Hitchcock: Original Motion Picture Soundtrack

~ Release by Danny Elfman (see all versions of this release, 4 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Logos
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Logos
composer:
Danny Elfman (American singer and score composer)
0:49
2Theme From "Hitchcock"
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Theme From "Hitchcock"
composer:
Danny Elfman (American singer and score composer)
1:22
3The Premiere
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
The Premiere
composer:
Danny Elfman (American singer and score composer)
0:40
4Paramount / Out the Gate
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Paramount / Out the Gate
composer:
Danny Elfman (American singer and score composer)
1:56
5Mommy Dearest
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Mommy Dearest
composer:
Danny Elfman (American singer and score composer)
0:58
6In Bed
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
In Bed
composer:
Danny Elfman (American singer and score composer)
0:36
7Impulses
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Impulses
composer:
Danny Elfman (American singer and score composer)
1:29
8The Censor
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
The Censor
composer:
Danny Elfman (American singer and score composer)
0:59
9The Swim
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
The Swim
composer:
Danny Elfman (American singer and score composer)
2:03
10Peeping
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Peeping
composer:
Danny Elfman (American singer and score composer)
0:36
11Sacrifices
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Sacrifices
composer:
Danny Elfman (American singer and score composer)
1:16
12Walk With Hitch
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Walk With Hitch
composer:
Danny Elfman (American singer and score composer)
0:56
13Celery
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Celery
composer:
Danny Elfman (American singer and score composer)
1:59
14Telephone
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Telephone
composer:
Danny Elfman (American singer and score composer)
1:08
15Suspicion
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Suspicion
composer:
Danny Elfman (American singer and score composer)
2:30
16Explosion
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Explosion
composer:
Danny Elfman (American singer and score composer)
3:11
17Selling Psycho
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Selling Psycho
composer:
Danny Elfman (American singer and score composer)
1:38
18Fantasy Smashed
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Fantasy Smashed
composer:
Danny Elfman (American singer and score composer)
1:30
19The Sand
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
The Sand
composer:
Danny Elfman (American singer and score composer)
1:22
20It's a Wrap
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
It's a Wrap
composer:
Danny Elfman (American singer and score composer)
1:05
21Busted
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Busted
composer:
Danny Elfman (American singer and score composer)
0:58
22Saving the House
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Saving the House
composer:
Danny Elfman (American singer and score composer)
1:01
23Finally
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Finally
composer:
Danny Elfman (American singer and score composer)
1:46
24Home at Last
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Home at Last
composer:
Danny Elfman (American singer and score composer)
0:59
25End Credit #1
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
End Credit #1
composer:
Danny Elfman (American singer and score composer)
2:33
26End Credit #2
recording engineer:
Nick Wollage
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Fiona Cruickshank
producer:
Danny Elfman (American singer and score composer)
assistant mixer:
Greg Hayes (engineer)
mixer:
Dennis Sands (American sound engineer)
editor:
Shie Rozow and Philip Tallman
conductor:
Rick Wentworth
orchestrator:
Steve Bartek and Edgardo Simone
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
End Credit #2
composer:
Danny Elfman (American singer and score composer)
2:25
27Funeral March for a Marionette
recording of:
Marche funèbre d’une marionnette (for orchestra, 1879)
composer:
Charles Gounod (French composer)
arrangement of:
Marche funèbre d’une marionnette (Funeral March of a Marionette, original, for piano solo, 1872)
0:53