Der Rosenkavalier

~ Release by Richard Strauss, Herbert von Karajan, Christa Ludwig, Teresa Stich‐Randall, Otto Edelmann, Eberhard Wächter, Philharmonia Orchestra & Philharmonia Chorus (see all versions of this release, 10 available)

Tracklist

| |
1▼CD: Act One
#TitleArtistRatingLength
1Der Rosenkavalier: Act I: Einleitung/Introduction
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:08
2Der Rosenkavalier: Act I: Wie du warst! Wie du bist!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:37
3Der Rosenkavalier: Act I: Lachst du mich aus? ...Lach' ich dich aus?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act I. "Lachst du mich aus? ...Lach' ich dich aus?"
Richard Strauss4:20
4Der Rosenkavalier: Act I: Der Feldmarschall sitzt im krowatischen Wald
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:10
5Der Rosenkavalier: Act I: Quinquin, es ist ein Besuch
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:49
6Der Rosenkavalier: Act I: Selbstverständlich empfängt mich Ihro Gnaden
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:22
7Der Rosenkavalier: Act I: Euer Gnaden werden vielleicht verwundert sein
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act I. "Euer Gnaden werden vielleicht verwundert sein"
Richard Strauss2:49
8Der Rosenkavalier: Act I: Dann ziehen wir ins Palais von Faninal
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act I. "Dann ziehen wir ins Palais von Faninal"
Richard Strauss3:05
9Der Rosenkavalier: Act I: Hat Sie schon einmal mit einem Kavalier
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:52
10Der Rosenkavalier: Act I: Geben mir Euer Gnaden den Grasaff' da
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:08
11Der Rosenkavalier: Act I: I komm' glei' ... Drei arme, adelige Waisen
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Anny Felbermayer (soprano) (from 1956-12-10 until 1956-12-22) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:03
12Der Rosenkavalier: Act I: Di rigori armato il seno
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1956-12)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:55
13Der Rosenkavalier: Act I: Als Morgengabe, ganz separatim jedoch
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Nicolai Gedda (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:02
14Der Rosenkavalier: Act I: Mein lieber Hippolyte
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:42
15Der Rosenkavalier: Act I: Da geht er hin, der aufgeblasene schlechte Kerl
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-12-10 until 1956-12-22)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:13
16Der Rosenkavalier: Act I: Ach, du bist wieder da?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:01
17Der Rosenkavalier: Act I: Oh, sei Er gut, Quinquin
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act I. "Oh, sei Er gut, Quinquin"
Richard Strauss2:22
18Der Rosenkavalier: Act I: Die Zeit im Grunde, Quinquin
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act I. "Die Zeit im Grunde, Quinquin"
Richard Strauss2:43
19Der Rosenkavalier: Act I: Mein schöner Schatz
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:58
20Der Rosenkavalier: Act I: Quinquin, Er soll jetzt geh'n
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Quinquin, er soll jetzt geh'n
part of:
Der Rosenkavalier, op. 59: Akt I. "Ich hab' ihn nicht einmal geküßt"
Richard Strauss3:59
21Der Rosenkavalier: Act I: Ich hab' ihn nicht einmal geküßt!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich hab' ihn nicht einmal geküßt"
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:50
2▼CD: Act Two
#TitleArtistRatingLength
1Der Rosenkavalier: Act II: Ein ernster Tag, ein großer Tag
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss1:49
2Der Rosenkavalier: Act II: In dieser feierlichen Stunde der Prüfung
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:18
3Der Rosenkavalier: Act II: Mir ist die Ehre widerfahren
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:15
4Der Rosenkavalier: Act II: Hat einen starken Geruch wie Rosen
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act II. "Hat einen starken Geruch wie Rosen"
Richard Strauss2:38
5Der Rosenkavalier: Act II: Wo war ich schon einmal und war so selig?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act II. "Wo war ich schon einmal und war so selig?"
Richard Strauss2:55
6Der Rosenkavalier: Act II: Ich kenn' Ihn doch rect wohl
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:02
7Der Rosenkavalier: Act II: Jetzt aber kommt mein Herr Zukünftiger
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:53
8Der Rosenkavalier: Act II: Belieben jetzt vielleicht ... ist ein alter Tokaier
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
recording of:
Der Rosenkavalier: Akt II. "Belieben jetzt vielleicht ... ist ein alter Tokaier" (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:32
9Der Rosenkavalier: Act II: Möcht' wissen, was Ihm dünkt von mir und Ihm
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act II. "Möcht' wissen, was Ihm dünkt von mir und Ihm"
Richard Strauss3:21
10Der Rosenkavalier: Act II: Wird Sie das Mannsbild da heiraten
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Wird Sie das Mannsbild da heiraten"
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:45
11Der Rosenkavalier: Act II: Mit Ihren Augen voll Tränen
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:35
12Der Rosenkavalier: Act II: Herr Baron von Lerchenau!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:20
13Der Rosenkavalier: Act II: Ich hoff', Er kommt vielmehr jetzt mit mir hinters Haus
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act II. "Ich hoff', Er kommt vielmehr jetzt mit mir hinters Haus"
Richard Strauss4:24
14Der Rosenkavalier: Act II: Er muß mich pardonieren
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:45
15Der Rosenkavalier: Act II: Heirat' den Herrn dort nicht lebendig und nicht tot!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act II. "Heirat' den Herrn dort nicht lebendig und nicht tot!"
Richard Strauss3:47
16Der Rosenkavalier: Act II: Da lieg' ich!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:41
17Der Rosenkavalier: Act II: Und doch, muß lachen, wie sich so ein Luder
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act II. "Und doch, muß lachen, wie sich so ein Luder"
Richard Strauss2:43
18Der Rosenkavalier: Act II: Ohne mich, ohne mich jeder Tag dir zu bang
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ohne mich, ohne mich jeder Tag dir so bang"
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:00
19Der Rosenkavalier: Act II: Ganz zu Befehl, Herr Kavalier
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act II. "Ganz zu Befehl, Herr Kavalier"
Richard Strauss3:05
3▼CD: Act Three
#TitleArtistRatingLength
1Der Rosenkavalier: Act III: Einleitung/Introduction
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. Introduction
Richard Strauss2:53
2Der Rosenkavalier: Act III: Pantomime
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. Pantomime
Richard Strauss3:57
3Der Rosenkavalier: Act III: Hab'n Euer Gnaden noch weitre Befehle?"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:54
4Der Rosenkavalier: Act III: Nein, nein, nein, nein! I trink' kein Wein
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:30
5Der Rosenkavalier: Act III: Die schöne Musi!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Die schöne Musi!" (Octavian, Baron)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:45
6Der Rosenkavalier: Act III: Macht Sie der Wein leicht immer so?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. "Macht Sie der Wein leicht immer so?"
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
Richard Strauss1:39
7Der Rosenkavalier: Act III: Er ist es! Es ist mein Mann!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. "Er ist es! Es ist mein Mann!"
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:16
8Der Rosenkavalier: Act III: Halt! Keiner rührt sich!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Halt! Keiner rührt sich!"
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:00
9Der Rosenkavalier: Act III: Zur Stelle! Was wird von mir gewünscht?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Zur Stelle! Was wird von mir gewünscht?"
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:47
10Der Rosenkavalier: Act III: Die Braut! Oh was für ein Skandal!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. "Die Braut! Oh was für ein Skandal!"
Richard Strauss1:50
11Der Rosenkavalier: Act III: Sind desto eher im Klaren!
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:50
12Der Rosenkavalier: Act III: Bin glücklich über Maßen
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Bin glücklich über Maßen...Muss jetzt partout zu ihr"
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:23
13Der Rosenkavalier: Act III: Er sieht, Herr Kommissar, das Ganze war halt eine Farce
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. "Er sieht, Herr Kommissar, das Ganze war halt eine Farce"
Richard Strauss3:57
14Der Rosenkavalier: Act III: Bin von so viel Finesse charmiert
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. "Bin von so viel Finesse charmiert"
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:28
15Der Rosenkavalier: Act III: Leupold, wir geh'n!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Leopold, wir gehn!"
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:44
16Der Rosenkavalier: Act III: Mein Gott, es war nicht mehr als eine Farce
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:19
17Der Rosenkavalier: Act III: Heut oder morgen oder den übernächsten Tag
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:16
18Der Rosenkavalier: Act III: So schnell hat Sie ihn gar so lieb?
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. "So schnell hat Sie ihn gar so lieb?"
Richard Strauss2:17
19Der Rosenkavalier: Act III: Marie Theres'!... Hab' mir's gelobt
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:40
20Der Rosenkavalier: Act III: Ist ein Traum, kann nicht wirklich sein ... Spür' nur dich allein
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:06
21Der Rosenkavalier: Act III: Sind halt aso, die jungen Leut'!
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1956-12)
conductor:
Herbert von Karajan (conductor) (in 1956-12)
recording of:
Der Rosenkavalier: Act III. "Sind halt aso, die jungen Leut'!"
Richard Strauss2:06
22Der Rosenkavalier: Act III: Ist ein Traum, kann nicht wirklich sein ... Spür' nur dich allein
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:00