Happy Birthday, Duke!

~ Release by Duke Ellington and His Orchestra (see all versions of this release, 2 available)

Annotation

5 CDs in jewel cases, in a slipcase box

Annotation last modified on 2025-11-29 13:08 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Lullaby of Birdland
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1953-04-30)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
3:05
2Time on My Hands
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Time on My Hands (on 1953-04-30)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
5:35
3Don’t Worry ’Bout Me
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Don’t Worry ’Bout Me (on 1953-04-30)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
4:18
4Take the “A” Train
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1953-04-30)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
4:58
5Liza (All the Clouds’ll Roll Away)
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Liza (All the Clouds’ll Roll Away) (on 1953-04-30)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
part of:
An American in Paris (2015 Broadway musical)
5:55
6Creole Love Call
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Creole Love Call (on 1953-04-30)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:11
7Boo‐Dah
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Boo-Dah (on 1953-04-30)
writer:
Billy Strayhorn
4:03
8Stomp, Look and Listen
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Stomp, Look and Listen (on 1953-04-30)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:10
9Happy Go Lucky Local
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Happy Go Lucky Local (on 1953-04-30)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1946) and Billy Strayhorn (in 1946)
5:44
2▼CD
#TitleRatingLength
1Summertime
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1953-04-30)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:30
2Warm Valley
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Warm Valley (on 1953-04-30)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:40
3Sultry Serenade
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live instrumental recording of:
How Could You Do a Thing Like That to Me (a.k.a. Sultry Serenade) (on 1953-04-30)
writer:
Allan Roberts (songwriter) and Tyree Glenn
4:10
4Hy‐ah Sue
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Hy’a Sue (on 1953-04-30)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
8:01
5Sophisticated Lady
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Sophisticated Lady (on 1953-04-30)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:26
6I Let a Song Go Out of My Heart / Don’t Get Around Much Anymore
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Don’t Get Around Much Anymore (on 1953-04-30)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
live recording of:
I Let a Song Go Out of My Heart (on 1953-04-30)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:59
7Just Squeeze Me (But Don’t Tease Me)
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1953-04-30)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
4:14
8Caravan
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Caravan (on 1953-04-30)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
4:27
9Perdido
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Perdido (original instrumental version) (on 1953-04-30)
composer:
Juan Tizol
5:18
10Without a Song
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Without a Song (on 1953-04-30)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
3:53
3▼CD
#TitleRatingLength
1Things Ain’t What They Used to Be
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Things Ain’t What They Used to Be (on 1953-04-30)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
8:16
2The Hawk Talks
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
The Hawk Talks (on 1953-04-30)
composer:
Louie Bellson
3:28
3C Jam Blues
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
“C” Jam Blues (on 1953-04-30)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
5:10
4Tenderly
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Tenderly (on 1953-04-30)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:42
5All the Things You Are
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
All the Things You Are (from “Very Warm for May”) (on 1953-04-30)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
5:15
6Solitude
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
(In My) Solitude (on 1953-04-30)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
2:24
7She Moved
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Ballin’ the Blues (on 1953-04-30)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Sony/ATV Harmony
7:38
8Happy Birthday to You
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Happy Birthday to You (on 1953-04-30)
writer:
Mildred J. Hill and Patty Hill
publisher:
Keith Prowse Music and Warner/Chappell (Warner/Chappell Music, Inc.)
is based on:
Good Morning to All
0:31
9Mood Indigo
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Mood Indigo (1930 jazz composition and song) (on 1953-04-30)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:55
10Trumpet No End (Blue Skies)
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live instrumental recording of:
Blue Skies (on 1953-04-30)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:45
11Take the “A” Train
recording engineer:
Wally Heider (on 1953-04-30)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1953-04-30)
live recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1953-04-30)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
1:06
4▼CD
#TitleRatingLength
1Coffee and Kisses
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Coffee in the Morning (and Kisses in the Night) (on 1954-04-29)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
3:14
2Johnny Come Lately
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Stomp (Johnny Come Lately) (on 1954-04-29)
composer:
Billy Strayhorn
2:46
3Change My Ways
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Change My Ways (on 1954-04-29)
lyricist:
John Latouche
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Chappell & Co., Inc. (USA)
3:32
4Primpin’ at the Prom
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Primping at the Prom (on 1954-04-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Sony/ATV Harmony and Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:39
5Band Call
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Band Call (on 1954-04-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:40
6Satin Doll
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Satin Doll (on 1954-04-29)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
3:17
7Blue Jean Beguine
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Blue Jean Beguine (on 1954-04-29)
composer:
William “Cat” Anderson
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
3:37
8Tulip or Turnip
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Tulip or Turnip (on 1954-04-29)
lyricist:
Don George (US songwriter/composer, 1909–1987)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:07
9Honeysuckle Rose
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Honeysuckle Rose (on 1954-04-29)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
5:13
10Theme for Trambeam
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Theme for Trambeam (on 1954-04-29)
composer:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:55
11Blue Moon
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Blue Moon (on 1954-04-29)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
4:51
5▼CD
#TitleRatingLength
1V.I.P.’s Boogie
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
V.I.P.'s Boogie (on 1954-04-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:52
2Jam With Sam
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Jam With Sam (on 1954-04-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:04
3Bunny Hop Mambo
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Bunny Hop (on 1954-04-29)
writer:
Ray Anthony and Leonard Auletti (songwriter, best known for co-writing "The Bunny Hop")
publisher:
Moonlight Music, Inc.
3:59
4Isle of Capri
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Isle of Capri (on 1954-04-29)
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Wilhelm Grosz (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd. (on 1934-07-27)
is based on:
מחנה זה עניין
3:39
5Take the “A” Train
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1954-04-29)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
3:52
6Take the “A” Train (instrumental)
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Flamingo (on 1954-04-29)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
3:35
7Flamingo
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Flamingo (on 1954-04-29)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
2:59
8I Got It Bad (And That Ain’t Good) / I’m Just a Lucky So and So
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
I’m Just a Lucky So and So (on 1954-04-29)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
3:45
9Ballin’ the Blues
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Ballin’ the Blues (on 1954-04-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Sony/ATV Harmony
9:20
10Satin Doll
recording engineer:
Wally Heider (on 1954-04-29)
recorded at:
McElroy's Ballroom in Portland, Oregon, United States (on 1954-04-29)
live recording of:
Satin Doll (on 1954-04-29)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
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