Dichterliebe, op. 48 / Liederkreis, op. 24

~ Release by Robert Schumann; Peter Schreier, Norman Shetler (see all versions of this release, 5 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1Dichterliebe, op. 48: Nr. 1. Im wunderschönen Monat Mai
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:45
A2Dichterliebe, op. 48: Nr. 2. Aus meinen Tränen sprießen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: II. Aus meinen Tränen sprießen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
version of:
Aus meinen Thränen sprießen
part of:
Dichterliebe, op. 48
Robert Schumann1:03
A3Dichterliebe, op. 48: Nr. 3. Die Rose, die Lillie, die Taube
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann0:35
A4Dichterliebe, op. 48: Nr. 4. Wenn ich in deine Augen seh’
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:38
A5Dichterliebe, op. 48: Nr. 5. Ich will meine Seele tauchen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: V. Ich will meine Seele tauchen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann0:50
A6Dichterliebe, op. 48: Nr. 6. Im Rhein, im heiligen Strome
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:27
A7Dichterliebe, op. 48: Nr. 7. Ich grolle nicht
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:50
A8Dichterliebe, op. 48: Nr. 8. Und wüßten’s die Blumen, die kleinen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:10
A9Dichterliebe, op. 48: Nr. 9. Das ist ein Flöten und Geigen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:30
A10Dichterliebe, op. 48: Nr. 10. Hör’ ich das Liedchen klingen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:10
A11Dichterliebe, op. 48: Nr. 11. Ein Jüngling liebt ein Mädchen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
is based on:
Ein Jüngling liebt ein Mädchen
part of:
Dichterliebe, op. 48
Robert Schumann1:00
A12Dichterliebe, op. 48: Nr. 12. Am leuchtenden Sommermorgen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Am leuchtenden Sommermorgen, op. 11 no. 2 (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Franz (German composer, 1815-1892)
part of:
6 Gesänge, op. 11
recording of:
Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:45
A13Dichterliebe, op. 48: Nr. 13. Ich hab’ im Traum geweinet
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: XIII. Ich hab' im Traum geweinet (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:52
A14Dichterliebe, op. 48: Nr. 14. Allnächtlich im Traume
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: XIV. Allnächtlich im Traume (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:45
A15Dichterliebe, op. 48: Nr. 15. Aus alten Märchen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: XV. Aus alten Märchen winkt es (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:55
B1Dichterliebe, op. 48: Nr. 16. Die alten, bösen Lieder
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Dichterliebe, op. 48: XVI. Die alten, bösen Lieder (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
is based on:
Die alten, bösen Lieder
part of:
Dichterliebe, op. 48
Robert Schumann5:25
B2Liederkreis, op. 24: Nr. 1. Morgens steh’ ich auf und frage
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: I. Morgens steh' ich auf und frage (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann1:06
B3Liederkreis, op. 24: Nr. 2. Es treibt mich hin
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: II. Es treibt mich hin, es treibt mich her (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann1:16
B4Liederkreis, op. 24: Nr. 3. Ich wandelte unter Bäumen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: III. Ich wandelte unter den Bäumen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
recording of:
Liederkreis, op. 24: III. Ich wandelte unter den Bäumen (in 1972)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann3:36
B5Liederkreis, op. 24: Nr. 4. Lieb’ Liebchen, leg’s Händchen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: IV. Lieb' Liebchen, leg's Händchen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann0:51
B6Liederkreis, op. 24: Nr. 5. Schöne Wiege meiner Leiden
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: V. Schöne Wiege meiner Leiden (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann3:55
B7Liederkreis, op. 24: Nr. 6. Warte, warte, wilder Schiffsmann
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: VI. Warte, warte, wilder Schiffmann (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann2:00
B8Liederkreis, op. 24: Nr. 7. Berg’ und Burgen schaun herunter
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: VII. Berg' und Burgen schaun herunter (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann3:38
B9Liederkreis, op. 24: Nr. 8. Anfangs wollt’ ich fast verzagen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: VIII. Anfangs wollt' ich fast verzagen (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann1:11
B10Liederkreis, op. 24: Nr. 9. Mit Myrten und Rosen
recording engineer:
Helgard Unger (engineer)
producer and balance engineer:
Eberhard Richter (engineer)
piano:
Norman Shetler (Austrian pianist, puppeteer, teacher) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1972-01)
recording of:
Liederkreis, op. 24: IX. Mit Myrten und Rosen, lieblich und hold (in 1972-01)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Liederkreis, op. 24
Robert Schumann4:27

Credits

Release

liner notes:Dr. Anneliese Schneider
illustration:Adolph von Menzel
design:Christoph Ehbets
printed by:VEB Gotha-Druck (company printing covers)
Discogs:https://www.discogs.com/release/13603984 [info]