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~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Le nozze di Figaro, K. 469: Overture
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
4:14
2Piano Concerto no. 21 in C major, K. 467: 2. Andante
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Joachim Niss
editor:
Klaus Behrens (engineer)
piano:
Rudolf Serkin (pianist) (in 1982-10)
orchestra:
London Symphony Orchestra (in 1982-10)
conductor:
Claudio Abbado (conductor) (in 1982-10)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-10)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1982-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
7:58
3Horn Concerto no. 4 in E-flat major, K. 495: 3. Rondo (Allegro vivace)
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
horn:
David Jolley (French horn) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
3:41
4Serenade in G major, K. 525 "Eine kleine Nachtmusik": 1. Allegro
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
6:13
5Die Zauberflöte, K. 620: Act I. Der Vogelfänger bin ich ja (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:27
6Piano Sonata no. 11 in A major, K. 331: 3. Allegretto (Alla turca)
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
piano:
Christoph Eschenbach (pianist and conductor) (in 1967-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1967-05)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1967-05)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:33
7Clarinet Concerto In A major, K. 622: 2. Adagio (cadenza: Charles Neidich)
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basset clarinet:
Charles Neidich (clarinetist) (in 1987-03)
clarinet:
Charles Neidich (clarinetist)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
8:39
8Symphony no. 40 in G minor, K. 550: 1. Molto allegro
engineer:
Günter Hermanns (producer/engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1976-04)
conductor:
Karl Böhm (Austrian conductor) (in 1976-04)
balance engineer:
Günter Hermanns (producer/engineer) (in 1976-04)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1976-04)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1976-04)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
8:55
9Don Giovanni, ossia il dissoluto punito, K. 527 (Prague version): Act I. "Là ci darem la mano"
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:08
10Serenade in B-flat, K. 361 "Gran partita": 3. Adagio
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basset horn [basset horn I]:
Charles Neidich (clarinetist) (in 1986-12)
basset horn [basset horn II]:
Dennis Smylie (in 1986-12)
bassoon [bassoon I]:
Frank Morelli (bassoonist) (in 1986-12)
bassoon [bassoon II]:
Steven Dibner (in 1986-12)
clarinet [clarinet I]:
David Singer (clarinetist) (in 1986-12)
clarinet [clarinet II]:
Michael Sussman (in 1986-12)
double bass:
Donald Palma (double bass player) (in 1986-12)
horn [horn I]:
William Purvis (horn player and conductor) (in 1986-12)
horn [horn II]:
David Wakefield (American horn player) (in 1986-12)
horn [horn III]:
Stewart Rose (hornist) (in 1986-12)
horn [horn IV]:
Victoria Eisen (in 1986-12)
oboe [oboe I]:
Randall Wolfgang (oboist) (in 1986-12)
oboe [oboe II]:
Stephen Taylor (oboist) (in 1986-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1986-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1986-12)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (in 1986-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
5:31
11Piano Concerto no. 20 in D minor, K. 466: 2. Romance
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Klaus Behrens (engineer) and Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Christopher Alder (editor/engineer/producer)
piano:
Rudolf Serkin (pianist) (in 1981-11)
orchestra:
London Symphony Orchestra (in 1981-11)
conductor:
Claudio Abbado (conductor) (in 1981-11)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze (in 1981-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
9:50
12Requiem in D minor, K. 626: 3. Sequentia: Lacrimosa
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
organ:
Hans Haselböck (organist) (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
54:13
13Symphony no. 41 in C, K. 551 "Jupiter": 3. Menuetto (Allegretto)
engineer:
Günter Hermanns (producer/engineer)
executive producer:
Werner Mayer (classical producer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1976-04)
conductor:
Karl Böhm (Austrian conductor) (in 1976-04)
balance engineer:
Günter Hermanns (producer/engineer) (in 1976-04)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1976-04)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (in 1976-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
5:43
14Piano Sonata no. 16 in C, K. 545 "Sonata facile": 1. Allegro
piano:
Christoph Eschenbach (pianist and conductor) (in 1968-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Ufa-Studio in Berlin, Germany (in 1968-10)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: 1. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1968-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
3:57
15Exsultate, jubilate, K. 165: 4. Alleluia
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Hans-Bernhard Bätzing (engineer, producer)
organ:
Roger Hamilton (Irish harpsichordist) (in 1993-09)
soprano vocals:
Barbara Bonney (soprano) (in 1993-09)
balance engineer:
Hans‐Peter Schweigmann (in 1993-09)
concertmaster:
Peter Hanson (violinist) (in 1993-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1993-09)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (Salzburg revision) (in 1993-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
2:37