| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Another Love | Tom Odell | 3.6 | 4:04 |
| 2 | Dandelions | Ruth B. | 5 | 3:54 |
| 3 | Atlantis | Seafret | | 3:49 |
| 4 | Only Love Can Hurt Like This | Paloma Faith | 3.5 | 3:53 |
| 5 | Sweater Weather | The Neighbourhood | 4.35 | 4:00 |
| 6 | Title | Meghan Trainor | 4.8 | 2:55 |
| 7 | Train Wreck | James Arthur | 3 | 3:29 |
| 8 | Brazil | Declan McKenna | 4 | 4:12 |
| 9 | Mount Everest | Labrinth | | 2:37 |
| 10 | One Kiss | Calvin Harris | 3.5 | 3:34 |
| 11 | Break My Stride- Schlagzeug-Programmierung:
- John Gilston (in 1983)
- Produzent(in):
- Peter Bunetta, Rick Chudacoff und Bill Elliott
- Analoger Synthesizer [Prophet-5]:
- Bill Elliott (in 1983) und Matthew Wilder (in 1983)
- drum machine [Oberheim DMX], Perkussion und Schlagzeug:
- Peter Bunetta (in 1983)
- Gitarre:
- Dennis Herring (in 1983)
- Hintergrundgesang:
- Greg Prestopino (in 1983), Joe Turano (in 1983) und Matthew Wilder (in 1983)
- Sologesang:
- Matthew Wilder (in 1983)
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1983), Epic Records (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (in 1983)
- aufgenommen bei:
- Pasha Studios in Hollywood, Los Angeles, California , Vereinigte Staaten (in 1983)
- Teil von:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
- recording of:
- Break My Stride (in 1983)
- Verfasser(in):
- Greg Prestopino und Matthew Wilder
- publisher:
- Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing , Music of Windswept, Universal Studios, Inc. , WB Music Corp. , Wilder Kingdom Music, Big Ears Music (in 1983), No Ears Music (in 1983) und Streetwise Music (in 1983)
| Matthew Wilder | 3.4 | 3:02 |
| 12 | Power | Little Mix | 5 | 4:08 |
| 13 | Wrecking Ball- Programmierung und Produzent(in):
- Cirkut und Dr. Luke
- Techniker(in):
- Mike Caffery , Clint Gibbs und Sven Heidinga
- Mix:
- Serban Ghenea
- Bratsche / Viola:
- Andrew Duckles und Darrin McCann
- Cello:
- Suzie Katayama
- Geige / Violine:
- Charlie Bisberat , Kevin Connolly und Songa Lee
- Instrumente:
- Cirkut und Dr. Luke
- Saiteninstrumente:
- David Richard Campbell
- Sologesang:
- Miley Cyrus
- phonographisches Urheberrecht (℗) von:
- RCA Records (in 2013)
- Musikvideos:
- Wrecking Ball (official video) von Miley Cyrus
- Teil von:
- Billboard Decade End Chart: Streaming Songs (Nummer: 18), Billboard Year-End Hot 100 singles of 2013 (Nummer: 18), Stereogum: The 200 Best Songs of the 2010s (Nummer: 30), Billboard Year-End Hot 100 singles of 2014 (Nummer: 44), Pitchfork: The 200 Best Songs of the 2010s (Nummer: 152), Billboard: The 500 Best Pop Songs (Nummer: 156) und BILLIONS CLUB
- recording of:
- Wrecking Ball
- Verfasser(in):
- Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald , Stephan Moccio und Sacha Skarbek
- publisher:
- BMG Platinum Songs, BMG Rights Management (US) LLC , BMG Rights Management GmbH , Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing , Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc. , Sony/ATV Tunes LLC und Universal Music Publishing Canada II
| Miley Cyrus | 3.65 | 3:41 |
| 14 | Softcore- drum machine [drum]-Programmierung:
- Lars Stalfors
- Programmierung, Produzent(in) und Mix:
- Lars Stalfors
- Techniker(in):
- Dave Cerminara
- Synthesizer [synth]:
- Lars Stalfors
- phonographisches Urheberrecht (℗) von:
- Columbia Records (in 2018)
- mixed at:
- Lankershim in Los Angeles, California , Vereinigte Staaten
- engineered at:
- Sonora Recorders in Los Angeles, California , Vereinigte Staaten
- recording of:
- Softcore
- Verfasser(in):
- Zachary Abels, Brandon Fried, Jeremiah Freedman, Jesse James Rutherford , Michael Margott und Lars Stalfors
- publisher:
- Cheeky Cosmo Music, Douche Cash Music, EMI Blackwood Music Inc., On the Fence Music, Oxcart Publishing, Pen Island Music und ZMAN Music
| The Neighbourhood | 2.45 | 3:26 |
| 15 | Girl With the Tattoo Enter.Lewd | Miguel | | 1:43 |
| 16 | Should I Stay or Should I Go (remastered) | The Clash | 4.55 | 3:09 |
| 17 | Car's Outside | James Arthur | 3 | 4:08 |
| 18 | Heal | Tom Odell | 2.5 | 3:13 |
| 19 | Say You Won't Let Go | James Arthur | 3.8 | 3:27 |
| 20 | Dandelions (slowed + reverb) | Ruth B. | | 4:29 |
| 21 | Only Love Can Hurt Like This (slowed down version) | Paloma Faith | | 4:18 |
| 22 | Daddy Issues- assistierende(r) Techniker(in):
- Chase McElhaney
- Techniker(in):
- 4E und Chris Mullings
- Produzent(in):
- 4E und Justyn Pilbrow
- assistierende(r) Mix:
- Geoff Swan
- Mix:
- Mark “Spike” Stent
- phonographisches Urheberrecht (℗) von:
- Columbia Records (in 2015)
- mixed at:
- Mixsuite UK in London , England, Vereinigtes Königreich
- recording of:
- Daddy Issues
- Verfasser(in):
- Zachary Abels, Jeremy Freedman, Brandon Fried, Jesse Rutherford , Mikey Margott und Justyn Pilbrow
- publisher:
- Brandon Fried Publishing Designee, Douche Cash Music, EMI Blackwood Music Inc., On the Fence Music, Pen Island Music, Sony/ATV Ballad und ZMAN Music
| The Neighbourhood | 4 | 4:20 |
| 23 | Rasputin | Boney M. | 3.25 | 3:41 |
| 24 | 5, 6, 7, 8 | Steps | 3.35 | 3:22 |
| 25 | That's Not My Name | The Ting Tings | 4.05 | 5:11 |
| 26 | Can You Feel My Heart | Bring Me the Horizon | 4.45 | 3:48 |
| 27 | Night Changes- recording engineer:
- Ben “Bengineer” Chang (Sologesang [vocals]) und Alex Oriet (Sologesang [vocals])
- assistierende(r) Techniker(in):
- Ian Franzino
- Techniker(in) und Produzent(in):
- Julian Bunetta und John Ryan
- Mix:
- Julian Bunetta und Joe Zook
- Instrumente:
- Julian Bunetta, John Ryan und Jamie Scott
- Hintergrundgesang:
- Julian Bunetta, One Direction , John Ryan und Jamie Scott
- phonographisches Urheberrecht (℗) von:
- Simco Limited (in 2014)
- aufgenommen bei:
- Angel Face Studios in Vereinigtes Königreich und Enemy Dojo in Calabasas, California , Vereinigte Staaten
- Teil von:
- Billboard Year-End Hot 100 singles of 2015 (Nummer: 98)
- recording of:
- Night Changes
- Verfasser(in):
- Julian Bunetta, Niall Horan, Liam Payne, John Ryan , Jamie Scott , Harry Styles, Louis Tomlinson und Zain Malik
- publisher:
- BMG Platinum Songs, Bob Erotik Music, EMI Music Publishing Ltd. , Holy Cannoli Music, Music of Big Deal, Music of Hipgnosis, PPM Music Ltd., Songs of Universal, Inc. , Sony/ATV Music Publishing und The Family Song Book
| One Direction | 4 | 3:46 |
| 28 | Vienna | Billy Joel | 3.9 | 3:34 |
| 29 | All My Friends | Snakehips feat. Tinashe & Chance the Rapper | 3.35 | 3:50 |
| 30 | Paris | The Chainsmokers | 3.75 | 3:39 |
| 31 | Kids | MGMT | 4.1 | 5:03 |
| 32 | Friday (Dopamine re-edit) | Nightcrawlers, Riton feat. Mufasa & Hypeman | 3.25 | 2:49 |
| 33 | Dance With Me Tonight | Olly Murs | 2.5 | 3:23 |
| 34 | Everybody Loves Somebody | Dean Martin | | 2:44 |
| 35 | You & I | One Direction | 2 | 3:58 |
| 36 | It's All Coming Back to Me Now | Céline Dion | 5 | 7:38 |
| 37 | Footloose- Produzent(in):
- Lee DeCarlo und Kenny Loggins
- Bass-Synthesizer:
- Michael Boddicker
- Bassgitarre:
- Nathan East
- Gitarre:
- Buzz Feiten
- Instrumente:
- Michael Boddicker
- Keyboard:
- Neil Larsen und Steven Wood
- Perkussion:
- Michael Boddicker und Paulinho da Costa
- Schlagzeug:
- Tris Imboden
- Hintergrundgesang:
- Marilyn Dorman, Richey Washington und Steven Wood
- Sologesang:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- Texter:
- Dean Pitchford
- Komponist(in):
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
- Teil von:
- The 57th Academy Award for Best Original Song (Nummer: 2)
| Kenny Loggins | 4.1 | 3:40 |
| 38 | Malibu | Miley Cyrus | 2.5 | 3:51 |
| 39 | Hold My Girl | George Ezra | 3 | 3:31 |
| 40 | Brother | Kodaline | | 3:23 |
| 41 | Pony | Ginuwine | 3.75 | 4:12 |
| 42 | Just You and I | Tom Walker | | 2:55 |
| 43 | You're Too Young | Lucy Spraggan | | 4:14 |
| 44 | I Found | Amber Run | 4 | 4:33 |
| 45 | All I Want | Kodaline | 5 | 5:06 |
| 46 | Atlantis (extra sped up version) | Seafret | | 3:11 |
| 47 | Little Dark Age | MGMT | 4.2 | 5:00 |
| 48 | Jiggle Jiggle | Duke & Jones | | 1:37 |
| 49 | Nothing Breaks Like a Heart- recording engineer:
- Beatriz Artola, Joshua Blair, Riccardo Damian , Martin Hollis, Barry McCready und Todd Monfalcone
- assistierende(r) Techniker(in):
- Tyler Beans , Rob Bisel, John Hanes , Rowan McIntosh , Dylan Neustadter und Josh Tyrrell
- Koproduzent(in):
- The Picard Brothers
- Produzent(in):
- Jamie XX und Mark Ronson
- Mix:
- Serban Ghenea
- Bass und Klavier:
- Mark Ronson
- Bratsche / Viola:
- Nick Barr , Reiad Chibah , Virginia Slater und Katie Wilkinson
- Cello:
- Katie Burke, Dave Daniels , Katherine Jenkinson und Jo Knight
- Geige / Violine:
- Daniel Bhattacharya, Fiona Brice, Chris Clad, Francis Grime, Marianne Haynes , Ian Humphries , Kirsty Mangan, Perry Montague‐Mason , Charles Mutter , Amandla Stenberg, Chris Tombling , Matthew Ward , Honor Watson , Debbie Widdup und Paul Willey
- Gitarre:
- Thomas Brenneck
- Kontrabass:
- Roger Linley
- Schlagzeug:
- Conor Szymanski
- conductor:
- Chris Elliott
- arranger:
- Chris Elliott
- phonographisches Urheberrecht (℗) von:
- Mark Ronson (in 2018)
- Teil von:
- TheNeedleDrop: Top 50 Singles of 2018 (Nummer: 32), Spotify: Top Hits of 2019 (Nummer: 34) und BILLIONS CLUB
- recording of:
- Nothing Breaks Like a Heart
- Verfasser(in):
- Thomas Brenneck, Miley Cyrus, Ilsey Juber, Clément Picard, Maxime Picard, Mark Ronson und Conor Szymanski
| Mark Ronson feat. Miley Cyrus | 3.9 | 3:37 |
| 50 | Guy.Exe | Superfruit | | 3:43 |
| 51 | Love Me Like You | Little Mix | 3 | 3:18 |
| 52 | C'est la vie | B*Witched | 3.85 | 2:52 |
| 53 | Last Night (Beer Fear) | Lucy Spraggan | 3 | 2:12 |
| 54 | Teenage Dirtbag | Wheatus | 3.45 | 4:02 |
| 55 | Hallelujah | Alexandra Burke | 3.65 | 3:37 |
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