Sing‐A‐Long Summer Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify + Deezer)

(As of 2023-12-19).

  • Northern America: 🇺🇸 United States (us)
  • Eastern Europe: 🇧🇾 Belarus (by)
Annotation last modified on 2023-12-19 19:56 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Summer Holiday
recording of:
Summer Holiday
writer:
Brian Bennett (Shadows drummer) and Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Elstree Music and EMI Music Publishing Australia Pty. Ltd. (not for release label use!)
Cliff Richard & The Shadows2:15
2Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a-ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.53:49
3Sunshine Reggae
recording of:
Sunshine Reggae
lyricist and composer:
John Guldberg and Tim Stahl
Laid Back36:31
4Shivers
recording engineer:
Dan Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter) and Joe Rubel (songwriter and producer)
additional programming:
Joe Rubel (songwriter and producer)
programming:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) and Chris Laws (engineer, keyboardist & songwriter)
engineer:
Graham Archer (engineer), Dan Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter), Johnny McDaid and Joe Rubel (songwriter and producer)
executive producer:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
producer:
Graham Archer (engineer) (task: vocal), FRED (UK producer, songwriter, multi-instrumentalist and DJ), Steve Mac (British pop producer/songwriter Steve McCutcheon) (task: vocal), Steve Mac (British pop producer/songwriter Steve McCutcheon) and Ed Sheeran (UK singer‐songwriter)
assistant mixer:
Charlie Holmes (UK mix engineer / producer), Kieran Beardmorre (mixing engineer) and Matt Wolach
mixer:
Mark “Spike” Stent (producer, engineer)
bass guitar:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
drums (drum set) [drums]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) and Chris Laws (engineer, keyboardist & songwriter)
guitar:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
keyboard [keys]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
violin [Pizzicato violin]:
Ed Sheeran (UK singer‐songwriter)
vocals:
Ed Sheeran (UK singer‐songwriter)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2021, in 2024)
recorded at:
Fieldwork Studio in London (Greater London), England, United Kingdom, Fieldwork Studio in Suffolk, England, United Kingdom and Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Mixsuite in Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2022 (number: 5) and Billboard Hot 100: 2022-02-05 (number: 6)
recording of:
Shivers
writer:
Kal Lavelle (irish singer/songwriter), Steve Mac (British pop producer/songwriter Steve McCutcheon), Johnny McDaid and Ed Sheeran (UK singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ed Sheeran Limited, Rokstone Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Ed Sheeran3.053:28
5Dreams (2018 remaster)
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 9) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 17)
recording of:
Dreams
lyricist and composer:
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) and Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.254:17
6The Best (edit)
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
7God Only Knows
cover recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Vogues2:47
8On the Beach
recording of:
On the Beach (Chris Rea)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea3:41
9Return of the Mack (C & J Street mix)
additional producer:
Cutfather & Joe
producer:
Phil Chill and Mark Morrison (r&b vocalist)
remixer:
Cutfather & Joe
recording of:
Return of the Mack
lyricist and composer:
Mark Morrison (r&b vocalist)
Mark Morrison & Cutfather & Joe3.53:33
10Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.73:59
11Sailing
producer:
Tom Dowd
cover recording of:
Sailing
lyricist and composer:
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.) and Melodie der Welt J. Michel KG (German publisher; read annotation)
Rod Stewart3.354:39
12Feels Like the First Time
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Feels Like the First Time
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3:13
13Love Grows (Where My Rosemary Goes)
SMYLES32:20
14Kings & Queens
producer:
Cirkut and RedOne
assistant mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
phonographic copyright (℗) by:
Artist Partner Group, Inc. (copyright use only, imprint: 𝗮𝗽𝗴) (in 2020), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2020) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2020)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2021 (number: 73) and BILLIONS CLUB
recording of:
Kings & Queens
writer:
Amanda Ava Koci, Hillary Bernstein, Mimoza Blinsson, Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Desmond Child, Jakke Erixson, Henry Walter, Madison Love and Nadir Khayat
publisher:
Artist Publishing Global (from 2020 to present), Artist Publishing Group West (from 2020 to present), Brett McLaughlin Publishing Designee (from 2020 to present), Budde Music Inc. (US publisher) (from 2020 to present), Cirkut Breaker LLC (from 2020 to present), H BOOM SONGS (from 2020 to present), Kayat Music (from 2020 to present), Mason Levy Productions (from 2020 to present), Max Cut Publishing (from 2020 to present), Prescription Songs (from 2020 to present), Songs of RedOne (from 2020 to present), Sony/ATV Songs LLC (from 2020 to present), Universal PolyGram Int. Publishing Inc. (existed only since ca. 1998) (from 2020 to present) and Warner Geo‐Met‐Ric Music (from 2020 to present)
is based on:
If You Were a Woman (and I Was a Man)
Ava Max3.652:42
15La Da Dee
Cody Simpson3.53:17
16Some Nights
additional programming:
Pat Reynolds
additional engineer:
Jeff Bhasker, Pete Bischoff and Noah Goldstein (R&B record producer, arranger and songwriter)
engineer:
Andrew Dawson (US mix engineer)
producer and mixer:
Jeff Bhasker
assistant mixer:
Pawel Sek
additional background vocals:
Joi Starr (US R&B singer)
phonographic copyright (℗) by:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2011)
recorded at:
Dawson’s Studio, Electric Lady Studios in Greenwich Village, New York, New York, United States and Enormous Studios in Los Angeles, California, United States
music videos:
Some Nights by Fun. (American indie pop band)
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 58)
recording of:
Some Nights
writer:
Jeff Bhasker and Fun. (American indie pop band)
publisher:
Bearvon Music, FBR Music, Rough Art, Shira Lee Lawrence Rick Music, SonyATV Songs LLC, Way Above Music and WB Music Corp. (1929–2019)
fun.3.854:37
17All Summer Long
recording engineer and mixer:
Rob Cavallo, Kid Rock (American singer/rapper) and Al Sutton
programming and producer:
Kid Rock (American singer/rapper)
engineer:
Al Sutton
co-producer:
Rob Cavallo
bass guitar [bass]:
Aaron Julison
guitar [guitars]:
Marlon Young
piano:
Billy Powell
background vocals:
Thornetta Davis (Detroit, MI R&B vocalist), Andre Jones and Barbara Payton
lead vocals:
Kid Rock (American singer/rapper)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
recorded at and mixed at:
The Allen Roadhouse in Clarkston, Michigan, United States
recording of:
All Summer Long
writer:
Kid Rock (American singer/rapper) and Uncle Kracker
is based on:
Sweet Home Alabama
is based on:
Werewolves of London
Kid Rock3.34:58
18Breathless
recording engineer:
Michel Gallone and Tim Martin (engineer)
additional programming:
Cory Churko and Kevin Churko
programming:
Richard Meyer (American folk singer-songwriter)
assistant engineer:
Michel Gallone, Frances Murphy and Keith Roche
producer:
Robert John “Mutt” Lange (Robert John Lange)
assistant mixer:
Adam Olmsted (engineer)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass guitar:
Keith Duffy (bass player for the Corrs)
bodhrán, drums (drum set) and percussion:
Caroline Corr
guitar and keyboard:
Jim Corr
guitar [lead guitar]:
Anthony Drennan
tin whistle:
Andrea Corr
violin:
Sharon Corr
background vocals:
Caroline Corr, Jim Corr and Sharon Corr
vocals:
Andrea Corr
additionally recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recorded at:
Westland Studios in Dublin, County Dublin, Leinster, Ireland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
music videos:
Breathless by The Corrs
recording of:
Breathless
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr and Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.553:28
19Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
20School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:30
21Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
live recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
22It’s My Life
producer:
Tim Friese‐Greene
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
23We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:56
24Daydream Believer
producer:
Chip Douglas
bass:
Chip Douglas (from 1967-06-14 until 1967-08-09)
bass trombone:
Richard Leith (trombonist) (from 1967-06-14 until 1967-08-09) and Phil Teele (from 1967-06-14 until 1967-08-09)
drums (drum set):
Eddie Hoh (from 1967-06-14 until 1967-08-09)
guitar:
Michael Nesmith (from 1967-06-14 until 1967-08-09)
percussion:
William E. Martin (from 1967-06-14 until 1967-08-09)
piano:
Peter Tork (from 1967-06-14 until 1967-08-09)
trombone:
Richard Noel (trombonist) (from 1967-06-14 until 1967-08-09)
trumpet:
Pete Candoli (from 1967-06-14 until 1967-08-09), Al Porcino (from 1967-06-14 until 1967-08-09) and Manuel Stevens (from 1967-06-14 until 1967-08-09)
violin:
Nathan Kaproff (from 1967-06-14 until 1967-08-09), George Kast (from 1967-06-14 until 1967-08-09), Alex Murray (violinist) (from 1967-06-14 until 1967-08-09) and Erno Neufeld (from 1967-06-14 until 1967-08-09)
background vocals:
Micky Dolenz (from 1967-06-14 until 1967-08-09)
lead vocals:
Davy Jones (The Monkees member) (from 1967-06-14 until 1967-08-09)
horn and strings arranger:
Shorty Rogers (trumpet)
music videos:
Daydream Believer by The Monkees
part of:
TV Cream: Real 100 Best Singles Ever (number: 39)
recording of:
Daydream Believer (from 1967-06-14 until 1967-08-09)
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.653:00
25Informer
recording of:
Informer
lyricist:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary and Shawn Moltke (old-school US rapper Shawn Moltke)
writer:
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary and Shawn Moltke (old-school US rapper Shawn Moltke)
Snow34:17
26Girls on Film (2010 remaster)
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:33
27Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2000)
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:29
28Follow Me
edit of:
Follow Me (explicit) by Uncle Kracker
recording of:
Follow Me
writer:
Michael Bradford and Matthew Shafer
publisher:
Chunky Style Music, EMI Music Publishing (do not use as a release label!), Gaje Music, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner–Tamerlane (publisher; do NOT use as release label)
Uncle Kracker3:35
29Ain’t Nobody
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan4:05
30Love Shack
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s5:14
31Move On Up
edit of:
Move On Up by Curtis Mayfield
recording of:
Move on Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
32Kokomo
engineer and mixer:
Keith Wechsler
producer:
Terry Melcher
accordion:
Van Dyke Parks (from 1988-03-22 until 1988-04-06)
acoustic guitar:
Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
alto saxophone:
Joel Peskin (from 1988-03-22 until 1988-04-06)
bass:
Rod Clark (UK bassist) (from 1988-03-22 until 1988-04-06)
drums (drum set):
Jim Keltner (from 1988-03-22 until 1988-04-06)
slide guitar [electric slide guitar]:
Ry Cooder (from 1988-03-22 until 1988-04-06)
background vocals:
Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1988-03-22 until 1988-04-06), Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
lead vocals:
Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
performer:
The Beach Boys (American rock band) (from 1988-03-22 until 1988-04-06)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) and Touchstone Pictures (in 1988)
music videos:
Kokomo by The Beach Boys (American rock band)
recording of:
Kokomo (from 1988-03-22 until 1988-04-06)
writer:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher and John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
The Beach Boys4.353:36
33High Hopes
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Steve Genewick
miscellaneous support:
Ron Cabiltes and Danny Zook
programming:
Jonny Coffer and Cook Classics
engineer:
Suzy Shinn
producer:
Jake Sinclair
mixer:
Claudius Mittendorfer (engineer, producer, mixer)
bass:
Jake Sinclair
cello:
Jacob Braun (American cellist), Eric Byers (cellist), Caroline Dale (cellist), Steve Erdody and Tim Gill (cellist)
drums (drum set), piano and lead vocals:
Brendon Urie
guitar:
Kenneth Harris (former touring guitarist for Panic! at the Disco) and Jake Sinclair
saxophone:
Ryan Dragon (American trombonist), Jason Fabus, Morgan Jones (saxophone) and Peter Slocombe (saxophonist)
trumpet:
Jonathan Bradley (trumpet) and Mike Rocha (trumpeter)
viola:
Robert Brophy, Zach Dellinger, Brian Dembow, Peter Lale (violist), Shawn Mann (violist) and Bruce White (violist)
violin:
Charlie Bisharat (US violinist), Thomas Bowes (violinist), Bruce Dukov, Julie Gigante, Peter Hanson (violinist), Jackie Hartley (violinist), Jessica E. Guideri, Lisa Liu, Maya Magub, Rita Manning (violinist), Serena McKinney, Helen Nightengale, Tom Pigott‐Smith (violinist), Katia Popov, Emlyn Singleton (violinist), Tereza Stanislav, Cathy Thompson (violinist) and Warren Zielinski (violinist)
background vocals:
Kenneth Harris (former touring guitarist for Panic! at the Disco), Ilsey Juber, Suzy Shinn, Jake Sinclair and Brendon Urie
conductor:
Rob Mathes
arranger:
Rob Mathes
concertmaster:
Lori Casteel and Mike Casteel
phonographic copyright (℗) by:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2018) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2018)
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 11), Spotify: Top Hits of 2019 (number: 47) and BILLIONS CLUB
recording of:
High Hopes
writer:
Sam Hollander (writer, producer, songwriter, programming, composer), Ilsey Juber, Jonas Jeberg, Tayla Parx, Lauren Pritchard (American singer), Jake Sinclair, Brendon Urie, William Lobbin Bean and Jenny Owen Youngs
Panic! At The Disco3.353:12
34Young Hearts Run Free
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass guitar:
Scotty Edwards (bassist)
congas:
Eddie Bongo
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Jay Graydon and Ray Parker
keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) and Sonny Burke (soul/jazz/funk keyboardist)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
synthesizer:
Monty Stark
vibraphone:
Vic Feldman
background vocals:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells and June D. Williams
lead vocals:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
recorded at:
Sound City Studios in Van Nuys, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 424)
recording of:
Young Hearts Run Free
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. and IQ Music Ltd.
Candi Staton4.24:09
35You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:04
36Hand in My Pocket
recording engineer, producer and mixer:
Glen Ballard
guitar [guitars] and keyboard:
Glen Ballard
harmonica:
Alanis Morissette
vocals:
Alanis Morissette
phonographic copyright (℗) by:
Maverick Recording Company (not for release label use, for copyrights use only) (in 1995)
music videos:
Hand in My Pocket by Alanis Morissette
recording of:
Hand in My Pocket
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Songs of Universal, Inc. (BMI) and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette3.953:42
37(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:44
38Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
39Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:13
40Pack Up
producer:
Matt Prime
guest vocals:
Lloyd Wade
music videos:
Pack Up by Eliza Doolittle (Eliza, formerly Eliza Doolittle)
recording of:
Pack Up
writer:
Eliza Sophie Caird (Eliza, formerly Eliza Doolittle), Matt Prime and Tim Woodcock
quotes lyrics from:
Pack Up Your Troubles in Your Old Kit-Bag
Eliza Doolittle3.53:11
41Baby, I Love Your Way (radio mix)
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain34:30
42Le Freak
recording of:
Le Freak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
CHIC5:21
43Forget You
music videos:
Forget You by CeeLo Green
recording of:
Forget You
writer:
Brody Brown, CeeLo Green, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine and Bruno Mars (US singer)
revision of:
Fuck You
CeeLo Green3.353:43
44I Wanna Be the Only One
mixer:
Andy Bradfield
guest vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. and Rhettrhyme Music
Eternal & Bebe Winans2.53:37
45Mysterious Girl (radio edit)
miscellaneous support:
Bubbler Ranx (task: toast)
producer and mixer:
Ollie J
bass, drums (drum set) [drums] and keyboard [keyboards]:
Ollie J
saxophone:
Claudio Galdes
background vocals [backing vocals]:
Glen Goldsmith, Bubbler Ranx and Samantha Scott
mixed for and produced for:
Roll Over Productions
recorded at:
Roll Over Studios London in London (Greater London), England, United Kingdom
recording of:
Mysterious Girl
writer:
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs and Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music and Warner Chappell Music (publisher as Warner/Chappell Music)
Peter Andre3.13:39
46La Bamba
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) and Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Los Lobos4.152:55
47Here Comes the Sun
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
Rumer33:50
48Fairground
later releases:
Fairground by Simply Red (English soul and pop band)
recording of:
Fairground
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red4.655:33
49I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:46
50Get Down Tonight
art direction:
STT!
producer:
Harry Wayne Casey and Richard Finch
recording of:
Get Down Tonight
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music and Southern Music (publisher)
KC & the Sunshine Band4.55:17