The Complete Warner Symphonic Recordings

~ Release by Riccardo Muti (see all versions of this release, 1 available)

Annotation

A 91-CD collection of Riccardo Muti's orchestral, choral, and vocal works for Warner Classics between 1973 and 2007.

Annotation last modified on 2021-12-28 10:24 UTC.

Tracklist

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1▼CD: Cherubini: Requiem in D minor
#TitleArtistRatingLength
1Requiem in D minor, for Male Chorus and Orchestra: I. Introitus & Kyrie (Un poco lento)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1973-09-24) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1973-09-27 until 1973-09-29)
conductor:
Riccardo Muti (conductor) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1973-09-24, from 1973-09-27 until 1973-09-29)
recording of:
Requiem in D minor: I. Introitus et Kyrie (on 1973-09-24)
composer:
Luigi Cherubini (composer) (in 1836)
part of:
Requiem in D minor
Luigi Cherubini10:27
2Requiem in D minor, for Male Chorus and Orchestra: II. Graduale (Lento)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1973-09-24) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1973-09-27 until 1973-09-29)
conductor:
Riccardo Muti (conductor) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1973-09-24, from 1973-09-27 until 1973-09-29)
recording of:
Requiem in D minor: II. Graduale (on 1973-09-24)
composer:
Luigi Cherubini (composer) (in 1836)
part of:
Requiem in D minor
Luigi Cherubini4:12
3Requiem in D minor, for Male Chorus and Orchestra: III. Dies irae (Vivo)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1973-09-24) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1973-09-27 until 1973-09-29)
conductor:
Riccardo Muti (conductor) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1973-09-24, from 1973-09-27 until 1973-09-29)
recording of:
Requiem in D minor: III. Dies irae (on 1973-09-24)
composer:
Luigi Cherubini (composer) (in 1836)
part of:
Requiem in D minor
Luigi Cherubini13:39
4Requiem in D minor, for Male Chorus and Orchestra: IV. Offertorium (Andante con moto)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1973-09-24) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1973-09-27 until 1973-09-29)
conductor:
Riccardo Muti (conductor) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1973-09-24, from 1973-09-27 until 1973-09-29)
recording of:
Requiem in D minor: IV. Offertorium (on 1973-09-24)
composer:
Luigi Cherubini (composer) (in 1836)
part of:
Requiem in D minor
Luigi Cherubini7:11
5Requiem in D minor, for Male Chorus and Orchestra: V. Sanctus (Maestoso)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1973-09-24) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1973-09-27 until 1973-09-29)
conductor:
Riccardo Muti (conductor) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1973-09-24, from 1973-09-27 until 1973-09-29)
recording of:
Requiem in D minor: V. Sanctus (on 1973-09-24)
composer:
Luigi Cherubini (composer) (in 1836)
part of:
Requiem in D minor
Luigi Cherubini3:59
6Requiem in D minor, for Male Chorus and Orchestra: VI. Pie Jesu (Adagio)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1973-09-24) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1973-09-27 until 1973-09-29)
conductor:
Riccardo Muti (conductor) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1973-09-24, from 1973-09-27 until 1973-09-29)
recording of:
Requiem in D minor: VI. Pie Jesu (on 1973-09-24)
composer:
Luigi Cherubini (composer) (in 1836)
part of:
Requiem in D minor
Luigi Cherubini3:53
7Requiem in D minor, for Male Chorus and Orchestra: VII. Agnus Dei (Lento)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1973-09-24) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1973-09-27 until 1973-09-29)
conductor:
Riccardo Muti (conductor) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (on 1973-09-24, from 1973-09-27 until 1973-09-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1973-09-24, from 1973-09-27 until 1973-09-29)
recording of:
Requiem in D minor: VII. Agnus Dei (on 1973-09-24)
composer:
Luigi Cherubini (composer) (in 1836)
part of:
Requiem in D minor
Luigi Cherubini8:41
2▼CD: Tchaikovsky: Symphony no. 1 “Winter Daydreams”
#TitleArtistRatingLength
1Symphony no. 1 in G minor “Winter Daydreams”, op. 13: I. Allegro tranquillo
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-02-11 until 1975-02-12)
conductor:
Riccardo Muti (conductor) (from 1975-02-11 until 1975-02-12)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-02-11 until 1975-02-12)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey) (from 1975-02-11 until 1975-02-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Pyotr Ilyich Tchaikovsky11:20
2Symphony no. 1 in G minor “Winter Daydreams”, op. 13: II. Adagio cantabile ma non tanto
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-02-11 until 1975-02-12)
conductor:
Riccardo Muti (conductor) (from 1975-02-11 until 1975-02-12)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-02-11 until 1975-02-12)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto (from 1975-02-11 until 1975-02-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Pyotr Ilyich Tchaikovsky11:00
3Symphony no. 1 in G minor “Winter Daydreams”, op. 13: III. Scherzo (Allegro scherzando giocoso)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-02-11 until 1975-02-12)
conductor:
Riccardo Muti (conductor) (from 1975-02-11 until 1975-02-12)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-02-11 until 1975-02-12)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso (from 1975-02-11 until 1975-02-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Pyotr Ilyich Tchaikovsky7:58
4Symphony no. 1 in G minor “Winter Daydreams”, op. 13: IV. Finale (Andante lugubre - Allegro)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-02-11 until 1975-02-12)
conductor:
Riccardo Muti (conductor) (from 1975-02-11 until 1975-02-12)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-02-11 until 1975-02-12)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso (from 1975-02-11 until 1975-02-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
Pyotr Ilyich Tchaikovsky12:34
3▼CD: Mendelssohn: Symphony no. 3 “Scottish” / Meeresstille und glückliche Fahrt
#TitleArtistRatingLength
1Symphony no. 3 in A minor “Scottish”, op. 56: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-10-01 until 1975-10-02)
conductor:
Riccardo Muti (conductor) (from 1975-10-01 until 1975-10-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-10-01 until 1975-10-02)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato (from 1975-10-01 until 1975-10-02)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn18:29
2Symphony no. 3 in A minor “Scottish”, op. 56: II. Scherzo (Vivace non troppo)
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-10-01 until 1975-10-02)
conductor:
Riccardo Muti (conductor) (from 1975-10-01 until 1975-10-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-10-01 until 1975-10-02)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo (from 1975-10-01 until 1975-10-02)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn4:19
3Symphony no. 3 in A minor “Scottish”, op. 56: III. Adagio
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-10-01 until 1975-10-02)
conductor:
Riccardo Muti (conductor) (from 1975-10-01 until 1975-10-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-10-01 until 1975-10-02)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio (from 1975-10-01 until 1975-10-02)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn11:31
4Symphony no. 3 in A minor “Scottish”, op. 56: IV. Allegro vivacissimo - Allegro maestoso assai
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-10-01 until 1975-10-02)
conductor:
Riccardo Muti (conductor) (from 1975-10-01 until 1975-10-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-10-01 until 1975-10-02)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai (from 1975-10-01 until 1975-10-02)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn10:00
5Meeresstille und glückliche Fahrt (Calm sea and prosperous voyage), Overture, op. 27
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-10-01 until 1975-10-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-10-01 until 1975-10-02)
recording of:
Meeresstille und glückliche Fahrt D-Dur, op. 27 (Calm Sea and Prosperous Voyage, Op. 27) (from 1975-10-01 until 1975-10-02)
composer:
Felix Mendelssohn (composer) (in 1828)
dedicated to:
Friedrich Wilhelm IV. von Preußen
part of:
Works of Felix Mendelssohn by opus number (number: op. 27) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 5)
Felix Mendelssohn12:32
4▼CD: Verdi: Overtures from Nabucco, Giovanna d'Arco, La battaglia di Legnano, Luisa Miller, I vespri siciliani, La forza del destino
#TitleArtistRatingLength
1Nabucco: Overture
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1977-01-12)
conductor:
Riccardo Muti (conductor) (on 1977-01-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1977-01-12)
recording of:
Nabucco: Sinfonia (Overture) (on 1977-01-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco
Giuseppe Verdi7:13
2Giovanna d'Arco: Overture
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-01-29)
conductor:
Riccardo Muti (conductor) (on 1976-01-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-01-29)
recording of:
Giovanna d'Arco: Sinfonia (on 1976-01-29)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco
Giuseppe Verdi7:43
3La battaglia di Legnano: Overture
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-11-19)
conductor:
Riccardo Muti (conductor) (on 1976-11-19)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-11-19)
recording of:
La battaglia di Legnano: Sinfonia (on 1976-11-19)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
La battaglia di Legnano
Giuseppe Verdi9:12
4Luisa Miller: Overture
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-01-29, on 1977-01-12)
conductor:
Riccardo Muti (conductor) (on 1976-01-29, on 1977-01-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-01-29) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1977-01-12)
recording of:
Luisa Miller: Sinfonia (on 1976-01-29)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller
Giuseppe Verdi5:41
5I vespri siciliani: Overture
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-11-19)
conductor:
Riccardo Muti (conductor) (on 1976-11-19)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-11-19)
recording of:
I vespri siciliani: Sinfonia (on 1976-11-19)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I vespri siciliani
Giuseppe Verdi8:20
6La forza del destino: Overture
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1975-10-02, on 1977-01-12)
conductor:
Riccardo Muti (conductor) (on 1975-10-02, on 1977-01-12)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-10-02) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1977-01-12)
recording of:
La forza del destino: Sinfonia (on 1975-10-02)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:13
5▼CD: Mozart: Symphonies nos. 25 & 29
#TitleArtistRatingLength
1Symphony no. 25 in G minor, K. 183: I. Allegro con brio
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-01-27 until 1976-01-28)
conductor:
Riccardo Muti (conductor) (from 1976-01-27 until 1976-01-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-01-27 until 1976-01-28)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (from 1976-01-27 until 1976-01-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart7:55
2Symphony no. 25 in G minor, K. 183: II. Andante
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-01-27 until 1976-01-28)
conductor:
Riccardo Muti (conductor) (from 1976-01-27 until 1976-01-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-01-27 until 1976-01-28)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": II. Andante (from 1976-01-27 until 1976-01-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart4:25
3Symphony no. 25 in G minor, K. 183: III. Menuetto e Trio
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-01-27 until 1976-01-28)
conductor:
Riccardo Muti (conductor) (from 1976-01-27 until 1976-01-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-01-27 until 1976-01-28)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": III. Minuetto & Trio (from 1976-01-27 until 1976-01-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart3:52
4Symphony no. 25 in G minor, K. 183: IV. Allegro
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-01-27 until 1976-01-28)
conductor:
Riccardo Muti (conductor) (from 1976-01-27 until 1976-01-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-01-27 until 1976-01-28)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": IV. Allegro (from 1976-01-27 until 1976-01-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart5:31
5Symphony no. 29 in A major, K. 201: I. Allegro moderato
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-01-27 until 1976-01-28)
conductor:
Riccardo Muti (conductor) (from 1976-01-27 until 1976-01-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-01-27 until 1976-01-28)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato (from 1976-01-27 until 1976-01-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart7:46
6Symphony no. 29 in A major, K. 201: II. Andante
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-01-27 until 1976-01-28)
conductor:
Riccardo Muti (conductor) (from 1976-01-27 until 1976-01-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-01-27 until 1976-01-28)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: II. Andante (from 1976-01-27 until 1976-01-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart8:09
7Symphony no. 29 in A major, K. 201: III. Menuetto e Trio
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-01-27 until 1976-01-28)
conductor:
Riccardo Muti (conductor) (from 1976-01-27 until 1976-01-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-01-27 until 1976-01-28)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio (from 1976-01-27 until 1976-01-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart3:15
8Symphony no. 29 in A major, K. 201: IV. Allegro con spirito
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-01-27 until 1976-01-28)
conductor:
Riccardo Muti (conductor) (from 1976-01-27 until 1976-01-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-01-27 until 1976-01-28)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito (from 1976-01-27 until 1976-01-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Wolfgang Amadeus Mozart5:08
6▼CD: Dvořák: Symphony no. 9 “From the New World”
#TitleArtistRatingLength
1Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-05-02 until 1976-05-03)
conductor:
Riccardo Muti (conductor) (from 1976-05-02 until 1976-05-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-05-02 until 1976-05-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio — Allegro molto) (from 1976-05-02 until 1976-05-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:01
2Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-05-02 until 1976-05-03)
conductor:
Riccardo Muti (conductor) (from 1976-05-02 until 1976-05-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-05-02 until 1976-05-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo) (from 1976-05-02 until 1976-05-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:10
3Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo (Molto vivace)
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-05-02 until 1976-05-03)
conductor:
Riccardo Muti (conductor) (from 1976-05-02 until 1976-05-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-05-02 until 1976-05-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace — Poco sostenuto) (from 1976-05-02 until 1976-05-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:41
4Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-05-02 until 1976-05-03)
conductor:
Riccardo Muti (conductor) (from 1976-05-02 until 1976-05-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-05-02 until 1976-05-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco) (from 1976-05-02 until 1976-05-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák10:47
7▼CD: Mendelssohn: Symphony no. 4 “Italian” / Schumann: Symphony no. 4
#TitleArtistRatingLength
1Symphony no. 4 in A major “Italian”, op. 90: I. Allegro vivace - Più animato
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-07-23)
conductor:
Riccardo Muti (conductor) (on 1976-07-23)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-07-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (on 1976-07-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn10:47
2Symphony no. 4 in A major “Italian”, op. 90: II. Andante con moto
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-07-23)
conductor:
Riccardo Muti (conductor) (on 1976-07-23)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-07-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (on 1976-07-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:30
3Symphony no. 4 in A major “Italian”, op. 90: III. Con moto moderato
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-07-23)
conductor:
Riccardo Muti (conductor) (on 1976-07-23)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-07-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato (on 1976-07-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:16
4Symphony no. 4 in A major “Italian”, op. 90: IV. Saltarello (Presto)
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-07-23)
conductor:
Riccardo Muti (conductor) (on 1976-07-23)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-07-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (on 1976-07-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:47
5Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-09-09 until 1976-09-10)
conductor:
Riccardo Muti (conductor) (from 1976-09-09 until 1976-09-10)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-09-09 until 1976-09-10)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision) (from 1976-09-09 until 1976-09-10)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
Robert Schumann11:29
6Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam)
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-09-09 until 1976-09-10)
conductor:
Riccardo Muti (conductor) (from 1976-09-09 until 1976-09-10)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-09-09 until 1976-09-10)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision) (from 1976-09-09 until 1976-09-10)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann5:00
7Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) & Trio
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-09-09 until 1976-09-10)
conductor:
Riccardo Muti (conductor) (from 1976-09-09 until 1976-09-10)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-09-09 until 1976-09-10)
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft (1851 revision) (from 1976-09-09 until 1976-09-10)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version)
Robert Schumann5:37
8Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-09-09 until 1976-09-10)
conductor:
Riccardo Muti (conductor) (from 1976-09-09 until 1976-09-10)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-09-09 until 1976-09-10)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision) (from 1976-09-09 until 1976-09-10)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
Robert Schumann9:41
8▼CD: Vivaldi: Magnificat in G minor, RV 611 / Gloria in D major, RV 589
#TitleArtistRatingLength
1Magnificat in G minor, RV 611: I. Magnificat
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: I. Magnificat (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi1:26
2Magnificat in G minor, RV 611: II. Et exultavit
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: II. Et exultavit (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi2:17
3Magnificat in G minor, RV 611: III. Quia respexit
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: III. Quia respexit (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi2:38
4Magnificat in G minor, RV 611: IV. Quia fecit
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: IV. Quia fecit (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi1:41
5Magnificat in G minor, RV 611: V. Et misericordia
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: V. Et misericordia (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi4:11
6Magnificat in G minor, RV 611: VI. Fecit potentiam
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: VI. Fecit potentiam (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi0:30
7Magnificat in G minor, RV 611: VII. Deposuit potentes
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: VII. Deposuit potentes (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi0:55
8Magnificat in G minor, RV 611: VIII. Esurientes
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: VIII. Esurientes (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi2:01
9Magnificat in G minor, RV 611: IX. Suscepit Israël
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: IX. Suscepit Israel (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi1:01
10Magnificat in G minor, RV 611: X. Sicut locutus
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: X. Sicut Locutus (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi2:35
11Magnificat in G minor, RV 611: XI. Gloria
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
conductor:
Riccardo Muti (conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-10-22 until 1976-10-23, from 1976-11-24 until 1976-11-25)
recording of:
Magnificat, RV 611: XI. Gloria Patri (from 1976-10-22 until 1976-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 611
Antonio Vivaldi2:30
12Gloria in D major, RV 589: I. Gloria in excelsis Deo
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:24
13Gloria in D major, RV 589: II. Et in terra pax hominibus
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: II. Et in terra pax (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
publisher:
Walton Music Ltd.
part of:
Gloria in D major, RV 589
Antonio Vivaldi4:39
14Gloria in D major, RV 589: III. Laudamus te
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1977-06-28 until 1977-06-29)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: III. Laudamus te (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:16
15Gloria in D major, RV 589: IV. Gratias agimus tibi
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: IV. Gratias agimus tibi (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:37
16Gloria in D major, RV 589: V. Propter magnam gloriam
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: V. Propter magnam gloriam tuam (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:59
17Gloria in D major, RV 589: VI. Domine Deus
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
oboe:
Gordon Hunt (oboist) (from 1977-06-28 until 1977-06-29)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: VI. Domine Deus (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi3:49
18Gloria in D major, RV 589: VII. Domine Fili unigenite
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: VII. Domine, Fili unigenite (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:07
19Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi5:06
20Gloria in D major, RV 589: IX. Qui tollis peccata mundi
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: IX. Qui tollis peccata mundi (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi1:28
21Gloria in D major, RV 589: X. Qui sedes ad dexteram
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
contralto vocals:
Lucia Valentini Terrani (mezzo soprano) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:37
22Gloria in D major, RV 589: XI. Quoniam tu solus Sanctus
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:48
23Gloria in D major, RV 589: XII. Cum Sancto Spiritu
producer:
John Mordler (producer)
cello:
Norman Jones (Cello) (from 1977-06-28 until 1977-06-29)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1977-06-28 until 1977-06-29)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1977-06-28 until 1977-06-29)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-28 until 1977-06-29)
conductor:
Riccardo Muti (conductor) (from 1977-06-28 until 1977-06-29)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1977-06-28 until 1977-06-29)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-28 until 1977-06-29)
recording of:
Gloria in D major, RV 589: XII. Cum Sancto Spiritu (from 1977-06-28 until 1977-06-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:49
9▼CD: Tchaikovsky: Romeo and Juliet / Symphony no. 2 “Little Russian”
#TitleArtistRatingLength
1Romeo and Juliet, Fantasy Overture, TH 42
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1976-11-19)
conductor:
Riccardo Muti (conductor) (on 1976-11-19)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-11-19)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky19:37
2Symphony no. 2 in C minor “Little Russian”, op. 17: I. Andante sostenuto - Allegro vivo
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-03-27 until 1977-03-28)
conductor:
Riccardo Muti (conductor) (from 1977-03-27 until 1977-03-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-27 until 1977-03-28)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo (1880 revision [commonly performed]) (from 1977-03-27 until 1977-03-28)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
is based on:
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro comodo (original 1872 version [rarely performed])
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
Pyotr Ilyich Tchaikovsky9:55
3Symphony no. 2 in C minor “Little Russian”, op. 17: II. Andantino marziale, quasi moderato
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-03-27 until 1977-03-28)
conductor:
Riccardo Muti (conductor) (from 1977-03-27 until 1977-03-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-27 until 1977-03-28)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato (1880 revision [commonly performed]) (from 1977-03-27 until 1977-03-28)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marciale quasi Moderato (original 1872 version [rarely performed])
Pyotr Ilyich Tchaikovsky6:44
4Symphony no. 2 in C minor “Little Russian”, op. 17: III. Scherzo (Allegro molto vivace)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-03-27 until 1977-03-28)
conductor:
Riccardo Muti (conductor) (from 1977-03-27 until 1977-03-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-27 until 1977-03-28)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace (1880 revision [commonly performed]) (from 1977-03-27 until 1977-03-28)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
is based on:
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace (original 1872 version [rarely performed])
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
Pyotr Ilyich Tchaikovsky5:09
5Symphony no. 2 in C minor “Little Russian”, op. 17: IV. Finale (Moderato assai - Allegro - Presto)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-03-27 until 1977-03-28)
conductor:
Riccardo Muti (conductor) (from 1977-03-27 until 1977-03-28)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-03-27 until 1977-03-28)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo (1880 revision [commonly performed]) (from 1977-03-27 until 1977-03-28)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai — Allegro vivo
Pyotr Ilyich Tchaikovsky10:27
10▼CD: Tchaikovsky: Symphony no. 3 in D major “Polish”
#TitleArtistRatingLength
1Symphony no. 3 in D major “Polish”, op. 29: I. Introduzione e Allegro (Moderato assai (Tempo di marcia funebre) - Allegro brillante)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
conductor:
Riccardo Muti (conductor) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-24 until 1977-06-25, on 1977-07-20)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione e Allegro - Moderato assai - Allegro brillante (from 1977-06-24 until 1977-07-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
Pyotr Ilyich Tchaikovsky13:30
2Symphony no. 3 in D major “Polish”, op. 29: II. Alla tedesca (Allegro moderato e semplice)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
conductor:
Riccardo Muti (conductor) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-24 until 1977-06-25, on 1977-07-20)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca. Allegro moderato e semplice (from 1977-06-24 until 1977-07-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
Pyotr Ilyich Tchaikovsky6:39
3Symphony no. 3 in D major “Polish”, op. 29: III. Andante elegiaco
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
conductor:
Riccardo Muti (conductor) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-24 until 1977-06-25, on 1977-07-20)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco (from 1977-06-24 until 1977-07-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
Pyotr Ilyich Tchaikovsky9:55
4Symphony no. 3 in D major “Polish”, op. 29: IV. Scherzo (Allegro vivo)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
conductor:
Riccardo Muti (conductor) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-24 until 1977-06-25, on 1977-07-20)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo (from 1977-06-24 until 1977-07-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
Pyotr Ilyich Tchaikovsky5:42
5Symphony no. 3 in D major “Polish”, op. 29: V. Finale (Allegro con fuoco, tempo di polacca)
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
conductor:
Riccardo Muti (conductor) (from 1977-06-24 until 1977-06-25, on 1977-07-20)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-06-24 until 1977-06-25, on 1977-07-20)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco – Tempo di Polacca (from 1977-06-24 until 1977-07-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
Pyotr Ilyich Tchaikovsky7:52
11▶CD: Prokofiev: Ivan the Terrible (beginning)
12▶CD: Prokofiev: Ivan the Terrible (conclusion) / Sinfonietta
13▶CD: Beethoven: Piano Concerto no. 3 / Andante favori
14▶CD: Schumann: Symphony no. 2 / Hermann und Dorothea, Overture
15▶CD: Mussorgsky: Tableaux d'une exposition / Stravinsky: L'Oiseau de feu, Ballet Suite
16▶CD: Beethoven: Symphony no. 7
17▶CD: Tchaikovsky: Symphony no. 5
18▶CD: Rossini: Overtures from La scala di seta, Il barbiere di Siviglia, Semiramide, Il viaggio a Reims, L'assedio di Corinto, Guillaume Tell
19▶CD: Schumann: Overture to Schiller's “Die Braut von Messina” / Symphony no. 3 “Rhenish”
20▶CD: Ballets from Verdi Operas: I vespri siciliani, Macbeth, Aida
21▶CD: Schumann: Symphony no. 1 “Spring” / Mendelssohn: Symphony no. 5 “Reformation”
22▶CD: Stravinsky: Le Sacre du printemps
23▶CD: Beethoven: Symphony no. 6 “Pastoral”
24▶CD: Tchaikovsky: Symphony no. 4
25▶CD: Verdi: Messa da Requiem (beginning) (1978-1979)
26▶CD: Verdi: Messa da Requiem (conclusion) (1978-1979)
27▶CD: Orff: Carmina Burana
28▶CD: Mozart: Piano Concerto no. 22 / Symphony no. 24
29▶CD: Tchaikovsky: Piano Concerto no. 1
30▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
31▶CD: Chabrier: España / Ravel: Rapsodie espagnole / Falla: El sombrero de tres picos, Ballet suites nos. 1 & 2
32▶CD: Cherubini: Requiem in C minor “À la mémoire de Louis XVI”
33▶CD: Tchaikovsky: 1812 Overture / Serenade for Strings in C major
34▶CD: Prokofiev: Romeo and Juliet, Ballet Suites no. 1 & 2
35▶CD: Stravinsky: Pétrouchka
36▶CD: Tchaikovsky: Manfred Symphony
37▶CD: Franck: Symphony in D minor / Le Chasseur maudit
38▶CD: Rossini: Stabat Mater
39▶CD: Mozart: Violin Concertos nos. 2 & 4
40▶CD: Rimsky-Korsakov: Scheherazade
41▶CD: Ravel: Bolero / Daphnis et Chloé, Ballet suite no. 2 / Alborada del gracioso
42▶CD: Schumann: Violin Concerto no. 1 / Sibelius: Violin Concerto
43▶CD: Liszt: A Faust Symphony
44▶CD: Liszt: Les Préludes / Verdi: Quattro pezzi sacri
45▶CD: Brahms: Piano Concerto no. 1
46▶CD: Mahler: Symphony no. 1
47▶CD: Tchaikovsky: Swan Lake, Ballet Suite / Sleeping Beauty, Ballet Suite
48▶CD: Handel: Water Music, Suites nos. 1-3
49▶CD: Cherubini: Messa dell'Incoronazione in A major / Marche religieuse
50▶CD: Bach: Brandenburg Concerto no. 2 / Telemann: Trumpet Concerto in D major / Torelli: Trumpet Concerto in D major / Haydn: Trumpet Concerto in E-flat major
51▶CD: Bruckner: Symphony no. 4 “Romantic”
52▶CD: Berlioz: Symphonie fantastique
53▶CD: Respighi: Pini di Roma / Fontane di Roma / Feste Romane
54▶CD: Scriabin: Symphony no. 1
55▶CD: Mozart: Symphony no. 41 “Jupiter” / Divertimento in D major
56▶CD: Beethoven: Symphonies nos. 1 & 5
57▶CD: Beethoven: Symphony no. 3 “Eroica” / Fidelio, Overture / The Consecration of the House, Overture
58▶CD: Beethoven: Symphonies nos. 2 & 4
59▶CD: Berlioz: Roméo et Juliette (beginning)
60▶CD: Berlioz: Roméo et Juliette (conclusion)
61▶CD: Schubert: Symphony no. 9 “The Great”
62▶CD: Rachmaninov: Piano Concerto no. 3
63▶CD: Beethoven: Symphonies nos. 7 & 8
64▶CD: Schubert: Symphonies nos. 4 “Tragic” & 6
65▶CD: Mozart: Requiem / Ave verum corpus
66▶CD: Verdi: Messa da Requiem (beginning) (1987)
67▶CD: Verdi: Messa da Requiem (conclusion) (1987)
68▶CD: Beethoven: Symphony no. 6 “Pastoral” / “Leonore” no. 3, Overture
69▶CD: Bruckner: Symphony no. 6
70▶CD: Cherubini: Messa solenne per l'Incoronazione di Luigi XVIII
71▶CD: Beethoven: Symphony no. 9
72▶CD: Scriabin: Symphony no. 3 “Le divin Poème” / Tchaikovsky: Romeo and Juliet
73▶CD: Dvořák: Violin Concerto / Romance for Violin & Orchestra
74▶CD: Schubert: Symphonies nos. 3 & 5
75▶CD: Scriabin: Symphony no. 2 / Tchaikovsky: Hamlet, Overture
76▶CD: Rachmaninov: Piano Concerto no. 2 / Rhapsody on a Theme of Paganini
77▶CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Scriabin: Le Poème d l'extase
78▶CD: Tchaikovsky: Symphony no. 4 / Scriabin: Prométhée, le Poème du feu
79▶CD: Schubert: Symphonies nos. 1 & 8 “Unfinished”
80▶CD: Tchaikovsky: Symphony no. 5 / Francesca da Rimini
81▶CD: Shostakovich: Symphony no. 5 / Festive Overture
82▶CD: Schubert: Symphony no. 2 / Rosamunde, Overture & Incidental Music
83▶CD: Chausson: Poème de l'amour et de la mer / Ravel: Une barque sur l'océan / Debussy: La Mer
84▶CD: Vivaldi: Concerto “La Tempesta di mare” / Flute Concerto “La Notte” / Le quattro stagioni (The Four Seasons)
85▶CD: New Year's Concert 1997 (beginning)
86▶CD: New Year's Concert 1997 (conclusion)
87▶CD: New Year's Concert 2000 (beginning)
88▶CD: New Year's Concert 2000 (conclusion)
89▶CD: Cherubini: Messa solenne in D minor (per il Principe Esterhazy)
90▶CD: Cherubini: Missa solemnis in E major / Two Motets
91▶CD: Muti and the Philharmonia - A Legendary Era