La clemenza di Tito

~ Release by Wolfgang Amadeus Mozart; Staatskapelle Dresden & Karl Böhm (see all versions of this release, 1 available)

Annotation

Cast

Tito Vespasiano (Titus Vespasianus): Peter Schreier
Vitellia: Julia Varady
Servilia: Edith Mathis
Sesto (Sextus): Teresa Berganza
Annio (Annius): Marga Schiml
Publio (Publius): Theo Adam

Recording: Dresden, Lukaskirche, 1/1979

Cast

Tito Vespasiano (Titus Vespasianus): Peter Schreier
Vitellia: Julia Varady
Servilia: Edith Mathis
Sesto (Sextus): Teresa Berganza
Annio (Annius): Marga Schiml
Publio (Publius): Theo Adam

Recording: Dresden, Lukaskirche, 1/1979

Annotation last modified on 2007-06-04 21:47 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1La clemenza di Tito, K. 621: Ouverture
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Ouverture (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
Wolfgang Amadeus Mozart4:50
2La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:22
3La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:08
4La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:48
5La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) / "Chi ciecamente crede" (Vitellia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:35
6La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:02
7La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:20
8La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
choir vocals:
Rundfunkchor Leipzig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
chorus master:
Horst Neumann (choir master and conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:48
9La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:04
10La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia da capo (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:20
11La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Publio, Annio, Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Annio, Sesto, Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:26
12La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Deh più sublime soglio" (Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Del più sublime soglio" (Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:58
13La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart1:35
14La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:20
15La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:07
16La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:15
17La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativo "Felice me!" (Servilia, Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativi "Felice me! ...Ancora mi schernisce?" (Servilia, Vitellia, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:55
18La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio" (Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset clarinet:
Joachim Muller (clarinetist) (in 1979-01)
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:44
19La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart0:46
20La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart2:36
21La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:40
22La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
choir vocals:
Rundfunkchor Leipzig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
chorus master:
Horst Neumann (choir master and conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart7:19
2▼CD
#TitleArtistRatingLength
1La clemenza di Tito, K. 621: Act II, Scene I. Recitativo "Sesto, come tu credi" (Annio, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 12 Recitativo "Sesto, come tu credi" (Annio, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:56
2La clemenza di Tito, K. 621: Act II, Scene I. No. 13 Aria "Torna di Tito a lato" (Annio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:51
3La clemenza di Tito, K. 621: Act II, Scene II. Recitativo "Partir deggio, oh restar?" (Sesto, Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
Wolfgang Amadeus Mozart1:35
4La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:32
5La clemenza di Tito, K. 621: Act II, Scene V. No. 15 Coro "Ah grazie si rendano" (Tito, Publio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
choir vocals:
Rundfunkchor Leipzig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
chorus master:
Horst Neumann (choir master and conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:20
6La clemenza di Tito: Atto II. Recitativo "È tutto colà d'intorno" (Publio, Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
Wolfgang Amadeus Mozart1:38
7La clemenza di Tito, K. 621: Act II, Scene V. No. 16 Aria "Tardi s'avvede" (Publio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:28
8La clemenza di Tito: Atto II. Recitativo "Annio, che rechi?" (Tito, Annio, Publio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
Wolfgang Amadeus Mozart1:03
9La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:54
10La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:34
11La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:20
12La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "Eppur mi fa pietà" (Tito, Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "E pur mi fa pietà" (Tito, Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:49
13La clemenza di Tito, K. 621: Act II, Scene X. No. 19 Rondo "Deh per questo istante solo" (Sesto)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart7:18
14La clemenza di Tito, K. 621: Act II, Scene XI. Recitativo "Ove s’intese mai più contumace" (Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Recitativi "Dove s'intese mai più contumace infedeltà? ... Publio. - Cesare." (Tito, Publio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:48
15La clemenza di Tito, K. 621: Act II, Scene XII. No. 20 Aria "Se all’impero, amici Dei" (Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:13
16La clemenza di Tito, K. 621: Act II, Scene XIII. Recitativo "Publio, ascolta!" (Vitellia, Publio)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XII. Recitativo "Publio, ascolta!" (Vitellia, Publio) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:50
17La clemenza di Tito, K. 621: Act II, Scene XIV. No. 21 Aria "S’altro che lacrime" (Servilia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:40
18La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:15
19La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart8:21
20La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
choir vocals:
Rundfunkchor Leipzig (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
chorus master:
Horst Neumann (choir master and conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:40
21La clemenza di Tito: Atto II. Recitativo "Pria che principio a' lieti spettacoli si dia" (Tito, Annio, Servilia, Vitellia)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVI. Recitativo "Pria che principio" (Tito, Annio, Servilia) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:28
22La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:53
23La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro)
recording engineer:
Hans‐Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
basset horn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
harpsichord:
Walter Taussig (in 1979-01)
bass vocals [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
choir vocals:
Rundfunkchor Leipzig (in 1979-01)
mezzo-soprano vocals [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-soprano vocals [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
soprano vocals [Servilia]:
Edith Mathis (soprano) (in 1979-01)
soprano vocals [Vitellia]:
Julia Varady (soprano) (in 1979-01)
tenor vocals [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
chorus master:
Horst Neumann (choir master and conductor) (in 1979-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:48

Credits

Release

cello:Joachim Bischof (cellist)
harpsichord:Walter Taussig
chorus master:Horst Neumann (choir master and conductor)
bass vocals:Theo Adam (German classical bass-baritone)
choir vocals:MDR Rundfunkchor Leipzig
mezzo-soprano vocals:Teresa Berganza (mezzo-soprano)
Marga Schiml (mezzo-soprano)
soprano vocals:Edith Mathis (soprano)
Júlia Várady (soprano)
tenor vocals:Peter Schreier (German tenor and conductor)
ASIN:DE: B000026BKR [info]
discography entry:http://www.deutschegrammophon.com/en/cat/4298782 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002171923 [info]