Evolution: The Road to Giant Steps

~ Release by John Coltrane (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Trane's Blues
double bass:
Paul Chambers (US jazz bassist) (on 1956-05-11)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-05-11)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Trane's Blues (on 1956-05-11)
composer:
John Coltrane (in 1956)
is based on:
Vierd Blues
8:37
2Tenor Madness
recording engineer:
Rudy van Gelder (on 1956-05-24)
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-05-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-05-24)
guest tenor saxophone:
John Coltrane (on 1956-05-24)
piano:
Red Garland (on 1956-05-24)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-05-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-05-24)
recording of:
Tenor Madness (on 1956-05-24)
composer:
Sonny Rollins (American saxophonist)
is based on:
Royal Roost / Rue Chaptal
12:03
3Tenor Conclave
recording engineer:
Rudy van Gelder (on 1956-09-07)
producer:
Bob Weinstock
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-09-07)
drums (drum set):
Art Taylor (on 1956-09-07)
piano:
Red Garland (on 1956-09-07)
tenor saxophone:
Al Cohn (on 1956-09-07), John Coltrane (on 1956-09-07), Hank Mobley (US jazz tenor saxophonist) (on 1956-09-07) and Zoot Sims (US jazz saxophonist) (on 1956-09-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-09-07)
recording of:
Tenor Conclave (on 1956-09-07)
composer:
Hank Mobley (US jazz tenor saxophonist)
11:05
4'round Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (on 1956-09-10)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3.655:55
5Soultrane
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Soultrane (on 1956-11-30)
composer:
Tadd Dameron
5:18
6All the Things You Are
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-04-06)
drums (drum set):
Art Blakey (on 1957-04-06)
piano:
Wynton Kelly (on 1957-04-06)
tenor saxophone:
John Coltrane (on 1957-04-06), Johnny Griffin (on 1957-04-06) and Hank Mobley (US jazz tenor saxophonist) (on 1957-04-06)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-04-06)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-06)
instrumental cover recording of:
All the Things You Are (from “Very Warm for May”) (on 1957-04-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
10:14
7Dakar
recording engineer:
Rudy van Gelder (on 1957-04-20)
producer:
Teddy Charles
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1957-04-20) and Cecil Payne (on 1957-04-20)
double bass:
Doug Watkins (on 1957-04-20)
drums (drum set):
Art Taylor (on 1957-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1957-04-20)
tenor saxophone:
John Coltrane (on 1957-04-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-20)
cover recording of:
Dakar (on 1957-04-20)
composer:
Teddy Charles
7:11
8Cattin
recording engineer:
Rudy van Gelder (on 1957-05-17)
double bass:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
John Coltrane (on 1957-05-17) and Paul Quinichette (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
recording of:
The Cattin' Toddler (on 1957-05-17)
composer:
Mal Waldron (American jazz pianist)
47:23
9Bakai
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Red Garland (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
trumpet:
Johnny Splawn (US jazz trumpeter) (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
cover recording of:
Bakai (on 1957-05-31)
composer:
Cal Massey
8:44
2▼CD
#TitleRatingLength
1The Way You Look Tonight
recording engineer:
Rudy van Gelder (on 1957-05-17)
alto saxophone and baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-05-17)
double bass [bass]:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
John Coltrane (on 1957-05-17)
trumpet:
Idrees Sulieman (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
instrumental cover recording of:
The Way You Look Tonight (from “Swing Time”) (on 1957-05-17)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
8:23
2Straight Street
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
trumpet:
Johnny Splawn (US jazz trumpeter) (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
recording of:
Straight Street (on 1957-05-31)
composer:
John Coltrane
publisher:
Jowcol Music
6:20
3Chronic Blues
recording engineer:
Rudy van Gelder (on 1957-05-31)
producer:
Bob Weinstock
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
trumpet:
Johnny Splawn (US jazz trumpeter) (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
recording of:
Chronic Blues (on 1957-05-31)
composer:
John Coltrane
publisher:
Jowcol Music
8:15
4I Hear a Rhapsody
recording engineer:
Rudy van Gelder (on 1957-05-31)
double bass:
Paul Chambers (US jazz bassist) (on 1957-05-31)
drums (drum set):
Albert “Tootie” Heath (on 1957-05-31)
piano:
Red Garland (on 1957-05-31)
tenor saxophone:
John Coltrane (on 1957-05-31)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-31)
instrumental cover recording of:
I Hear a Rhapsody (on 1957-05-31)
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
5:58
5Epistrophy
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (US jazz trumpeter) (on 1957-06-26)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
10:45
6Ruby, My Dear
recording engineer:
Jack Higgins (recording engineer) (in 1957-07)
producer:
Orrin Keepnews
double bass:
Wilbur Ware (in 1957-07)
drums (drum set):
Shadow Wilson (in 1957-07)
piano:
Thelonious Monk (in 1957-07)
tenor saxophone:
John Coltrane (in 1957-07)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (in 1957-07)
cover recording of:
Ruby, My Dear (in 1957-07)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
6:20
7Trane's Slow Blues
recording engineer:
Rudy van Gelder (on 1957-08-16)
double bass:
Earl May (on 1957-08-16)
drums (drum set):
Art Taylor (on 1957-08-16)
tenor saxophone:
John Coltrane (on 1957-08-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-16)
recording of:
Trane's Slo Blues (on 1957-08-16)
composer:
John Coltrane
publisher:
Jowcol Music
is based on:
Trane's Blues
6:03
8Like Someone in Love
recording engineer:
Rudy van Gelder (on 1957-08-16)
double bass:
Earl May (on 1957-08-16)
drums (drum set):
Art Taylor (on 1957-08-16)
tenor saxophone:
John Coltrane (on 1957-08-16)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-16)
instrumental cover recording of:
Like Someone in Love (on 1957-08-16)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:57
9Traneing In
recording engineer:
Rudy van Gelder (on 1957-08-23)
producer:
Bob Weinstock
double bass:
Paul Chambers (US jazz bassist) (on 1957-08-23)
drums (drum set):
Art Taylor (on 1957-08-23)
piano:
Red Garland (on 1957-08-23)
tenor saxophone:
John Coltrane (on 1957-08-23)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-08-23)
recording of:
Traneing In (on 1957-08-23)
composer:
John Coltrane
publisher:
Jowcol Music
12:36
10Locomotion
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Locomotion (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
7:13
3▼CD
#TitleRatingLength
1Blue Train
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
10:39
2Billie's Bounce
recording engineer:
Rudy van Gelder (on 1957-12-13)
producer:
Bob Weinstock
double bass [bass]:
George Joyner (on 1957-12-13)
drums (drum set):
Art Taylor (on 1957-12-13)
piano:
Red Garland (on 1957-12-13)
tenor saxophone:
John Coltrane (on 1957-12-13)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1957-12-13)
conductor:
Red Garland (on 1957-12-13)
phonographic copyright (℗) by:
Prestige Records
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-12-13)
cover recording of:
Billie’s Bounce (on 1957-12-13)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
9:26
3Milestones
alto saxophone:
Cannonball Adderley (on 1958-02-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-04)
piano:
Red Garland (on 1958-02-04)
tenor saxophone:
John Coltrane (on 1958-02-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-02-04)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (on 1957-12-04), CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-02-04) and Columbia Studios in New York, New York, United States (on 1958-02-04)
recording of:
Milestones (originally titled “Miles”) (on 1958-02-04)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
5:42
4Russian Lullaby
recording engineer:
Rudy van Gelder (on 1958-02-07)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-07)
drums (drum set):
Art Taylor (on 1958-02-07)
piano:
Red Garland (on 1958-02-07)
tenor saxophone:
John Coltrane (on 1958-02-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-02-07)
instrumental cover recording of:
Russian Lullaby (on 1958-02-07)
lyricist and composer:
Irving Berlin
5:35
5Freight Trane
recording engineer:
Rudy van Gelder (on 1958-03-07)
double bass:
Paul Chambers (US jazz bassist) (on 1958-03-07)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-07)
guitar:
Kenny Burrell (on 1958-03-07)
piano:
Tommy Flanagan (on 1958-03-07)
tenor saxophone:
John Coltrane (on 1958-03-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-07)
recording of:
Freight Trane (on 1958-03-07)
composer:
Tommy Flanagan
7:19
6On Green Dolphin Street
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Cannonball Adderley (on 1958-05-26)
double bass:
Paul Chambers (US jazz bassist) (on 1958-05-26)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-05-26)
piano:
Bill Evans (pianist) (on 1958-05-26)
tenor saxophone:
John Coltrane (on 1958-05-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-05-26)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-26)
instrumental cover recording of:
On Green Dolphin Street (on 1958-05-26)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
3.559:55
7Dial Africa
recording engineer:
Rudy van Gelder (on 1958-06-24)
producer:
Ozzie Cadena
double bass [bass]:
Ali Jackson (Detroit jazz bassist, 1931-1987) (on 1958-06-24)
drums (drum set):
Art Taylor (on 1958-06-24)
flugelhorn:
Wilbur Harden (on 1958-06-24)
piano:
Tommy Flanagan (on 1958-06-24)
tenor saxophone:
John Coltrane (on 1958-06-24)
trombone:
Curtis Fuller (on 1958-06-24)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-06-24)
recording of:
Dial Africa (on 1958-06-24)
composer:
Wilbur Harden
8:44
8So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
4.259:22
9Flamenco Sketches
recording engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
Flamenco Sketches (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
4.159:27
4▼CD
#TitleRatingLength
1Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
3.354:43
2Cousin Mary
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
45:45
3Countdown
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Countdown (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
32:21
4Spiral
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun (on 1959-05-04)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Spiral (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
45:56
5Syeeda's Song Flute
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Syeeda's Song Flute (on 1959-05-05)
composer:
John Coltrane
47:00
6Naima
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Naima (original instrumental version) (on 1959-12-02)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
44:21
7Mr. P.C.
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Mr. P.C. (on 1959-05-05)
composer:
John Coltrane
named after artist:
Paul Chambers (US jazz bassist)
publisher:
Jowcol Music
46:57
8Interview (August Blume 1958)
spoken vocals:
August Blume (in 1958) and John Coltrane (in 1958)
22:39
9Interview (Carl Lindgren 1960)
spoken vocals:
John Coltrane (in 1960) and Carl Lindgren (in 1960)
6:33
10Interview (Michiel de Ruyter 1962)
spoken vocals:
John Coltrane (in 1962) and Michiel de Ruyter (Dutch jazz critic & radio host) (in 1962)
6:01
11Interview (Michiel de Ruyter 1965)
spoken vocals:
John Coltrane (in 1965) and Michiel de Ruyter (Dutch jazz critic & radio host) (in 1965)
6:28