The 20th-Century Cello

~ Release by Matt Haimovitz (see all versions of this release, 1 available)

Tracklist

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1▼CD: 477 5507
#TitleArtistRatingLength
1Cello Suite No.1, op.72: Canto primo: Sostenuto e largamente
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: I. Canto Primo. Sostenuto e largamente (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten2:03
2Cello Suite No.1, op.72: 1. Fuga: Andante moderato
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: 1. Fuga. Andante moderato (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten3:37
3Cello Suite No.1, op.72: 2. Lamento: Lento rubato
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: 2. Lamento. Lento rubato (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten2:47
4Cello Suite No.1, op.72: Canto secondo: Sostenuto
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: II. Canto secondo. Sostenuto (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten0:59
5Cello Suite No.1, op.72: 3. Serenata: Allegretto (pizzacato)
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: 3. Serenata. Allegretto pizzicato (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten2:24
6Cello Suite No.1, op.72: 4. Marcia: Alla marcia moderato
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: 4. Marcia. Alla marcia moderato (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten3:26
7Cello Suite No.1, op.72: Canto terzo: Sostenuto
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: III. Canto terzo. Sostenuto (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten1:55
8Cello Suite No.1, op.72: 5. Bordone: Moderato quasi recitativo
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: 5. Bordone. Moderato quasi recitativo (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten2:32
9Cello Suite No.1, op.72: 6. Moto perpetuo e Canto quarto: Presto · Sostenuto
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Cello Suite no. 1, op. 72: 6. Moto perpetuo e canto quarto. Presto (in 1990-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1964)
part of:
Cello Suite no. 1, op. 72
Benjamin Britten3:09
10Sonata for Solo Cello: I. Fantasia: Andante espressivo e con molto rubato
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Sonata for Solo Cello: I. Fantasia. Andante espressivo e con molto rubato (in 1990-09)
composer:
George Crumb (American composer) (in 1955)
part of:
Sonata for Solo Cello
George Crumb3:36
11Sonata for Solo Cello: II. Tema pastorale con variazioni
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Sonata for Solo Cello: II. Tema pastorale con variazioni (in 1990-09)
composer:
George Crumb (American composer) (in 1955)
part of:
Sonata for Solo Cello
George Crumb4:11
12Sonata for Solo Cello: III. Toccata: Largo e drammatico · Allegro vivace
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Sonata for Solo Cello: III. Toccata. Largo e drammatico - Allegro vivace (in 1990-09)
composer:
George Crumb (American composer) (in 1955)
part of:
Sonata for Solo Cello
George Crumb2:29
13Three Little Pieces for Cello & Piano, op.11: I. Mäßige Achtel
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Three Little Pieces, op. 11: I. Moderate quavers (in 1996-12)
composer:
Anton Webern (composer) (in 1914)
part of:
Three Little Pieces, op. 11
Anton Webern1:11
14Three Little Pieces for Cello & Piano, op.11: II. Sehr bewegt
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Three Little Pieces, op. 11: II. Very fast (in 1996-12)
composer:
Anton Webern (composer) (in 1914)
part of:
Three Little Pieces, op. 11
Anton Webern0:24
15Three Little Pieces for Cello & Piano, op.11: III. Äußerst ruhig
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Three Little Pieces, op. 11: III. Extremely peaceful (in 1996-12)
composer:
Anton Webern (composer) (in 1914)
part of:
Three Little Pieces, op. 11
Anton Webern1:19
163 Strophes sur le nom de Sacher: I. Un poco indeciso
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Trois strophes sur le nom de Sacher: I. Un poco indeciso (in 1996-12)
composer:
Henri Dutilleux (French composer) (from 1975 until 1982)
part of:
Trois strophes sur le nom de Sacher
Henri Dutilleux3:29
173 Strophes sur le nom de Sacher: II. Andante sostenuto
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Trois strophes sur le nom de Sacher: II. Andante sostenuto (in 1996-12)
composer:
Henri Dutilleux (French composer) (from 1975 until 1982)
part of:
Trois strophes sur le nom de Sacher
Henri Dutilleux2:34
183 Strophes sur le nom de Sacher: III. Vivace
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Trois strophes sur le nom de Sacher: III. Vivace (in 1996-12)
composer:
Henri Dutilleux (French composer) (from 1975 until 1982)
part of:
Trois strophes sur le nom de Sacher
Henri Dutilleux2:57
19Sonata for Cello & Piano: I. Prologue: Lent
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: I. Prologue (Sonata for Cello and Piano: I. Prologue) (in 1996-12)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy4:23
20Sonata for Cello & Piano: II. Sérénade: Modérément animé. Fantastique et léger
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: II. Sérénade (Sonata for Cello and Piano: II. Serenade) (in 1996-12)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy3:30
21Sonata for Cello & Piano: III. Finale: Animé
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: III. Finale (Sonata for Cello and Piano: III. Finale) (in 1996-12)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy3:45
22Tema "Sacher" for Cello Solo: Lento maestoso · Largamente
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Tema "Sacher" (in 1996-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1976)
Benjamin Britten2:04
23Sonata in C for Cello & Piano, op.65: I. Dialogo: Allegro
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Cello Sonata in C major, op. 65: I. Dialogo (in 1996-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten7:34
24Sonata in C for Cello & Piano, op.65: II. Scherzo: Allegretto (pizzicato)
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Cello Sonata in C major, op. 65: II. Scherzo: pizzicato (in 1996-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten2:36
25Sonata in C for Cello & Piano, op.65: III. Elegia: Lento
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Cello Sonata in C major, op. 65: III. Elegia (in 1996-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten6:14
26Sonata in C for Cello & Piano, op.65: IV. Marcia: Energico
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Cello Sonata in C major, op. 65: IV. Marcia (in 1996-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten2:07
27Sonata in C for Cello & Piano, op.65: V. Moto Perpetuo: Presto
producer:
Arend Prohmann (producer / editor)
cello:
Matt Haimovitz (cellist) (in 1996-12)
piano:
Philippe Cassard (pianist) (in 1996-12)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1999)
recorded at:
Espace de projection (IRCAM) in Paris, Île-de-France, France (in 1996-12)
recording of:
Cello Sonata in C major, op. 65: V. Moto perpetuo (in 1996-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten2:31
2▼CD: 477 5508
#TitleArtistRatingLength
1Cello Suite in G, op.131c/1: I. Präludium: Vivace
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Suite für Violoncello in G-Dur, op. 131c Nr. 1: I. Präludium. Vivace (in 1990-09)
composer:
Max Reger (German composer) (in 1915)
part of:
Suite für Violoncello in G-Dur, op. 131c Nr. 1
Max Reger3:51
2Cello Suite in G, op.131c/1: II. Adagio
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Suite für Violoncello in G-Dur, op. 131c Nr. 1: II. Adagio (in 1990-09)
composer:
Max Reger (German composer) (in 1915)
part of:
Suite für Violoncello in G-Dur, op. 131c Nr. 1
Max Reger5:18
3Cello Suite in G, op.131c/1: III. Fuge: Allegro
producer and balance engineer:
Wolfgang Mitlehner
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Suite für Violoncello in G-Dur, op. 131c Nr. 1: III. Fuge. Allegro (in 1990-09)
composer:
Max Reger (German composer) (in 1915)
part of:
Suite für Violoncello in G-Dur, op. 131c Nr. 1
Max Reger3:13
4Sonata for Solo Cello, op.25/3: I. Lebhaft, sehr markiert. Mit festen Bogenstrichen
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Sonata for cello solo, op. 25 no. 3: I. Lebhaft sehr markiert (in 1995-11)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1940)
part of:
Sonata for Cello Solo, op. 25 no. 3
Paul Hindemith1:53
5Sonata for Solo Cello, op.25/3: II. Mäßig schnell, gemächlich. Durchweg sehr leise
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Sonata for cello solo, op. 25 no. 3: II. Mäßig schnell, Gemächlich (in 1995-11)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1922 until 1923)
part of:
Sonata for Cello Solo, op. 25 no. 3
Paul Hindemith1:49
6Sonata for Solo Cello, op.25/3: III. Langsam · Ruhig
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Sonata for cello solo, op. 25 no. 3: III. Langsam (in 1995-11)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1922 until 1923)
part of:
Sonata for Cello Solo, op. 25 no. 3
Paul Hindemith3:54
7Sonata for Solo Cello, op.25/3: IV. Lebhafte Viertel. Ohne jeden Ausdruck und stets Pianissimo
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Sonata for cello solo, op. 25 no. 3: IV. Lebhafte viertel (in 1995-11)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1922 until 1923)
part of:
Sonata for Cello Solo, op. 25 no. 3
Paul Hindemith0:44
8Sonata for Solo Cello, op.25/3: V. Mäßig schnell. Sehr scharf markierte Viertel
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Sonata for cello solo, op. 25 no. 3: V. Mäßig schnell (in 1995-11)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1922 until 1923)
part of:
Sonata for Cello Solo, op. 25 no. 3
Paul Hindemith2:03
9Synchronisms No.3: Espressivo assai · Tempo giusto · Più lento · Calmo
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Synchronisms no. 3 (in 1995-11)
composer:
Mario Davidovsky (Argentine-American composer) (in 1964)
Mario Davidovsky4:55
10Cello Suite No.2, op.80: I. Declamato: Largo
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Cello Suite no. 2, op. 80: I. Declamato. Largo (in 1995-11)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1967)
part of:
Cello Suite no. 2, op. 80
Benjamin Britten4:20
11Cello Suite No.2, op.80: II. Fuga: Andante
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Cello Suite no. 2, op. 80: II. Fuga. Andante (in 1995-11)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1967)
part of:
Cello Suite no. 2, op. 80
Benjamin Britten5:13
12Cello Suite No.2, op.80: III. Scherzo: Allegro molto
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Cello Suite no. 2, op. 80: III. Scherzo. Allegro molto (in 1995-11)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1967)
part of:
Cello Suite no. 2, op. 80
Benjamin Britten2:00
13Cello Suite No.2, op.80: IV. Andante lento
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Cello Suite no. 2, op. 80: IV. Andante lento (in 1995-11)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1967)
part of:
Cello Suite no. 2, op. 80
Benjamin Britten5:33
14Cello Suite No.2, op.80: V. Ciaccona: Allegro
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Cello Suite no. 2, op. 80: V. Ciaccona. Allegro (in 1995-11)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1967)
part of:
Cello Suite no. 2, op. 80
Benjamin Britten6:52
15Six Pieces for Cello: I. Prelude: Allegro energico · Molto meno mosso e misterioso · Tempo I · Tranquillo
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Six Pieces for Violoncello: No. 1. Prelude (in 1995-11)
composer:
Roger Sessions (American composer) (in 1966)
part of:
Six Pieces for Violoncello
Roger Sessions1:19
16Six Pieces for Cello: II. Dialogue: Andante · Più mosso e poco stringendo · Tempo I
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Six Pieces for Violoncello: No. 2. Dialogue (in 1995-11)
composer:
Roger Sessions (American composer) (in 1966)
part of:
Six Pieces for Violoncello
Roger Sessions1:58
17Six Pieces for Cello: III. Scherzo: Allegro
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Six Pieces for Violoncello: No. 3. Scherzo (in 1995-11)
composer:
Roger Sessions (American composer) (in 1966)
part of:
Six Pieces for Violoncello
Roger Sessions1:27
18Six Pieces for Cello: IV. Berceuse: Lento e dolce
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Six Pieces for Violoncello: No. 4. Berceuse (in 1995-11)
composer:
Roger Sessions (American composer) (in 1966)
part of:
Six Pieces for Violoncello
Roger Sessions2:27
19Six Pieces for Cello: V. Fantasy: Con fantasia
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Six Pieces for Violoncello: No. 5. Capriccio (in 1995-11)
composer:
Roger Sessions (American composer) (in 1966)
part of:
Six Pieces for Violoncello
Roger Sessions1:14
20Six Pieces for Cello: VI. Epilogue: Adagio molto
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Six Pieces for Violoncello: No. 6. Epilogue (in 1995-11)
composer:
Roger Sessions (American composer) (in 1966)
part of:
Six Pieces for Violoncello
Roger Sessions2:38
21Cello Suite: I. Preludio: Andante, rubato
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Suite for Solo Cello: I. Preludio (in 1995-11)
composer:
John Harbison (American composer) (in 1993)
part of:
Suite for Solo Cello
John Harbison2:29
22Cello Suite: II. Fuga · Burletta: Allegro moderato
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Suite for Solo Cello: II. Fuga
composer:
John Harbison (American composer) (in 1993)
part of:
Suite for Solo Cello
John Harbison2:38
23Cello Suite: III. Sarabanda: Lento molto
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Suite for Solo Cello: III. Sarabanda (in 1995-11)
composer:
John Harbison (American composer) (in 1993)
part of:
Suite for Solo Cello
John Harbison2:25
24Cello Suite: IV. Giga: Prestissimo
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Suite for Solo Cello: IV. Giga (in 1995-11)
composer:
John Harbison (American composer) (in 1993)
part of:
Suite for Solo Cello
John Harbison1:36
25Hebrew Melodies: I. Psalm 93: Moderato
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Hebrew Melodies: I. Psalm 93 (in 1995-11)
composer:
George Perle (American composer) (in 1945)
part of:
Hebrew Melodies for Unaccompanied Cello
George Perle2:42
26Hebrew Melodies: II. Cantillation: Moderato
producer:
Karl-August Naegler (balance engineer)
cello:
Matt Haimovitz (cellist) (in 1995-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1995-11)
recording of:
Hebrew Melodies: II. Cantillation (in 1995-11)
composer:
George Perle (American composer) (in 1945)
part of:
Hebrew Melodies for Unaccompanied Cello
George Perle3:24
3▼CD: 477 5509
#TitleArtistRatingLength
1Sonata for Solo Cello, op.8: I. Allegro maestoso ma appassionato
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Sonata for solo cello, op. 8: I. Allegro maestoso ma appassionato (in 1993-09)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1915)
part of:
Sonata for solo cello, op. 8
Zoltán Kodály9:18
2Sonata for Solo Cello, op.8: II. Adagio
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Sonata for solo cello, op. 8: II. Adagio (in 1993-09)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1915)
part of:
Sonata for solo cello, op. 8
Zoltán Kodály12:02
3Sonata for Solo Cello, op.8: III. Allegro molto vivace
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Sonata for solo cello, op. 8: III. Allegro molto vivace (in 1993-09)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1915)
part of:
Sonata for solo cello, op. 8
Zoltán Kodály11:41
4Cello Suite No.3, op.87: 1. Introduzione: Lento
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Cello Suite no. 3, op. 87: I. Introduzione (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten2:15
5Cello Suite No.3, op.87: 2. Marcia: Allegro
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Cello Suite no. 3, op. 87: II. Marcia (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten1:45
6Cello Suite No.3, op.87: 3. Canto: Con moto
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Cello Suite no. 3, op. 87: III. Canto (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten1:17
7Cello Suite No.3, op.87: 4. Barcarolla: Lento
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Cello Suite no. 3, op. 87: IV. Barcarola (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten1:35
8Cello Suite No.3, op.87: 5. Dialogo: Allegretto
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Cello Suite no. 3, op. 87: V. Dialogo (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten1:36
9Cello Suite No.3, op.87: 6. Fuga: Andante espressivo
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Cello Suite no. 3, op. 87: VI. Fuga (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten2:54
10Cello Suite No.3, op.87: 7. Recitativo: Fantastico
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Cello Suite no. 3, op. 87: VII. Recitativo (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten1:24
11Cello Suite No.3, op.87: 8. Moto perpetuo: Presto
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
recording of:
Cello Suite no. 3, op. 87: VIII. Moto perpetuo (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten0:55
12Cello Suite No.3, op.87: 9. Passacaglia: Lento solenne
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
partial recording of:
Cello Suite no. 3, op. 87: IX. Passacaglia (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten5:21
13Cello Suite No.3, op.87: 9. Three Russian folk songs & Grand Repose
producer:
Werner Mayer (classical producer)
cello:
Matt Haimovitz (cellist) (in 1993-09)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
partial recording of:
Cello Suite no. 3, op. 87: IX. Passacaglia (in 1993-09)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1971)
part of:
Cello Suite no. 3, op. 87
Benjamin Britten4:35
14Les Mots sont allés: Intime, comme en parlant
producer and balance engineer:
Max Wilcox (engineer/editor/producer)
cello:
Matt Haimovitz (cellist) (in 1994-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1994-02)
recording of:
Les mots sont allés ... (in 1994-02)
composer:
Luciano Berio (Italian composer) (in 1978)
dedicated to:
Paul Sacher
Luciano Berio3:20
15Capriccio for Cello: Vivace
producer and balance engineer:
Max Wilcox (engineer/editor/producer)
cello:
Matt Haimovitz (cellist) (in 1994-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1994-02)
recording of:
Capriccio per violoncello solo (in 1994-02)
composer:
Hans Werner Henze (German composer) (in 1981)
cello arranger:
Heinrich Schiff (cellist and conductor) (in 1981)
premiered by:
Heinrich Schiff (cellist and conductor) (on 1983-09-24)
premiered at:
Brucknerfest 1983 (1983-09)
premiered at:
Brucknerhaus in Linz, Oberösterreich (Upper Austria), Austria (on 1983-09-24)
arrangement of:
Capriccio per Paul Sacher
Hans Werner Henze9:33
16Sonata for Cello: I. Dialogo: Adagio, rubato, cantabile
executive producer:
Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer and balance engineer:
Wolfgang Mitlehner
editor:
Mark Hohn (engineer)
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Sonata for Cello Solo: I. Dialogo (in 1990-09)
composer:
György Ligeti (Austrian-Hungarian composer) (in 1948)
part of:
Sonata for Cello Solo
György Ligeti4:55
17Sonata for Cello: II. Capriccio: Presto con slancio
executive producer:
Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer and balance engineer:
Wolfgang Mitlehner
editor:
Mark Hohn (engineer)
cello:
Matt Haimovitz (cellist) (in 1990-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Filialkirche St. Konrad von Parzham in Salzburg, Austria (in 1990-09)
recording of:
Sonata for Cello Solo: II. Capriccio (in 1990-09)
composer:
György Ligeti (Austrian-Hungarian composer) (in 1953)
part of:
Sonata for Cello Solo
György Ligeti3:46