Classical Gold

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

disc cat#: 474 542-2

disc cat#: 474 543-2

disc cat#: 474 544-2

Annotation last modified on 2010-09-29 09:36 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1O Fortuna (Carmina Burana)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:38
2Meditation (Thais)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet3:08
3Ride of the Valkyries
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-12)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1966-12)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:13
4Morning (Peer Gynt)
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
performer:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) and Neeme Järvi (Estonian conductor)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:13
5Prelude (Carmen)
orchestra:
New York Metropolitan Opera Orchestra (Metropolitan Opera Orchestra) (on 1972-10-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1972-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1972-10-13)
recording of:
Carmen : Prélude (on 1972-10-13)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:42
6Canon and Gigue
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Canon and Gigue in D major, P. 37, T. 337
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 358) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 337)
Johann Pachelbel5:52
7Chorus of the Hebrew Slaves (Nabucco)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:58
8Rhapsody on a Theme of Paganini: Variation 18
piano:
Tamás Vásáry (Hungarian pianist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Yuri Ahronovitch (conductor)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов53:20
9El Amor brujo: Ritual Fire Dance
producer:
Rudolf Werner (producer at Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Garcia Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1978-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
El amor brujo: VIII. Danza ritual del fuego (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:10
10Pictures at an Exhibition: Promenade
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-11-04 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (from 1965-11-04 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-11-04 until 1965-11-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-11-04 until 1965-11-09)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (from 1965-11-04 until 1965-11-09)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский1:51
11Cavalleria Rusticana: Intermezzo
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:32
12Karelia Suite: Intermezzo
executive producer:
Cord Garben (pianist and conductor)
orchestra:
Radio-Sinfonie-Orchester Helsinki (Finnish Radio Symphony Orchestra) (in 1975-10)
conductor:
Okko Kamu (conductor) (in 1975-10)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1975-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Finlandia‐talo (Finlandia Hall) in Helsinki, Uusimaa, Finland (in 1975-10)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra) (in 1975-10)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius4:03
13The Nutcracker: Waltz of the Flowers
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Mstislav Rostropovich (cellist/conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский5:47
14Fanfare for the Common Man
orchestra:
New York Philharmonic Orchestra (New York Philharmonic) (on 1985-12-10)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1985-12-10)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1985-12-10)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (on 1985-12-10)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland2:17
15Symphony No.5: Adagietto
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1971-01)
conductor:
Rafael Kubelík (conductor) (in 1971-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-01)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1971-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:48
16Requiem: Dies irae
choir vocals:
Ernst‐Senff‐Chor
vocals:
Ernst‐Senff‐Chor (in 1989)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Carlo Maria Giulini (conductor) (in 1989)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra), Ernst‐Senff‐Chor, Carlo Maria Giulini (conductor) and Ernst Senff
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:44
17Pomp and Circumstance March No.1
orchestra:
BBC Symphony Orchestra (on 1982-04-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-04-15)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1982-04-15)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (on 1982-04-15)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:42
2▼CD
#TitleArtistRatingLength
1Greensleeves
orchestra:
Orpheus Chamber Orchestra (US orchestra)
arranger:
Ralph Greaves (in 1934)
recording of:
Fantasia on “Greensleeves” (in 1985-12)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:32
2Nocturne No.2
producer:
Hans Weber (producer/engineer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) and Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-04)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (in 1965-04)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin4:01
3Pavane
producer:
Thomas Mowrey
solo French horn:
Charles Kavaloski (horn player)
orchestra:
Boston Symphony Orchestra (in 1974-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-10)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-10)
recording of:
Pavane pour une infante défunte (orchestrated version) (in 1974-10)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:18
4Symphony No. 40, K. 550
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
Wolfgang Amadeus Mozart6:23
5Wachet Auf (Sleepers Awake)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Johann Sebastian Bach2:04
6Claie de lune
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy55:20
7Violin Concerto No. 1, Op. 26: II. Adagio
violin:
Yung Uck Kim (violinist)
orchestra:
Bamberg Symphony Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) and Bamberger Symphoniker (Bamberg Symphony)
conductor:
Okko Kamu (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
edit of:
Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato / II. Adagio by Young Uck Kim (violinist), Bamberger Symphoniker (Bamberg Symphony), Okko Kamu (conductor)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:26
8Eine Kleine Nachtmusik: Romance
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:37
9Symphony No. 6, Op. 74 "Pathétique"
orchestra:
Los Angeles Philharmonic Orchestra
conductor:
Carlo Maria Giulini (conductor)
partial recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1893-10-28)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
dedicated to:
Vladimir Davydov
publisher:
P. Jurgenson (in 1894-02)
part of:
The Tchaikovsky Handbook (number: TH 30), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 27) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 74)
Пётр Ильич Чайковский5:07
10Impromptu No.3
piano:
Wilhelm Kempff (pianist)
Franz Schubert2:57
11Enigma Variations: Nimrod
orchestra:
Royal Philharmonic Orchestra (in 1975-06)
conductor:
Norman Del Mar (conductor) (in 1975-06)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1975-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar4:02
12Simple Symphony: Playful Pizzicato
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-12)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-12)
recording of:
Simple Symphony, op. 4: II. Playful Pizzicato (in 1987-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
Benjamin Britten3:17
13Adagio for Strings
orchestra:
Los Angeles Philharmonic Orchestra (on 1982-07-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Adagio for Strings (on 1982-07-24)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber10:07
14Symphony No. 6, Op. 68 "Pastoral"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
Ludwig van Beethoven6:46
3▼CD
#TitleArtistRatingLength
1Also sprach Zarathustra: Sunrise
editor:
Christopher Alder (editor/engineer/producer)
solo violin:
Rainer Küchl (Austrian violinist) (in 1983-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-02)
conductor:
Lorin Maazel (conductor) (in 1983, in 1983-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-02)
live recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-02)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Richard Strauss1:59
2Water Music: Alla Hornpipe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
violin:
Simon Standage (English violinist and conductor) (in 1983-04) and Elizabeth Wilcock (violinist) (in 1983-04)
orchestra:
The English Concert (in 1983-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) and Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-04)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel4:18
3Pavane
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master)
performer:
Tanglewood Festival Chorus
balance engineer:
Hans‐Peter Schweigmann (in 1986-11)
edit of:
Pavane, op. 50 by John Oliver (chorus master), Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
partial recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré2:37
4The Four Seasons: Spring (1st movement)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1982-12), Itzhak Perlman (violinist and conductor) (in 1982-12), Isaac Stern (violinist) (in 1982-12) and Pinchas Zukerman (violinist/conductor) (in 1982-12)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1982-12)
conductor:
Zubin Mehta (conductor) (in 1982-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1982-12)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (in 1982-12)
live recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (in 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:27
5Piano Concerto No. 21, K. 467 "Elvira Madigan": II. Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:13
6Lohengrin: Prelude to Act III
producer:
Günther Breest (producer for classical music) and Wolfgang Stengel
orchestra:
New York Philharmonic Orchestra (New York Philharmonic) (in 1985-10)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Purchase College in Purchase, Harrison, New York, United States (in 1985-10)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (in 1985-10)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner3:17
7The Tales of Hoffmann: Barcarolle
orchestra:
Gothenburg Symphony Orchestra
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach4:37
8The Planets: Jupiter
orchestra:
Boston Symphony Orchestra (in 1970-10)
conductor:
William Steinberg (conductor) (in 1970-10)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1970-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:01
9Concierto de Aranjuez: Adagio
classical guitar [Spanish guitar]:
Narciso Yepes (classical guitarist) (in 1979-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-04)
conductor:
García Navarro (conductor) (in 1979-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1979-04)
edit of:
Concierto de Aranjuez: II. Adagio by Narciso Yepes (classical guitarist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Luis Antonio García Navarro (conductor)
partial recording of:
Concierto de Aranjuez: II. Adagio (in 1979-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:47
10Messiah: Hallelujah Chorus
sound engineer:
Hans‐Peter Schweigmann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:00
11Adagio
orchestra:
Lucerne Festival Strings
conductor:
Rudolf Baumgartner (conductor)
arranger:
Remo Giazotto
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni4:18
12Symphony No.9 'New World': Largo
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:47
13'Emperor' Waltz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
Johann Strauss II3:22
14Cello Concerto (1st Movement)
cello:
Pierre Fournier (cellist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Alfred Wallenstein (conductor and cellist)
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar3:08
15Suite No.3: Air
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:46
16Symphony No. 9, Op. 125 "Choral" (last movement)
bass vocals:
Karl Ridderbusch (operatic bass)
mezzo-soprano vocals:
Tatiana Troyanos (mezzo-soprano)
soprano vocals:
Gwyneth Jones (soprano)
tenor vocals:
Jess Thomas (tenor)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven7:37