Greatest Hits

~ Release by Jerry Lee Lewis (see all versions of this release, 1 available)

Tracklist

1Medium
#TitleRatingLength
1Good Golly Miss Molly
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Floyd Chance (on 1962-09-11)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1962-09-11)
guitar:
Fred Carter (on 1962-09-11) and Kelton ‘Kelso’ Herston (on 1962-09-11)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-09-11)
background vocals and choir vocals:
Helen Chance (on 1962-09-11), Neal Matthews (on 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (on 1962-09-11) and Marijohn Wilkin (on 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-09-11)
phonographic copyright (℗) by:
Sun Record Company (in 1962)
remix of:
Good Golly Miss Molly (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Good Golly Miss Molly (on 1962-09-11)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
2:21
2High School Confidential
phonographic copyright (℗) by:
Sun Record Company (from 1958 to present)
recording of:
High School Confidential
writer:
Ron Hargrave (from 1958-01 until 1958-01-28) and Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01 until 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music and Penron Music Publishing
2:32
3Great Balls of Fire
phonographic copyright (℗) by:
Charly Records (from 2008 to present)
recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
1:54
4Night Train to Memphis
producer:
Ernie Barton
bass guitar:
Leo Lodner (from 1959-06-25 until 1959-06-26)
drums (drum set):
Russell Smith (US 1950s drummer) (from 1959-06-25 until 1959-06-26)
guitar:
Roland Janes (from 1959-06-25 until 1959-06-26) and Billy Lee Riley (from 1959-06-25 until 1959-06-26)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
cover recording of:
Night Train to Memphis (from 1959-06-25 until 1959-06-26)
writer:
Owen Bradley, Marvin Hughes and Beasley Smith
publisher:
Peer International Corporation (BMI)
2:13
5When the Saints Go Marching In
recording of:
When the Saints Go Marching In
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
2:13
6Frankie and Johnny
producer:
Jack Clement, Bill Justis and Sam Phillips (founder of Sun Records)
bass guitar:
Billy Lee Riley (from 1958-12 until 1959-01)
drums (drum set):
Jimmy Van Eaton (from 1958-12 until 1959-01)
guitar:
Roland Janes (from 1958-12 until 1959-01)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-12 until 1959-01)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
recording of:
Frankie and Johnny (Jerry Lee Lewis version) (from 1958-12 until 1959-01)
writer:
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
arrangement of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
2:35
7Good Rockin' Tonight2:47
8Whole Lotta Shakin' Going On
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) and Charly Records (from 2008 to present)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-02-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (on 1957-02-05)
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
4.652:56
9You Win Again
lead vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1963-09-22 until 1963-09-24)
cover recording of:
You Win Again (from 1963-09-22 until 1963-09-24)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1952-09-03)
2:59
10Jambalaya
2:02
11Matchbox
phonographic copyright (℗) by:
Sun Record Company (from 1958 to present)
cover recording of:
Matchbox
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music and Wren Music Co.
version of:
Match Box Blues
recording of:
Matchbox
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music and Wren Music Co.
version of:
Match Box Blues
1:45
12Breathless
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1958-01-21)
drums (drum set):
Jimmy Van Eaton (on 1958-01-21)
guitar:
Roland Janes (on 1958-01-21) and Billy Lee Riley (on 1958-01-21)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-01-21)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
recording of:
Breathless (on 1958-01-21)
lyricist and composer:
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. and Obie Music Inc.
42:44
13Crazy Arms
phonographic copyright (℗) by:
Charly Records (from 2008 to present)
cover recording of:
Crazy Arms
writer:
Ralph Mooney (in 1954) and Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) and MCA Music Svenska AB (in 1978)
2:46
14Break Up
recording of:
Break Up
lyricist and composer:
Charlie Rich (US country singer)
publisher:
Knox Music, Inc.
2:41
15What'd I Say
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Bob Moore (U.S. bassist and bandleader) (on 1961-02-09)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-02-09)
guitar:
Hank Garland (on 1961-02-09) and Kelton ‘Kelso’ Herston (on 1961-02-09)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-02-09)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-02-09)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
remix of:
What’d I Say (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
What’d I Say (on 1961-02-09)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2:29
16Whol Lot of Twistin'
3:22
17I'll Make It Up to You
recording of:
I’ll Make It All Up to You
lyricist and composer:
Charlie Rich (US country singer)
publisher:
Hi Lo Music
3:08
18Be Bop-A-Lula
producer:
Scotty Moore (American guitarist and recording engineer) and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1962-06-14)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1962-06-14)
guitar:
Roland Janes (on 1962-06-14) and Scotty Moore (American guitarist and recording engineer) (on 1962-06-14)
organ:
Shirley Sisk (on 1962-06-14)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-06-14)
phonographic copyright (℗) by:
Sun Record Company (in 1971)
remix of:
Be‐Bop‐A‐Lula (stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Be‐Bop‐a‐Lula (on 1962-06-14)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
2:26