Three Classic Albums Plus

~ Release by Cecil Taylor (see all versions of this release, 1 available)

Tracklist

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1▼CD: Jazz Advance / Looking Ahead!
#TitleArtistRatingLength
1Bemsha Swing
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Bemsha Swing (instrumental) (on 1956-09-14)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music and Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Cecil Taylor Quartet7:26
2Charge ’em Blues
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Charge ’Em Blues (on 1956-09-14)
composer:
Cecil Taylor
Cecil Taylor Quartet11:04
3Azure
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Azure (on 1956-09-14)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
Cecil Taylor Quartet7:27
4Song
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Song (on 1956-09-14)
composer:
Cecil Taylor
Cecil Taylor Quartet5:18
5You’d Be So Nice to Come Home To
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-09-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cecil Taylor Quartet9:16
6Rick Kick Shaw
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
recording of:
Rick Kick Shaw (on 1956-09-14)
composer:
Cecil Taylor
Cecil Taylor Quartet6:04
7Luyah! The Glorious Step
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Luyah! The Glorious Step
composer:
Cecil Taylor
The Cecil Taylor Quartet6:26
8African Violets
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
African Violets
composer:
Earl Griffith (vibraphonist, organist) and Cecil Taylor
The Cecil Taylor Quartet5:12
9Of What
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Of What
composer:
Massimo Bottini and Cecil Taylor
The Cecil Taylor Quartet8:17
10Wallering
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Wallering
composer:
Cecil Taylor
The Cecil Taylor Quartet5:23
11Toll
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Toll
composer:
Cecil Taylor
The Cecil Taylor Quartet7:42
2▼CD: Looking Ahead! / The World of Cecil Taylor / Love for Sale
#TitleArtistRatingLength
1Excursion on a Wobbly Rail
double bass:
Buell Neidlinger (on 1958-06-09)
drums (drum set):
Denis Charles (drums) (on 1958-06-09)
piano:
Cecil Taylor (on 1958-06-09)
vibraphone:
Earl Griffith (vibraphonist, organist) (on 1958-06-09)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-06-09)
recording of:
Excursion on a Wobbly Rail
composer:
Cecil Taylor
The Cecil Taylor Quartet9:04
2Air
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Air (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp. and Syndicore
Cecil Taylor8:40
3This Nearly Was Mine
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
This Nearly Was Mine (South Pacific) (in 1960-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
Cecil Taylor10:52
4Port of Call
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
Cecil Taylor4:20
5E.B.
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
E.B. (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
Cecil Taylor9:56
6Lazy Afternoon
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (drums) (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
tenor saxophone:
Archie Shepp (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960-12)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Cecil Taylor14:53
7Love for Sale
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
cover recording of:
Love for Sale (on 1959-04-15)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Cecil Taylor Quintet8:15
8Matie’s Trophies (Motystrophe)
recording engineer:
Lewis Merritt (on 1959-04-15)
double bass:
Buell Neidlinger (on 1959-04-15)
drums (drum set):
Denis Charles (drums) (on 1959-04-15)
piano:
Cecil Taylor (on 1959-04-15)
tenor saxophone:
Bill Barron (on 1959-04-15)
trumpet:
Ted Curson (on 1959-04-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1959-04-15)
recording of:
Matie’s Trophies (Motystrophe) (on 1959-04-15)
composer:
Cecil Taylor
Cecil Taylor Quintet10:16