Standards Plus One

~ Release by Paul Motian (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1They Didn’t Believe Me
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla
producer:
Stefan F. Winter
assistant mixer:
John Herman (engineer)
double bass:
Charlie Haden (American jazz bassist) (in 1988-11)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1988-11)
electric guitar:
Bill Frisell (in 1988-11)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1988-11)
instrumental cover recording of:
They Didn’t Believe Me (in 1988-11)
lyricist:
Herbert Reynolds (lyricist)
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. and Redwood Music Ltd. (Carlin)
part of:
The Girl From Utah
4:22
2How Deep Is the Ocean
recording engineer:
Joe Ferla (in 1991-08)
producer:
Stefan F. Winter
mixer:
Joe Ferla
alto saxophone and soprano saxophone:
Lee Konitz (jazz saxophonist) (in 1991-08)
double bass [bass]:
Charlie Haden (American jazz bassist) (in 1991-08)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1991-08)
electric guitar [guitar]:
Bill Frisell (in 1991-08)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1991-08)
recorded at:
Sigma Sound Studios (New York) in New York, New York, United States (in 1991-08)
mixed at:
Sigma Sound Studios (New York) in New York, New York, United States
edited at:
Bauer Studios (Tonstudio Bauer until 1989) in Ludwigsburg, Baden-Württemberg, Germany (in 1991-09)
instrumental recording of:
How Deep Is the Ocean? (in 1991-08)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
6:50
3You and the Night and the Music
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla (in 1989-09)
producer:
Stefan F. Winter
assistant mixer:
Michael Fossenkemper
double bass:
Charlie Haden (American jazz bassist) (in 1989-09)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1989-09)
electric guitar:
Bill Frisell (in 1989-09)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1989-09)
recorded at:
RPM Sound Studios in New York, New York, United States (in 1989-09)
mixed at:
39th Street Music in New York, New York, United States (in 1989-09)
edited at:
Bauer Studios (Tonstudio Bauer until 1989) in Ludwigsburg, Baden-Württemberg, Germany
instrumental recording of:
You and the Night and the Music (in 1989-09)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
5:35
4You Took the Words Right Out of My Heart
7:58
5Someone to Watch Over Me
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla
producer:
Stefan F. Winter
assistant mixer:
John Herman (engineer)
double bass:
Charlie Haden (American jazz bassist) (in 1988-11)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1988-11)
electric guitar:
Bill Frisell (in 1988-11)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1988-11)
instrumental cover recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1988-11)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
9:21
6Just One of Those Things
recording engineer:
Joe Ferla (in 1991-08)
producer:
Stefan F. Winter
mixer:
Joe Ferla
alto saxophone and soprano saxophone:
Lee Konitz (jazz saxophonist) (in 1991-08)
double bass [bass]:
Charlie Haden (American jazz bassist) (in 1991-08)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1991-08)
electric guitar [guitar]:
Bill Frisell (in 1991-08)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1991-08)
recorded at:
Sigma Sound Studios (New York) in New York, New York, United States (in 1991-08)
mixed at:
Sigma Sound Studios (New York) in New York, New York, United States
edited at:
Bauer Studios (Tonstudio Bauer until 1989) in Ludwigsburg, Baden-Württemberg, Germany (in 1991-09)
instrumental recording of:
Just One of Those Things (in 1991-08)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:17
7It Might as Well Be Spring
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla (in 1989-09)
producer:
Stefan F. Winter
assistant mixer:
Michael Fossenkemper
double bass:
Charlie Haden (American jazz bassist) (in 1989-09)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1989-09)
electric guitar:
Bill Frisell (in 1989-09)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1989-09)
recorded at:
RPM Sound Studios in New York, New York, United States (in 1989-09)
mixed at:
39th Street Music in New York, New York, United States (in 1989-09)
edited at:
Bauer Studios (Tonstudio Bauer until 1989) in Ludwigsburg, Baden-Württemberg, Germany
instrumental recording of:
It Might as Well Be Spring (State Fair) (in 1989-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
5:55
8It Should’ve Happened a Long Time Ago
8:47