Funk Soul Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Track 3.19: “feat. L.V.” seems to be a misprint.

Annotation last modified on 2018-05-21 09:06 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Move On Up
recording of:
Move on Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield3:39
2Dance to the Music
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 223)
recording of:
Dance to the Music
lyricist, writer and composer:
Sylvester Stewart
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sly & the Family Stone4.152:58
3Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
adapter:
Muck Ferenc (saxophonist // member of Muckshow, Cabaret, Slang, Németh Gábor Project)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Aretha Franklin3.652:16
4Express Yourself
producer:
Charles Wright
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 57)
recording of:
Express Yourself
lyricist and composer:
Charles Wright (in 1970)
Charles Wright & the Watts 103rd Street Rhythm Band4.53:51
5Ready or Not Here I Come (Can’t Hide From Love)
recording of:
Ready or Not Here I Come (Can't Hide From Love)
lyricist and composer:
Thom Bell (keyboards, songwriter, producer) and William Hart (of The Delfonics)
The Delfonics1:59
6Use Me
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.353:40
7Hercules
samples:
I Come Off by Young M.C.
recording of:
Hercules
lyricist and composer:
Allen Toussaint
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America
Aaron Neville44:11
8Apache
cover recording of:
Apache
composer:
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
Incredible Bongo Band54:51
9The Champ
recording of:
The Champ
composer:
Harry Palmer
The Mohawks3.52:38
10Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley42:21
11Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s3.952:53
12Here I Am (Come and Take Me)
engineer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
producer:
Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
piano:
Archie Turner
tenor saxophone:
Ed Logan and Andrew Love
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
performer:
Al Green (US soul singer, songwriter, pastor and record producer)
strings arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) and James Mitchell (US saxophonist/arranger)
recorded at:
Royal Studios in Memphis, Tennessee, United States
recording of:
Here I Am (Come and Take Me)
writer:
Al Green (US soul singer, songwriter, pastor and record producer) and Mabon Hodges (“Teenie”, soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated), Burlington Music Co., Ltd., Irving Music, Inc. and Warner Chappell
Al Green4.154:16
13Cissy StrutThe Meters43:05
14The Unhooked Generation
recording of:
Unhooked Generation
writer:
Ronald Dunbar (Songwriter, A&R director and record producer) and Edith Wayne (songwriting pseudonym used by Holland‐Dozier‐Holland)
Freda Payne2:30
15Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
The Stax Staff
drums (drum set):
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
electric bass guitar [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones and Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:21
16The Snake
producer:
Marc Gordon (soul songwriter, producer, and manager) and Johnny Rivers
cover recording of:
The Snake
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Al Wilson3:31
17Keep On Dancing
recording of:
Keep On Dancing
writer:
Alvin Cash, Ira Gates, Howard Scott (Howard Seaphus Scott) and Walter Scott (US blues guitarist)
publisher:
Scot-Tees Publishing Co. and Toddlin' Music Publishers Inc.
Commodores2:49
18Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Wilson Pickett42:25
19What’d I Say
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3.56:27
20Respect Yourself
producer:
Al Bell
mixer:
Terry Manning (US recording engineer)
arranger:
Al Bell
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 462)
recording of:
Respect Yourself
lyricist and composer:
Luther Ingram and Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) and Klondike Enterprises (publisher) (in 1988)
The Staple Singers4:53
2CD
#TitleArtistRatingLength
1Across 110th Street
performer:
Peace (funk/soul, Bobby Womack collaborator, e.g "Across 110th Street")
recording of:
Across 110th Street
writer:
J.J. Johnson (jazz/bop trombonist/session leader) and Bobby Womack
Bobby Womack53:50
2Theme From Shaft
edit of:
Theme From Shaft by Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:16
3Funkin’ for Jamaica
recording of:
Funkin’ for Jamaica (N.Y.)
lyricist:
Toni Smith
composer:
Tom Browne (US jazz trumpeter)
publisher:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne4:40
4The Bottle
engineer:
Jose Williams
assistant producer:
Jose Williams
producer:
Brian Jackson (American keyboardist, flautist, singer, composer & producer) and Gil Scott‐Heron
drums (drum set) [traps]:
Bob Adams (drummer)
electric bass guitar [fender bass]:
Danny Bowens
electric piano:
Brian Jackson (American keyboardist, flautist, singer, composer & producer) and Gil Scott‐Heron
piano [acoustic piano]:
Brian Jackson (American keyboardist, flautist, singer, composer & producer)
vocals:
Brian Jackson (American keyboardist, flautist, singer, composer & producer) and Gil Scott‐Heron
phonographic copyright (℗) by:
Rumal-Gia Ltd. (from 1976 to present)
recorded at:
D&B Sound in Silver Spring, Maryland, United States (from 1973-09-04 until 1973-10-15)
recording of:
The Bottle (from 1973-09-04 until 1973-10-15)
lyricist and composer:
Gil Scott‐Heron
publisher:
Brouhaha Music Inc. and Castle Music Ltd.
Gil Scott‐Heron45:11
5Chic Cheer
recording of:
Chic Cheer
composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
Chic4:43
6For the Love of Money
edit of:
For the Love of Money by The O’Jays
recording of:
For the Love of Money
writer:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) and Anthony Jackson (US bassist)
publisher:
Mighty Three Music (ended), Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
MJ: The Musical
The O’Jays53:47
7It’s Your Thing
producer:
Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and O'Kelly Isley
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 420)
recording of:
It’s Your Thing
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Tee Pee Music Ltd.
The Isley Brothers4.352:47
8Clean Up Woman
engineer:
Willie Clarke
producer:
Willie Clarke and Clarence Reid
horn arranger and strings arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
writer:
Willie Clarke and Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:46
9Superfly
engineer:
Roger Anfinsen
producer:
Curtis Mayfield
bass guitar:
Joseph Scott (US funk/soul bassist)
drums (drum set):
Morris Jennings
guitar:
Curtis Mayfield and Craig McMullen
percussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
lead vocals:
Curtis Mayfield
arranger and orchestrator:
Johnny Pate
phonographic copyright (℗) by:
Curtom Records (in 1972)
recording of:
Superfly
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
Curtis Mayfield4.653:52
10The Ghetto
recording of:
The Ghetto
writer:
Donny Hathaway and Leroy Hutson
Donny Hathaway2:44
11StrategyArchie Bell & the Drells4:02
12Reach Your Peak
recording of:
Reach Your Peak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
Sister Sledge3:30
13Supernatural Thing
Ben E. King3:22
14It’s All Right Now
Eddie Harris3:54
15Burning Spear
cover recording of:
Burning Spear
composer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
publisher:
Discus Music Company (publisher) (from 1967 to present)
S.O.U.L.3:59
16Wiggle Waggle
recording engineer:
Rudy van Gelder (in 1969)
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (in 1969)
bass:
Jerry Jemmott (in 1969)
drums (drum set):
Bernard “Pretty” Purdie (in 1969)
flugelhorn and trumpet:
Johnny Coles (US jazz trumpeter) (in 1969)
French horn:
Ray Alonge (french horn) (in 1969)
guitar:
Billy Butler (jazz guitarist) (in 1969) and Eric Gale (in 1969)
percussion:
George Devens (in 1969)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1969)
saxophone:
Joe Farrell (in 1969)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (in 1969)
trombone:
Benny Powell (in 1969)
trumpet:
Joe Newman (US jazz trumpeter) (in 1969) and Ernie Royal (in 1969)
conductor:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1969)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
phonographic copyright (℗) by:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1969)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1969)
recording of:
Wiggle‐Waggle (in 1969)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Herbie Hancock5:50
17Funky Nassau, Part 1
The Beginning of the End3:06
18Action Speaks Louder Than WordsChocolate Milk3:30
19Riding High
recording of:
Riding High
writer:
Ralph Aikens, Tyrone Crum, Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band), Robert Neal, Jr. (American percussionist and vocalist) and Roger Parker (US R&B drummer)
publisher:
Rick S. Music (publishing company associated with Casablanca) and Segundo Sueños LLC
Faze‐O5:19
20Strawberry Letter 23
Shuggie Otis3:59
3CD
#TitleArtistRatingLength
1One Nation Under a Groove, Part 1Funkadelic3:35
2Rock Steady
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (on 1971-02-16) and Robert Popwell (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
tenor saxophone:
Andrew Love (on 1971-02-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Tom Dowd
strings and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
Aretha Franklin3.753:12
3Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band4.053:59
4Walking on Sunshine
recording of:
Walking on Sunshine
lyricist and composer:
Eddy Grant
publisher:
Greenheart Music
Rocker’s Revenge feat. Donnie Calvin3:31
5Money’s Too Tight to Mention
recording of:
Money’s Too Tight (to Mention)
writer:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) and Carolyn Wiggins
publisher:
Songs for Today Ltd
The Valentine Brothers4:07
6Street LifeRandy Crawford2.54:18
7Rock Creek Park
engineer:
Val Garay, David Hassinger and Jim Nipar
producer:
Donald Byrd (American jazz trumpeter)
mixer:
David Hassinger and Jim Nipar
bass:
Joe Hall (Member of The Blackbyrds)
drums (drum set):
Keith Killgo
guitar:
Orville Saunders
keyboard:
Kevin Toney
saxophone:
Stephen Johnson (Member of The Blackyards)
horn arranger and strings arranger:
Wade Marcus
recording of:
Rock Creek Park
writer:
Joe Hall (Member of The Blackbyrds), Stephen Johnson (Member of The Blackyards), Keith Killgo, Orville Saunders and Kevin Toney
The Blackbyrds4:36
8Let’s Clean Up the Ghetto
recording of:
Let’s Clean Up the Ghetto
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Philadelphia International All Stars3:49
9Yum Yum (Gimme Some)
Fatback Band53:20
10Do Your Dance
recording of:
Do Your Dance
writer:
Spyder Turner and Norman Whitfield
publisher:
Sony/ATV Ballad and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce3:28
11Wear It Out
recording of:
Wear It Out
writer:
Charles Fearing, Rochelle Runnells and Robert Wright (disco/funk producer)
Stargard4:05
12A Lovers Holiday
edit of:
A Lover’s Holiday (LP / 12” version, A Jim Burgess mix) by Change (80s pop/disco band)
recording of:
Lovers Holiday (A Lover’s Holiday)
writer:
Davide Romani and Tanyayette Willoughby
publisher:
WB Music Corp. (1929–2019)
Change3:56
13More Bounce to the Ounce
recording of:
More Bounce to the Ounce
lyricist and composer:
Roger Troutman (funk musician in Zapp)
Zapp4:00
14I Need You
Sylvester4:37
15Remember Me
recording of:
Remember Me
writer:
Lex Blackmore, Richard Evans (US jazz/soul bassist, composer, arranger and producer), Bobby Miller (US songwriter & record producer) and Marlena Shaw
publisher:
EMI Music Publishing Ltd (PRS‐affiliated)
quotes lyrics from:
Woman of the Ghetto
Blue Boy4:39
16The MasterplanDiana Brown & Barrie K Sharpe4:10
17Stay This Way
recording of:
Stay This Way
lyricist and composer:
Jim Wellman
The Brand New Heavies4:08
18What “U” Waitin’ “4”
recording of:
What “U” Waitin “4”?
writer:
Jungle Brothers (US hip hop group), Michael Small (US rapper Michael Small, member of Jungle Brothers) and Nathaniel Hall (Nathaniel Hall)
Jungle Brothers4:03
19Too Hot
phonographic copyright (℗) by:
Tommy Boy Music Inc. (in 1995)
recording of:
Too Hot
writer:
Artis Ivey (US rapper, actor, chef & record producer)
is based on:
Too Hot
Coolio4.653:40
20Revival
recording of:
Revival
lyricist and composer:
Ray Hayden
publisher:
Opaz Music Publishing
Martine Girault3:33