The Most Essential Classical Music in Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#	Title	Artist	Rating	Length
1	Also sprach Zarathustra, op. 30: I. Einleitung orchestra: SWR Sinfonieorchester Baden‐Baden und Freiburg (SWR Baden-Baden and Freiburg Symphony Orchestra) conductor: Ferdinand Leitner (conductor) recording of: Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) composer: Richard Strauss (German composer) (in 1896) publisher: Peters Edition Ltd.	Richard Strauss		1:32
2	Goldberg-Variationen, BWV 988: Aria piano: Nodar Gabunia (piano) recording of: Goldberg-Variationen, BWV 988: Aria (FIRST movement) (in 1996) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Notebook for Anna Magdalena Bach (1725) (number: 26) part of: Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)	Johann Sebastian Bach		2:15
3	Carmina Burana: Fortuna Imperatrix mundi: Ⅰ. O Fortuna choir vocals: Simi Studio Choir orchestra: Georgian SIMI Festival Orchestra and Тбилисский симфонический оркестр (Tbilisi Symphony Orchestra) conductor: Evgeny Vovkushansky and Джансуг Кахидзе (Jansug Kakhidze, conductor) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:35
4	An der schönen blauen Donau, op. 314 (excerpt) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir John Pritchard (conductor) partial recording of: An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) premiered in: Wien (Vienna), Austria (on 1867-02-15) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 314)	Johann Strauss II		6:35
5	Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro orchestra: Slovenská filharmónia (Slovak Philharmonic) conductor: Zdeněk Košler (conductor) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		7:59
6	Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		2:20
7	Cavalleria rusticana: Intermezzo orchestra: The London Symphony Orchestra (London Symphony Orchestra) conductor: Philip Gibson (conductor) recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (composer & conductor) (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni		3:29
8	Toccata und Fuge d-Moll, BWV 565 organ: Klemens Schnorr (organist) pipe organ: Klemens Schnorr (organist) (in 1988) recorded at: Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1988) recording of: Toccata und Fuge d-Moll, BWV 565 (in 1988) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)	Johann Sebastian Bach		8:54
9	Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio orchestra: New York Philomusica Chamber Ensemble conductor: A. Robert Johnson (conductor, NY Philomusica) recording of: Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio composer: Wolfgang Amadeus Mozart (classical composer) (in 1781) part of: Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”	Wolfgang Amadeus Mozart		5:44
10	Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento piano: Abbey Simon (pianist) recording of: Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento (ended) composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1839) part of: Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”	Fryderyk Chopin		9:04
11	Rigoletto: Atto III. "La donna è mobile" (Duca) orchestra: Nürnberger Symphoniker (Nuremberg Symphony Orchestra, the real orchestra) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) recording of: Rigoletto: Atto III. “La donna è mobile” (Duca) composer: Giuseppe Verdi (Italian opera composer) (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III	Giuseppe Verdi		2:11
12	Le nozze di Figaro, K. 492: Overture orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Sir Edward Downes (conductor) recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)	Wolfgang Amadeus Mozart		4:00
13	Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) orchestra: Capella Istropolitana conductor: Vlastimil Horák (conductor) recording of: Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) composer: Luigi Boccherini (Italian composer) (in 1771) part of: Quintet in E major, G. 275, op. 11 no. 5	Luigi Boccherini		3:50
14	Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato orchestra: Tbilisi Symphony Orchestra conductor: Djansug Kakhidze (Jansug Kakhidze, conductor) recording of: Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato composer: Franz Schubert (composer) (in 1822) part of: Symphony no. 8 in B minor, D. 759 “Unfinished”	Franz Schubert		11:27
15	Concerto In D Minor for Oboe and Strings: II. Adagio oboe: Helmut Hucke (oboist) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Paul Angerer (conductor)	[unknown]		3:41
16	Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo orchestra: SWR Sinfonieorchester Baden‐Baden und Freiburg (SWR Baden-Baden and Freiburg Symphony Orchestra) conductor: Peskó Zoltán (conductor) recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo composer: Béla Bartók (composer) (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók		7:02
17	Adagio for Strings orchestra: New Zealand Symphony Orchestra conductor: Andrew Schenck (conductor) recording of: Adagio for Strings orchestrator: Samuel Barber (American composer) (in 1938) composer: Samuel Barber (American composer) (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05) premiered at: [radio broadcast] (1938-11-05) publisher: Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber		9:03
18	Quintett A-Dur, D. 667 „Forellenquintett“: II. Andante instruments: Rochester Chamber Players recording of: Quintett A-Dur, D. 667 „Forellenquintett“: II. Andante composer: Franz Schubert (composer) (in 1819) part of: Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")	Franz Schubert		7:02
19	Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam producer: Max Wilcox (engineer/editor/producer) orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: David Parry (conductor) recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Gustav Mahler		12:04
20	Finlandia, op. 26 orchestra: Cincinnati Pops Orchestra conductor: Erich Kunzel (conductor) recording of: Finlandia, op. 26 (for orchestra) premiered in: Helsinki, Uusimaa, Finland (on 1900-07-02) composer: Jean Sibelius (Finnish composer) (in 1899) revised by: Jean Sibelius (Finnish composer) (in 1900) premiered at: Konsertti (1900-07-02) publisher: Breitkopf & Härtel (in 1905) part of: Works of Jean Sibelius by opus number (number: op. 26) version of: Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes	Jean Sibelius		7:30
21	Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air orchestra: Mainz Chamber Orchestra conductor: Günter Kehr (conductor and violinist) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		5:36
22	Die Walküre: Walkürenritt orchestra: Губернаторский симфонический оркестр Санкт-Петербурга (St. Petersburg Radio & TV Symphony Orchestra, St Petersburg Radio & TV Orchestra) conductor: Станислав Горковенко recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Richard Wagner		5:35
23	Ein Sommernachtstraum, op. 61 no. 7: Hochzeitsmarsch: Allegro vivace orchestra: Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) conductor: Theodore Bloomfield (US 20th century conductor) recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		5:07
24	Guillaume Tell: Overture (excerpt) orchestra: Tbilisi Symphony Orchestra conductor: Djansug Kakhidze (Jansug Kakhidze, conductor) partial recording of: Guillaume Tell : Ouverture (William Tell: Overture) composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy part of: Guglielmo Tell (italian version by Calisto Bassi) part of: Guillaume Tell	Gioachino Rossini		3:06
25	A Night on Bare Mountain orchestra: Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra) conductor: Leonard Slatkin (conductor) recording of: A Night on Bare Mountain (orchestrated by Stokowski) orchestrator: Leopold Stokowski (conductor) composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) is based on: Une nuit sur le mont chauve: Fantaisie pour l'orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov)	Модест Петрович Мусоргский		11:09
26	The Year 1812, Festival Overture in E-flat major, op. 49 orchestra: Utah Symphony conductor: Maurice Abravanel (conductor) recording of: The Year 1812, Festival Overture in E-flat major, op. 49 premiered in: Moscow, Russia (on 1882-08-20) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11) part of: The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49) is based on: Боже, Царя храни! (God Save the Tsar!) quotes music from: Troparion of the Holy Cross quotes music from: La Marseillaise (national anthem of France) quotes music from: Боже, Царя храни! (God Save the Tsar!)	Пётр Ильич Чайковский		15:43
27	Canon and Gigue in D major, T. 377: I. Canon orchestra: The Westwind Ensemble recording of: Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon) composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, P. 37, T. 337	Johann Pachelbel		5:20
28	Hungarian Rhapsody no. 2 in C-sharp minor, S. 244 no. 2 orchestra: Cincinnati Pops Orchestra conductor: Erich Kunzel (conductor) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version) composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: 19 Hungarian Rhapsodies, S. 244 / R. 106	Franz Liszt		9:46
29	String Quartet in F major: II. Assez vif - Très rythmé string quartet: Trávníček Quartet recording of: String Quartet in F major: II. Assez vif - Très rythmé composer: Maurice Ravel (French composer) (from 1902 until 1903) part of: String Quartet in F major	Maurice Ravel		5:51
30	Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile piano: Vakhtang Kakhidze (composer and conductor) orchestra: Tbilisi Symphony Orchestra conductor: Djansug Kakhidze (Jansug Kakhidze, conductor) recording of: Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile composer: Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18) part of: Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)	Сергей Васильевич Рахманинов		3:04
31	Suite bergamasque, L. 75, CD 82a, pour piano : III. Clair de lune piano: Peter Frankl (pianist) recording of: Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) composer: Claude Debussy (French composer) (from 1890 until 1905) part of: Classic 100: Piano (2004) (number: 3) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy		4:55
32	Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro orchestra: Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) conductor: Jörg Faerber (conductor) and Günter Kehr (conductor and violinist) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)	Johann Sebastian Bach		6:40
33	Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto violin: Pavel Popov (violinist) orchestra: Philharmonica Symphony Orchestra and St. Petersburg Radio and TV Orchestra (St. Petersburg Radio & TV Symphony Orchestra, St Petersburg Radio & TV Orchestra) conductor: Станислав Горковенко and Igor Ivanenko recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi		2:51
34	Symphony no. 5 in C minor, op. 67: I. Allegro con brio orchestra: Junge Süddeutsche Philharmonie Esslingen (in 1990-05) conductor: Bernhard Güller (German conductor) (in 1990-05) recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1990-05) composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		7:35
35	Turandot: Atto III, Scena I. Aria "Nessun dorma" (Calaf) tenor vocals: Andrej Kucharský orchestra: Filharmonie Brno conductor: J. Stých recording of: Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) composer: Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03) librettist: Giuseppe Adami and Renato Simoni publisher: Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher) part of: Turandot: Atto III (Turandot: Act III)	Giacomo Puccini		2:50
36	Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude cello: Gaspar Cassadó (Spanish cellist and composer) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)	Johann Sebastian Bach		2:35
37	Solomon, HWV 67: Act III. Sinfonia "The Arrival of the Queen of Sheba" orchestra: Ensemble Collegium Musicum (German orchestra) conductor: Arnold Kaz (Arnold Katz) recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” composer: George Frideric Handel (German‐British baroque composer) (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain) part of: Solomon, HWV 67: Act III	George Frideric Handel		3:19
38	L'Apprenti sorcier orchestra: London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) conductor: Hugo Rignold (conductor) recording of: L’Apprenti sorcier (The Sorcerer's Apprentice) composer: Paul Dukas (French composer) (from 1896 until 1897) part of: Fantasia (Disney soundtrack)	Paul Dukas		11:05
39	Funeral Music on the Death of Queen Mary: I. March, Z. 860 brass: Philip Jones Brass Ensemble recording of: Funeral Music on the Death of Queen Mary: I. March, Z. 860 composer: Henry Purcell (Baroque composer) part of: Music for the Funeral of Queen Mary, Z. 860	Henry Purcell		1:36
40	Il barbiere di Siviglia: Sinfonia orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) recording of: Il barbiere di Siviglia: Sinfonia composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Gioachino Rossini		7:06
41	Messiah, HWV 56: Part II, no. 44. “Hallelujah” (Chorus) choir vocals: Atlanta Symphony Orchestra Chamber Chorus orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		3:32
42	Orphée aux Enfers: Acte II, Scene 2. Galop Infernal ("Can-can") orchestra: St. Petersburg New Philharmony Orchestra conductor: Александр Титов (Alexander Titov, conductor) recording of: Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”) composer: Jacques Offenbach (German-French composer, cellist and impresario) part of: Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)	Jacques Offenbach		2:12
43	Sylvia - Suite: III. Pizzicati orchestra: Nürnberger Symphoniker (Nuremberg Symphony Orchestra, the real orchestra) conductor: Räto Tschupp (conductor) recording of: Sylvia: Ballet Suite: III. Pizzicati composer: Léo Delibes (French composer) (from 1876 until 1880) arrangement of: Bake Sale part of: Sylvia: Ballet Suite	Léo Delibes		2:37
44	La gazza ladra: Overture orchestra: Hermitage Museum Orchestra conductor: Станислав Горковенко recording of: La gazza ladra: Ouverture (The Thieving Magpie: Overture) composer: Gioachino Rossini (composer) (in 1817) librettist: Giovanni Gherardini part of: La gazza ladra part of: The Thieving Magpie (English version by Sams)	Gioachino Rossini		10:50
45	Ellens Gesang III, op. 52 no. 6, D. 839 "Ave Maria" piano: Eileen Flissler (pianist) violin: Aaron Rosand (violinist) recording of: Ave Maria, D. 839 (Schubert; catch-all for arrangements) composer: Franz Schubert (composer) (in 1825) arrangement of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)	Franz Schubert		5:05
46	Spartacus: Adagio of Spartacus & Phrygia orchestra: Sofia Radio Symphony Orchestra and Софийски симфоничен оркестър conductor: Ivan Marinov (conductor) recording of: Spartacus: Adagio of Spartacus & Phrygia composer: Aram Khachaturian (Soviet-Armenian composer) (in 1955) part of: Spartacus, op. 82	Արամ Խաչատրյան		9:31
47	Adagio for Strings and Organ in G minor orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni (Italian Baroque composer) publisher: Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)	Remo Giazotto		6:51
48	La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) violin: Tamás Batiashvili orchestra: Губернаторский симфонический оркестр Санкт-Петербурга (St. Petersburg Radio & TV Symphony Orchestra, St Petersburg Radio & TV Orchestra) conductor: Станислав Горковенко recording of: La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La traviata: Atto I (La traviata: Act I)	Giuseppe Verdi		3:10
49	Rhapsody in Blue piano and solo piano: Jeffrey Siegel orchestra: Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra) conductor: Leonard Slatkin (conductor) recording of: Rhapsody in Blue (standard 1942 orchestration) orchestrator: Ferde Grofé (pianist, arranger, conductor and composer) (in 1942) composer: George Gershwin (composer) (in 1924) publisher: Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label) part of: Classic 100: Feel Good (2024) (number: 5) revision of: Rhapsody in Blue (original 1924 jazz band version, less often performed)	George Gershwin		17:57

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The Most Essential Classical Music in Movies

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