Viva Duets

~ Release by Tony Bennett (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Best Is Yet to Come
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
mixed at:
Bennett Studios in Englewood, New Jersey, United States
recording of:
The Best Is Yet to Come (Tony Bennett dual language arrangement)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
translator:
Edgar Barrera (Edgar I. Barrera) and Andrés Castro
publisher:
BMG Gold Songs, Carwin Music Inc. and Notable Music Co., Inc.
arrangement of:
The Best Is Yet to Come
Tony Bennett duet with Chayanne53:40
2The Way You Look Tonight
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Marshall Woods
drums (drum set):
Harold Jones (jazz drummer)
guitar and solo guitar:
Gray Sargent
piano:
Lee Musiker
mixed at:
Bennett Studios in Englewood, New Jersey, United States
recording of:
The Way You Look Tonight (Tony Bennett dual language arrangement)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
translator:
Thalía Sodi (Mexican singer and actress)
publisher:
Aldi Music, Shapiro Bernstein & Co. and Universal – PolyGram Int. Publishing, Inc. (existed only since ca. 1998)
arrangement of:
The Way You Look Tonight (from “Swing Time”)
Tony Bennett duet with Thalía34:05
3Steppin’ Out With My Baby
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Steppin’ Out With My Baby (Easter Parade)
lyricist and composer:
Irving Berlin (in 1948)
publisher:
Irving Berlin Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
part of:
Easter Parade (full musical)
Tony Bennett duet with Christina Aguilera52:04
4For Once in My Life
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar and solo guitar:
Gray Sargent
piano:
Lee Musiker
mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
For Once in My Life
lyricist:
Ronald Miller (Motown songwriter Ronald Norman Miller)
composer:
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Tony Bennett duet with Marc Anthony3:09
5Are You Havin’ Any Fun?
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
conductor:
Torrie Zito
brass arranger:
Torrie Zito
mixed at:
Bennett Studios in Englewood, New Jersey, United States
recording of:
Are You Havin’ Any Fun? (Tony Bennett dual language arrangement)
lyricist:
Jack Yellen
composer:
Sammy Fain
translator:
Dani Martín
publisher:
Fain Music Co. and Jack Yellen Music
arrangement of:
Are You Havin’ Any Fun
Tony Bennett duet with Dani Martín2:45
6The Good Life
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
mixed at:
Bennett Studios in Englewood, New Jersey, United States
recording of:
The Good Life (Tony Bennett dual language arrangement)
lyricist:
Jean Broussolle and Jack Reardon (American songwriter)
composer:
Sacha Distel
translator:
Franco de Vita
publisher:
Intersong‐USA, Inc. (publisher) and Les Éditions Musicales D.M.F.
arrangement of:
The Good Life
Tony Bennett duet with Franco de Vita3:22
7Who Can I Turn To (When Nobody Needs Me)
recording engineer:
Dae Bennett and Alfred Figueroa (lead vocals [Gloria Estefan vocals])
miscellaneous support:
José Maldonado (Production) (task: Crescent Moon Studios production coordinator)
additional engineer:
René Toledo, Jr. and Ron Taylor (engineer and producer)
assistant engineer:
Kurt Berge and Jo Serrano
producer:
Dae Bennett (lead vocals) and Phil Ramone
mixer:
Dae Bennett, Emilio Estefan and René Toledo, Jr.
bass:
Marshall Woods
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
lead vocals [Gloria Estefan vocals] arranger:
Emilio Estefan and Gloria Estefan
additionally recorded at and additionally mixed at:
Crescent Moon Studios in Miami, Florida, United States (lead vocals)
recorded at:
Cutting Cane Studios in Davie, Florida, United States
mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Who Can I Turn To (When Nobody Needs Me)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Tony Bennett duet with Gloria Estefan3:53
8Just in Time
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
mixed at:
Bennett Studios in Englewood, New Jersey, United States
recording of:
Just in Time (Tony Bennett dual language arrangement)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
translator:
Kany García
publisher:
Chappell & Co., Inc. (USA) and Stratford Music Corporation
arrangement of:
Just in Time (Bells Are Ringing)
Tony Bennett duet with Juan Luis Guerra2:20
9Cold, Cold Heart
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Cold, Cold Heart (Tony Bennett dual language arrangement)
lyricist and composer:
Hank Williams (country music legend)
translator:
Sebastián Schon
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
arrangement of:
Cold, Cold Heart
Tony Bennett duet with Vicentico3:18
10I Wanna Be Around
recording engineer and mixer:
Dae Bennett
engineer:
Ricardo Arjona (lead vocals [Ricardo Arjona vocals])
producer:
Ricardo Arjona (lead vocals [Ricardo Arjona vocals]), Dae Bennett (lead vocals) and Phil Ramone
editor:
Ricardo Arjona
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
additionally recorded at:
La Isla Studios in Guatemala (lead vocals)
mixed at:
Bennett Studios in Englewood, New Jersey, United States
recording of:
I Wanna Be Around (Tony Bennett dual language arrangement)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
translator:
Ricardo Arjona
publisher:
WB Music Corp. (1929–2019)
arrangement of:
I Wanna Be Around
Tony Bennett duet with Ricardo Arjona43:01
11Rags to Riches
recording engineer and mixer:
Dae Bennett
producer:
Dae Bennett (lead vocals) and Phil Ramone
bass:
Paul Langosch
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
mixed at:
Bennett Studios in Englewood, New Jersey, United States
recording of:
Rags to Riches (Tony Bennett dual language arrangement)
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
translator:
Edgar Barrera (Edgar I. Barrera) and Andrés Castro
publisher:
J&J Ross Music, Lakshmi Puja Music Ltd. and Songwriters Guild of America
arrangement of:
Rags to Riches
Tony Bennett duet with Romeo Santos2:41
12Return to Me (Regresa a mí)
recording engineer:
Dae Bennett and Josafat Neri (Mexican engineer)
engineer:
Pedro Ramirez Velazquez (task: production)
producer:
Dae Bennett (lead vocals), Francisco Javier Ramírez López and Phil Ramone
mixer:
Dae Bennett
editor:
Edson Ramírez
guitar:
Erick Mora
guitarrón mexicano [guitarrón]:
Bernardino Santiago (guitarrón player)
strings:
Camerata de Lorenzo González
trumpet:
José Ramírez (Mexican trumpeter) and Manuel Valle
vihuela:
Guadalupe Alfaro
recorded at:
Vicente Fernández’s Ranch in Guadalajara, Jalisco, Mexico
mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Return to Me (Regresa a mí)
writer:
Daniel DiMinno (American composer, lyricist, author) and Carmen Lombardo
translator:
Mario Molina Montes
publisher:
Southern Music Pub. Co., Inc. ((ASCAP) tradename Peermusic)
Tony Bennett duet with Vicente Fernández3:48

Credits

Release

recorded in:Fort Lauderdale, Florida, United States
art direction:Josh Cheuse
photography:Rubén Martín
miscellaneous support:Danny Bennett (task: management)
Jill Dell’Abate (producer, coordinator) (task: production manager and contractor)
assistant engineer:Aki Nishimura (engineer)
Joe Vilicic
Charlie Kramsky
Tim Marchiafava
Mike Bauer (engineer)
sound engineer:Tom Young (engineer)
executive producer:Danny Bennett
producer:Phil Ramone
recording engineer:Dae Bennett
orchestrator:Jorge Calandrelli
mastering:Bob Ludwig (mastering engineer)
conductor:Jorge Calandrelli
Lee Musiker
distributed by:Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
copyrighted (©) by and phonographic copyright (℗) by:Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2012)
recorded at:Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
Ben Folds Studio (Nashville) in Nashville, Tennessee, United States
Bennett Studios in Englewood, New Jersey, United States
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
Cutting Cane Studios in Davie, Florida, United States
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States
Vicente Fernández’s Ranch in Guadalajara, Jalisco, Mexico
mastered at:Gateway Mastering in Portland, Maine, United States
Discogs:https://www.discogs.com/release/16988361 [info]