The Nyman/Greenaway Soundtracks

~ Release by Michael Nyman (see all versions of this release, 1 available)

Annotation

Part of a 4CD box set including 4 Peter Greenaway films:
The Draughtsman's Contract
A Zed and Two Noughts
Drowning by Numbers
The Cook, the Thief, His Wife & Her Lover

Part of a 4CD box set including 4 Peter Greenaway films:
The Draughtsman's Contract
A Zed and Two Noughts
Drowning by Numbers
The Cook, the Thief, His Wife & Her Lover

Part of a 4CD box set including 4 Peter Greenaway films:
The Draughtsman's contract
A Zed and Two Noughts
Drowning by numbers
The Cook, the Thief, His Wife & Her Lover

Annotation last modified on 2017-05-08 15:00 UTC.

Tracklist

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1▼CD: The Draughtsman's Contract
#TitleRatingLength
1Chasing Sheep Is Best Left to Shepherds
assistant engineer:
Brad Grisdale, Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music), Steve Smith (engineer) and Bob Zimbler
engineer:
Martin Rex
producer:
David Cunningham
alto saxophone:
John Harle and Ian Mitchell (clarinetist)
baritone saxophone:
Andy Findon
bass:
Malcolm Bennett (of Gryphon)
bass clarinet and clarinet:
Ian Mitchell (clarinetist)
bass trombone and euphonium:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
double bass:
Barry Guy (composer and double bass)
harpsichord and piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
tenor saxophone:
John Harle and Keith Thompson (saxaphonist)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
performer:
Michael Nyman Band
engineered at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom and Studio 80 in London (Greater London), England, United Kingdom
produced at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Chasing Sheep Is Best Left to Shepherds (The Draughtman’s Contract)
composer:
Michael Nyman (composer)
part of:
The Draughtman’s Contract
recording of:
Chasing Sheep Is Best Left to Shepherds
composer:
Michael Nyman (composer) (, in 1982)
publisher:
Première Music Group (in 1982)
is based on:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”)
2:35
2The Disposition of the Linen
assistant engineer:
Brad Grisdale, Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music), Steve Smith (engineer) and Bob Zimbler
engineer:
Martin Rex
producer:
David Cunningham
alto saxophone:
John Harle and Ian Mitchell (clarinetist)
baritone saxophone:
Andy Findon
bass:
Malcolm Bennett (of Gryphon)
bass clarinet and clarinet:
Ian Mitchell (clarinetist)
bass trombone and euphonium:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
double bass:
Barry Guy (composer and double bass)
harpsichord and piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
tenor saxophone:
John Harle and Keith Thompson (saxaphonist)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
performer:
Michael Nyman Band
engineered at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom and Studio 80 in London (Greater London), England, United Kingdom
produced at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
4:49
3A Watery Death
assistant engineer:
Brad Grisdale, Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music), Steve Smith (engineer) and Bob Zimbler
engineer:
Martin Rex
producer:
David Cunningham
alto saxophone:
John Harle and Ian Mitchell (clarinetist)
baritone saxophone:
Andy Findon
bass:
Malcolm Bennett (of Gryphon)
bass clarinet and clarinet:
Ian Mitchell (clarinetist)
bass trombone and euphonium:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
double bass:
Barry Guy (composer and double bass)
harpsichord and piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
tenor saxophone:
John Harle and Keith Thompson (saxaphonist)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
performer:
Michael Nyman Band
engineered at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom and Studio 80 in London (Greater London), England, United Kingdom
produced at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
3:34
4The Garden Is Becoming a Robe Room
assistant engineer:
Brad Grisdale, Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music), Steve Smith (engineer) and Bob Zimbler
engineer:
Martin Rex
producer:
David Cunningham
alto saxophone:
John Harle and Ian Mitchell (clarinetist)
baritone saxophone:
Andy Findon
bass:
Malcolm Bennett (of Gryphon)
bass clarinet and clarinet:
Ian Mitchell (clarinetist)
bass trombone and euphonium:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
double bass:
Barry Guy (composer and double bass)
harpsichord and piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
tenor saxophone:
John Harle and Keith Thompson (saxaphonist)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
performer:
Michael Nyman Band
engineered at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom and Studio 80 in London (Greater London), England, United Kingdom
produced at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
6:07
5Queen of the Night
assistant engineer:
Brad Grisdale, Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music), Steve Smith (engineer) and Bob Zimbler
engineer:
Martin Rex
producer:
David Cunningham
alto saxophone:
John Harle and Ian Mitchell (clarinetist)
baritone saxophone:
Andy Findon
bass:
Malcolm Bennett (of Gryphon)
bass clarinet and clarinet:
Ian Mitchell (clarinetist)
bass trombone and euphonium:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
double bass:
Barry Guy (composer and double bass)
harpsichord and piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
tenor saxophone:
John Harle and Keith Thompson (saxaphonist)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
performer:
Michael Nyman Band
engineered at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom and Studio 80 in London (Greater London), England, United Kingdom
produced at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
6:10
6An Eye for Optical Theory
assistant engineer:
Brad Grisdale, Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music), Steve Smith (engineer) and Bob Zimbler
engineer:
Martin Rex
producer:
David Cunningham
alto saxophone:
John Harle and Ian Mitchell (clarinetist)
baritone saxophone:
Andy Findon
bass:
Malcolm Bennett (of Gryphon)
bass clarinet and clarinet:
Ian Mitchell (clarinetist)
bass trombone and euphonium:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
double bass:
Barry Guy (composer and double bass)
harpsichord and piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
tenor saxophone:
John Harle and Keith Thompson (saxaphonist)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
performer:
Michael Nyman Band
engineered at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom and Studio 80 in London (Greater London), England, United Kingdom
produced at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
An Eye for Optical Theory (in 1982)
composer:
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
is based on:
Ground in C minor, ZD. 221
5:12
7Bravura in the Face of Grief
assistant engineer:
Brad Grisdale, Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music), Steve Smith (engineer) and Bob Zimbler
engineer:
Martin Rex
producer:
David Cunningham
alto saxophone:
John Harle and Ian Mitchell (clarinetist)
baritone saxophone:
Andy Findon
bass:
Malcolm Bennett (of Gryphon)
bass clarinet and clarinet:
Ian Mitchell (clarinetist)
bass trombone and euphonium:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
double bass:
Barry Guy (composer and double bass)
harpsichord and piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
tenor saxophone:
John Harle and Keith Thompson (saxaphonist)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
performer:
Michael Nyman Band
engineered at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom and Studio 80 in London (Greater London), England, United Kingdom
produced at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
12:12
2▼CD: A Zed and Two Noughts
#TitleRatingLength
1Angelfish Decay
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
2:51
2Car Crash
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
3:46
3Time Lapse
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Time Lapse (A Zed and Two Noughts)
composer:
Michael Nyman (composer)
4:00
4Prawn Watching
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
2:57
5Bisocosis Populi
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
2:25
6Swan Rot
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
2:48
7Delft Waltz
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
4:09
8Up for Crabs
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
2:51
9Vermeer's Wife
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
3:14
10Venus de Milo
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
2:27
11Lady in the Red Hat
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
4:16
12L'Escargot
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
5:41
3▼CD: Drowning by Numbers
#TitleRatingLength
1Trysting Fields
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Trysting Fields (Drowning by Numbers)
composer:
Michael Nyman (composer)
3:29
2Sheep and Tides
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Sheep ’n’ Tides (Drowning by Numbers)
composer:
Michael Nyman (composer)
1:45
3Great Death Game
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Great Death Game
composer:
Michael Nyman (composer)
2:21
4Drowning by Number 3
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Drowning by Number 3
composer:
Michael Nyman (composer)
3:30
5Wheelbarrow Walk
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Wheelbarrow Walk
composer:
Michael Nyman (composer)
2:13
6Dead Man's Catch
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Dead Man's Catch
composer:
Michael Nyman (composer)
2:32
7Drowning by Number 2
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Drowning by Number 2
composer:
Michael Nyman (composer)
6:13
8Bees in Trees
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Bees in Trees
composer:
Michael Nyman (composer)
2:14
9Fish Beach
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Fish Beach
composer:
Michael Nyman (composer)
2:29
10Wedding Tango
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Wedding Tango
composer:
Michael Nyman (composer)
4:00
11Crematorium Conspiracy
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Crematorium Conspiracy
composer:
Michael Nyman (composer)
2:38
12Knowing the Ropes
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Knowing the Ropes
composer:
Michael Nyman (composer) (in 1988)
3:19
13Endgame
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee (British classical double bass player)
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Endgame (Drowning by Numbers)
composer:
Michael Nyman (composer) (in 1988)
8:05
4▼CD: The Cook the Thief His Wife and Her Lover
#TitleRatingLength
1Memorial
assistant engineer:
Dillon Gallagher
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
David Cunningham
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, flute and tenor saxophone:
Andy Findon
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
clarinet:
David Fuest (clarinet)
double bass:
Chris Laurence (double bassist)
soprano saxophone:
John Harle
trombone:
David Stewart (Trombone player)
trumpet:
Graham Ashton (Trumpeter, composer and conductor)
viola:
Jonathan Carney (violinist, conductor and concertmaster)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster) and Elisabeth Perry (violinist)
soprano vocals:
Sarah Leonard (soprano)
conductor:
Michael Nyman (composer)
performer:
Michael Nyman Band
recorded at and mixed at:
PRT Studios (Precision Records and Tapes) in London (Greater London), England, United Kingdom
recording of:
Memorial (The Cook, The Thief, His Wife and Her Lover)
composer:
Michael Nyman (composer)
part of:
The Cook, The Thief, His Wife and Her Lover
12:07
2Miserere Paraphrase
assistant engineer:
Dillon Gallagher
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
David Cunningham
piano:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist)
recorded at and mixed at:
PRT Studios (Precision Records and Tapes) in London (Greater London), England, United Kingdom
5:44
3Book Depository
assistant engineer:
Dillon Gallagher
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
David Cunningham
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, flute and tenor saxophone:
Andy Findon
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
clarinet:
David Fuest (clarinet)
double bass:
Chris Laurence (double bassist)
soprano saxophone:
John Harle
trombone:
David Stewart (Trombone player)
trumpet:
Graham Ashton (Trumpeter, composer and conductor)
viola:
Jonathan Carney (violinist, conductor and concertmaster)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster) and Elisabeth Perry (violinist)
soprano vocals:
Sarah Leonard (soprano)
conductor:
Michael Nyman (composer)
performer:
Michael Nyman Band
recorded at and mixed at:
PRT Studios (Precision Records and Tapes) in London (Greater London), England, United Kingdom
5:42
4Coupling
assistant engineer:
Dillon Gallagher
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
David Cunningham
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, flute and tenor saxophone:
Andy Findon
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
clarinet:
David Fuest (clarinet)
double bass:
Chris Laurence (double bassist)
soprano saxophone:
John Harle
trombone:
David Stewart (Trombone player)
trumpet:
Graham Ashton (Trumpeter, composer and conductor)
viola:
Jonathan Carney (violinist, conductor and concertmaster)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster) and Elisabeth Perry (violinist)
soprano vocals:
Sarah Leonard (soprano)
conductor:
Michael Nyman (composer)
performer:
Michael Nyman Band
recorded at and mixed at:
PRT Studios (Precision Records and Tapes) in London (Greater London), England, United Kingdom
5:17
5Miserere
assistant engineer:
Marsten Bailey (engineer)
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner) and London Voices
producer:
David Cunningham
choir vocals:
London Voices
soprano vocals:
Paul Chapman (vocalist)
vocals:
Elisabeth Harrison (vocalist), Gordon Jones (baritone), Judith Rees, Gareth Roberts (tenor), Geoffrey Shaw (bass-baritone vocalist) and Doreen Walker (British mezzo-soprano)
orchestra:
Michael Nyman Band
conductor and chorus master:
Terry Edwards (British choir director)
performer:
London Voices
recorded at and mixed at:
PRT Studios (Precision Records and Tapes) in London (Greater London), England, United Kingdom
11:34