Quadromania: Le Nozze di Figaro / Die Zauberflote

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Annotation

4-CD set.

Shares the same recordings for "Marriage of Figaro" as http://musicbrainz.org/release-group/17d174fa-ef09-4525-8c57-f1748f7e9adb

Annotation last modified on 2016-02-22 23:59 UTC.

Tracklist

| |
1▼CD
#TitleRatingLength
1Le nozze di Figaro: Overture
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
3:52
2Le nozze di Figaro: Atto primo. Cinque... dieci... venti
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
2:35
3Le nozze di Figaro: Atto primo. Se a caso madama
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
2:27
4Le nozze di Figaro: Atto primo. Se vuol ballare (Figaro/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
2:13
5Le nozze di Figaro: Atto primo. La vendetta, oh, la vendetta (Bartolo)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:02
6Le nozze di Figaro: Atto primo. Via resti servita, madama brillante (Marcellina/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
2:01
7Le nozze di Figaro: Atto primo. Non so più coca son, cosa faccio (Cherubino)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:02
8Le nozze di Figaro: Atto primo. Cosa sento! (Conte/ Basilio/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
4:44
9Le nozze di Figaro: Atto primo. Giovani liete, fiori spargete (Coro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 9) Coro “Giovani liete” (Coro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
1:12
10Le nozze di Figaro: Atto primo. Non più andrai (Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:34
11Le nozze di Figaro: Atto secondo. Porgi, amor (Contessa)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Douglas Larter, Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1952)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
4:07
12Le nozze di Figaro: Atto secondo. Voi, che sapete che cosa è amor (Cherubino)
producer:
Walter Legge (British classical producer)
soprano vocals:
Sena Jurinac (soprano) (in 1950, from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:41
13Le nozze di Figaro: Atto secondo. Venite, inginocchiatevi (Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:57
14Le nozze di Figaro: Atto secondo. Susanna, or via sortite (Conte/Contessa/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:51
15Le nozze di Figaro: Atto secondo. Aprite, presto, aprite (Susanna/Cherubino)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
0:57
16Le nozze di Figaro: Atto secondo. Esci omai, garzon malnato (Conte/Contessa)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:43
17Le nozze di Figaro: Atto secondo. Signore! Cos'è quel stupore? (Susanna/Conte/Contessa/Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
5:27
18Le nozze di Figaro: Atto secondo. Conoscete, signor Figaro (Conte/Figaro/Susanna/Contessa/Antonio)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
8:07
19Le nozze di Figaro: Atto secondo. Voi signor, che giusto siete (Marcellina/Bartolo/Basilio/Conte/Susanna/Contessa/Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
3:48
2▼CD
#TitleRatingLength
1Le nozze di Figaro: Atto terzo. Crudel! Perchè finora farmi languir cosi? (Conte/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
2:44
2Le nozze di Figaro: Atto terzo. Hai già vinto la causa! Vedro, mentr'io sospiro (Conte)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:59
3Le nozze di Figaro: Atto terzo. Riconosci in quest' amplesso (Marcellina/Figaro/Bartolo/Don Curzio/Conte/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:55
4Le nozze di Figaro: Atto terzo. E Susanna non vien! Dove sono (Contessa)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
7:05
5Le nozze di Figaro: Atto terzo. Sull'aria (Susanna/Contessa)
producer:
Walter Legge (British classical producer)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1950-06-17 until 1950-10-31)
soprano vocals [Susanna]:
Irmgard Seefried (soprano) (from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
2:47
6Le nozze di Figaro: Atto terzo. Ricevete, o padroncina (Coro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
1:06
7Le nozze di Figaro: Atto terzo. Ecco la marcia... constanti (Figaro/Susanna/Conte/Contessa/Due ragazze/Coro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
6:26
8Le nozze di Figaro: Atto quarto. L'ho perduta, me meschina! (Barbarina)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
1:49
9Le nozze di Figaro: Atto quarto. Tutto é disposto... Aprite un po' quegl' occhi (Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
4:13
10Le nozze di Figaro: Atto quarto. Giunse alfin il momento... Deh, vieni, non tardar (Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
4:41
11Le nozze di Figaro: Atto quarto. Pipianin, le andró più presso (Cherubino/Contessa/Conte/Susanna/Figaro)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
5:21
12Le nozze di Figaro: Atto quarto. Tutto é tranquillo e placido (Figaro/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Tutto è tranquillo e placido” (Il Conte, Tutti)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
3:00
13Le nozze di Figaro: Atto quarto. Pace, pace, mio dolce tesoro (Figaro/Conte/Susanna)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Il Conte, Tutti)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
1:52
14Le nozze di Figaro: Atto quarto. Gente, gente, all'armi, all'armi! (Tutti)
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
5:16
3▼CD
#TitleRatingLength
1Die Zauberflöte: Ouvertüre
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:04
2Die Zauberflöte: Act I. Zu Hilfe! Zu Hilfe!
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:08
3Die Zauberflöte: Act I. Der Vogelfänger bin ich ja
producer:
Walter Legge (British classical producer)
baritone vocals:
Erich Kunz (baritone) (in 1950)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:37
4Die Zauberflöte: Act I. Dies Bildnis ist bezaubernd schön
producer:
Walter Legge (British classical producer)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:27
5Die Zauberflöte: Act I. O zittre nicht, mein lieber Sohn
producer:
Walter Legge (British classical producer)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:55
6Die Zauberflöte: Act I. Hm! Hm! Hm! Hm!
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:24
7Die Zauberflöte: Act I. Die Zauberflöte: Act I. Du feines Täubchen, nur herein!
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:44
8Die Zauberflöte: Act I. Bei Männern, welche Liebe fühlen
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:12
9Die Zauberflöte: Act I. Zum Ziele führt dich diese Bahn
producer:
Walter Legge (British classical producer)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:08
10Die Zauberflöte: Act I. Zurück!... Zurück?
producer:
Walter Legge (British classical producer)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
bass-baritone vocals [Speaker]:
George London (bass-baritone) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
5:59
11Die Zauberflöte: Act I. O ew'ge Nacht
producer:
Walter Legge (British classical producer)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
partial recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:08
12Die Zauberflöte: Act I. Wie stark ist nicht dein Zauberton
producer:
Walter Legge (British classical producer)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:04
13Die Zauberflöte: Act I. Schnelle Füße, rascher Mut
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:25
14Die Zauberflöte: Act I. Wer viel wagt, gewinnt oft viel! ... Das klinget so herrlich
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
partial recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Zauberflöte, K. 620: Akt I
0:51
15Die Zauberflöte: Act I. Könnte jeder brave Mann
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Könnte jeder brave Mann” (Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
0:45
16Die Zauberflöte: Act I. Es lebe Sarastro
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:44
17Die Zauberflöte: Act I. Herr, ich bin zwar Verbrecherin
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:31
18Die Zauberflöte: Act I. Nun stolzer Jüngling nur hierher
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Nun, stolzer Jüngling; nur hierher!” (Monostatos, Pamina, Tamino, Gefolge, Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:28
19Die Zauberflöte: Act I. Führt diese beiden Fremdlinge
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. „Führt diese beiden Fremdlinge” (Sarastro, Chor)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt I
1:40
4▼CD
#TitleRatingLength
1Die Zauberflöte: Act II. Marsch der Priester
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
2:45
2Die Zauberflöte: Act II. O Isis und Osiris
producer:
Walter Legge (British classical producer)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:14
3Die Zauberflöte: Act II. Bewahret euch vor Weibertücken
producer:
Walter Legge (British classical producer)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:01
4Die Zauberflöte: Act II. Wie? Wie? Wie?
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:11
5Die Zauberflöte: Act II. Alles fühlt der Liebe Freuden
producer:
Walter Legge (British classical producer)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:14
6Die Zauberflöte: Act II. Der Hölle Rache kocht in meinem Herzen
producer:
Walter Legge (British classical producer)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:47
7Die Zauberflöte: Act II. In diesen heil'gen Hallen
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:54
8Die Zauberflöte: Act II. Seid uns zum zweiten Mal willkommen
producer:
Walter Legge (British classical producer)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:53
9Die Zauberflöte: Act II. Ach, ich fühl's
producer:
Walter Legge (British classical producer)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:16
10Die Zauberflöte: Act II. O Isis und Osiris
producer:
Walter Legge (British classical producer)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:22
11Die Zauberflöte: Act II. Soll ich dich, Teurer
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:42
12Die Zauberflöte: Act II. Ein Mädchen oder Weibchen
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:41
13Die Zauberflöte: Act II. Bald prangt, den Morgen zu verkünden
producer:
Walter Legge (British classical producer)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:50
14Die Zauberflöte: Act II. Der, welcher wandelt diese Strasse
producer:
Walter Legge (British classical producer)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:41
15Die Zauberflöte: Act II. Tamino mein! O welch ein Glück!
producer:
Walter Legge (British classical producer)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
6:53
16Die Zauberflöte: Act II. Triumph, Triumph, Triumph, du edles Paar!
producer:
Walter Legge (British classical producer)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Triumph! Triumph! Du edles Paar!” (Chor) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
0:48
17Die Zauberflöte: Act II. Papagena! Papagena! Papagena!
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:56
18Die Zauberflöte: Act II. Pa-pa-gena! Pa-pa-geno!
producer:
Walter Legge (British classical producer)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Papagena]:
Emmy Loose (soprano) (in 1950-11)
vocals:
Emmy Loose (soprano) (in 1950)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:23
19Die Zauberflöte: Act II. Nur stille, stille, stille
producer:
Walter Legge (British classical producer)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:18
20Die Zauberflöte: Act II. Die Strahlen der Sonne
producer:
Walter Legge (British classical producer)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien (in 1950) and Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
vocals:
Ludwig Weber (operatic bass) (in 1950)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
3:02