Young at Heart

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Young at Heart
produttore:
Bob Andrews (keyboardist and producer) e Colin Fairley
registrazione cover di:
Young at Heart (Bananarama song)
autore:
Sara Dallin, Siobhan Fahey, Robert Hodgens e Keren Woodward
The Bluebells2.53:27
2Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
3Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce:
Deborah Harry
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1979)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 2), Indie 88: Top 500 Indie Rock Songs (numero: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 138) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 255)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.33:56
4Really Saying Something
registrazione cover di:
He Was Really Sayin’ Somethin’
autore:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), William Stevenson (Motown songwriter) e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (appears also as: Jobete Msc.)
Bananarama2:40
5The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:31
6Smalltown Boy
tecnico di registrazione:
Pete Griffiths (UK studio technician, programmer & producer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
registrazione di:
Smalltown Boy
autore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
editore:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
Gotcha! (1985 film soundtrack)
Bronski Beat3.754:59
7Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:38
8Video Killed the Radio Star
produttore:
The Buggles
chitarra elettrica e voce principale:
Trevor Horn (nel 1979)
tastiera :
Geoff Downes (nel 1979)
cori:
Debi Doss (photographer and singer, Kinks) (nel 1979) e Linda Jardim (nel 1979)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 40)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes, Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:29
9Einstein a Go‐Go
produttore:
Landscape (80s British synthpop)
diritti fonografici (℗) detenuti da:
RCA Ltd. (UK arm of RCA) (dal 1981 a oggi) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
registrazione di:
Einstein a Go-Go
compositore:
Richard James Burgess, Landscape (80s British synthpop) e John L. Walters
editore:
Landscape Music Ltd. e Sunbury Music Ltd.
Landscape3:03
10Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:56
11Reward
registrazione di:
Reward
compositore:
Julian Cope e Alan Gill
The Teardrop Explodes2:56
12Wishing (If I Had a Photograph of You)
tecnico:
Dave Hutchins (UK engineer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
chitarra basso :
Frank Maudsley
tastiera e voce principale:
Mike Score
diritti fonografici (℗) detenuti da:
Zomba Productions Limited (nel 1983) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania
mixata presso:
Union Studios (Established in 1963 as 'Studio Allach') in München (Munich), Bayern (Baviera), Germania
registrazione di:
Wishing (If I Had a Photograph of You)
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Zomba Enterprises, Inc. e Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.255:33
13Save a Prayer
registrazione di:
Save a Prayer (Duran Duran)
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Gloucester Place Music Ltd.
Duran Duran5:28
14I Second That Emotion
produttore:
John Punter
diritti fonografici (℗) detenuti da:
Hansa Productions Ltd. (nel 1982)
registrazione cover di:
I Second That Emotion
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan43:45
15Vienna
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
basso :
Chris Cross (UK bassist for Ultravox)
batteria :
Warren Cann
chitarra :
Midge Ure
tastiera e violino :
Billy Currie
voce:
Midge Ure
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox3.44:38
2▼CD
#TitoloArtistaValutazioneDurata
1My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:04
2Turning Japanese
produttore:
Vic Coppersmith‐Heaven
basso elettrico [bass guitar] :
Steve Smith (UK bassist for the Vapors)
batteria :
Howard Smith (UK drummer for the Vapors)
chitarra e voce principale:
David Fenton
chitarra [lead guitar] :
Edward Bazalgette
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 30)
registrazione di:
Turning Japanese
paroliere e compositore:
David Fenton
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) e Glenwood Music Corp.
The Vapors3.653:46
3Stray Cat Strut
registrazione di:
Stray Cat Strut
paroliere e compositore:
Brian Setzer
editore:
Zomba Enterprises, Inc.
Stray Cats3:19
4London Calling
tecnico:
Bill Price (UK producer/engineer)
produttore:
Guy Stevens
batteria e percussione :
Topper Headon (dal 1979-01 al 1979-03)
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) (dal 1979-01 al 1979-03) e Joe Strummer (dal 1979-01 al 1979-03)
chitarra basso :
Paul Simonon (dal 1979-01 al 1979-03)
voce:
Mick Jones (The Clash/Big Audio Dynamite) (dal 1979-01 al 1979-03) e Joe Strummer (dal 1979-01 al 1979-03)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1979)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (dal 1979-01 al 1979-03)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 143)
registrazione di:
London Calling (dal 1979-01 al 1979-03)
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd., Nineden Music (publisher) e Virgin Music (Publishers) Ltd.
The Clash4.13:22
5Eton Rifles
produttore:
Vic Coppersmith‐Heaven e The Jam (late 70s/early 80s UK punk/mod revival band)
registrazione di:
The Eton Rifles
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd. e Stylist Music Ltd.
The Jam3:30
6I Want You to Want Me
tecnico:
Antonio Reale
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti (nel 1977)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 266)
registrazione di:
I Want You to Want Me (nel 1977)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick4.153:08
7Brass in Pocket
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
The Pretenders4.153:05
8I Don’t Like Mondays
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats3:50
9Shout
registrazione di:
Shout
autore:
Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. e Virgin Music (Publishers) Ltd.
Tears for Fears5:52
10I Got You
tecnico e produttore:
David Tickle
basso :
Nigel Griggs
batteria :
Malcolm Green (UK/Australian drummer)
chitarra :
Neil Finn
percussione :
Noel Crombie
tastiera :
Tim Finn e Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
voce:
Neil Finn e Tim Finn
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1980) e Mushroom Records (nel 2006)
registrazione di:
I Got You
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music (Mushroom label’s publishing company)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 11)
Split Enz3.53:30
11Ships in the Night
produttore:
John Leckie e Bill Nelson (English experimental musician)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1975-10)
registrazione di:
Ships in the Night (nel 1975-10)
paroliere e compositore:
Bill Nelson (English experimental musician)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) e Henrees Music co.
Be Bop Deluxe54:04
12Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.953:35
13Fields of Fire
registrazione di:
Fields of Fire
paroliere:
Stuart Adamson
compositore:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) e Bruce Watson (member of Big Country)
editore:
10 Music Ltd., BMG VM Music Ltd. e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
Big Country3:26
14Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:28
1519
produttore:
Paul Hardcastle
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
19 (music video) di Paul Hardcastle
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 73)
registrazione di:
19
paroliere:
Bill Couturié, Paul Hardcastle e Jonas McCord
compositore:
Paul Hardcastle
editore:
Oval Music e Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:39
3▼CD
#TitoloArtistaValutazioneDurata
1Dr. Beat
voce principale:
Gloria Estefan
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Dr. Beat
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
editore:
EMI Songs Ltd. e Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:19
2Annie I’m Not Your Daddy
registrazione di:
Annie, I’m Not Your Daddy
paroliere e compositore:
August Darnell (singer, songwriter)
Kid Creole and the Coconuts34:05
3Japanese Boy
produttore:
Neil Ross (UK based Music Engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 26)
registrazione di:
Japanese Boy
paroliere e compositore:
Bobby Heatlie (songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
Aneka33:58
4Happy Birthday
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
prodotta presso:
Genetic Sound in West Berkshire, England, Regno Unito
registrazione di:
Happy Birthday
autore:
Tich Anderson, Clare Grogan, Tony McDaid e Johnny McElhone
editore:
Beam Down Ltd. (publisher), Notting Hill Music (UK) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images33:00
5Girls Just Want to Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:47
699 Luftballons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.43:54
7Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982, nel 1983)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 9) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs e Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.653:42
8It’s My Party
tecnico:
Nick Bradford
produttore:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
batteria elettronica [SDS V] , strumenti elettronici [claptrap] , tastiera [keyboards] e vocoder :
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
voce di accompagnamento:
Amanda Parsons
voce principale:
Barbara Gaskin
registrata presso e mixata presso:
Matrix Studios in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1981-06 al 1981-07)
registrazione cover di:
It’s My Party
autore:
John Gluck, Jr., Wally Gold, Seymour Gottlieb e Herb Weiner
editore:
A. Schroeder Music Ltd. e Chappell & Co., Inc. (USA)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin33:50
9Stand and Deliver
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Chris Hughes (producer, aka “Merrick”)
batteria :
Chris Hughes (producer, aka “Merrick”) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso e voce principale:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1981) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
parte di:
The Downloader’s Music Source Book (numero: 145)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:10
10Boxer Beat
registrazione di:
Boxerbeat
autore:
David Collard, Rob Marche e Dig Wayne
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
JoBoxers32:56
11On My Radio
registrazione di:
On My Radio
paroliere e compositore:
Neol Davies (British musician and founder of The Selecter)
editore:
Fairwood Music Ltd.
The Selecter4.23:12
12O Superman
tecnico:
Leanne Ungar
assistente produttore:
Perry Hoberman
produttore:
Laurie Anderson (experimental/art rock musician) e Roma Baran
farfisa e sintetizzatore [Casio] :
Roma Baran
flauto e sassofono [sax] :
Perry Hoberman
strumenti elettronici [electronics] e vocoder :
Laurie Anderson (experimental/art rock musician)
voce:
Laurie Anderson (experimental/art rock musician)
registrata presso:
The Lobby (Laurie Anderson's home studio) in New York, New York, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
O Superman (nel 1981)
paroliere e compositore:
Laurie Anderson (experimental/art rock musician)
editore:
Difficult Music
si basa su:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel)
Laurie Anderson4.158:26
13Da Da Da
tecnico:
Jim Duncombe (Swiss musician / engineer) (nel 1982-01)
produttore:
Klaus Voormann (nel 1982-01)
batteria :
Peter Behrens (nel 1982-01)
chitarra basso :
Klaus Voormann (nel 1982-01)
nacchere :
Hans‐Joachim Behrendt (nel 1982-01)
tastiera :
Stephan Remmler (nel 1982-01)
voce di accompagnamento:
Annette Humpe (nel 1982-01)
voce principale:
Stephan Remmler (nel 1982)
esecutore:
Kralle Krawinkel (nel 1982-01)
lavorazione tecnica effettuata presso:
Audio Studios in Berlin, Germania (nel 1982-01) e Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera (nel 1982-01)
edit di:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha di Trio (80s German band)
video musicali:
Da Da Da (I Don't Love You) di Trio (80s German band)
registrazione di:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (nel 1982-01)
paroliere e compositore:
Kralle (nel 1981) e Stephan Remmler (nel 1981)
traduttore:
Kralle e Stephan Remmler
editore:
Just Us Music Production GmbH
versione tradotta di:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:23
14Can Can
registrazione di:
Can Can (“Bad Manners” version)
compositore:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangiatore:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) e Brian Tuitt
editore:
Magnet Music Ltd. (publisher)
versione di:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
Bad Manners22:56
15Happy Talk
registrazione cover di:
Happy Talk (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:33
4▼CD
#TitoloArtistaValutazioneDurata
1Kids in America
tecnico di registrazione:
Jeo (dal 1980 al 1981)
programmazione:
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Bernhard Hahn (dal 1980 al 1981), Chris North (UK drummer of The Enid) (dal 1980 al 1981) e Tobias Wörner (dal 1980 al 1981)
chitarra :
Thomas Hahn (dal 1980 al 1981), Charlotte Hatherley (dal 1980 al 1981), Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981), Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981), Derek von Krogh (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
tastiera aggiunto:
Nick Priessnitz (dal 1980 al 1981)
voce:
Kim Wilde (dal 1980 al 1981)
voce di accompagnamento:
D. Janz (dal 1980 al 1981), M. Janz (dal 1980 al 1981), N. Janz (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce principale:
Charlotte Hatherley (dal 1980 al 1981) e Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1996, nel 2001), EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Amira Studio (dal 1980 al 1981), RAK Studios in London (Greater London), England, Regno Unito (dal 1980 al 1981), Soundmastaz Studios (dal 1980 al 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germania (dal 1980 al 1981) e The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania, RAK Studios in London (Greater London), England, Regno Unito e Studio 77 in Stuttgart, Baden-Württemberg, Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 55)
registrazione di:
Kids in America (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
editore:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Rickim Music Ltd.
Kim Wilde4.353:28
2One Night in Bangkok
diritti fonografici (℗) detenuti da:
Three Knights, Ltd. (nel 1984)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 76)
registrazione di:
One Night in Bangkok
paroliere:
Tim Rice
compositore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) e RCA Music Ltd. (publisher)
parte di:
Chess (full musical)
registrazione cover di:
One Night in Bangkok
paroliere:
Tim Rice
compositore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) e RCA Music Ltd. (publisher)
parte di:
Chess (full musical)
Murray Head44:01
3Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some3:08
4Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:44
5Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:54
6It Doesn’t Have to Be This Way
produttore:
Michael Baker (producer)
diritti fonografici (℗) detenuti da:
RCA/Ariola Ltd. (nel 1987)
è stato produttore per:
Simple Simon Inc.
registrazione di:
It Doesn’t Have to Be This Way
paroliere e compositore:
Robert Howard (pop songwriter)
editore:
RCA Music Ltd. (publisher)
The Blow Monkeys2.54:05
7We Close Our Eyes
produttore:
Gary Stevenson
remixer:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
We Close Our Eyes di Go West
registrazione di:
We Close Our Eyes
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
editore:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Go West3.23:47
8Somewhere in My Heart
produttore:
Michael Jonzun
registrazione di:
Somewhere in My Heart
paroliere e compositore:
Roddy Frame
editore:
Complete Music Ltd.
Aztec Camera3.63:52
9I Won’t Let You Down
registrazione di:
I Won’t Let You Down
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Tony Hymas
Ph.D.44:07
10What Is Love
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
What Is Love?
paroliere:
William Bryant (UK lyricist, writer and speaker) e Howard Jones (English singer, songwriter)
compositore:
Howard Jones (English singer, songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group e Warner Chappell Publishing
Howard Jones4.53:41
11If I Was
produttore:
Midge Ure
esecutore ospite:
Mark King
arrangiatore:
Midge Ure
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1985)
registrazione di:
If I Was
autore:
Danny Mitchell (Scottish songwriter and member of Messengers) e Midge Ure
Midge Ure45:21
12I Won’t Let the Sun Go Down on Me
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
basso aggiunto:
Paul Westwood (bassist) (nel 1983)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1983) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
I Won’t Let the Sun Go Down on Me (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal e Rondor Music (London) Ltd.
Nik Kershaw3.53:19
13Bang Bang
registrazione di:
Bang Bang
autore:
Terry Britten e B.A. Robertson
editore:
Kongride Music Ltd., Mews Music Ltd., My Axe Music Ltd. e United Artists Music Ltd.
B. A. Robertson3:24
14Life in a Northern Town
produttore:
David Gilmour (Pink Floyd), Nick Laird-Clowes e George Nicholson (engineer, producer)
produttore aggiunto:
David Gilmour (Pink Floyd)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 54)
registrazione di:
Life in a Northern Town
autore:
Gilbert Gabriel e Nick Laird-Clowes
dedicata a:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:18
15I’m in Love With a German Film Star
produttore:
Peter Wilson (UK Producer)
basso :
David Agar
batteria :
Richard Williams (UK drummer for The Passions)
chitarra :
Barbara Gogan e Clive Timperley
voce:
Barbara Gogan e Clive Timperley
registrazione di:
I’m in Love With a German Film Star
paroliere:
Barbara Gogan
compositore:
David Agar, Clive Timperley, David Wardill e Richard Williams (UK drummer for The Passions)
editore:
America Eaton
The Passions43:59

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Discogs:https://www.discogs.com/master/698243 [info]