell5:39
12Ode for St. Cecilia’s Day, Z. 328: The fife, and all the harmony of war
executive producer:
Hans Weber (producer/engineer)
countertenor vocals [I]:
Paul Esswood (countertenor) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:06
13Ode for St. Cecilia’s Day, Z. 328: Let these amongst themselves contest
executive producer:
Hans Weber (producer/engineer)
bass vocals [I]:
Michael Rippon (operatic bass) (in 1969-01)
bass vocals [II]:
John Shirley‐Quirk (bass-baritone) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
recording of:
“Hail! Bright Cecilia”, Z. 328: XII. “Let these amongst themselves contest” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:16
14Ode for St. Cecilia’s Day, Z. 328: Hail, bright Cecilia!
executive producer:
Hans Weber (producer/engineer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-01) and Tiffin Boys’ Choir (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
partial recording of:
“Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:09
15Ode for St. Cecilia’s Day, Z. 328: With rapture of delight
executive producer:
Hans Weber (producer/engineer)
bass vocals [I]:
Michael Rippon (operatic bass) (in 1969-01)
countertenor vocals [I]:
Paul Esswood (countertenor) (in 1969-01)
countertenor vocals [II]:
Roland Tatnell (Countertenor) (in 1969-01)
tenor vocals:
Alexander Young (tenor) (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
partial recording of:
“Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell0:57
16Ode for St. Cecilia’s Day, Z. 328: Hail, bright Cecilia!
executive producer:
Hans Weber (producer/engineer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-01) and Tiffin Boys’ Choir (in 1969-01)
orchestra:
English Chamber Orchestra (in 1969-01)
conductor:
Charles Mackerras (Australian conductor) (in 1969-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-01)
partial recording of:
“Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” (in 1969-01)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell1:18